Famous Last Words – Confessions, Humour and Bravery of the Departing was a bit different than what I expected it to be. I was expecting a true crime book looking at what people said as they stared down the gallows – perhaps entirely made of quotes or something. There is a bit of that here, but this book is a LOT more as it covers a large swath of noteworthy people and what they said before their (usually) untimely demise. The book looks at executed murderers, celebrities, esteemed royalty, and even would-be terrorists, and that’s just the tip of the iceberg. Chris wood takes great care to explain every detail of what leads up to the infamous final breaths, and adds context to what they are saying. In this regard, this is a very interesting history book with a number of surprises.
“Nothing focuses the mind more starkly than impending death. Its inevitable spectre greets us all; from princes to paupers and nobility to the needy. Prepare to mount the scaffold and share in the final utterings of the condemned; join the stricken in their death beds and witness unburdened tongues wag their closing, and often remarkable confessions as deeply entrenched secrets are finally unshackled in the wake of imminent death.”
I think the most interesting one in here, for me at least, was that of Sir Henry Irving, a famous Victorian actor that literally delivered his last words in a play he was acting in wherein the character he was playing was killed. Playing the lead in Becket, he uttered “Into thy hand, O Lord, into thy hands!” as the curtain fell on both the play, and sadly his own life. Irving was taken back to his hotel after folks realized his health was failing, and he died soon after. Imagine being in the audience for something like that, and realizing that was his final minutes on Earth – the sheer morbidity of it all would be crazy.
This is an enjoyable book, and an easy “read a chapter before bed” sort of thing. Pend and Sword did a Similarly structured book a while back called First World War Trials and Executions that I also enjoyed a lot for the exact same reason. It’s full of interesting facts and had some things, being outside of the UK, that I was unaware of. Definitely recommended.
If you are interested in more information on this book, please click HERE
If you’d like to buy it, please look at Kindle or physical editions
In honor of Memorial Day, I wanted to read something that honored the many troops that delivered the ultimate sacrifice to ensure our way of life was not trampled over all those years ago. It wasn’t too long ago, that I had the opportunity to read both The Tankies and Teddy by Dead Reckoning. I was VERY pleased to see a comics imprint that does historical comics, seeing that I love comics and am very much into all things historical – it was a publisher that was right up my alley. When given the chance to read The Flutist of Arnhem, I jumped at it.
For me, comics like this are an amazing educational tool – I don’t have trouble reading, but sometimes I don’t want to dive headfirst into a dry history book. having these stories adapted and contextualized by some of the hottest comic writers and artists is nothing short of amazing. I can imagine those that aren’t strong readers can benefit a lot by stuff like this, as well as students. That said, for anyone reading my reviews as of late can attest to, I am somewhat bored of superhero comics, so other genres are things I am definitely digging right now.
Before reading this, I looked up some articles on the actual Operation Market Garden itself, I had heard of it prior to reading this, but was fuzzy on details. While classified as a failed operation in history books, since it didn’t create the desired invasion point through northern Germany, it did succeed in liberating a number of Dutch villages occupied by the Nazi forces. The push also stopped a number of V2 rocket launch pads, which likely saved countless lives. While this book is a fictionized account of this operation, you can tell a great deal of research went into making this as close to the real deal as possible.
“In October 1943, all the Special Operations Executive (SOE) agents in Holland are captured by the Germans . . . except one. John Hewson, a.k.a. “Boekman,” is the most dangerous agent to the German occupiers, with vital information about the German army, Boekman escapes the clutches of the S.S. and stays hidden until the start of the largest airborne operation in World War II: Operation Market Garden. When the SOE learn that Boekman is still alive, and that his estranged son, Harry, is on the ground fighting in Market Garden, Harry is tasked with organizing a small commando unit to rescue Boekman and try to escape through the German siege. The Battle of Arnhem unfolds day by day as father and son search for each other amidst the chaos of war and the dogged pursuits of a cruel Gestapo agent.”
First and foremost, Boekman is an awesome character. You can tell he’s a grizzled master spy that has seen and done all sorts of crazy things against the Nazis in order to become one of their top targets. One scene in particular, towards the beginning of the book shows him sneak attacking a German radio station – he takes guys down with a combat knife, then hides in a Nazi uniform to eventually contact his superiors. He is aided by a mysterious man named Frajle that seems to be everywhere at all times. scenes with them remind me of all sorts of spy movies you’ll see in theaters. Boekman is a bit courageous for his own good and gets wounded at one point, making a rescue mission necessary.
We find out his own son, Harry, who has no idea what or who he is trying to extract at first, ends up being one of the very men trying to get him out of the Netherlands and his secret documents into Allied hands. In a way, this ends up being a reverse finding Nemo of sorts where both Father and Son come to terms with their sadness and demons of the past to forge forward in the name of King and Country. Harry is aided by a great cast of squadmates with my personal favorite being Corporal Kolecki, a polish sabotage expert that goes deep undercover in an SS Uniform (since he speaks German) to mess with the German troops from the inside. The way he goes about his mission with a smirk and an almost suicidal abandon is both humorous and nerve-racking.
One of the many cool things about this book is that there are these little interludes within the story breaks that show background information, such as battle maps, information dumps for contest and even historical references. It reminds me a bit of how popular video games like Call of Duty (The historical ones) and Medal of Honor used to give background info in-between missions. This is a very valuable and interesting addition to the book, as a person unfamiliar with the overall history involved wouldn’t have to do additional research to understand what is happening, nor is this info piped into the characters mouths in an unnatural way like some other comics.
Perhaps my only quibble with this book is that some pages are VERY text heavy, this isn’t a bad thing, but results a bit in dialogue overload at certain points. Truthfully, I’m not sure how they author could have done this any better, so its a minor gripe. Otherwise, the art and lettering are all top notch, Gil lays everything out in a style that I haven’t seen a lot in modern comics, as a result this somewhat is structured like a classic comic. In a way its a cool idea whether the author intended it or not.
I normally end up reviewing eBooks, so it was quite the change to get a physical copy in my hands. As such, I’d like to get that in here. Without getting a tape measure out, I surmise that this is A4 size, full color and filled with thick, glossy pages. You can tell that care was made to produce a book that will stand the test of time.
Dead Reckoning hits it out of the park yet again with The Flutist of Arnhem – A Story of Operation Market Garden. I loved the story between the Hewson family, and the immense amount of information that Gil took care to place within the book. After going into this knowing only the vaguest amount of information on this operation, I feel like I learned a lot. I’d like to read more by this author, here’s hoping they publish more by him or I can figure out what publications he has worked in before. I see listings by a Spanish actor doing some internet searches, but I highly doubt that’s the same person!
Note: I received a paperback copy of this book from Dead Reckoning /Naval Institute Press in order to provide an honest review. That said, the copy I received may have not been a final copy. Thank you to all those involved.
If you would like to purchase your own copy of the book, please check HERE or HERE for Kindle
A graphic Novel by Lewis Trondheim – Art by Matthieu Bonhomme
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Omni-Visibilis is somewhat like a strange mish-mash of Harvey Pekar’s American Splendor and a Twilight Zone episode minus the big moralistic ending that usually accompany those programs. When we are introduced to Hervé, he is a thoroughly unlikable character. He is neurotic, disingenuous and somewhat conniving (he considers cheating on his girlfriend right from the get-go). His friends are only somewhat better, but act like the stoner tag-alongs in a Seth Rogan film most of the time. Rather than get a day-to-day account of man waxing poetic about his OCD symptoms, or the downside of accidentally urinating on one’s shoes, Hervé is soon “blessed” with the power to which every person on earth can see what he sees, hears what he hears, or many other sensations. It’s all Hervé all the time.
“Hervé’s awkward, irritating, and maybe a bit OCD, but in the end, he’s a normal guy. He has a job, his buddies, a girlfriend, and a mother who keeps close tabs on him. One particular day starts out just like any other, but on his way to work, he quickly realizes that things are anything but normal. Every person he crosses paths with not only seems to know him, but sees what he sees, and hears what he hears. And he soon discovers that everyone else on Earth is connected with him too. So begins a day unlike any other, with Hervé cast out of anonymity and into a nightmare of confusion and danger.”
I think one of my issues with this book is that there really isn’t a catalyst for this. Take the film The Parent Trap, wherein a mother and daughter switch bodies because each one feels that the other has it easy, and they come to a mutual understanding that life isn’t always great when it appears to be. Omni-Visibilis doesn’t really do this at all; aside from Hervé having obvious quirks that may impede his social life, there’s no real instance where he says “I wish everyone could see how I live” or something similar. As it is, the switch seems somewhat random, and Hervé doesn’t really come out the other side a better person. Perhaps I am reading too much into this, but usually stories like this have a point – this one just felt random.
That said, the art style in this book is gorgeous. Everything in an old-school monochrome blue/black color scheme with white text boxes. In a world of most comics looking somewhat similar, this one definitely stands out stylistically. The writing, when it comes to dialog, is snappy and full of wit. Everyone’s worldview is very cynical, but the book never really comes off as dark – the whole ordeal has a very humorous tone despite the sheer terror one would be in if a similar situation were to befall literally anyone.
While I feel that the story was a bit lacking, this is all self contained and has a solid ending. The art is awesome, and I can’t really say that I’ve ever seen a premise like this before. I feel that this comic could have been a classic, but did not stick the landing resulting in a merely average story.
If this looks up your alley, please click HERE to get a copy for yourself!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
At first glance, Loonicorns – Book 1 – Bleary Eye looks like a children’s book, and it is, but its got more of an edge than most children’s books. It’s not vulgar or obscene in any way, but it reminds me of some of the cartoons one might see on Cartoon Network later on in the day – things such as Adventure Time or Regular show. Shows that are kid-friendly but subversive in some way, but also teach a lesson. hidden behind the cutesie characters are a couple of messages that would benefit some children (and some politicians tbh) now: racism, vaccination reluctance, and even strained familial relationships. Loonicorns isn’t preachy, but it does a good job of hiding it’s messages with goofy antics, which is probably the best way to get said messages to children.
