“The current in a family line of Mysterios that dates back centuries, each one trained to be a champion of the people and to take on a great evil that has been prophecised to return and plunge the world into darkness. Rey Mysterio is on a quest, aided by the military clandestine group known as “The Ambassadors”. The mission is clear: retrieve the one thing Rey will need to take on this returning evil…..THE MASK OF THE FIRST MYSTERIO!”
To be honest, when it comes to comics related to wrestling, I never really picked up too many, not even back in my heaviest comic reading days. So aside from the Joey Ryan comic I got a while back (which I should review on here) I haven’t really read too many. Luckily Masked Republic had my back recently by tucking one of these bad boys into my recent Lucha Loot Treasure Chest (Review here) via Chido Comics.
This comic reminds me a lot of the old-school luchador films from the 60’s starring El Santo and Blue Demon in that it exists as a way to create a rich mythology behind a wrestler that can’t easily be conveyed in the medium of wrestling as it would come off as VERY silly and far too over the top (well maybe not in Lucha Underground). In this comic, for instance, we find out that Rey was in fact trained in an old Mexican monastery by an old man that would not be out of place in a stereotypical Kung Fu film (I’m sure that this is 100% factual :P). he is prophecised to be a sort of messianic figure – a man that will eventually save the world from impending doom.
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This comic features a handful of references to other well-known Luchadors such as Konnan (who seems to be Rey’s boss or something) and Tinieblas (who apparently took an off-page trip to the Himalayas specifically to get a map to the location of the foretold ancient mask for Rey). The mask itself is a reference to none other than Rey Mysterio Sr. While actual cameos would have been cool, I really like that this is building what I hope to be a full-on comic universe featuring luchadors. I assume that;s something that has existed in Mexico, but over here not so much.
Perhaps my only gripe was that the members of The Ambassadors serve very little purpose in the story (so far) aside from standing there and looking scared or wise-cracking while Rey beats the crap out of Zombie mountain lions using his super-powers. I would have almost preferred for the team to me made-up of actual wrestlers, but we’ll see if these guys pop up again.
The final page is an advertisement for a second one-shot featuring The Lucha Brothers (Fenix and Pentagon Jr.) Since these two are basically my favorite wrestlers at the moment I’m pretty excited to see where this goes and get my next Lucha Loot assuming that will be in there. This was a fun read for what it was and a must buy for any Lucha Fan that’s been wanting something like this for a while. Chido Comics is something that could be on the cusp of something cool, I’ll definitely keep an eye on them!
One of my guilty pleasures in the world of comics are “cheesecake comics” an outdated term for a comic with sexy women in it (beefcake is more used today for the opposite). One thing I will never do is get on a soapbox and try to pretend that the only reason I read comics like this are for some metatextual ironic reason, or that I believe books like this are in some way feminist in nature. Honestly, some books like this are pretty trashy, although I try to avoid the stuff that veers into total smut as the storytelling is usually the caliber of a late night Cinemax movie.
What I will say is that I enjoy the art and I like the carefree attitude most of them have, and that’s why I read them. Most of these comics are not really erotic in any way nor do they depict lurid acts for the most part, but everyone in it usually dresses like they live in a Frank Miller movie, so there’s that. If you recall I have posted reviews in the past for Vampirella comics, which despite the silly costuming and gratuitous poses, is actually a good read and a fairly compelling comic for somebody that loves gothic horror. I also enjoy things like Conan and Red Sonja which are both barbarian adventure comics, and cheesecake depending on the story. So why am I rambling about this? Today we’re talking about what I consider to be the “best of both worlds” in terms of gratuitous imagery and a barbarian tone – Brian Pulido’s Lady Death.
Much like Dawn and Vampirella, I remember being introduced to comics like this when I was a teenager in the 90’s and an avid reader of Wizard Magazine. They would usually have posters or articles about these comics, and they looked really cool, but the comics were usually kept in the forbidden “behind the counter” zone that young impressionable teens had no access to at the local comic shop. Had I seen a stray side-boob at that age, you never know what sort of miscreant I would be today!
