REVIEW: Freiheit! (2021)

A graphic novel by Andrea Grosso Ciponte

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

There’s a tendency, in World War II scholarship, to almost entirely concentrate on Hitler and the battles of the war, keeping some of the more human aspects of the war in the background. Even the Holocaust is usually spoken about in vague terms if its not explicit something like a diary or journal of one the victims. Something I knew almost nothing about, prior to this book, were internal German resistance groups. I knew they absolutely had to be a thing, but seeing as they did not overthrow Hitler on their own, it’s usually relegated to a footnote in many books. The White Rose was one such group, and this graphic novel tells their tragic story.

With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist? The university students who formed the White Rose, an undercover resistance movement in Nazi Germany, knew that doing so could cost them their lives. But some things are worth dying for. The White Rose printed and distributed leaflets to expose Nazi atrocities and wake up their fellow citizens. The Gestapo caught and executed them. Sophie Scholl was twenty-one; her brother Hans, twenty-four; Christoph Probst, twenty-three; Alexander Schmorell and Willi Graf, twenty-five. But the White Rose was not silenced. Their heroism continues to inspire new generations of resisters. Now, for the first time, this story that has been celebrated in print and film can be experienced as a graphic novel. Italian artist Andrea Grosso Ciponte’s haunting imagery will resonate with today’s students and activists. The challenges they face may vary, but the need for young people to stand up against evil, whatever the cost, will remain.

Description

The story in Freiheit! is told largely from the point of view of Sophie Scholl, who has become disillusioned with the government of Germany due to their strong-arm policies and mistreatment of Jews. Prior to the events of the book, her brothers were arrested by the Gestapo, setting in motion their membership into an underground resistance movement of intellectuals that produced subversive pamphlets calling the Nazi leadership into question. One nice touch, is that translations of these documents are included in the book.

The art style and overall composition by Andrea Grosso Ciponte was very moving and vibrant despite the book’s muted color palette. Each panel, even the most subdued, is treated like a scene in a film – interesting transitions, camera angles, and blocking are all well-done. It gives this book a VERY cinematic feel.

I enjoyed this a lot, and plan to look at some other books by the same publisher pretty soon. The book has served it’s purpose of making me interested in The White Rose, and I may also look into a book about the Scholl siblings at some point. Having historical documents in the back of the book was a great touch, and immediately elevates this to the status of being a teaching tool. I once took a class in college about The Holocaust, and I honestly really wish this was out at that time. This would have been a great story to share with my class. Solid book, definitely recommended.

REVIEW: Haru’s Curse (2021)

A Manga by Asuka Konishi

Cover

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

Natsumi’s little sister Haru was her whole world—and now she’s gone. After the funeral, Natsumi reluctantly agrees to date her sister’s fiancé Togo. But as their relationship develops with the passing seasons, Haru’s memory lingers over them like a curse. Asuka Konishi’s English-language debut is a nuanced and affecting portrait of the conflict between romantic and familial love, and of the hard choices that face us all in making our lives our own.

Description

I usually stay clear of romance manga because its generally childish, basically pornography for men, or entirely comprised of slapstick comedy, usually taking place in high school, and is so far distanced from my life that its like me watching Disney Channel sitcoms meant for children. I gravitated towards reading Haru’s Curse for two reasons: I love atypical art styles in anime/manga, and the description sounded mature and somewhat thrilling for a romance manga.

The art style thing comes from my distaste of how most anime has looked for the last decade or so, I’ll likely upset people here, but I feel most of the Moe Manga boom from 2008 onwards looks the same and tells the same stories, and this style has infiltrated just about every non-shonen property. The tall, angular art style in Haru’s Curse reminds me of CLAMP or its derivatives upwards of 20 years ago. I love it when manga artists are willing to move away from the stylistic norm, even if it’s a throw-back of sorts. Usually, to me, its a sign of quality. and it definitely was.

Internal page

Storyline-wise, the way Asuka Konishi writes is refreshing. Most romance manga follow the tried-and-true cliched plot of 1) girl lusts over dreamy and brooding guy 2)he has mysterious past 3) they go headlong into love 4) some obstruction gets in the way 4) they work through it and are together, or in some cases the main characters die etc. It gets tiresome and seems too formulaic. This story is somewhat flipped on its head as it jumps point of view a few times, even telling the story from the male protagonist’s POV a few times. The couple in question only start “dating” as some sort of mourning for Natsumi’s younger sister Haru, who has died of cancer. Once they meet a requirement of her proposal, that Togo takes her to all the places that he enjoyed with Haru, their relationship abruptly ends. Or at least, that’s what they think. I don’t plan to spoil everything, don’t worry!

All of the main characters are written as real people, none are “Mary-Sue” perfect people, and each has flaws. Seeing the story from all points of view was great, and gave depth to everyone. This comic deals with issues like arranged marriages, familiar pressure, and even Japanese societal norms that really leaves you on the edge of your seat like any good drama would. I don’t normally say this about this genre, but I think this has been my favorite manga of the year so far, and I will try to find a way to read the author’s previous work, Raise wa Tanin ga Ii (something like: I’d Prefer It If We’re Strangers in Our Next Life).

Cells at Work! Baby 1 (2021)

A graphic novel by Yasuhiro Fukuda

Cells at work! is one of those little surprises I found last year when I was still subscribed to Kindle Unlimited. While seemingly every new manga coming out is some sort of isekai story – the plot of Cells At Work! was rather refreshing despite its simplicity. The main series told the story of the relationship between a lowly red-blood cell and her budding relationship with a heroic white blood cell while they go about their lives trying to keep their home healthy. The way biological functions were realized on an anthropomorphized scale was cool, and vaguely educational. I later found some of the spin-off works such as Code Black (which was gender swapped and dealt with a destructive person heavily drinking and such), and enjoyed them as well. This is the first time I’ve heard of this detour from the main story- and I’m pretty excited as we now have cells living inside a baby:

BEING A BABY IS HARD WORK! Join these cute baby cells as they work hard within their tiny body! A mini-Red Blood Cell picks up oxygen from the helpful ladies at the Placenta, and meets a White Blood Cell for the first time, in this adorable spinoff of Cells at Work! But when tremors begin to shake their world, they’ll need to consult the Gene Library to find out what’s going on! Could this be…a contraction? And might their body soon have to…fend for itself?!

Official description

This book still tells the story of a Red Blood Cell, however rather than seeing her task of delivering oxygen throughout the body as some sort of delivery job ala the Post Office, this book starts out in a pre-school setting sort sorts with all of the Red Blood Cells first learning how to deliver it then transitions to the setting we’re all used to. The story takes us from forty weeks into the pregnancy, to the birth, and finally into some situations a baby might have in their small life such as removal of the umbilical cord, eating for the first time, and the lungs being filled with fluid etc. This all leads up to a viral attack, and the introduction of fan favorites – The White Blood Cells, this time in chibi form. We see this through the relationship between Red Blood Cell and her big brother that watches over her, and keeps her out of trouble (or at least he tries).

Interior art

I will give this book props for not just being a total rehash of previous books with chibi characters, or a book with wall-to-wall jokes. I’m thinking of the Attack On Titan spinoff set in a school, and how awful it was. This stands on its own, and honestly is paced largely the same as the other books, it just has a different setting an somewhat different characters.

I enjoyed this book a lot, and it is a great volume in the ever-growing Cells at Work! saga. Honestly, I think the only thing left for them to do would be a animal version of it, or something about viruses (they did bacteria already I suppose). We’ll see where it goes I guess. If you like Cells at Work! you will enjoy this, if are not familiar with what this is all about, it stands on its own for the most part and could be read without prior knowledge of the other books. Definitely, a recommendation.