“Welcome to the wonderful world of Looniland, filled with loonicorns, cyclopes, dodos, and other fantastical creatures! Life is good in Looniville… if you’re a Pretty. Meanwhile, the Uglies do all the work and get teased and ridiculed. Until, one day, a huge storm blows through, bringing with it a mysterious illness that only seems to affect the Pretties. And in the nearby forest, a strange new creature has landed. Her name is Penelope, and no one has seen anything like her before. Where did she come from? Could she be the cause of this nefarious disease?”
The art in this book is very imaginative, and is a parody of insufferably cute things found in other fantasy stories. by having a class structure of characters that do nothing more than jump around and dance all day, and cynical grumps that do all the work, it’s a post-modern satire on the very fantasy genre itself, but tailored for younger kids. In many ways, the tone is somewhat strange, I was never quite sure if this was meant for an older audience than I figured it was, but then I remembered how much kid’s media, at least in the United States, coddles children and infantilizes them for years and years. Having something like this could benefit a child more than something that talks down to them.
While not necessarily the audience for this book, I feel like it is very well done, and would be a fun read for a kid. the jokes are humorous, full of sight-gags and slapstick, and the tone is full of acerbic with that you don’t see in kids books too often.
If you would like more information, or a way to purchase this title, please look HERE
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
The Man for the Job is hard to review simply because it’s one of those stories that is better served if one has no prior knowledge of the plot. Do yourself a favor and DO NOT read too much about the story before diving in, to hold up my part of this I’ll try to avoid spoiling too much here if I can. What starts out as a heartwarming tale of a man that has fallen on hard times, finding a new purpose in life tutoring kids, takes a few sharp turns as this story moves on. I honestly had no idea where the story was going towards the middle. I was afraid I had gone into some VERY dark territory, and was about to drop the book, but I’m glad I didn’t jump to any conclusions. What unfolds is a very intriguing read, and definitely isn’t what you think it’s going to be.
“Manu always embraced his role as a strong, protective man, until one day his world is turned upside down. In quick succession, his girlfriend walks out on him, and he’s passed over for a position at work in the name of gender parity. In an effort to regain his bearings, he clings to a family of seven troubled children, determined to rescue them from their social misfortunes. Thus begins a long descent into the heart of his fears…”
As I mentioned, there are a few instances where I was worried about where the plot was going. One example, that I will talk about, is that Manu (our protagonist) feels utterly disrespected when he loses out on a job promotion, and blames affirmative action-styled diversity hiring for his misfortune. He goes into a rage, and blames the woman that got the job since everyone sees her as unfit for the job. At this point I was REALLY worried this was going to be a right-wing misogynist story about a man getting trodden on by women, but thankfully that was not the case.
In fact, this insecurity and fear Manu was holding inside him, only briefly appearing as white-hot rage at an inopportune times, is one of the many causes for the drama in the story later on. There are a couple of other blips like racism against Romani, and inappropriate relationships that gave me pause, but they are never pushed, and largely exist as part of overall theme of the second-half.
What ultimately unfolds is a story about what it means to be a man, society forces men to cram their emotions inside of themselves, never to let anything slip out. For some men, this causes issues with accountability. One never looks at themselves when a bad thing happens, perhaps it’s this lady’s fault, or perhaps these people over here. learning to properly deal with emotions is important, and Manu is made that much more strong when he finally realizes this.
I enjoyed this a lot despite my fears of what this book was doing. I feel that, my only major quibble was that the third act flies past at a break-neck speed. Once the entire plot is revealed it’s a race to the finish that I would have loved to see explored more. That said, the book is overall solid, and I definitely recommend it. move past any red flags you get and see the story to the end, its worth it!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I’ve seen a couple of science fiction re-imaginings of various Kurosawa samurai films over the years – most notably an anime called Samurai 7. With most of them, they end up largely being the same story, albeit with a setting shift and slight alterations to characters. Yojimbot was interesting because it takes the idea behind “Yojimbo” (or The Bodyguard) and applies it to a dystopian hellscape where robots have seemingly taken everything over, and whatever humans are left appear to be a militarized force in a secured base.
In a dystopian not-too-distant future in Japan, Hiro lives with his father on an island populated by androids, where they eke out a meager existence while trying to keep out of sight. But when they run afoul of a troop of high-tech military thugs, Hiro’s dad sacrifices himself to save his son, turning Hiro’s already-bleak world upside-down. He is then rescued by a samurai robot called a “yojimbot,” and together they seek to avenge his father’s death and make contact with a mysterious associate known only as the “rights holder,” before the soldiers and their drones close in…
The artwork is nice and fluid, with mecha designs reminiscent of the works of Neil Blomkamp (Chappie for example). While the artwork is reminiscent of many Japanese comics out there, the artist did their own thing rather than try to copy the overall style of said comics. I think this was a good idea, as most western comics that try to be Manga seem to always fall flat for whatever reason, with few exceptions. As a result of this melding of a European comic art design style, mixed with Japanese storytelling techniques, Yojimbot stands out as something I haven’t really seen in a while, and it gives it it’s own character.
This was an entertaining book, and I’m eager to check out volume two. It seems like the story was just about to pick up when it hit “to be continued” so I’m somewhat sad that I’ll have to wait for the other half, that is assuming this is in two parts. This is well worth the read, especially if you are a samurai or manga fan.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Inspired by the classic 1890 novel, The Picture of Dorian Gray, Gray by Arvind Ethan David takes queues from many revenge thrillers and brings them into the modern age by touching on many social topics such as #metoo and Black Lives Matter. In many ways, the story (at least with book one) is one part Saw, and one part The Count of Monte Christo in many ways. We don’t know much about Ms. Dorian Gray in the first volume, but we can assume she was sexually assaulted by a group of powerful men that ultimately became powerful men in various government and political positions. She has some sort of network that is collecting these men and getting revenge on them one by one. A couple of detectives are assigned to the case, but ultimately appear to have more in common with Gray than the powerful men they work for.
“A contemporary reimaging of the classic Oscar Wilde novel, “The Picture of Dorian Gray,” Gray is a supernatural revenge thriller about an alluring but violent woman, Dorian Gray, who seeks vengeance on a cabal of powerful men who wronged her years ago; and of the straight-laced African American detective with a past of his own, who is tasked with stopping her.”
While the story, so far, is fairly removed from the original novel the book is inspired by, its an interesting story full of thrills and shocking ends to some very despicable men. I have a feeling that we’ll learn more about Ms. Gray in book two, and what exactly happened to her that caused her to apparently dabble in some sort of magic (as with the original, she hasn’t aged for years) and set her plan in motion. With the introduction of an artist from her school towards the end of the book, I’m assuming the infamous painting itself comes into play at some point.
This book is very well done, and held my attention. Despite being a book about social issues, it’s not as “preachy” as one would assume it would be. Rather than trying to prove to the reader that whatever these men have done was wrong, Gray does away with the subtleties and just gets down to business. As you can surmise from my description above, this book could very well have triggers for people that don’t want to read such an intense story, so be warned.
A Graphic Novel by Assia Petricelli and Sergio Riccardi
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Romance stories aren’t usually my thing. The various executives of the world rarely market them to any demographic other than either teenage girls or people that enjoy watching Hallmark Christmas films. It’s hard to find anything that treats it in any sort of mature and/or realistic way. Don’t even get me started one ones where men are the protagonist. With that said, I really enjoyed this new graphic novel, Forever by Assia Petricelli and Sergio Riccardi simply because it doesn’t do any of the stupid tropes that drive me crazy.
In many ways, by portraying the story of a girl largely alienated from her family and most of her friends grounds the book considerable. She not only finds love in a Greek boy obsessed with working on an old broken-down boat, but also a lasting friendship with a couple of lesbians on what could be their last vacation together. The authors tell a very compelling story full of ups and downs, and what ultimately the meaning of love is. It’s the kind of story you see in independent art films, reminiscent of things like Juno or 500 Days of Summer.
“What is this “love” everyone talks about? Viola doesn’t yet know. But it is a question she is asking herself more and more, because at her age there are some kinds of problems you feel even in the air that you breathe: your self-image and the way you think others see you, the relationship between you and your body and the other gender, couple issues, the freedom to follow your aspirations, and the need to fit in socially accepted categories. On vacation with her parents, during the idle hours of the afternoon while everyone is sleeping, Viola’s encounters and experiences will help her grow as a person and get answers to the hard questions that everyone has to face sooner or later, and she will reshape her identity, in a summer she’ll never forget.”
While this isn’t a sad story (for the most part) it captures those moments of one’s youth that really shape our lives moving forward. A lot of the characters aren’t the same after the events told, some for the better, some for the worse, but you can tell this summer in the mid-1990’s will be a landmark time in these characters lives, especially Viola. The story is somewhat simple, so talking about it too much would spoil more than what I like to do in my reviews, but I’d definitely recommend checking this book out if you get a chance. If anything, the art is stylistically out of the ordinary, and it alone is worth a peek.
If you’d like a copy, an ebook can be obtained HERE.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
A few weeks ago, I read another graphic novel by Brremaud called Brindille, that I enjoyed quite a bit. It was a simple but effective fantasy book that had great art and interesting characters, in that review I stated that I wanted to get another Brremaud book under my belt, so here we are with Love: The Mastiff. It appears that the author has produced an entire series of these books on various animals, and if this is like the others, they appear to be heroic stories featuring nature as protagonist, antagonist and everything in between. These are marketed to children, but this one does have a small amount of blood in it, so keep that in mind if you plan to purchase this for a younger child. I’m dating myself here, but this reminds me of Benji, Homeward Bound, or Milo & Otis without the spoken dialogue.