Coffin Comics, the new company helmed by Lady Death creator Brian Pulido, has an interesting way of making comics in this modern climate of digital distribution and Amazon running everything out of business. Instead of a model where comics are sent out to stores, he funds each issue with a Kickstarter campaign resulting in a landslide victory each time in funding and a ton of swag to the contributors. I have been able to participate in the last few campaigns and have been rewarded with all manner of posters, bumper stickers, cards, guitar picks, and even challenge coins. While some creators use the funding to pad their wallets or to fund other things than what the fans are contributing to, Coffin Comics leaves me happy each time even though I will never be able to use all of the silly swag I get. But where did this business model come from?
Coffin Comics was started in 2007 by Pulido, who is the previously mentioned creator of pretty much all of the properties formerly under the roof of a company called Chaos! Comics. These titles included Lady Death, Evil Ernie, Purgatori, Chastity, Jade, Bad Kitty, and Lady Demon. At one point, Lady Death was big enough to have her own trading card sets and other merch that usually was only reserved for big Marvel and DC properties. When Chaos ceased publishing, the license to Lady Death moved to another company called CrossGen publishing that went out of business about a decade ago.
After a few false starts, everyone’s favorite anti-hero is back home with Pulido in this new company since 2015. When asked about this new strategy utilizing Kickstarter, Pulido has remarked that he’s not really interested in the mass market that much (although he does sell through Diamond like most comics) but has a comic collector in mind with every decision. That’s why all of the comics are marked #1 and there are TONS of alternate covers for each issue – some with print-runs as low as 12 copies! While that seems silly, the fans of his don’t seem to mind, it’s just a quirk of getting comics from them.
To date: the following titles have been released:
Lady Death: Chaos Rules
Lady Death: Damnation Game
Lady Death: Extinction Express
Lady Death: Oblivion Kiss
Lady Death: Merciless Onslaught
Lady Death: Unholy Ruin
Lady Death: Apocalyptic Abyss
So getting into the first of our double feature – Chaos Rules #1, the comic assumes you know who Lady Death is right from the get-go and wastes no time in making sure you know anything. Granted, there’s nothing keeping a new reader from understanding the plot, but a vague knowledge of the basic plot could be a plus. I would recommend perhaps watching the 2004 film created by the Now defunct anime studio AD Vision and written by Carl Macek. It’s not completely true to the source material, but it helps sum up the backstory. Here it is conveniently found on YouTube:
If you don’t want to watch that, the gist of her origin is that she was once a young girl in medieval Sweden named Hope. Her father was a local nobleman named Matthias (Marius in one of the reboots) who was forcibly conscripting peasants into military service as feudal levies. Unknown to his innocent daughter, Matthias had a dark secret.
Although congratulated by the Church for his work against the pagans, he was despised by the common folk as a cruel tyrant. Matthias was outwardly pious, but secretly dabbled in black magic and demonology. He was actually a descendant of the fallen angels who had led the rebellion against God. A couple of the series change what happens next a bit, but Hope’s father summons a demon and Hope is captured in his place to be tried as a witch – she uses the same incantation her father was using and summons another demon that gives her a choice: Die or live as a soldier in Hell. She takes the latter and becomes a bad-ass warlord to face her father or to take over Hell depending on the version.
“In Chaos Rules #1, Lady Death is awakened from a 20-year, spell-induced slumber, she finds herself in the fiery pits of Hell. Two decades of her life, gone –– nothing more than nightmares. Who among her depraved enemies is responsible? How long until she exacts bloody vengeance? Not long!!! This is the first new Lady Death comic I’ve personally published in 12 years. This story –– chock full of sex, violence, and very bad behavior –– is Lady Death, fully realized.”
The above is a quote from Brian Pulido from the Kickstarter page and it sets the tone of the comic. This is definitely a re-introduction the the character that I assume many have not kept up with for a number of years, if not decades. While no Citizen Kane in terms of writing, the story is well conveyed and well-written for this type of comic. Perhaps the only thing holding this back from being “great” was the fact that some of the art is a bit cold or static, making it hard to tell what exactly is going on.
This is a minor gripe though, as fans of the original book and fans of this genre will enjoy it immensely. It was good to see the story scaled back after the almost Dragonball Z styled power boost given to the characters in later incarnations – a trend that seems to ruin most comics like this. It happened in Spawn, Punisher, and even Dragonball Z! It’s nice to see the Lady return to her roots.