REVIEW: Manga Classics – Romeo and Juliet (2018, 2020)

An adaptation of the 1597 Classic by Stacy King, Crystal S. Chan, and Julien Choy

Romeo and Juliet: Manga Classics

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

This is the second book by Manga Classics that the gracious folks over at that company were nice enough to let me peruse, with the first Being The Count of Monte Cristo. I won’t bore everyone re-treading the same pre-amble as with that review, but I will summarize that I very much enjoyed that edition, and love the idea behind the whole initiative – an attempt to get kids and younger adults to get into classic literature without throwing huge 800 page tomes their way. I felt the respect for the source material was, perhaps, one of the best things about that book – as it avoided the many pitfalls others have fallen into making “manga versions” of things when they were not, in fact, a part of the Japanese manga (comic book) scene.

Romeo and Juliet is the classic tragedy of western literature. Created by William Shakespeare, it is tale of two very young lovers from Verona, Italy who defy the wishes of their feuding families, get married then, and tragically, end their own lives in the name of love. It is their deaths that ultimately help the rival families of the Capulet’s and Montague’s find reconciliation. Manga
Classics brings an incredible new reading experience with this adaptation of Shakespeare’s most popular and frequently performed plays: Romeo and Juliet.

Manga Classics product page
Romeo and Juliet | Ch01 Pg04

Going into this book, I was somewhat worried, as the Count of Monte Cristo is largely available in Modern English readily, whereas any adaptation of a Shakespeare play has a choice – keep the archaic, yet poetic language of the original play, or adapt it into modern language and perhaps lose some of the wordplay and witty dialogue. I was pleasantly surprised to see that the dialogue was largely left intact from the source material, albeit cleaned up a tad. While this could make it hard to read for some folks, this would make it a great source to help one’s understanding of the language in the actual book – I recall occasionally using a supplementary Cliff notes book in high school whenever doing a Shakespearean assignment (I was big on British Lit back then) – honestly this would have been way better.

The art style is clean, well done, and consistent with many shoujo comics of the near past without losing itself to modern clichés. I personally love the manga style from the middle to late 90’s, so I especially liked this one. I will say that, of the two, I preferred the Count of Monte Cristo a bit more, but that could be that I’ve read Romeo and Juliet so many times that it does not hold the same “oomph” as it once dead, whereas I’ve never fully read The Count. All-in-all, still a solid read and a great addition to anyone’s manga or classical literature library. As I said in my previous review – Schools and libraries should really look into getting a ton of these, you’d probably be surprised how popular they’d be.

REVIEW: Tankies (2021)

A graphic novel by Garth Ennis, Carlos Ezquerra, Hector Ezquerra, Tony Avina and Simon Bowland.

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

I’ve been a fan of Garth Ennis for a while, and while I definitely enjoy his classics such as Preacher or The Boys, I have grown very fond of his lesser-known military-themed books ever since I did a promotion a while back and inquired a whole slew of Battlefields books. When I saw that this volume was available, I jumped at the chance to check it out. I think the one thing I appreciate the most about these books is that, while definitely casting The Allies as heroes in most books, he doesn’t pull punches. Bad things happen in war, and its important to show that – for far too long we’ve been fed a steady stream of overly-patriotic Captain America vs Hitler stories, completely undermining the fact that war is horror-incarnate. Ennis excels at showing the human side of war, and the toll it takes.

After D-Day the largely untried Allied armies meet their seasoned German counterparts on the killing grounds ofBocage country. As Panzers and SS units turn the French hedgerows into a slaughterhouse, a lone British tank crew struggles to rejoin their squadron. Their only hope lies in their commander, Corporal Stiles—but does even this wily old trooper stand a chance against the infamous Tiger? Newly promoted but just as angry, Sergeant Stiles enters the battle for Germany in command of a Sherman Firefly—capable of taking out any tank thus far encountered. Unfortunately, the enemy have a new tank of their own, the mighty “King Tiger,” with twice the firepower of the original. As Stiles and his men join the Allied advance into the Nazi homeland, they find worse horrors than Tigers lurking in the German twilight.

Book description

This volume is comprised of nine comics, grouped into three separate story-arcs in the life of Sergeant Stiles, a tough as nails tank commander from Newcastle that has seen it all in the world of mechanized combat and is one of the few who has lived to tell the tale. Usually lamenting on the poor state of British tank engineering in the face of ever increasing mechanical brutality from Germany, Stiles is well respected despite his Geordie accent being a focal point of mocking. One little tidbit I enjoyed was that we learn Stiles is Pagan when they were forced to shell a German church, makes me like him even more.

The third section takes place during the Korean War, which I am glad to see. My Grandfather served in that war, and I always think it gets largely ignored by just about everyone, so seeing it here was awesome. It was crazy to see the shift in battlefield tactics. German tank commanders in parts one and two almost seem aristocratic and machine-like vs the relentless hordes of Chinese soldiers they come across in Korea. Men climbing on the tanks, trying to drop bombs in the engines, doing suicidal attacks. Sheer insanity I can imagine.

Carlos Ezquerra (1947–2018) was the artist for this series, and I have seen him do the pencils for much of Ennis’s war books – he’s great at the technical side of historical aircrafts, tanks, guns etc, as well as depicting humans and the actions of war. When I saw that the book was dedicated to him, I was sad as he was always a n artist I looked forward to seeing in this genre. Best known as one of the original creators of Judge Dredd, Ezquerra will be VERY missed.

This was a great book, and any fan of war comics, history, or honestly anyone into comics at all should check out. Stiles is a great character, and I’d love to see him pop up again, although I’d imagine this will be all as it ends in a decent spot. I loved the afterward, which is a lengthy essay detailing where some of the ideas for the book came from, you can tell Ennis is interested in teaching history here, and as a history buff, I loved it.

REVIEW: Teddy (2021)

A Graphic Novel by Laurence Luckinbill; Adapted by Eryck Tait

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

July 1918. Preparing to speak to an eager audience, 61-year-old Teddy Roosevelt receives the telegram that all parents of children who serve in war fear most: His son Quentin’s plane has been shot down in a dogfight over France. His fate is unknown. Despite rising fear for his youngest son, Teddy takes the stage to speak to his beloved fellow citizens. It is, he says, “my simple duty.” But the speech evolves from politics and the war, into an examination of his life, the choices he’s made, and the costs of his “Warrior Philosophy.”

Official description

Teddy Roosevelt is one of those Presidents that comes to mind when one thinks about the great orators that we have had in the past in that very office. I won’t get too political here, but recent events in the political world make me look back at old speeches and feel some weird sense of nostalgia for a time that is WAYYYY before my time – a time when The President was remarkable and gave intellectual lectures as speeches rather than ridiculous messes designed for sound-bites. This graphic novel, about Theodore Roosevelt, encapsulates this very well as it showcases a oration by Roosevelt that is intertwined with biographical information.

Despite being a history major, I am not 100% certain that this was an actual speech or if its pieced together from various speeches and ideas that Roosevelt espoused. Either way, the storytelling here is remarkable. The speech is right after Teddy has learned that his son is missing fighting Germans during WWI – he was told that giving a speech in his state of mind was likely a bad call, but he does it anyway. He talks about his rough upbringing as he was very sickly as a child. It was only through sheer perseverance and respect for his father that he was able to largely overcome most of his ailments or at least learn to keep them at bay.