A loyal Australian hunting dog finds himself alone in the outback when his master is bitten by a poisonous snake. He must venture across the dangerous outback to find his way home alone. The fifth volume in the lavishly illustrated, award-winning series of wordless wildlife graphic novels, each depicting a day in the life of different wild animals, told through the dramatic lens of Disney-esque storytelling, like a nature documentary in illustration.
“I’m tired of these Motherf%$#% snakes in this Motherf%$#% outback” – The Mastiff, probably. All kidding aside, this book has no text bubbles in any way whatsoever, the book is presented as a silent nature documentary of a hunting dog faced with the plight of making it back home, alone. There are scenes that, despite the subject matter, really stir emotions in the reader. The mastiff has to battle every bad thing we hear about Australia, including all manner of poisonous snakes. Truthfully, if anything, that is my one takeaway about this – Australia seems insanely full of evil snakes, hellbent on killing anything they come across. There’s a side-story involving a platypus taking care of her young, that immediately made me mad at the author in an unfounded way. “You better not…”, I said, to myself, the moment they started being in peril. Thankfully, The Mastiff is basically an animal superhero here and keeps everything safe at his own expense.
In the back of the book, there is a section on the recent Australian wildfires and global warming that was interesting. It’s cool to see a book like this tell what is ostensibly a survival hero story, then come with a PSA at the end GI Joe style, I thought that was a nice touch.
If you have older kids interested in nature, or comics I would definitely recommend this. Even in a classroom, something like this would have been cool when I was younger. I mentioned blood earlier, and largely its all contained to a few instances where the Mastiff has to defend himself from either snakes or Dingos, and takes justice into his own paws. it’s nothing gratuitous, but that does need to be a consideration. I enjoyed this book quite a bit, and hope to read more of these as he produces them!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I felt like reading a fantasy story today, so by Frederic Brremaud definitely fit the bill. The first thing that hits you when digging through the gorgeous pages is just how warm and inviting the artwork is. While this story has a few rough moments, and is not necessarily for children, the artwork is reminiscent of a children’s picture book in many ways. The pages are full of fantastical creatures, perilous situations, and the sort of epic fantasy tone that reminds me of 80s fantasy films such as Legend or perhaps The Dark Crystal.
“A frail young girl flees a roaring forest fire in the middle of the night desperately taking refuge in a cave where she quickly loses consciousness. She wakes up in a strange, tiny village populated by fairy-like creatures. Her hosts seem intrigued by the sparkles of light that seem to surround her. The village chieftain explains that one of their hunters found her passed out in the forest and brought her back here for treatment. He asks who she is, but she remembers nothing except for a wall and flames.”
Truthfully, I wasn’t completely sure I was onboard with the book at first. The story starts with the amnesiac girl being taken in by some forest creatures (elves, goblins, imps? I’m not sure what they are) with the story revolving around the girl trying to go back to where she was found in order to get some clues about her identity. She is met with resistance, and ultimately has to venture out on her own. It is not until she comes across a cunning wolf companion and we learn of the impending peril that is unraveling throughout the forest that I was hooked.
The story takes some turns, and ultimately ends in a way that I didn’t really see coming, so that’s good. At least it wasn’t predictable like other fantasy comics. Even though I read this as an Ebook for evaluation purposes, I’ve seen pictures of the hardcover that this review is ultimately tied to, and it looks awesome. This would be a great book to have around if you are a fantasy fan, or a great gift for a older kid. I just wouldn’t traumatize a toddler with it! There is also a digital version of this on Amazon that is pretty fairly priced, if you aren’t into having physical books around, look into that instead.
The story is self contained, and I don’t see how there could be more unless they do a prequel, so getting this is not a commitment for getting the start of a series or anything. If you’re like me, sometimes you don’t want to wade into a new series very often.
All-in-all, I enjoyed Brindille, and despite my small quibbles with the pacing at the beginning, it was a thoroughly entertaining read. I will be reading another book by Frederic Brremaud pretty soon, so keep an eye out for that – let’s see if he can keep his winning record with me again!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Today we have a double dose of monster fighting mayhem as I am reviewing a couple of new collected editions of Van Helsing by Zenescope Comics. Despite it really having nothing much to do with the property, the recent Syfy Channel show Van Helsing was based on this series. They must have gone the I, Zombie route as the vaguest premise and title are the only things similar. If you are a fan of comics like Vampirella, Lady Death, and maybe Witchblade, you will probably like this series as it takes characters from classic monster mythos and reinterprets them as kickass ladies that take no prisoners. The same company makes action-oriented comics based on various fairy tale princesses and other literary characters that I will need to check out at some point.
Despite these books being the eighth and ninth collected volumes in this series, I honestly had no issues understanding what was happening, so it seems like they aren’t bad “jumping on” points in any way. Having a passing knowledge of the classic characters is enough to understand what is happening. The second book has characters that I was unfamiliar with from previous volumes, but with them being a descendant of Robin Hood, A wolfman, and Frankenstein, it wasn’t hard to settle in. I may have to go back and read some past comics to see how we got here exactly.
“Introducing Helsing’s deadliest villain yet! Liesel Van Helsing returns in a brand new series set to turn the inventive huntress’ world on fire. A mysterious being rises from Helsing’s long forgotten past hell bent on revenge. A being whose secrets could very well destroy Helsing…and all she holds dear. Don’t miss this exciting new series written by fan favorite Wonderland writer Raven Gregory and artist extraordinaire Allan Otero!”
We are introduced to Liesel Van Helsing as she is continuing her fight against the many denizens of the night that insist of doing evil and harming mankind. With her steampunk attire, and collection of silver stakes and bullets, she is a formidable foe for many a creature. Somebody steals Dracula’s corpse (who was defeated in a previous volume) and its up to Van Helsing to figure out what’s happening. I enjoyed the simple plot set-up and great action scenes in the book. The author has taken characters that everyone knows (Dr. Jekyll / Mr. Hyde for example) and altered them to a degree that keeps them fresh and different from other books and films like this.
The art is solid and easy to follow, the character designs are interesting and there are some interesting kills for those that like bloody monster demises. The dialogue isn’t spectacular, but I’m keeping in mind that I am jumping in at volume eight of a long-running series, so I’d imagine that the character building from previous volumes is somewhat unnecessary here as we are looking for cool fight scenes, where there are plenty!
“Van Helsing is still reeling from the revelations of recent events after her world came crashing down around her. But she won’t have time to catch her breath as something catastrophic is heading her way. Will she be able to handle some of the deadliest creatures in all existence? Alone any of these would be formidable foes, and Liesel will have the ultimate challenge laid before her, with taking them on all at once. The odds are not in her favor, and it doesn’t look good for the legendary vampire hunter.”
Van Helsing vs The League of Monsters directly follows Dracula’s Daughter and plays out a lot like a big budget blockbuster crossover ala The Avengers or Justice League. All of these monsters are being rounded up into an army with the freshly resurrected Dracula at the helm and his sinister daughter at his side. With Characters like The Wolfman, The Mummy, and even Frankenstein throwing their weight around, it’ll take an equally impressive army to fight back. Good thing Van Helsing has friends of her own.
I think I preferred the previous volume a lot more, but this volume has a lot to offer for fans of classic monsters. When Universal stumbled epically trying to make a shared “Monsterverse” a few years back, I look at something like this done very well and successfully, and wonder what they were smoking? So, if you want to see this concept done right, look no further than these comics from Zenescope.
While these books aren’t literary classics or anything, they are a ton of fun, and at the end of the day, that’s mostly why I read comics. I LOVE these sort of “cheesecake” books with pinup-styled art that harken back to comics from the past, and will support any company that does them.
Being a big professional wrestling fan, I knew I had to jump on the opportunity to read this new book by ECW press. ECW Press, coincidentally not named because of the former company, occasionally does Wrestling books that are very good. If you haven’t ever heard of them, The Death of WCW by Bryan Alvarez and R.D. Reynolds is worth a read for sure. This book in question, The Wrestlers’ Wrestlers – The Masters of the Craft of Professional Wrestling has the initial experience of a typical curated top XX list, but what sets it apart from others is the source material for the list. The author went out to other wrestlers and asked “who would you say is a ‘Wrestler’s Wrestler?'”. The responses were varied and deep and not what one typically sees in these sorts of books.
“The Wrestlers’ Wrestlers spotlights elite performers and analyzes exactly what made them your favorite wrestler’s favorite wrestlers. Authors Dan Murphy and Brian Young interviewed more than 40 in-ring veterans, historians, referees, and promoters to get a unique insider’s look at the people who have made a lasting impact on the world of professional wrestling. It offers a special peek “behind the curtain” and a rare look into the top stars’ thoughts on their peers, their influences, and their personal favorites.”
Sputnik Monroe, one of the many men who is profiled in the book.
My biggest takeaway from this book are the sections about wrestlers that I am too young to have ever seen anything of. With the book spanning the 1920’s to modern times, information about wrestling in that post WWI era is always scarce despite hearing the occasional move being named after somebody today (Thesz Press comes to mind). Getting to read things about pioneers of the artform such as Karl Gotch, Strangler Lewis, and Lou Thesz was awesome, and with the latter, I have decided to pick up a copy of his book as it was the source for a lot of this material evidentially. One of my favorite recurring tidbits is the fact that in those early days of pure shooter styled wrestling, matches would sometimes last upwards of two hours in length. I can’t imagine sitting through that now, but it must have been a real sight to see back then!