Damnation Game #1
“Lady Death rescues an innocent boy dragged to Hell, inciting an ultra-violent quest into the depths of Damnation, a depraved city hosting ‘The Hades Engine,” a contraption that can return the boy to earth. But Lady Death’s actions bring her into direct conflict with the nefarious Hellwitch. Who will live? Who will die? With her return to Hell, Lady Death is public enemy number one, and you know what? She wouldn’t have it any other way. Let the mayhem begin!”
Coffin’s second outing is another solid read, but is held back by the exact opposite issue I had with the first issue. While the art in this is better than in the first, my opinion at least, the writing isn’t as well-done. some bits of dialog are very stilted, perhaps cliché and seem forced. On the flip-side, there are moments of great foreshadowing that Dheeraj Verma and Sabine Rich employed that conveyed a plot twist coming up better with their use of panels than the dialog could do. I loved the artwork.
This book is also the introduction of a new nemesis for Lady Death in a character named Hell Witch. You see Lady Death may have offed her Daddy in the last issue, so Hell Witch is out for vengeance. Since I’m assuming old Chaos! characters like Purgatori are off the table, Hell Witch seems like a fine replacement without being a direct clone or simple stand-in of the other. Although, to be honest, part of me would love to see these older characters eventually make their ways back home as well.
All-in all you really can’t go wrong with either book – stay tuned for more as I have all of the issues so far and will try to do more reviews! I will also do a kickstarter un-boxing whenever my La Muerta: Retribution stuff arrives.
One thing that I always enjoy is a good sale – and when it comes to manga you really can’t beat books for around 2-3 bucks a pop. I’ve obtained great reads from a company called Digital Manga Publishing over the past few years – usually Vampire Hunter D or Osamu Tezuka books that they seem to be the chief publisher of. A while back I grabbed a few books on the cheap that didn’t really warrant a full-sized review, so figured I’d do the same thing I did with my bargain Heavy metal haul from last year.
I already did a full review of IWGP Vol 1 a while back, here’s a recap:
The story follows a guy named Makoto that seems to have all sorts of connections to street gangs and other illicit activities despite seemingly not being a part of said activity. He runs a shop with his mother and has some sort of oddly close Batman/Commisioner Gordon relationship with the local police that has yet to be fully explained. He and a few friends meet a couple of girls at a New Year’s Eve party (the over-hyped 1999-2000 millennium celebration in particular) and hits it off with a girl named Rika. Ikebukuro is plagued with reports of a serial “strangler” that seems to be attacking girls that go on dates with older guys for money, and this has everyone scared. Some bad stuff happens and it’s all up to Makoto to stop it (to not go into spoiler-land too much).
Knights Vol 1 (2008)
This is a 2.5 story with a very interesting protagonist, so I rated it a bit higher. Based loosely on the European witch hunting craze in the 13th century, it seems that all clergymen have become insane zealots that practice witch persecution this side of the Malleus Maleficarum. The only people standing up to a genocide of falsely accused witches are a squire named Mist commonly referred to as “The Black Knight” and his assistant, some sort of real witch that is naked about 99% of the book. I thought Mist was interesting because he is dark-skinned in a world where nobody seems to have seen either a Moor or African person (it’s a fantasy world I suppose) and thinks that they are demons. So basically this is a literal black knight fighting racist clergymen…weird…
Worst vol 1 (2002)
Worst vol 1 is a promising beginning to a comic in a genre I have never really delved much into. Of course I’ve seen parody stuff like Cromartie High Schoool and read things like GTO, but that’s not really the same. This is the typical “youth delinquent” genre story where rival high school gangs are vying for turf and duking it out, but instead of a tough-as-nails protagonist, Hana is a fun loving guy with a big heart that can also kick pretty much anyone’s ass when it comes to fighting. Can’t wait to read more…
To change up what I was reading a bit (lots of superhero books), I decided to get a handful of European comics from a sale that was hosted by Heavy Metal Magazine. Heavy Metal is known to be an “adult” comic company, and while this is not for children it isn’t crass or filthy – it just has a bit on skin. You may remember a film based on the Heavy Metal license back in the 1980’s – same books. Almost all of these were around $3.00 which is almost cheaper than most modern comic books. If you want to check some of these out, here is a link to the bargain bin on the Heavy Metal website:
For this round, I chose four books that caught my eye from the cover alone. Since this turned out to be a success. I will probably get more. All four of these books turned out to be beautiful hardback editions, about the same size as most children’s storybooks. I’m not sure of this format is particularly great as I’m more used to omnibus editions, but they are quick easy reads.