Interior page

Giving the speech as a former President, Roosevelt lashes out at President Woodrow Wilson, the man that unseated his chosen successor William Howard Taft, and himself when he attempted to run for a third term. Wilson is accused of causing deaths of many (including Teddy’s soon, not confirmed dead at this point) and paving the way for German domination of the world. The speech is fairly “hawkish” and really shows the mindset America was in at the time. The speech is peppered with an overview of Teddy’s life, and what it means to be a real patriot as well as other themes.

I absolutely loved the story here, and despite being skeptical of the format initially, it works very well. The art style, minimalist with blacks and blues, is great and not something you see too often. I’d love to see more of these made from other well-known speeches in the future. This is honestly a great book, as one could toss this into a school library or assign it as a class project, and I think kids would really gain a bit of extra understanding that merely just reading a speech or textbook does not allow. Definitely recommended!

REVIEW: Black Star (2021)

A graphic novel by Eric E. Glover (Author), Arielle Jovellanos (Illustrator)

Black Star by [Eric E. Glover, Arielle Jovellanos]
Cover via Amazon

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

I wasn’t sure what I was getting into when I was awarded a review copy of Black Star. The plot was intriguing, but I was und=familiar with the creative team, so I had no idea what to expect. What Black Star is, is a solid debut for Eric Glover, one would never guess that this was his first foray into comic writing (granted, this was originally a screenplay) by what we have here.

[…] In order to retrieve samples of an alien flower that may hold the key to saving countless lives, Harper North and her crew of scientists must journey to Eleos, a dangerous planet in deep space. But as they approach Eleos, their ship is caught in an asteroid storm and as it hurtles towards the surface, its reserve shuttle detaches, landing over 100 kilometers away. When the rest of the crew perishes in the burning wreckage of the ship, North races towards the rescue shuttle built for one, hoping to fulfill their mission and survive.  But North isn’t alone: The team’s wilderness expert is still alive and hell-bent on hunting North down and claiming the shuttle for herself.

Press synopsis excerpt

It’s hard to talk about this without giving away tons of spoilers, so I will attempt avoid that. This is an unconventional disaster story of sorts – a survival story akin to Lord of the Flies, in that the protagonists are not necessarily “good guys”. Perhaps the strongest thing about Black Star is its emphasis on moral ambiguity. This is the story of people doing things they need to do in order to survive. Sometimes that means making tough decisions and hurting others, selflessness is not always an option if you believe your own survival is the key to saving the world. That also comes with a burden, can one live with their choices if bad things are done?

There is a point in the book where one of the characters actions was pretty upsetting, I realized that they had basically “turned heel” entirely – their actions are rough to witness and really make you question if, in the same shoes, a sane person could go through with such an act.

All-in-all, Black Star has really put Eric E. Glover and Arielle Jovellanos on my radar. If this doesn’t get picked up as a film, I’m hoping this is successful and they continue in the comics industry. Not only is the story interesting, but it avoids cliches in a lot of comics. The story structure almost reminds me of European comics, such as ones found in Metal Hurlant and Humanoids to name a few. The storytelling has a darker edge, and doesn’t feel the need to have “a happy ending” for the sake of it. I would definitely recommend this book.

REVIEW: Manga Classics – The Count of Monte Cristo (2017, 2020)

An adaptation of the 1884 Novel by by Stacy King , Nokman Poon, and Crystal S. Chan.

The Count of Monte Cristo
The cover

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

There’s always a tendency for companies to fall back on classical media and attempt to market it to youths in questionable ways: by making it modern, changing the setting, or re-writing it entirely. Sometimes this works great, I would say that the 1996 Baz Luhrmann adaptation of Romeo & Juliet was both very enjoyable and fairly true to the original story despite a modern setting, but you also run the risk of making films like 2006’s children’s film Romeo & Juliet: Sealed With A Kiss, wherein everyone was replaced by anthropomorphized seals and any sort of tension was removed entirely to be replaced with jokes. Today, we aren’t talking about films, but a company called Manga Classics that has waded heavily into an attempt to market classical literature to fans of Japanese Comic books or Manga and one of their books I just finished. The following is an excerpt from the Company’s website:

Intended for a young adult audience, Manga Classics™ are just as likely to be enjoyed in the reader’s free time as in the classroom.  The gripping and intense story and the lush artwork will place them easily alongside today’s bestselling popular manga, with strong and accurate adaptations that will please even the toughest teacher or librarian!  Manga Classics are also a wonderful way for adult readers to rediscover their favorite classics, or experience them for the first time!

https://www.mangaclassics.com/

Luckily, this endeavor seems to have been rather successful to me (at least), as I just finished an edition of Alexandre Dumas’ The Count of Monte Christo and thoroughly enjoyed it. I think this initiative is successful for many reasons, but chiefly it’s because it respects the material and avoids the failures of other companies that attempt to make a “manga version” of a property i.e. overly sexualized, overly cartoonish, constant slapstick humor, making things pseudo-Japanese (in a racist way, usually written by Non-Japanese) etc. It’s hard to express exactly why a lot of this misses the mark so bad, but things like “The Marvel Mangaverse” was a champion of this misguided approach for all those reasons. People always forget that Manga/anime is a medium, NOT a genre – any attempt to have it as such always blows up.

Count of Monte Cristo | Ch01 Pg22
Interior page

If you have never read the story or seen an adaptation of this story, it follows a young man named Edmond Dantès that seems to have it all, a promising new career, and beautiful fiance and wedding planned, and an ability to finally repay his friends and family for helping him in his success. Unfortunately, he has come into contact with men that want no more than to commit a total miscarriage of justice to falsely imprison Edmond out of jealousy. One man desires his job, one his wife, and one needs a fall man to protect his own family from treason allegations. After 14 years Dantès is able to escape, and becomes wealthy setting his plan in place – REVENGE.

This edition of The Count of Monte Christo is VERY accurate to the source material, it is cleaned up into modern language a bit, but for the most part, it hits every beat that Dumas intended. There are a few differences between the book and its source material, but the book has a handy section explaining these alterations and why they were made. I appreciated this addition quite a bit.

 The original book of The Count of Monte Christo is somewhere around 700 pages long, and takes an insane amount of time to read. This book, however can be kicked back in a few hours which is a great incentive to look into these- not only for young readers that may be intimidated by such a large book, but people with busy lives, or those that have trouble keeping attention in long books. To me, these are classic stories everyone should know about, and companies like this are doing a great job making this available.

As you can see, I absolutely loved this – the artwork is great, the adaptation is well-written, and the pacing keeps you on the edge of your seat. I will admit, despite being a reader, I ignore books like the source material due to the size most of the time. While, I already know this story and have read parts of the original, this was a great way for me to know what has been left out of various projects. I definitely plan to get more books by Manga Classics – so far this has been my biggest book surprise of 2021.

REVIEW: Don Vega (2020)

A graphic Novel by Alary Pierre

Don Vega by [Alary Pierre]
Cover, via Amazon

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

I am Zorro!

I have recently become a fan of the Pulp character Zorro, with much thanks to the line of comics from Dynamite Comics. Eventually, I plan to read the original serialized novel, but I have read a few things inspired by it already and I’ve loved every minute. For me, Western Comics have become a surprise hit for me, considering its not really a genre I consume too much in any other medium. And of these, Zorro has easily become my favorite. Yes, you could say its more of a swashbuckling adventure, but a lot of it deals with cattle ranching and horse rearing, so I’m sticking to my guns lol.

