A graphic Novel by Lewis Trondheim – Art by Matthieu Bonhomme
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Omni-Visibilis is somewhat like a strange mish-mash of Harvey Pekar’s American Splendor and a Twilight Zone episode minus the big moralistic ending that usually accompany those programs. When we are introduced to Hervé, he is a thoroughly unlikable character. He is neurotic, disingenuous and somewhat conniving (he considers cheating on his girlfriend right from the get-go). His friends are only somewhat better, but act like the stoner tag-alongs in a Seth Rogan film most of the time. Rather than get a day-to-day account of man waxing poetic about his OCD symptoms, or the downside of accidentally urinating on one’s shoes, Hervé is soon “blessed” with the power to which every person on earth can see what he sees, hears what he hears, or many other sensations. It’s all Hervé all the time.
“Hervé’s awkward, irritating, and maybe a bit OCD, but in the end, he’s a normal guy. He has a job, his buddies, a girlfriend, and a mother who keeps close tabs on him. One particular day starts out just like any other, but on his way to work, he quickly realizes that things are anything but normal. Every person he crosses paths with not only seems to know him, but sees what he sees, and hears what he hears. And he soon discovers that everyone else on Earth is connected with him too. So begins a day unlike any other, with Hervé cast out of anonymity and into a nightmare of confusion and danger.”
I think one of my issues with this book is that there really isn’t a catalyst for this. Take the film The Parent Trap, wherein a mother and daughter switch bodies because each one feels that the other has it easy, and they come to a mutual understanding that life isn’t always great when it appears to be. Omni-Visibilis doesn’t really do this at all; aside from Hervé having obvious quirks that may impede his social life, there’s no real instance where he says “I wish everyone could see how I live” or something similar. As it is, the switch seems somewhat random, and Hervé doesn’t really come out the other side a better person. Perhaps I am reading too much into this, but usually stories like this have a point – this one just felt random.
That said, the art style in this book is gorgeous. Everything in an old-school monochrome blue/black color scheme with white text boxes. In a world of most comics looking somewhat similar, this one definitely stands out stylistically. The writing, when it comes to dialog, is snappy and full of wit. Everyone’s worldview is very cynical, but the book never really comes off as dark – the whole ordeal has a very humorous tone despite the sheer terror one would be in if a similar situation were to befall literally anyone.
While I feel that the story was a bit lacking, this is all self contained and has a solid ending. The art is awesome, and I can’t really say that I’ve ever seen a premise like this before. I feel that this comic could have been a classic, but did not stick the landing resulting in a merely average story.
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