This book occasionally has pictures to accompany the information presented, which is a nice touch. That way you can see some of these legendary men for yourself and see if the descriptions match up. All-in-all this book is a great addition to the bookshelf of any wrestling fan as long as they are willing to venture outside the recency barrier and see what the sport was like in the past. It doesn’t strive to be an encyclopedia or a definitive list in any way, but its interesting to see what qualities the actual wrestlers see as important to being a “Wrestler’s Wrestler”.
I wrote a review a while back about a fun book from Outland Entertainment called Old Norse for Modern Times under their “Vikingverse” umbrella. It’s a hilarious book that reads a lot like a travel phrasebook with modern phrases translated into Old Norse (as the title would suggest). It includes all manner of useful phrases regarding social media, science fiction, and even menacing threats. My only quibble with the book was that I have no idea how to pronounce Old Norse, so I felt like an audio component was missing. Thanks to the fine folks over at The Vikingverse Twitter page, I now have a selection of chapters for the book in audio form!
As assumed, this completes the whole picture with this book entirely, I absolutely loved hearing these hilarious phrases as read by Siobhan Clark who narrates a podcast I really need to look into. If you are…
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I’m not going to lie, a book with a racial epithet in the title is somewhat of a cause for alarm to me, but seeing that this takes place during the goldrush, put my mind somewhat at ease. The term “John Chinaman” was basically a product of its time, where many nineteenth century people referred to just about any Asian person as such. It was interesting to see this book handle racial tensions of the time as well as it did – I actually loved seeing that. Apparently this is a volume in a long running series by these authors, but I was assured in the preface that it was stand-alone and that I needed no prior knowledge of the material to enjoy this.
“You’ve followed his adventures through the Gold Rush, the building of the Continental Railroad, and the taming of the frontier. Now Chen Long the Chinaman, the triumphant creation of Olivier TaDuc and Serge Le Tendre, is back for his greatest adventure of all: finding out he’s a father. Twenty years after his violent past drove away his true love Ada, the Civil War, prison camp, and opium have left Chen Long a broken-down shell of his former proud self. Can the tiger rise to save his son? A fitting conclusion to an epic series that explores forgotten pockets of western history.”
This is the second western-themed book by Europe Comics that I’ve absolutely loved, the first being Wild West. I have spoken before on the fact that I absolutely adore western comics for some reason, this is despite the fact that I’ve never really been a big western guy when it comes to TV or film, but for some reason I became hooked on them after DC’s new 52 initiative re-launched All Star Western many moons ago. I think the reason being that I’m not sued to them, and they seem to largely be resurrections of long dormant comics from the Golden and Silver Eras that I’ve never heard of.
Being informed that this book is after a long running series of other books definitely makes me want to go back and read the previous material. I have no idea if any of its available in English, but the way we are introduced to Chen Long, internally fighting decades worth of PTSD in an opium den, makes me NEED to know what happened. They especially draw on whatever experiences he had in the American Civil War, and how it has affected him the most. Perhaps if this does well, Europe comics can go backwards? Here’s hoping!
The writing, and more importantly, the translation is top notch – you can tell work was taken to make sure dialogue was made to be like other depictions of “The Wild West”. You always run the risk of having a depiction of American history from Europe come up feeling weird. I’ve listened to Doctor Who audio dramas that did an abysmal job of making the setting feel real, but these French comics always seem to hit their mark. Hats off to them! With great art, and no punches pulled when it comes to mindsets of the time, this book is every bit as dark as an HBO show, and would be a GREAT basis for a TV series or movie if they ever had an inkling to do as such. If you are in a western mood, I’d definitely recommend this!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I wasn’t really familiar with The Breaker going into this, I understand it’s fairly popular outside of the US, and has been a hit in Europe. I’ve read a bit of Manhwa (Korean comics), but I will confess that I haven’t read nearly enough. At first glance, I was really afraid that this was a Korean knock-off of Great Teacher Onizuka (GTO) by Tohru Fujisawa, coincidentally one of my favorite Japanese comics. We have a sloppy teacher joining a school as a total fish out of water, he has a shady past, and knows martial arts. He has a lecherous personality and buts heads with a strict Vice Principal that seems to think he shouldn’t be there. Sound familiar?
The only issue, is that Mr. Han is VERY unlikable at first (unlike Onizuka), it worried me that getting through this book would be a chore, as it seemed he lacked any sort of human compassion in any way. We later get hints as to why this is, and he finally shows a brief glimpse of being an actual protagonist when it really matters. Thankfully, this GTO similarity ends pretty quick as The Breaker becomes it’s own at around 1/3 of the way into the book.
“The story of The Breaker follows Shiwoon “Shioon” Yi, a timid high school student who becomes the disciple to Chunwoo Han, a martial artist who is an enemy to the secret martial arts society known as the Murim. However, Shioon is naive and unaware of his master’s shady past and the unseen underbelly of the society. How will Chun Woo manage to teach Shioon and help him survive in the world of Murim?”
Being a martial arts manhwa seeped in seedy underground mafia-styled intrigue, this is definitely not what I was initially expecting out of this; and once that starts to fall into place the book became pretty awesome. It almost seems like the writer was going for more of a comedy book at first, and switched gears for the better. Volume one ends on a pretty big cliffhanger, so I will definitely want to read more as I feel the story was just getting good when it ended. I’m very interested to see where the characters end up, and am hoping the main character, Shioon, finally destroys the school bully that plagues him for about half of the book.
Solid first volume (although I assume this is a merged version of 2 or 3 tankobans), would buy again if I saw this for sale – definitely recommended.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Nearing forty years old myself, its easy to look back at the last twenty years or so, and look at every bit of missed opportunity I had, every bit of wasted potential, and every misstep. It’s important to move forward with one’s life to avoid falling into a trap of a mid-life crisis at best, crippling depression at worst. For the book Hard Melody, we see three guys in exactly the same predicament – having the potential to have been big Chinese Rockstars in the past, their lives have moved on leaving their dreams behind.
Three thirty-year-old friends reunite in Beijing after nearly 10 years apart. They used to be free-wheeling rock-and-rollers without a care in the world, but now, after tasting their own variation of freedom in new China, they are tormented by how unforgiving and unglamorous life had become. Nothing at all like the fame and fortune they dreamed about as kids.
This book is fairly tough due to its subject matter, and there was a bit of Chinese cultural stuff that I was unsure of, but between the mature storyline and the artwork (which is amazing) I was hooked. As a stand alone, this is a great book, and stands as both a societal look at Chinese culture, as well as a way for the reader to think about how they plan to move on with their lives. Many peak far too young, and their later life suffers due to it, hopefully nobody suffers the same tragedy as seen here.
A graphic Novel by Kid Toussain & art by Aveline Stokart
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
When I first started this, I wasn’t too sure what to expect – the art style and setting made me worry I was about getting into a twee book for teenagers, but I was definitely wrong. While the premise may sound somewhat similar to the recent Disney movie Inside Out, only a superficial likeness is there – Elle(s) adds the extra layer of being about mental health issues, and what it means to love somebody with mental health issues into the mix, which makes this so much more. The depiction of “split personalities” is on par when accounts I’ve heard on various TV shows and podcasts – i.e. dominant personality controls everything and person sees everything in third person view – so that was interesting. It would interesting to see somewhen in the clinical psychology field review this.
Elle is just another teenage girl… most of the time. Bubbly and good-natured, she wastes no time making friends on her first day at her new school. But Elle has a secret: she hasn’t come alone. She’s brought with her a colorful mix of personalities, which come out when she least expects it… Who is Elle, really? And will her new friends stand by her when they find out the truth?
While volume one leaves this chapter as an unfinished mystery, and could easily turn into something supernatural and weird, I’m hoping it stays as grounded as volume one – as it was a surprise to me how much I enjoyed it.
Europe Comics continues its trend of quality comics that always seem to surprise me. I will definitely need to seek out the next volume upon publication to see where this story ends up going. Don’t let the cover fool you into thinking this is something other than what it is, and give it a try – It’s good stuff.
One part Mad Max, and one part Blame!, Elecboy takes some of the better tropes from dystopian/post-apocalyptic fiction and makes it something of its very own. Europe Comics has done a fine job of introducing me to many comics and creators that I have not been familiar with, and this is yet another entry that has caught my attention.
“In a devastated cityscape, a lone man fights off creatures of fearsome power: white, winged, serenely impassive, and capable of terrifying transformations… Decades later, in a desolate American southwest, a meager colony of human survivors ekes out a precarious existence between dwindling water supplies and magnetic shields that screen them from roving bands of aerial attackers. An ancestral upper class presides, while in the lower city, laborers do the hazardous work of keeping everyone alive. But all that may be about to change when the mysterious Joshua comes of age…”
Jaouen Salaün is a French writer and artist that has apparently been trying to bring the pages of Elecboy into life for over 18 years. Good news is, the story is fairly good, and more importantly the art is absolutely GORGEOUS, I want to see more of this guys creature designs more than anything. They remind me a bit of Tsutomu Nihei a tad, it would be interesting to see if that was one of his influences in any way.
This book is part one in a series, and tells a fairly compelling story until a cliffhanger ending made me sad that I don’t have more to read. I’ll have to keep checking back with the publisher to see when more of this is released. To be honest, I have come to the conclusion that I’m fairly confused as to why Europe comics isn’t bigger than what it is. They consistently have better content than other companies that feature a lot of European comics such as Heavy Metal – here’s hoping they take off at some point in the future.
A graphic novel by Denis Lapière, Philippe Graton – Art by Marc Bourgne, Benjamin Benéteau
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Time to jump out of my comfort zone, and read something different than my normal diet of Manga, dark comics, and occasional superhero comics. I can’t say I’ve ever read a comic based on racing in any way, so this is a bit of a new one for me. A new comic from Europe Comics, Michel Vaillant is coming soon to an eBook reader of your choice.