Pierre Alary has set out to create what I assume is a new generation of Zorro if I recall the original chronology at all. Alta California has fallen, and a new wave of exploitation and evil has befallen the land. Memories of the man once called Zorro, “The fox” , is a distant legend that folks often cling to in order to have hope in a hopeless time. There are a group of farmers that occasionally don the trademark mask, to usually disastrous results. That is, until the “real Zorro” finally returns and begins to make life hard for gold-grubbing career criminals. This is presumably the son of the original Zorro, but it’s left vague enough that I would have to do more research to make 100 percent certain. Considering the time jump, it could even be the third Zorro…

An interior page towards the beginning, one of the “fake” Zorros

In this story, Zorro has been shifted from a Robin hood sort of character to a depiction of chaos and revenge. This Zorro borrows a lot from characters such as V from V for Vendetta, or even Spartacus. He exists as more of an idea, a thing that many people see as the only way to get people to rise up against oppression. As a result, there isn’t just one Zorro, there is a band of Zorros that ultimately help the “real one” in the end. I hope there ends up being a second volume of this, as this idea is the most intriguing part of the story, and I’d love to see how this pans out. Like, who is the leader of these fake Zorros before Don Vega came back? When did it start? who adopted the logo that children are seen painting on walls etc. Many questions that I’d love to see answered.

Due to this being seemingly “part one” of a longer story, it somewhat rushes to the climax at the end, and you really don’t get much characterization for Don Vega. Had there been a longer page-count I could see that this would have been different, but under the circumstance, this was good, and there weren’t any plot holes for the most part. If the author has anything else in English (I presume he is French) I’d love to read it, I see on Amazon, that he has written some Conan stuff, so I’m definitely interested.

All-in-all good entry into the Zorro franchise. Perhaps not perfect, as some ideas were not fully realized, but I enjoyed it a lot and will be patiently hoping for more. If you are a fan of Zorro, or swashbuckling or western comics, I’d definitely recommend this story. it’s an interesting take on the Pulp legend, and keeps you wanting more.

Devilman G: Grimoire Vol 1 (2012)

While Netflix audiences were shocked in 2018 to find a brand-new, shiny Devilman Reboot on their TV, it’s far from the first time that the nearly 50 year old franchise has been repackaged. Today, we will be looking at the first volume of a manga series called Devilman G: Grimoire to see where it stands.

“IT TAKES A DEVIL TO KILL A DEVIL!

When Miki attempts to summon a demon on the roof of her high school, things don’t go quite as planned. Not only does she instigate a vicious massacre, but her friend Akira gets possessed by the legendary demon Amon the Uneater, who annihilates his own kind. As Tokyo’s streets grow bloodier by the day–thanks to invaders from Hell–a demonic demon slayer might be the city’s only hope for salvation.

A modern, ultra-violent spin on the devilish classic by Go Nagai!”

One thing that immediately jumps out at you is that this manga is not a faithful translation of previous versions of the story. For all intents and purposes, this is a sort of an alternative universe using some of the same characters – sort of like the Marvel Ultimate Universe from around a decade ago. In many ways this is refreshing, as it doesn’t seem as dated as something as old as Devilman is can seem, although it also falls victim to a lot of the tropes of manga from 2012 that I was not a fan of – namely the juxtaposition of seemingly juvenile dialog and characters in a manga full f intense gore that was definitely NOT meant for kids.

But before I get into that, I wanted to talk about some stuff I did like. I absolutely loved the idea that the whole concept of the show has origins with the Demon wrangling of Good old King Solomon who is said to have built an enormous temple by enslaving hundreds of demons using a relic called the Ring of Solomon (emblazoned with the seal of Solomon of course). I have yet to read the original manga (yet, as it just got released in English), so I assume this is a new addition. It’s cool to see something like this reference The Ars Goetia as it seems like the concept would go hand-in-hand with something like this, much like how it does when referenced by Shin Megaami Tensei games.

Another thing is that the other characters have been far more fleshed out. Miki, for instance, has been given a lot more to her character than simply being a love interest that eventually gets killed in order to move the story along. She might still end up getting killed for all I know, but I hope that after a complete overhaul, this manga avoids the “fridging” trope that characters like this and Gwen Staacy can never seem to escape. Although, by having Miki 100% tied to the creation of Devilman instead of being somewhat unaware of his connection to Akira – the relationship between the characters has been altered.

By doing this, the series sort of removes the “Doctor Jekyll / Mr. Hyde” secret identity thing from the story-line and instead goes towards a vibe that reminded me of shows like Cardcaptor Sakura or even Parasyte – where a super being is directed by somebody else to fight stuff – this time a novice magic user of sorts.

I mentioned earlier that I wasn’t a fan of some of the dialog in this comic, and a lot of that is because the tone of the writing seems to completely be at odds with the content of the comic. Some of the characters, especially MIki, have this anime trope “DO YOUR BEST!” mentality that I suppose exists in Japan, but comes across really fake and like something you would see in Sailor Moon. Right after this, somebody would get disemboweled in grave detail in such a way that you are both shocked and repulsed. Rui Takato seems particularly obsessed with showing intestines falling out of corpses and female nudity, so be ready for that.

Had this been either a straight superhero comic or a straight horror comic, I think the two sides would have fit better, but there are more volumes ahead so hopefully it falls into place eventually. In saying this, I do like shows like Kill la KIll from Studio Trigger that are vaguely similar in nature to this, so perhaps seeing this in motion would have sharpened the whole thing up for me. Otherwise, who knows, the translation could be wonky to meet demands of comics from that time period.

All-in-all this is a competent comic, but it’s not great….yet. I can see myself warming up to this as it goes, and assume that if I wasn’t already familiar with the franchise, I would enjoy it more. I enjoyed the world building and nods to the classic comics and shows, but wasn’t a huge fan of the dialogue and “tropey” way in which the comic moves.

One thing I forgot to mention is that I absolutely LOVE the retro art-style. While it’s not exactly a 1970’s style, and is different than Go Nagai, it still feels nostalgic and “old school” which is the style I prefer.

Stay tuned for more Devilman goodies this month as it DEVILMAN MONTH on Arcadia Pod!

Devilman-september

Click HERE to see what you missed!

Joey Ryan: Big in Japan (2017)

Another Day, another foray into my stack of wrestling comics I’ve obtained in the past few years but woefully neglected to read for some reason. In the past, and especially in the days when I was a really heavy comic reader, I never really got into wrestling comics simply because they would usually take things far too seriously or end up like the infamous Ultimate Warrior comic book where he ….emmm….does something to Santa Claus. Nowadays, it seems like wrestling comics are thankfully way more fun, much like today’s topic.

Today, we’ll be looking at a comic that came from one of my boxes from Pro Wrestling crate, although I think it was originally produced by Chido comics as a follow up to their successful line of Lucha Underground comics via Kickstarter. You might remember Chido comics was also the company behind the Rey Mysterio comic I’ve done on here in the past.

For those completely unfamiliar with the rise of Joey Ryan’s unique brand of comedy wrestling, I’ll try my best to fill you in a bit. Ryan has had something of a sleazy 70’s pornstar gimmick for a while – he comes to the ring rubbing oil allover his hairy chest while sucking on a lollipop in a suggestive way showing that in his mind at least – he’s a sexy guy that all of the women in the crowd all going to swoon over. But since he’s actually presented like the anti-Rick Rude, it’s mostly people cringing at how creepy he can be.