“Michel Vaillant is the star of all the biggest international auto racing circuits, and he’s revving up for a whole lot more than just a spin around the block. The Vaillant team finds itself up against new technological innovations, as well as some disconcerting changes in the world of auto racing. The fate of the Vaillant dynasty is in the hands of three generations of men and women. The first challenge is to fight their way to the top on the race track, with their sights set on Formula 1. The second is to try to keep the family together, despite increasingly differing points of views. And it will be up to Michel to ensure their success on both fronts.”
I was on a bit of a Tintin kick a few months ago and read a whole bunch of Belgian and French comics like Blake and Mortimer and Freddy Lombard, so the style of this comic immediately reminded me of those. I went back and did a bit of research and discovered that this was, in fact, an older comic that did indeed feature in the very same magazine. It’s funny when you can spot the tonal differences between some of these publications and their comics.
Despite not really being too much into racing, though I did watch Top Gear religiously in the past, I actually enjoyed this. Its probably because it wasn’t bogged down with laborious car racing descriptions and relied on the human drama to tell the story, the technical aspects were just there to spice it up.
The linework in this comic’s art is incredible, especially in backgrounds and technical aspects of the cars and other machines. Half of the time I spent reading this, was be looking around the pages taking in the gorgeous old-school art-style. Comics have sometimes veered towards a more cartoonish look as of late, and art styles like this, with highly detailed pen lines, make me feel nostalgic and give me hope that everything borrowing from the same style-sheet is soon coming to an end.
I was sad to see that this ended on a colossal cliffhanger, so I will try to keep an eye out for the next installment if I can. It’s crazy to think that there are so many diverse types of comics in Europe, it often makes me sad that The US market is over-saturated with superhero books in most of the main houses. That isn’t a dig on superheroes, but I’d love the diversity they have – I would have never likely read this otherwise. Great book, can’t wait to continue it!
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
The history of The American Civil War is often clouded by heaps and piles of romanticism and revisionism that has made the discussion of the conflict troubling for a number of years. One step onto Facebook, especially at any politically charged moment in modern times, and you’ll see all manner of misinformation and even blatant trolling that kills any sort of educated discourse. I’ve even read books that go into these tangents, and ultimately they lose sight of their purpose pretty fast and turn into a political quagmire.
Luckily, this book is not like that – it’s straightforward and uses the historical documents to tell the story, it avoids editorialization, and conjecture a fact that is refreshing to me in it’s simplicity. It reminds me a lot of Ken Burns’ Civil War series from thirty years ago – it also used documents and quotes to tell the story, and the general public loved it for that. The more-specific topic at hand is – the history of Black Civil War Soldiers on both sides of the conflict – their motivations, their feelings, and their dreams – told in many instances in their own words through letters and interviews given at the time or soon after.
While not shocking, some of the accounts of how both sides treated black people for the duration of the war was jarring at times. Well, jarring in the sense that many treat that war as a “good guys” vs “bad guys” situation, when it largely was more nuanced than that. One account that was particularly sad to me was a point when Union soldiers had arrived in a southern town to be greeted as liberators by all the the slaves left alone by their conscripted slave masters. Military leaders had to basically say “we are not here to free slaves, but to put the Union back together slavery and all” – for many slaves that sunk into their heart like a stone and colored their opinion of the Federal Government from then on. The book is an equal opportunity expectation-flipper, as there are also accounts of Black soldiers on the south being treated fairly by the Confederates.
This book is amazing, and highly recommended. I’m sure there are similar books out there, but this one was a real page-turner especially to see the gorgeous photographs that have been preserved in it.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
A History of the Vampire in Popular Culture is a interesting new book that goes in detail of the subject matter at hand trying to inform, but not necessarily, as the author stresses, to be some sort of encyclopedia of vampires or the like. large swaths of vampire history are not present, but that’s fine as the point of the book is to look at common tropes within vampire media, and elaborate on them using examples from various TV Shows, Books, Films and even folklore.
I enjoyed this book quite a bit, as the author used quite a few examples that are usually never referenced in books such as this; for example, referencing something like the popular gothic soap opera Dark Shadows is usually not something you see in books like this, despite its popularity many decades ago. Other topics included everything to Count Von Count of Sesame Street fame, as well as Twilight (shudders). While I’m not a fan at all of that franchise, I begrudgingly respect its place in popular culture.
There’s a fair bit of historical discussion here as well, including forays into various vampire themed moral panics, including a bizarre one where children were led to believe a random cemetery was home to a murdering vampire, which led to hundreds of pint-sized Van Helsings to descend on it – with the entire debacle being used as a catalyst to push comic book censorship.
I think there were a few missed opportunities here; perhaps a sequel might be in order? Most of this opinion comes from the fact that the more Romance-based vampire things (Twilight, True Blood etc) are not my cup of tea, but the author was very passionate about them and their presence in vampire history, so I can’t fault her for that (once again, its not an encyclopedia). None-the-less, this is an enjoyable read, and gave me a few thigs to jot down to read or watch in the future. The book is well-written, packed full of facts and anecdotes, even a couple of interviews. While not a perfect book, there is a lot to sink your teeth into.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Generic Vampire stories are a dime a dozen these days. If you don’t just have a weird version of Bram Stroker’s Dracula, but this time he’s in SPACE or something, you have the other side of the coin that alters them beyond recognition, perhaps into teenage sparkly pretty boys – and it all sucks for the most part. For me to get into a modern Vampire story, it has to be something different (but keeping with the lore), and this volume by Eliot Rahal fits the bill. Spanning more than 40 years, The Vain tells the story of a group of Vampiric survivors – changing with the times to stay alive at any means necessary. If that includes enlisting in the military to kill Nazis, or starting a vampire drug cult in the 70s, if thats what it takes that’s what they do.
Chicago, 1941. A blood bank is held up in a robbery, but no cash is taken—only blood. It’s the latest in a string of similar robberies and as the United States prepares to enter World War II, FBI Agent Felix Franklin is certain it’s part of a wider plot to weaken the United States by depriving it of its blood supply. But the truth is much more sinister.
I wasn’t sure I was going to like this at first. At times, some of the art in the book was somewhat simplistic, but as the story goes on, it improves drastically. The dialogue is also kind of janky in spots, but overall the script is pretty good, and you honestly can’t beat the setting. Vampires living through the Cold-War is something I’m pretty certain I’ve never seen before. As it went on, I was interested to see how The Vain (their WWII Codename) dealt with the zeitgeist of whatever decade they had made it to. The book didn’t overstay its welcome, and had a logical ending that made sense.
I haven’t read much by Oni Press, although I have seen them at Comicon in the past. Once Covid-19 dies down I will have to do a deeper dive on their library if conventions ever come back, I’d love to see if the quality of this book continues on.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I haven’t read too many true crime books as of late, although I do listen to a ton of podcasts on it. And I mean a ton, its probably a red flag on Spotify, and I am likely on some list somewhere. Some of my favorite ones are historical accounts vs modern ones simply because the cases seem to always take wild turns that you aren’t expecting. You hear about these insane investigations and primitive forensics efforts that likely led to tons of false imprisonments, but its exciting none-the-less. This book chronicles 51 such historical cases in the UK between 1914-1918 – The era of World War I. Taking a small, specific era in history is interesting as one really gets into the time period when its all laid out like this.
Webb splits each case into its own small chapters which are then split into sub-headings such as cases all committed by straight razor, or all axe-murders etc. I liked this configuration a lot; it made this easy for me to read bit-by-bit before I went to bed this past week. This is an entertaining read insomuch as a book on murders can be simply because of the way it is written. That isn’t to say Simon Webb makes light of the cases, as they are all very tragic, but he keeps you wanting to read more and more, and the information is well-researched. This book also acts, in a way, as a chronicle as to why Britain eventually did away with Capital Punishment – many of these cases have terrible things happen during the execution, it you can tell it scarred the main executioner quite a bit.
Another Solid historical offering from Pen and Sword, I’ll have to see if they have anymore books by this author, as a continuation of this series (if it becomes one) into later or previous years would be interesting. If you want a quick read to keep your true crime interest satiated, I’d recommend this book. It’s definitely to die for.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
At some point this year, assuming Covid doesn’t keep ravaging the country, Kansas City will be hosting an exhibit that will showcase artifacts from Poland’s Auschwitz Concentration Camp. Having visited Dachau some twenty years ago in person, this might be the closest I could get to seeing these items for a long time, if ever. And if its anything like Dachau, I’m sure just seeing the artifacts will be a rough, if not VERY sobering experience. I mention this, because today’s topic is the man that made Auschwitz Concentration Camp so notorious, Rudolf Höss, and this new book about him The Commandant of Auschwitz, by Volker Koop and published by Pen and Sword Books. I basically wanted to educate myself more than what I was on the topic, and figured this book would be a solid look at the man responsible for one of the worst episodes in world history.
Koop does a solid job of not just regurgitating things from the memoirs of Rudolf Höss, and quickly points out that Höss appears to be a habitual liar in pretty much everything he does. Much of the information comes from things such as this material, but using historical records, and conflicting accounts by contemporaries, the portrait of a truly terrible man is painted. Even when everything was lost, and the man faced trial, he claimed to be a normal guy that just did his job and had no idea bad things were happening under his command. Reading some of the atrocities he signed off on, such as throwing children directly into a fire pit while still alive, was infuriating to say the least.
This was a tough read, for obvious reasons, but I enjoyed it and learned a lot about, perhaps, one of the biggest monsters in modern history. One would have hoped that he would have stayed in prison much longer than he did when he literally committed a political murder, but alas Hitler needed the most despicable to do his evil deeds. Very good book, if you are curious, or a WWII history buff, I’d check it out.
A Graphic Novel by Andy Diggle (Author), Stephen Segovia (Artist), Shawn Martinbrough (Artist), Doug Braithwaite (Artist), Renato Guedes (Artist)
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I don’t want to beat a dead horse on here regarding my love for Valiant Comics (but you can read me gushing about it here), but this Comic is yet another series that confirms that. Shadowman, is a long running character that has persisted for nearly 30 years in different forms, The character probably hit its peak in the late 1990s when a cult classic videogame hit the shelves, its a shame a rumored film was never produced during this time, as the property was especially hot then. The current iteration of the character is a much less 90s-riffic version of the original Shadowman, Jack Boniface, and his exploits fighting foes from the underworld using voodoo powers.
The rise of the Shadowman! For years, Jack Boniface believed that he knew the true story of the Shadowman loa – the true story of the curse inside him. He was wrong. Now, the man once known as Shadowman is returning home to sharpen the weapon within… and unleash a reckoning on the evils of our world that will soon send shockwaves through heaven and hell alike… Superstar writer Andy Diggle (Green Arrow: Year One, The Losers) joins high-octane artists Stephen Segovia (Action Comics), Shawn Martinbrough (Thief of Thieves), Doug Braithwaite (Justice), and Renato Guedes(Action Comics) to reveal the full scope and power of the Shadowman mythos in an oversized deluxe edition hardcover of the series Nerdist calls “killer”! Collecting SHADOWMAN (2018) #1-11, and SHADOWMAN/RAE SREMMURD #1, along with more than 20 pages of rarely seen art and extras!
When I last left the character, he was bound in eternal servitude in the underworld, and I wasn’t sure where the comic was going to go afterwards. I think I’ve missed a portion of the story past that, but they allude to everything in the narrative pretty well. This actually could be a decent start for somebody new to the series, it doesn’t get bogged down in past lore, and re-introduces everything slowly. At it’s core, Shadowman is Valiant’s main “magic” comic ala Constantine or Doctor Strange, if we think in terms of rival companies. What definitely sets it apart is the emphasis on Voodoo lore, and the setting itself.
While I had an advanced review copy of this in digital format, I have purchased hardcover deluxe editions from Valiant in the past, and they are really good production-wise and great bang for your buck. Instead of buying 3-4 trades at fifteen a pop each, they usually collect an entire series in one volume and price it to where you get a decent discount. I’m sure this will follow suit.
This is another solid edition in my Valiant Comics library, and I really love the character. I should have quickly reviewed this for Black History Month, as Shadowman is a VERY solid overlooked black superhero that more people should know about. Then again, that’s Valiant’s M.O. most of the time, being inclusive, but in a natural way, unlike some other guys that do it in the fake corporate way. Highly recommended if you have not checked these guys out before.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I’ve been a fan of Valiant Comics for a while now, especially since their relaunch about a decade ago. I think what sets them apart from other companies headed by out of touch movie execs or cartoon mice, is that they have their finger on the pulse with what fans actually want to read, and don’t pump tons of “fluff” into the market and over-saturate and shrink their audience through constant relaunches and special events. They have been amazing to interact with at conventions, and I honestly say say enough good things about them. Today’s topic is a graphic novel of the 2020 X-O Manowar book from Dennis Hopeless, I will admit, I’m about two years behind on keeping up with Valiant due to work keeping me VERY busy as of late, but I definitely wanted to read this as everyone’s favorite Visigoth Warrior is always one of my favorite titles.
“Save the day, destroy the world… Torn from the past and bonded with a living alien armor, will X-O Manowar become the hero the world needs now? As a futuristic force arises to destroy the planet, only this ancient warrior king has the courage to stand against impossible odds! Harvey Award winning writer Dennis “Hopeless” Hallum (All-New X-Men) and breakout star Emilio Laisio (Marvel’s Spider-Man: Velocity) unleash Valiant’s most powerful protector! Collecting X-O MANOWAR (2020) #1-4.”
This most recent storyline adds some grounding the the character that I really enjoyed. Prince Aric, in the past, has been somewhat distant from much of humanity considering his personality and origin of being a warrior from over a thousand years ago. This sticks him into a domestic situation, as he attempts to live amongst the people he tries to protect – all to a variable amount of success. One can’t help draw comparisons to either Spawn or Thor, which both had similar grounding to those characters that made them have a bit of humanity. Also, the “fish out of water antics” are perfect for a bit of humor. We are also introduced to a advisor-type character that is not unlike Elon Musk in real world terms, in Troy Whitaker. I’m not convinced he isn’t a villain as of yet, but he does help X-O with his image problem.
This is a solid read, and a perfect starting point if you’ve never read anything from Valiant before. If you are jaded with comics, or are tired of the nonsense “the big two” are always up to – give this a try! It’s honestly bee hard to go back after I started reading comics that are fun again.
A graphic novel by Zabus & art by Antonello Dalena
Apparently, Hercules Intergalactic Agent: Book 2 The Intruder is the second book in a series that I was unaware of, I only realized after I started reading and saw the tiny “book 2” that was sighed an audible “oops.” Thankfully it’s honestly pretty easy to grasp what was happening despite missing the “first episode” as it were. It tells the story of a couple of underdogs, bottom of their class, students at an intergalactic agent school.
“Hercules and Marlon are in their second year of intergalactic agent school and they still have a lot to learn! But when their teacher is bitten by a strange alien creature, they’ll need to put down the books and leap into action because the sickness affecting Teach seems to be spreading throughout the school…”
While this isn’t really meant for kids, as it alludes to cursing a few times, the messages in the book would be good for a kid’s book – never judging a book by its cover, and having compassion for all living things. It has a pretty strong allegory to the recent string of migrant and asylum seeker crises that have arisen as of late, which makes it a pretty forward thinking book. The allusions could be a tad heavy-handed, but I enjoyed it nonetheless. The art is fun, and it reminds me of something from the 80’s Heavy Metal movie.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
“Charlotte, Emily, and Anne Brontë—faced with an ailing father and an alcoholic brother—pursue independence through art in this graphic vision of the lives of three legendary writers.”
Going into this, I sadly did not know much of the Brontë sisters aside from a passing knowledge of how the initially wrote under pseudonyms, ad their untimely deaths due to tuberculosis at relatively the same time. This book did an amazing job filling in the gaps for the most formative time period of their lives – the moment that they decided to start publishing their writings to help save their family. With an ailing father, and a deadbeat brother addicted to both alcohol and opium, the sisters set aside their fears of judgement and finally publish their works to much critical acclaim. It was not until death met their mighty blow, that much of the world found out the true nature of the three writers that took nineteenth century England by storm, and defined that time period for many people in the modern era.
Manuela Santoni has a simple pen drawn art style that was interesting to see. At a few moments, some actions are hard to understand due to this stylistic limitation, but the script is there to cover for it. all-in-all this was a very well-done book and very informative.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Before today, Judith Vanistendael was completely off of my radar as a comic creator, which is a complete shame as she has put together easily the best book I’ve read this month. Rendered in gorgeous watercolor paintings and poetic text, The Two Lives of Penelope is not your typical comic book and is a VERY emotional roller coaster ride for the short time that one is reading it. Dealing with a heavy topic such as the mental health issues that arise when one spends too much time in a war zone doing humanitarian work, This book was both not easy to read and not easy to put down at the same time. Nothing particularly heinous happens in the comic, I just feel bad for the entire family, that despite their troubles, are hanging in there.
“Penelope is a Belgian physician who works with Doctors Without Borders in war-torn Syria. She returns to Belgium when she can in order to see her husband and daughter, but the transition is hard. Her latest trip home for the holidays proves even tougher than usual, as the coexistence of the two excruciatingly different worlds she inhabits becomes increasingly fraught.”
Taking place in the middle of the still raging Syrian Civil War, this book tells the tale of a humanitarian surgeon attempting to spend some time with her family before she travels back into the war zone. In many ways, this should be a time to relax, but sadly her life is now that of a war doctor, and her home life is increasingly hard to cope with. Penelope has PTSD (or something similar), and cannot connect to the needs of her family anymore – when one deals with war atrocities on a day-to-day basis things like a style of preferred winter coat, or a daughter worried about her nose size are no longer of great significance. She is haunted, both literally and figuratively, by her job – and can’t seperate from it anymore – it is her now. Everyone deals with this the best they can, and sadly we do not get any resolution – one can assume Penelope is still in Syria to this day.
Every once in a while, you come across a comic that surpasses the medium and is an instant classic – for me The Two Lives of Penelope is up there with comics such as Persepolis and even Maus, as a comic tackling a VERY tough subject matter in such a way that it becomes something that should be required reading. I will definitely check into other works by the author, and keep an eye on this, as I really hope this book gets the attention it deserves.
A book by Laurent Galandon, Frank Giroud & art by Philippe Nicloux
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Another day, another book by one of my new “companies to look out for”, Europe Comics. Babylon is another French comic, translated into English. I’ve recently come across a handful of their comics, and have really enjoyed them. Comics from western Europe have an entirely different feel to them than either the United States or Japan, focusing more on mature stories vs superheroes and the like, and for that I love them.
“If you have a problem, if no one else can help, and if you can find him, Max Ferlane is your man: a good man with skills a bad past has left him. Now he’s trying to leave that bad life behind, put those skills to good use. He’s in the Congo rescuing a young girl from an arranged marriage when an old employer turns up: the Babylon Agency, specializing in high-profile political exfiltrations. Max is forced into a different, far more dangerous mission that will take him deep into warring jungles and his own past mistakes. For Max’s PTSD hallucinations are only getting worse…”
At first glance, and in the initial few pages, I figured this was going to be a bog-standard run-of-the-mill mercenary for hire story, but was surprisingly wrong when things took a weird turn. There are times in the book, where you are led to believe that things have suddenly gone VERY science fiction VERY fast, but its not what you think. Having the book take place somewhere in Eastern Africa, was also interesting, and gave the setting a bit of a political edge that I really enjoy in European Comics. That said, In many ways, Max Ferlane is somewhat of a cliché character in comics, one part Snake Pliskin, another Max Payne (if anyone else remembers that game), but this doesn’t detract from the story in any way.