A few years back, a short clip surfaced online of Ryan using his penis (not really, wrestling’s silly) to flip someone over after they attempted to harm his downstairs neighbor. This, of course, went incredibly viral due to the silliness and absurdity of the “move” and basically changed Ryan’s entire career. Now, he’s managed to even land a sponsorship from a popular online porn company.

Here’s the move in action:

In this post-Kayfabe world of pro wrestling, where despite heckling by diehard MMA guys (You know it’s fake right brah!) – everyone knows exactly what wrestling is, and a gimmick such as this can flourish. In fact, lately it seems like wrestling things that go viral are almost always something intentionally ridiculous, and make somebody what I assume is a pretty good living. they might even get popular enough to appear on National TV wrestling brands such as Impact Wrestling and Lucha Underground, or even get their own comic book!

“Joey Ryan was pro wrestling’s king of sleaze – until five years ago, when a match gone wrong left his tag team partner crippled and one of his opponents dead. Now he spends his days looking for answers at the bottom of bottles in Tokyo bars. But when he hears that his old nemesis is back in town, he decides it’s time to get back in the ring.”

This slideshow requires JavaScript.

This comic is basically a Dark Knight Returns sort of alternate future affair for Mr. Ryan as it’s not a tale of him at his prime vanquishing evil-doers, but a story of a washed up and grizzled Ryan who has abandoned the business due to a horrible tragedy and how he gets back into the ring. It seems that five years prior to this comic, Joey Ryan and his tag partner Candice LeRae (who is not named) were involved in some sort of match where a wrestler was killed and LeRae was horribly injured, Ryan obviously blames himself and has turned into a miserable drunk.

Joey runs into an old friend that has news of his arch nemesis, a huge guy called Butch Satan, and that he has issued an open challenge – Ryan initially refuses to even contemplate wrestling again since the last time, his penis killed a man, but is swayed by promising to do a serious match with no silly gimmicks. Ryan tries to fight a clean fight, but soon realizes that he must use Dong Style one more time to win…

joey ryan big in japan comic 4

This comic is pretty silly, it both takes itself almost too seriously at times, and veers into absurdity at others. it’s because of this that the comic actually reminds me a LOT of a Deadpool book, especially some of the more serious ones before folks thought his catchphrase was “Chimichanga!” which it isn’t you guys. I mean when you have a guy getting advice from a sentient Gummy Bear, which is something that happens in this book, you know it’s a crazy comic. Jamie Jones provides a solid art style and coloring for the book, and you can follow the action very easily.

My only quibble is that it’s a bit too short, if this only exists as a one shot it’s a shame as I’d love to see more comics like this. Thankfully Chido Comics will be masking a series of Lucha Libre comics soon, but they are all looking like one-shots as well – fingers crossed that changes.

La Mano del Destino #2 (2011)

la mano del destino 2 cover

La Mano del Destino is a six-issue story which tells the tale of a once-champion Luchadore – who, after being betrayed, agrees to a Faustian bargain in order to exact revenge upon his betrayers. Mesoamerican myth and high-flying, Lucha Libre action converge to tell this story of vengeance and destiny.

In issue 2 of the La Mano del Destino six-issue story, we learn the harrowing history of the man who became La Mano del Destino – a familiar tale of sibling rivalry, but with a tragic twist. We see what drove our hero to become champion and why the loss of his title and mask were an unbearable indignity.

After reviewing the Rey Mysterio comic book a few weeks ago, I remembered that I’ve actually received a few more wrestling comics in various boxes I’ve ended up with. Forgive me for not remembering which one, but one of the very first Lucha Loot packages I got contained a random issue of a comic called La Mano del Destino by J. Gonzo. For some reason, I tossed this book into my swag box and forgot about it until I went in looking for a Joey Ryan comic I also plan to review. Published by a small independent publisher called Castle and Key Publication, La Mano del Destino is planned  to be a six issue series of which I believe five have been released. My main question is – can you jump into this at issue 2, or would it be a bad idea? we’ll see!

la mano del destino 2 page 1

Luckily, this issue is entirely a flashback issue and has little of what came before. It’s basically a stand-alone tale of a pair of brothers trying to survive after the death of their father in the early 1940’s in Mexico. The boys are sent to live with a military general that basically only agreed to bring them in because he respected their mother. One brother, nicknamed “Monchi” is seen a s a strong boy, so he is to work in the fields with the other laborers, he basically lives outside and sleeps in a barn – a rough life for a young man.

This is all while “Petey” becomes a house-servant of some sort – living a life of relative luxury when compared to his brother. Monchi apparently has a gift for leadership and agitation and leads a servant revolt right up to The General’s doorsstep – Petey tries to stop tragedy from happening, but ends up accidentally accidentally shooting his brother in the hand before the General basically fires all of the servants and they both get tossed in prison. More tragedy leads to Petey deciding to become a luchador once he gets out, to atone for his past.

la mano del destino 2 page 2

The art in this comic is definitely something unique, it’s somewhat exaggerated and angular while being vaguely reminiscent of classic “Silver Age” books from artists such as Jack Kirby especially in the coloring. This gives the book an odd vibe where it looks modern, like some sort of street art, but also VERY retro – looking like a screen-toned book from the past. This brash coloring scheme can lead to some things I did not like, such as a lot of expeditionary test bubbles being a bright pink color that are harder to read than most comics.

Despite a few typos here and there, this is a solid comic, but it flies by wayyyy to fast in order to meet the 25 page max limit. I wish we could have seen more of Monchi’s path into becoming a rebel leader of sorts, or more with them interacting with The General in any way, but what’s there serves its purpose and flows well. I might have to try to get more of this, or perhaps I will see if a trade eventually comes out.

To read more about this comic series, check this out.

la mano del destino 2 page 3

Lady Death: Extinction Express (2016)

 

A while back I started reviewing some of the recent Lady Death comics, and here is part two! So if you want to read a bit about her origin or how these comics came to be check that link out as going into this review I’m going to assume we’re on the same page. I hope to keep doing these until I’m all caught up, which could be a while at the almost glacial pace I’ve been moving at. While you’re at it, make sure to head over to Kickstarter to see the newest volume that will be coming out soon, I might do an un-boxing time article for all the swag I get from the campaign if that’s something somebody would want to see.

Check HERE for my review of part one.

The Hellbourne Elders dispatch Atrocitas, an insane angel/demon hybrid assassin to destroy Lady Death for once and for all. But their epic confrontation proves tragic for a beloved character and sets in motion events that will change Lady Death’s undead life forever! Is this the road to extinction? Featuring the diabolical return of Hellwitch and the first appearance of Chaotica, a major new character in the Lady Death Universe.

Lady Death Extinction Express jacob

This book basically starts off right where the last one left off, and introduces a few new characters mentioned in that blurb. Atrocitas serves as the major villain for this book and seems to have been created by desperate Hellbourne leadership as a creature that should be able to stand toe-to-toe with Lady Death. He’s not nearly as formidable as one would imagine when it comes to actually fighting Lady Death, but has this nasty ability to do heinous things and come back from the dead quite often after being dispatched which is pretty damn annoying. Perhaps his biggest jerk move is maiming The Lady’s noble steed Vassago, forcing her to take a step back and desperately head towards a known warlock to see if he can heal the horse.

We also see the return of Hellwitch, a character that originally seemed like a stand-in for Purgatori somewhat, but is starting to get her own characterization so as to truly separate the characters. Apparently, Hellwitch is salty because she is a Hellbourne nationalist of sorts – when Satanus took Hell over and placed his Demonkind in charge of ruling it’s fiery pits – it didn’t sit well with many Hellbourne people. Then a deal was made with heaven to punish Earthbourne sinners within the confines of Hell (you know BIblical-style) which further set off Hellwitch and her like-minded followers. Moving this character away from the simple “you killed my Dad!” revenge archetype is great and her motivations really help both with world-building and fleshing her out.

Lady Death Extinction Express eye candy

I would mention Chaotica here, but she is barely in the comic and I assume she’ll be a bigger part in the next issue.

In my last review, I mentioned that the writing in part one was superior to that of part 2, and that the art in part 2 was better than part 1 – neither of which were deal-breakers, but just how it was. This time, I felt the story, and especially the dialogue, were improved a lot as well as jiving very well with the art. This is by far the strongest of the three books in just about every way, and has enough tension, action, and cool spots to keep any fans attention.

Lady Death Extinction Express hellwitch

This is also one of the more unapologetic issues of the series when it comes to the gratuitous imagery including a silly scene where Lady Death jumps into the mouth of a huge, monstrous dragon-like beast fully clothed and comes out with a new bikini fashioned from her tattered clothing in such a way that she now has a bikini on. I’m not complaining, but it was pretty laugh-worthy.

All-in-all this book was really good and makes me pretty excited to read Oblivion Kiss – I now can’t wait to see Hellwitch and Lady Death go at it again and see how Chaotica fits into everything.

Lady Death Extinction Express chaotica

 

The Masked Republic Luchaverse: Rey Mysterio #1

“The current in a family line of Mysterios that dates back centuries, each one trained to be a champion of the people and to take on a great evil that has been prophecised to return and plunge the world into darkness. Rey Mysterio is on a quest, aided by the military clandestine group known as “The Ambassadors”. The mission is clear: retrieve the one thing Rey will need to take on this returning evil…..THE MASK OF THE FIRST MYSTERIO!”

To be honest, when it comes to comics related to wrestling, I never really picked up too many, not even back in my heaviest comic reading days. So aside from the Joey Ryan comic I got a while back (which I should review on here) I haven’t really read too many. Luckily Masked Republic had my back recently by tucking one of these bad boys into my recent Lucha Loot Treasure Chest (Review here) via Chido Comics.

This comic reminds me a lot of the old-school luchador films from the 60’s starring El Santo and Blue Demon in that it exists as a way to create a rich mythology behind a wrestler that can’t easily be conveyed in the medium of wrestling as it would come off as VERY silly and far too over the top (well maybe not in Lucha Underground). In this comic, for instance, we find out that Rey was in fact trained in an old Mexican monastery by an old man that would not be out of place in a stereotypical Kung Fu film (I’m sure that this is 100% factual :P). he is prophecised to be a sort of messianic figure – a man that will eventually save the world from impending doom.

This slideshow requires JavaScript.

This comic features a handful of references to other well-known Luchadors such as Konnan (who seems to be Rey’s boss or something) and Tinieblas (who apparently took an off-page trip to the Himalayas specifically to get a map to the location of the foretold ancient mask for Rey). The mask itself is a reference to none other than Rey Mysterio Sr. While actual cameos would have been cool, I really like that this is building what I hope to be a full-on comic universe featuring luchadors. I assume that;s something that has existed in Mexico, but over here not so much.

Perhaps my only gripe was that the members of The Ambassadors serve very little purpose in the story (so far) aside from standing there and looking scared or wise-cracking while Rey beats the crap out of Zombie mountain lions using his super-powers. I would have almost preferred for the team to me made-up of actual wrestlers, but we’ll see if these guys pop up again.

The final page is an advertisement for a second one-shot featuring The Lucha Brothers (Fenix and Pentagon Jr.) Since these two are basically my favorite wrestlers at the moment I’m pretty excited to see where this goes and get my next Lucha Loot assuming that will be in there. This was a fun read for what it was and a must buy for any Lucha Fan that’s been wanting something like this for a while. Chido Comics is something that could be on the cusp of something cool, I’ll definitely keep an eye on them!

Lady Death: Chaos Rules / Lady Death: Damnnation Game (2015)

One of my guilty pleasures in the world of comics are “cheesecake comics” an outdated term for a comic with sexy women in it (beefcake is more used today for the opposite). One thing I will never do is get on a soapbox and try to pretend that the only reason I read comics like this are for some metatextual ironic reason, or that I believe books like this are in some way feminist in nature. Honestly, some books like this are pretty trashy, although I try to avoid the stuff that veers into total smut as the storytelling is usually the caliber of a late night Cinemax movie.

What I will say is that I enjoy the art and I like the carefree attitude most of them have, and that’s why I read them. Most of these comics are not really erotic in any way nor do they depict lurid acts for the most part, but everyone in it usually dresses like they live in a Frank Miller movie, so there’s that. If you recall I have posted reviews in the past for Vampirella comics, which despite the silly costuming and gratuitous poses, is actually a good read and a fairly compelling comic for somebody that loves gothic horror. I also enjoy things like Conan and Red Sonja which are both barbarian adventure comics, and cheesecake depending on the story. So why am I rambling about this? Today we’re talking about what I consider to be the “best of both worlds” in terms of gratuitous imagery and a barbarian tone – Brian Pulido’s Lady Death.

Much like Dawn and Vampirella, I remember being introduced to comics like this when I was a teenager in the 90’s and an avid reader of Wizard Magazine. They would usually have posters or articles about these comics, and they looked really cool, but the comics were usually kept in the forbidden “behind the counter” zone that young impressionable teens had no access to at the local comic shop. Had I seen a stray side-boob at that age, you never know what sort of miscreant I would be today!

Coffin Comics, the new company helmed by Lady Death creator Brian Pulido, has an interesting way of making comics in this modern climate of digital distribution and Amazon running everything out of business. Instead of a model where comics are sent out to stores, he funds each issue with a Kickstarter campaign resulting in a landslide victory each time in funding and a ton of swag to the contributors. I have been able to participate in the last few campaigns and have been rewarded with all manner of posters, bumper stickers, cards, guitar picks, and even challenge coins. While some creators use the funding to pad their wallets or to fund other things than what the fans are contributing to, Coffin Comics leaves me happy each time even though I will never be able to use all of the silly swag I get. But where did this business model come from?

Coffin Comics was started in 2007 by Pulido, who is the previously mentioned creator of pretty much all of the properties formerly under the roof of a company called Chaos! Comics. These titles included Lady Death, Evil Ernie, Purgatori, Chastity, Jade, Bad Kitty, and Lady Demon. At one point, Lady Death was big enough to have her own trading card sets and other merch that usually was only reserved for big Marvel and DC properties. When Chaos ceased publishing, the license to Lady Death moved to another company called CrossGen publishing that went out of business about a decade ago.

After a few false starts, everyone’s favorite anti-hero is back home with Pulido in this new company since 2015. When asked about this new strategy utilizing Kickstarter, Pulido has remarked that he’s not really interested in the mass market that much (although he does sell through Diamond like most comics) but has a comic collector in mind with every decision. That’s why all of the comics are marked #1 and there are TONS of alternate covers for each issue – some with print-runs as low as 12 copies! While that seems silly, the fans of his don’t seem to mind, it’s just a quirk of getting comics from them.