This is the first part of a multi-part story, and I will eagerly be waiting for the next chapter. With my quibbles aside regarding some clichés, The setting, plot, and characters are cool enough to keep me reading. Yeah, it’s basically “Escape from Congo”, but that’s honestly better than most of the actual sequels to that franchise.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
By Crom! Conan The Cimmerian has appeared in comics almost nonstop since the 1970s (even a few appearances beforehand). Whether it be Marvel Comics, Dark Horse Comics, or Dynamite Comics, there is always some company producing their take on the legendary, thief, barbarian and king. In the U.S., I’m pretty sure that Dynamite still has the Conan rights (I could be wrong), but in Italy, Ablaze Publishing had an interesting option: they could freely publish comics related to Conan, without specifically calling them “Conan” or “Conan the Barbarian” comics, even though that’s what they are. Thus “The Cimmerian” was born.
This series is a pretty cool alternative to the other Conan Comics out there. About half of the book is comprised of adaptations of classic Conan stories The People of The Black Circle, and The Frost-Giant’s Daughter. The rest of the book, aside from the typical art section and cover gallery, found in most trade editions, are the entire prose versions of the same stories, originally printed in pulp magazines such as Weird Tales or Fantasy Fan Magazine nearly 100 years ago. Due to the properties interesting status in Europe, they have the freedom to do something like this without dealing with multiple rights holders, and I absolutely LOVED it.
This is as true to a “true” take on Conan can be. All of the heavier stuff such as gore and sex, that other comics might avoid, is here in the open just as Robert E, Howard intended. The dialogue can be a bit verbose in places, especially in The People of the Black Circle, but that can be directly tied to the size of the comics that were published and the amount of dialogue in the original story.
I went into this without reading the first volume, but plan to go back now that I see the quality of this is en pointe. While the typical issues that arise from translating a comic are there a bit, its not bad, nor does it detract from the story. As a HUGE Conan and Red Sonja fan, I’m glad I had the opportunity to read this.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
After reading another book by the aptly-named publishing house, European Comics, and absolutely loving it – I decided to wade into their catalogue to see what else they had to offer. I picked Marsupilami based on the cover, as it looked fairly interesting. I’m glad I did because this was a great comic in each and every way.
“Belgium, 1955. A mysterious animal is caught in the jungles of South America and transported to Europe on a cargo ship, where it ends up starving and half-dead on the outskirts of Brussels. François, a young boy with a fondness for taking in strays, finds it and brings it home to his mother and his menagerie—his best and only friends. As the son of a departed German soldier, François is the favorite target of every bully in school. Nobody can identify the strange creature with the voracious appetite and the stupendously long tail, and François figures his new pet is perfect for show-and-tell… But with a wild beast and a small classroom, things quickly get out of hand. Will this spell the end for François’s new animal friend? The real story of the legendary Marsupilami!”
Marsupilami is an interesting story, not too different than a typical “dog bites somebody and the villainous neighborhood busybody wants it put down” story with a number of interesting twists. First and foremost – the setting. This takes place in Belgium a decade after the end of World War II. With the war over, some wounds take time to heal, and being seen as someone that had ANYTHING to do with the German occupation put that person in a bad place. Thus the plight of our hero Francois, a boy relentlessly bullied at school due to being the lovechild of a Belgian Woman and a German Soldier, he retreats into a world of taking care of exotic animals in his very own home menagerie.
Next up we have the “dog” which is a crazy cryptid of some sort – seemingly a monkey with feline attributes and a 30 foot long tail. I was initially worried this would be a simple horror story with “The Beast” going on a rampage, but truthfully he seems pretty intelligent and acts only in self-preservation. whether it be animal smugglers, or The bullies at Francois’ school – something is always trying to attack the poor creature. Francois and his family, including the animals, are his only allies, it seems.
This was part one of a two part story, it’s hard to read it without the other half, but I quite enjoyed this. The setting was awesome, and the tropes were used well to create something wholly unique. I can’t wait to finish this, but hope that it doesn’t end on a huge downer.
A graphic novel by Thierry Gloris & Lamontagne Jacques
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I’m a big fan of European comics (which is coincidentally the name of this books publisher, but I mean the geographical area), usually because they don’t worry about keeping everything for children at all times, and treat the material far more seriously than in either Japan or America. That isn’t to say its all gore-filled pornography either, its just like the difference between an HBO show and a Disney+ show in terms of sensibility, if that makes sense. I’ve been on a big Metal Hurlant and Heavy Metal kick as of late, so I was intrigued to see a French language comic (translated, of course) about Calamity Jane, and how a European publisher would handle the “origin story” of the famous frontierswoman.
“The westward drive of Americans after the Civil War was unstoppable. For some, the vast territory meant new wealth and new opportunities. The ever-progressing railroads made many rich. Whereas others found their fortune selling the flesh of the less fortunate. In a brothel in Omaha, all manner of destinies intersect in a violent collision that many won’t survive. This is the incredible story of Martha Cannary, a young woman who shrugged off what destiny had in store for her and made herself into a legend.”
Wild West is a quick read at only 66 pages, but it tells its story well, and doesn’t linger too long. Honestly, I hope they produce more of this, as this is basically the story of her beginnings and her first encounter with Wild Bill Hickock and up to her enlistment into the US Army under the pretense that she’s a boy rather than a woman. The thing about Calamity jane, and whether this book is historical, is that most of her backstory was created as a booklet to market her “character” at a series of tours that she participated in. I assume a lot of this was embellished, and sadly we’ll never know for sure. Not much is said about her time working as a prostitute (which is the focal point of this story), so I imagine there is a lot of artistic liberty here, with something that already had some to begin with.
All-in-all, this was a great comic with exquisite, detailed artwork. for fans of history, western comics, European comics, or just adult comics in general, this would be a great addition to your collection. I’m not certain that the book is available physically in the US, but a digital copy (like the one I have) is very affordable. This is a publisher that is now on my radar, if their quality is this good on everything, I’ll have to do some more research.
Having an interest in all things Viking, and learning Bokmål Norwegian led me to check this out. I currently don’t plan to attempt to learn Old Norse in any way, but I was curious into exactly what this was. From the description, I could tell this was a humor book rather than a learning tool, so I wasn’t disappointed when that’s exactly what it was. I was also drawn to this because I have a book in The Vikingverse line (The Allfather Paradox, I need to review that on here), and had no idea this company was based here in Kansas City, which makes me excited to hopefully meet these dudes at Comicon or something one day.
Never be lost for words again…with this book of lost words. Have you ever wanted to wield the silver tongue of Loki, or to hammer home your point like a Thundergod? Old Norse is the language of legends and the stuff of sagas, the inspiration for Tolkien and Marvel, for award-winning manga and epic videogames. It is the language of cleverly crafted kennings, blood-curdling curses, and pithy retorts to Ragnarök. Old Norse for Modern Times gives you the perfect phrase for every contemporary situation—from memorable movie quotes (“We’re going to need a bigger boat.” Þurfa munu vér skip stærra) to battle-cries to yell on Discord (“Do I look to be in a gaming mood?” Sýnisk þér ek vera í skapi til leika?), from mead hall musings (“This drink, I like it! ANOTHER!” Líkar mér drykkr þessi! ANNAN!) to tried-and-tested pickup lines (“Nice tattoo!” Fagrt er húðflúrið”). With over 500 phrases inside (plus the chance to add your own!) it is the perfect guide for Vikings fans, whether they are re-enactors, role-players, or simply in love with Ragnar.
Old Norse For Modern Times Is almost like a parody of a travel phrase book that somebody might pick up visiting a foreign country. There are phrases of all natures, from social media lingo, to sci-fi references. Is any of it very useful? Probably not. But is it funny? Yes it is! Quite a few of these gave me a good chuckle, like “Beam me up Skadi” or “Where is the Batman!?” However, I honestly think this would work best as an audiobook, and I believe that is available according to the preface in the book. Sadly, I did not have this, so knowing things like correct pronunciations (or as close as we can get today) are lost on a book-only reader.
As a result, I can’t go in with a huge recommendation of getting a print or eBook of this if you plan to actually say these things out loud – go with the audiobook, or a combo of both. As a humor book, this is a fun little diversion for a little while. a quick read that you can have fun with. If you enjoy things like books written in Klingon and the like, definitely check some version of this out.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
I think the backstory of the author, as described in the preface, is almost more intriguing than this book itself. A Turkish author, Simsek apparently wrote a book early in his career that was deemed heretical and was jailed in his home country along with people associated with the book publisher that released it. When released, he tried for decades to get his books out there, but was blocked and threatened forcing him to self-publish. This caused his books to go largely forgotten until now apparently.
The Expulsion of Adam and Eve from Heaven According to The Devil is written in the tradition of the ancient Gnostics, who composed a whole litany of religious texts in the early eras of Christianity, and were later deemed the most heretical of all heretics and driven underground by what is now The Catholic Church, they were oppressed, killed, and had their books destroyed. Most of what we have of their works was only made available due to a monk burying scrolls in a clay pot hundreds of years ago. Being a person that formerly considered themselves Gnostic, and having read a lot on the subject, this was a definite interest for me.
This is basically a retelling of The first part of the Biblical Book of Genesis with an emphasis on the Devil as the main protagonist. While the ideas presented are interesting, I’m not sure they wholly represent the Gnostic ideas of the “Garden of Eden” events as seen in books like The Testimony of Truth or The Apocalypse of Adam which are historical texts detailing the same story, but actually written by The Gnostics. However, many old biblical texts are basically religious fan-fiction in their own right – designed to tell an allegory within the context of a set of known characters. This is, of course, something Biblical literalists don’t want to hear, but I digress.