To date: the following titles have been released:

  • Lady Death: Chaos Rules
  • Lady Death: Damnation Game
  • Lady Death: Extinction Express
  • Lady Death: Oblivion Kiss
  • Lady Death: Merciless Onslaught
  • Lady Death: Unholy Ruin
  • Lady Death: Apocalyptic Abyss

So getting into the first of our double feature – Chaos Rules #1, the comic assumes you know who Lady Death is right from the get-go and wastes no time in making sure you know anything. Granted, there’s nothing keeping a new reader from understanding the plot, but a vague knowledge of the basic plot could be a plus. I would recommend perhaps watching the 2004 film created by the Now defunct anime studio AD Vision and written by Carl Macek. It’s not completely true to the source material, but it helps sum up the backstory. Here it is conveniently found on YouTube:

If you don’t want to watch that, the gist of her origin is that she was once  a young girl in medieval Sweden named Hope. Her father was a local nobleman named Matthias (Marius in one of the reboots) who was forcibly conscripting peasants into military service as feudal levies. Unknown to his innocent daughter, Matthias had a dark secret.

Although congratulated by the Church for his work against the pagans, he was despised by the common folk as a cruel tyrant. Matthias was outwardly pious, but secretly dabbled in black magic and demonology. He was actually a descendant of the fallen angels who had led the rebellion against God. A couple of the series change what happens next a bit, but Hope’s father summons a demon and Hope is captured in his place to be tried as a witch – she uses the same incantation her father was using and summons another demon that gives her a choice: Die or live as a soldier in Hell. She takes the latter and becomes a bad-ass warlord to face her father or to take over Hell depending on the version.

“In Chaos Rules #1, Lady Death is awakened from a 20-year, spell-induced slumber, she finds herself in the fiery pits of Hell. Two decades of her life, gone –– nothing more than nightmares. Who among her depraved enemies is responsible? How long until she exacts bloody vengeance? Not long!!! This is the first new Lady Death comic I’ve personally published in 12 years. This story –– chock full of sex, violence, and very bad behavior –– is Lady Death, fully realized.”

The above is a quote from Brian Pulido from the Kickstarter page and it sets the tone of the comic. This is definitely a re-introduction the the character that I assume many have not kept up with for a number of years, if not decades. While no Citizen Kane in terms of writing, the story is well conveyed and well-written for this type of comic. Perhaps the only thing holding this back from being “great” was the fact that some of the art is a bit cold or static, making it hard to tell what exactly is going on.

This is a minor gripe though, as fans of the original book and fans of this genre will enjoy it immensely. It was good to see the story scaled back after the almost Dragonball Z styled power boost given to the characters in later incarnations – a trend that seems to ruin most comics like this. It happened in Spawn, Punisher, and even Dragonball Z! It’s nice to see the Lady return to her roots.

Damnation Game #1

“Lady Death rescues an innocent boy dragged to Hell, inciting an ultra-violent quest into the depths of Damnation, a depraved city hosting ‘The Hades Engine,” a contraption that can return the boy to earth. But Lady Death’s actions bring her into direct conflict with the nefarious Hellwitch. Who will live? Who will die? With her return to Hell, Lady Death is public enemy number one, and you know what? She wouldn’t have it any other way. Let the mayhem begin!”

Coffin’s second outing is another solid read, but is held back by the exact opposite issue I had with the first issue. While the art in this is better than in the first, my opinion at least, the writing isn’t as well-done. some bits of dialog are very stilted, perhaps cliché and seem forced. On the flip-side, there are moments of great foreshadowing that Dheeraj Verma and Sabine Rich employed that conveyed a plot twist coming up better with their use of panels than the dialog could do. I loved the artwork.

This book is also the introduction of a new nemesis for Lady Death in a character named Hell Witch. You see Lady Death may have offed her Daddy in the last issue, so Hell Witch is out for vengeance. Since I’m assuming old Chaos! characters like Purgatori are off the table, Hell Witch seems like a fine replacement without being a direct clone or simple stand-in of the other. Although, to be honest, part of me would love to see these older characters eventually make their ways back home as well.

All-in all you really can’t go wrong with either book – stay tuned for more as I have all of the issues so far and will try to do more reviews! I will also do a kickstarter un-boxing whenever my La Muerta: Retribution stuff arrives.

Heavy Metal Magazine Bargain Bin Dive

To change up what I was reading a bit (lots of superhero books), I decided to get a handful of European comics from a sale that was hosted by Heavy Metal Magazine. Heavy Metal is known to be an “adult” comic company, and while this is not for children it isn’t crass or filthy – it just has a bit on skin. You may remember a film based on the Heavy Metal license back in the 1980’s – same books. Almost all of these were around $3.00 which is almost cheaper than most modern comic books. If you want to check some of these out, here is a link to the bargain bin on the Heavy Metal website:

Sale

For this round, I chose four books that caught my eye from the cover alone. Since this turned out to be a success. I will probably get more. All four of these books turned out to be beautiful hardback editions, about the same size as most children’s storybooks. I’m not sure of this format is particularly great as I’m more used to omnibus editions, but they are quick easy reads.


540691

Ulysses (1974)

I believe this comic was originally written in 1974, and I really enjoyed the artwork a LOT – very much Jack Kirby meets 70’s drug chic. The plot is a “modernized” (1974) version of the classic Story by Homer. The Olympians and associated monsters are aliens, which are mistaken for gods by humans that cannot comprehend their technology. They enjoy putting humans in peril and watching their follies as some sort of twisted reality show. Ant that was long before that particular strain of television mind-rot became a thing.

Ulysses comic lob.jpg

The only downside is that this volume leaves the story incomplete, as Heavy Metal (as far as I can tell) did not release the second volume with this 2006 reprint.


8599531

The Bible 

I would have loved something like this when I was a kid even though this isn’t a kids book. Since this ran in the french version of Heavy Metal I know this is meant for an adult audience so it’s cool to see that they did something like this.

jean-chrisophe-camus-the-bible

This book contains an illustrated version of The book of Genesis, and while it’s pretty short, all of the important information is there without getting bogged down in minutiae. Unlike other illustrated bibles, this one isn’t watered down for kids – Yahweh is a jerk, and people try to swindle or kill each-other all the time – an honest representation of what the Bible is actually like. This isn’t a bad thing – I prefer not hiding things no matter how rough they may be. I wish there was more re-published by Heavy Metal, but it seems that this was the only book re-released, or at least the only one available in English.


2119520

Attila (Hombre #5) 1991

I love Post-apocalyptic stories, and I especially like ones that aren’t the run-of-the-mill post-nuclear cold war stories – something different. The world of Hombre, the main anti-hero of this book, has been devastated for some reason (this is book five so it isn’t explained, sounds like social collapse they way it is discussed) and he travels around as a lone survivor much in the same way Max Rockatansky does in the Mad Max series. This world is basically like the American old west – full of lawlessness and hardship as well as horses. This particular volume opens with Hombre trying to live a normal life, when a group of evil men rip that from his arms. He meets up with a young Barbarian girl named Attila that shares his common goal of revenge against said man – but she makes him realize how dark he has truly become.

hombre-segura-ortiz-comics-j

Hombre was a Spanish comics series written by Antonio Segura and drawn by José Ortiz, first published in 1981 in the magazine Cimoc. This translation was run in Heavy Metal magazine at some point in the 1980’s and contains many of the trappings of many adult comics including gratuitous naked women. This isn’t a bad thing, but I wanted to point this out in case somebody rolls in assuming this is a wholesome book or something.


2326580

The Odyssey

Wait didn’t you already read this? Nope, it was a different comic based on the same story. I ended up with two very different versions of the same story – Ulysses which is a psychedelic French comic and this one from Spain. Francisco Navarro and Jose Martin Sauri manage to cram the entirety of he story of Odysseus into a fairly small book, and while it’s missing stuff all of the major plot points are there. The art is an amazing heavy ink style in high contrast black and white, if anything this is the highlight of many European comics.

francisco-navarro-oddyssey

 

That’s it for now – stay tuned and I may just be getting a few more of these…


Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

download

Captain Midnight, Volume 1: On the Run

Captain Midnight, Volume 1: On the Run

This is a book I’ve had for a while lost in my “to-read” shelf from a period of time when I was subscribed to a service called Comic Bento. I was somewhat familiar with the concept of Captain Midnight since I’ve read of various radio serials of the 1940’s, but was not actually familiar with the character itself. Captain Midnight was a U.S. adventure franchise first broadcast as a radio serial from 1938 to 1949 then later turned into all sorts of other media such as comics. This current book is from Dark Horse and is part of a line of books called “Project Black Sky” that feature superheroes. To me, this is an area Dark Horse hasn’t really dabbled in too much, but it’s cool to see the market not just dominated by “the big 2”.

As for the book itself, Captain Midnight: On the Run, is basically a copy of Captain Americas’s origin, albeit slightly tweaked, applied to another old character. The Captain was busy fighting Nazis in World War II and is suddenly lost in the Bermuda Triangle. flash forward to the present day and he shows up to continue his fight against some very familiar villains. Honestly the plot is very generic and the characterization of the Captain is sort of silly at times.

Captain Midnight

I hate to make this comparison again, but one of the main good things about Captain America is how he comes to terms with his time displacement and how America has changed in his absence. Captain Midnight, however shows up in 2014 and is basically like “cool, I can fly modern planes because I’m a genius”. This unfortunately makes the character REALLY one-dimensional since he can seemingly do anything and is never fazed. His assistant Charlotte is the voice of the audience, and we see her react to the reappearance of a man that shaped her grandmothers life, and one that she grew up hearing endless stories about.

Honestly, this book isn’t great, but the art is nice and it’s good to see Darkhorse at least try to enter the Superhero market so I’m giving it three stars since I can’t do 2 1/2. Had this been presented in a “pulp” manner or pure camp nostalgia I think it would have worked better, but what we have is what we have.


Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

download

The Multiversity

The Multiversity

I’m torn between thinking this was good, and thinking this was somewhat pretentious. I like Grant Morrison, but he has a tendency to let his ideas get away from himself and we end up with something like Multiversity. This is a fine collection of one-shots that show obscure versions of DC characters in a lot of different circumstances all vaguely related to a possible apocalyptic event in all 52 universes of the DC “Multiverse”. The problem lies in that the “cement” that holds this book together, the story of a cursed comic book created by an evil organization to destroy reality, is easily the weakest part of the series.

This book comes across as far too ambitious for Morrison, who perhaps was trying to create a Watchmen-esque satire of DC’s obsession with these large cross-over events, and ended up making something that barely makes any sense. There is also an attempt to make the reader part of the story – ala The Neverending Story, that feels forced and unneeded.

Untitled1.png

Some of the one shots were good – really good. I’m a sucker for Captain Marvel, so anything starring that character is always right up my alley, as was S.O.S, and The Uncle Sam vs Nazi Superman story. A few others were sort of bland. There was one in particular about a world of entitled DC teen superhero reality TV stars that overstayed it’s welcome to me pretty quick.

Perhaps the Most ambitious story here was Pax Americana, Morrison’s send-off of Alan Moore’s The Watchmen. The Watchmen was based on old Charlton Comics characters that ultimately were modernized to better work with the material. Here Morrison goes back to the original characters and weaves a story that is more of an art piece than an actual comic. The story is told backwards, that is each page turn reveals more about what happened before, and the reader is made to read in a bizarre figure-8 pattern that is a meme in the story. I kind of wish it would be it’s own book, but it was a bit over-the-top and considering Morrison’s hatred of Moore (and vice versa), could have been a jab at his nemesis in some way.

All in all, this is worth reading, but as a whole “Graphic novel”, it fails to seem like anything other than a stack of one-shots. It’s a shame because something like this could have been huge.


Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

download

Vampirella Volume 1: Our Lady of Shadows

Vampirella Volume 1: Our Lady of Shadows

I’ve stated in a few other reviews on here that I *usually* don’t like modern vampire fiction. This is largely because writers try too hard to make it hip and trendy to cater to the teenage audience. So, while everyone was obsessed with sparkly shirtless vampires, I basically stopped reading anything in the genre. I have, however, found that I actually do like this stuff, I’m just an old “stick in the mud” traditionalist when it comes to it. Even some of the more of-the-wall vampire stuff I enjoy (like Vampire Hunter D) is firmly based on stuff like Christopher Lee films from Hammer Horror.

When reading Vampirella Volume 1: Our Lady of Shadows, I was having a lot of fun. Despite the covers, the story doesn’t really get too outlandish and exploitative, and everything is fairly well written. This is basically my introduction to the character since I always assumed this book was nothing more than softcore porn – now I know it’s more of a “pulp” series, and I feel bad for ignoring it so long.

Layout 1

The story follows Vampirella as she is sent by The Vatican to stop a long dead nemesis, a cult leader and warlock, that may have resurfaced. She ends up on a quest (aided by a Nosferatu no less) to consume energy from various “vampires” from other cultures to make herself able to stop him and his plan to start the apocalypse.

Honestly, my only real quibble here is that it ended in such a way that it really should have had at least one more issue. Everything seems rushed at the end, thus making the whole story-arc unbalanced. There was even a point where the “monster of the issue” feel is thrown out in order to speed things up (what previously took a full issue was resolved in two pages), making Vampi’s quest seem pointless. It was good that a “prequel” issue was included, but I wanted a better ending. I will have to look at more Vampirella titles from Dynamite and possibly read more as I am starting to really enjoy these retro “pulpy” titles they are doing.


Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

download

Star Trek: Harlan Ellison’s The City on the Edge of Forever: The Original Teleplay

23241668

I have seen the Star Trek episode The City on the Edge of Forever many times, and it’s definitely a great episode, but I had no idea what I was in for when I picked this up. I knew that Gene Roddenberry was notorious for altering many scripts that came across his desk – sometimes for the better sometimes for the worse (There is even a film called Chaos on the Bridge about this). What I had no idea about was the bad blood between Harlan Ellison and Roddenberry over the script for this story. It was deemed un-filmable, large portions were changed and entire characters were removed – all to make it more “Star Trek”. Granted, the episode went on to win a Hugo award, but I wonder what it could have been in its original form? Luckily thanks to IDW we have a graphic novel which adapts the second draft by Ellison, and in his own words “moved him to tears”.

18607239-_sy540_

One of the main differences between the two versions of the story is the inclusion of an antagonist that is somewhat replaced by a drug addled Doctor McCoy (accidental of course) in the actual aired episode. Enter: Lieutenant Richard Beckwith, a drug dealer selling the illegal “Jewels of Sound”, kills Lieutenant LeBeque after he threatens to expose Beckwith’s activities to Kirk (selling drugs to people on away-missions). He storms the transporter array and goes to the planet where he later alters time. This one change already drastically changes the tone of the episode to a much darker story-line. I’m pretty sure censors would not have let that fly in 1966, but one never knows.

Another few shocking moments are racist overtones Spock has to deal with (everyone thinks he is Chinese) and a moment when Spock almost commits murder in desperation to “make things right”. Honestly this book contains enough new material for a full second part of this episode including a disturbing fate for our villain.

All in all, this is the superior version of this story and an amazing book for sci-fi fans and Star Trek fans alike.