My qualms aside, this is a solid book, and I liked what the text was trying to do here. The dialog definitely grounds the characters, and gives you sympathy for a character that is largely seen as very misunderstood for a multitude of reasons. All-in-all, I liked this and would like to read more by the author. And of course I’d like to learn more about his troubles, and am glad he is finally getting his work out there.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Books like this are always hard to review. Sometimes I’ve read poetry books that are critically acclaimed that I couldn’t get into – perhaps I’m an uncultured swine and can’t handle it or some such. Other times the humor isn’t for me, and I read the book with mild annoyance. Good news, that wasn’t this book, as I quite enjoyed this. Andrew Shaffer has collected a series of short poems, asides, and observations that are not too dissimilar to the old 90s era SNL skit “Deep Thoughts by Jack Handey” without completely ripping the style off. Some are better than others, but the ones I really liked made me laugh out loud which is a plus for any humor book.
This is a very quick read, so keep that in mind if you are considering a purchase. But if you or your BFF likes goofy poetry, this would make a great small gift, stocking stuffer, or bathroom reader. After reading this, I plan to look at some of the author’s other works.
It is little known today that, in January 1939, the IRA launched a bombing campaign, codenamed The S – or Sabotage – Plan on mainland England. With cynical self-justification, they announced that it was not their intention to harm human life but in just over a year, more than 300 explosive devices resulted in 10 deaths, 96 injuries and widespread devastation. London, Birmingham, Manchester, Liverpool and many other towns and cities were targeted.
Description
It hasn’t been too long since I read another book by Pen & Sword Books on the so-called “Troubles” that scarred Northern Ireland for nearly a century. That book was more concentrated on the large flare-ups in terrorist tit-for-tat fighting in and around the 1960’s and 1970’s, so I jumped at the chance to read IRA Terror on Britain’s Streets 1939–1940 as it concerned a period that was briefly glossed over in that previous book. Technically not part of “The Troubles” as a whole, you can see the seeds being planted in this period that would later bloom into a full-blown war.
The narration of this book is very informative, although it doesn’t strive to be very neutral (if one can be in a situation like this). Being a former Detective that worked directly in Northern Ireland for a period, one can assume that Kirby wouldn’t be too excited to sing the virtues of men that would have wanted him dead. With his unique insight on the situation, and both an acerbic wit and self deprecating humor – this book is very addictive and sometimes humorous despite the dark topic.
I think my biggest takeaways from the book are some of the origins of The Troubles, even dating back into the nineteenth century. I had no idea that The IRA sprang from groups like the Fenian Brotherhood and the fact that it was originally an American organization that repatriated back into Ireland to instigate an uprising was interesting. I also had no idea that some versions of the IRA had ties to Hitler during the Second World War.
Just like with many books from this publisher that I have been reading lately, I quite enjoyed this book, and would highly recommend it to anyone with an interest in true crime books, Ireland, or World War II history. It covers a topic that not many of my American friends, with me being an American myself, would know about.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Continuing my late winter history book dive, I’ve decided to get into a topic I know a bit about, but from an entirely different perspective than what I’ve come accustomed to. Being from the American school system, we all know that the USSR were part of the Allied Forces in WWII, however, there was always an explicit attempt by textbook writers to downplay their involvement and champion US-Centric takes on the war. It’s a shame since Russia carried that war largely on its own shoulders. I enjoy books by Pen and Sword because they are generally VERY in depth on a specific topic, and challenge y comfort zone on what I think I know; The Anglo-Soviet Alliance – Comrades and Allies during WW2 is one such book.
This book can be seen, in some ways, as an analysis of the Communist Party of Great Britain – going from Nazi Sympathizers early on, due to Hitler’s initial alliance with the USSR, to being “neutral” seeing the war as a Capitalist charade, to finally being pro war, and seeing the war as a fight against Fascism. This secondary narrative is illustrated masterfully by the authors descriptions, and examples of official party literature in his own collection. Its not unheard of to see politics change at such a whiplash pace, but we always see COMMUNISM through the eyes of decades of State-led propaganda, even today. Its interesting to see just how fluid it was.
While the Anglo-Soviet Alliance was mostly born out of necessity, with both sides not being 100 percent on board at any given time, it was a testament of what good can come from a pragmatic alliance during wartime. Whether it be the UKs sandbagging and delay at opening a second front to pull pressure out of Belarus and Ukraine, or Stalin committing a political Genocide in Poland and covering it up, only to be found out then flat out lying about it, neither the USSR or UK were “the good guys” in many ways. neither side trusted each other politically, but all accounts from soldier level are that everyone got along for the most part. It’s a shame to see how everything ultimately fell apart, and in many ways we aligned ourselves with Fascists far too easily with fears of making everyday Germans too mad at us. This is a common thing that still happens today that always upsets me – being tolerant of intolerance ultimately leads to intolerance, but I digress. Who knows where we’d be without the Cold War, good or bad.
Colin Turbett did a excellent job with this book, his insight and items from his personal collection regarding the CPGB and its relationship to wartime politics, was very interesting and paints of vivid picture of this period both internationally and domestically in the UK. I was most taken aback by the general feeling that Russia was this unsung hero of the war (until deemed otherwise), being the focal point of fundraising drives, and pro-USSR charity events. This was very thought provoking, and runs counter to my notions of where Russia sat within the media at the time. Perhaps people were willing to look the other way to a maniacal monster like Stalin, much like how we do now with many of our “allies”, but the whole thing comes across as if the UK somewhat used the USSR and perhaps they used the UK.
Another solid offering from Pen and Sword, highly recommended.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
There’s a tendency, in World War II scholarship, to almost entirely concentrate on Hitler and the battles of the war, keeping some of the more human aspects of the war in the background. Even the Holocaust is usually spoken about in vague terms if its not explicit something like a diary or journal of one the victims. Something I knew almost nothing about, prior to this book, were internal German resistance groups. I knew they absolutely had to be a thing, but seeing as they did not overthrow Hitler on their own, it’s usually relegated to a footnote in many books. The White Rose was one such group, and this graphic novel tells their tragic story.
With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist? The university students who formed the White Rose, an undercover resistance movement in Nazi Germany, knew that doing so could cost them their lives. But some things are worth dying for. The White Rose printed and distributed leaflets to expose Nazi atrocities and wake up their fellow citizens. The Gestapo caught and executed them. Sophie Scholl was twenty-one; her brother Hans, twenty-four; Christoph Probst, twenty-three; Alexander Schmorell and Willi Graf, twenty-five. But the White Rose was not silenced. Their heroism continues to inspire new generations of resisters. Now, for the first time, this story that has been celebrated in print and film can be experienced as a graphic novel. Italian artist Andrea Grosso Ciponte’s haunting imagery will resonate with today’s students and activists. The challenges they face may vary, but the need for young people to stand up against evil, whatever the cost, will remain.
Description
The story in Freiheit! is told largely from the point of view of Sophie Scholl, who has become disillusioned with the government of Germany due to their strong-arm policies and mistreatment of Jews. Prior to the events of the book, her brothers were arrested by the Gestapo, setting in motion their membership into an underground resistance movement of intellectuals that produced subversive pamphlets calling the Nazi leadership into question. One nice touch, is that translations of these documents are included in the book.
The art style and overall composition by Andrea Grosso Ciponte was very moving and vibrant despite the book’s muted color palette. Each panel, even the most subdued, is treated like a scene in a film – interesting transitions, camera angles, and blocking are all well-done. It gives this book a VERY cinematic feel.
I enjoyed this a lot, and plan to look at some other books by the same publisher pretty soon. The book has served it’s purpose of making me interested in The White Rose, and I may also look into a book about the Scholl siblings at some point. Having historical documents in the back of the book was a great touch, and immediately elevates this to the status of being a teaching tool. I once took a class in college about The Holocaust, and I honestly really wish this was out at that time. This would have been a great story to share with my class. Solid book, definitely recommended.
NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.
Life in the Trench is harsh but simple—until a young girl braves an unknown path in a bracing coming-of-age short story by the New York Times bestselling author of Sweet Tooth and the Gideon Falls comics. Born into a small, sheltered community on a hostile ice planet, Milliken was raised to believe that the Trench provides for those who huddle beneath its massive walls—and that those walls stretch to infinity. But venturing into the wilds beyond the village is a rite of passage she’s longed for. To push into utterly forbidden territory is to make a discovery that will forever change how Milliken sees her home, her family, and her future.
Description
What a fitting thing to read as I sit in my house with unseasonably cold -25 degree weather outside. Cold air creeping into every crevasse of my home, and an air that stings my face when I have to do mundane things like checking the mail. What better thing could I do than curl up in a blanket and read some interesting stuff on my kindle. I was drawn to Snow Angels, as I am a big fan of his comic-related works. I did not realize he sometimes wrote books, so this was a pleasant surprise.
Amazon appears to be sweetening the deal for those that use Amazon Prime, by offering a series of short stories exclusively for members. I am not 100% sure how new promotion is, as this was the first I’ve heard of it, but they have some pretty big names on-board.
I quite enjoyed this story, and hope it goes past being just a short story. As it stands (20 pages or so) this looks like the first few chapters of a larger book, and I was like “nooooo!” at the end when I realized it was over. Perhaps, Lemire can bring this to the comics world as well? There isn’t much I can say about this story without spoiling it, but I will say that the best part was trying to figure out what was going on. Is this a fantasy story, prehistoric, or even post-apocalyptic? You get a hint at the end, but it simply makes you want to know more. If you have yet to check out Amazon Original Stories, this is a fitting first look. I loved it!
![The Expulsion of Adam and Eve from Heaven According to The Devil by [Bedrettin Simsek]](https://m.media-amazon.com/images/I/51WEs3dI5bL.jpg)