Ulysses (1974)
I believe this comic was originally written in 1974, and I really enjoyed the artwork a LOT – very much Jack Kirby meets 70’s drug chic. The plot is a “modernized” (1974) version of the classic Story by Homer. The Olympians and associated monsters are aliens, which are mistaken for gods by humans that cannot comprehend their technology. They enjoy putting humans in peril and watching their follies as some sort of twisted reality show. Ant that was long before that particular strain of television mind-rot became a thing.
The only downside is that this volume leaves the story incomplete, as Heavy Metal (as far as I can tell) did not release the second volume with this 2006 reprint.
The Bible
I would have loved something like this when I was a kid even though this isn’t a kids book. Since this ran in the french version of Heavy Metal I know this is meant for an adult audience so it’s cool to see that they did something like this.
This book contains an illustrated version of The book of Genesis, and while it’s pretty short, all of the important information is there without getting bogged down in minutiae. Unlike other illustrated bibles, this one isn’t watered down for kids – Yahweh is a jerk, and people try to swindle or kill each-other all the time – an honest representation of what the Bible is actually like. This isn’t a bad thing – I prefer not hiding things no matter how rough they may be. I wish there was more re-published by Heavy Metal, but it seems that this was the only book re-released, or at least the only one available in English.
Attila (Hombre #5) 1991
I love Post-apocalyptic stories, and I especially like ones that aren’t the run-of-the-mill post-nuclear cold war stories – something different. The world of Hombre, the main anti-hero of this book, has been devastated for some reason (this is book five so it isn’t explained, sounds like social collapse they way it is discussed) and he travels around as a lone survivor much in the same way Max Rockatansky does in the Mad Max series. This world is basically like the American old west – full of lawlessness and hardship as well as horses. This particular volume opens with Hombre trying to live a normal life, when a group of evil men rip that from his arms. He meets up with a young Barbarian girl named Attila that shares his common goal of revenge against said man – but she makes him realize how dark he has truly become.
Hombre was a Spanish comics series written by Antonio Segura and drawn by José Ortiz, first published in 1981 in the magazine Cimoc. This translation was run in Heavy Metal magazine at some point in the 1980’s and contains many of the trappings of many adult comics including gratuitous naked women. This isn’t a bad thing, but I wanted to point this out in case somebody rolls in assuming this is a wholesome book or something.
The Odyssey
Wait didn’t you already read this? Nope, it was a different comic based on the same story. I ended up with two very different versions of the same story – Ulysses which is a psychedelic French comic and this one from Spain. Francisco Navarro and Jose Martin Sauri manage to cram the entirety of he story of Odysseus into a fairly small book, and while it’s missing stuff all of the major plot points are there. The art is an amazing heavy ink style in high contrast black and white, if anything this is the highlight of many European comics.
That’s it for now – stay tuned and I may just be getting a few more of these…
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I am so glad to finally read this! I’m a big fan of Leiji Matsumoto, so I was pretty disappointed with a now defunct anime company called ADV only releasing half of the OVA animated series that was loosely based on this original 1978 manga. That was like a decade ago, and there wasn’t really a good way to get the rest of the story legally. Flash forward to 2016 and not only can you buy things like a legit copy of Captain Harlock on DVD, but one can also buy this original manga in a beautiful hardcover edition!
If you like space operas, I’d definitely recommend checking out some of Leiji Matsumoto’s works if you are unfamiliar. He is, perhaps, most well-known (by a casual audience) for inspiring the fabulous animated music videos for the French House music duo Daft Punk during their Discovery era. These videos were later collected into a film called Interstella 5555. Older fans may, no doubt, recognize his other works such as Star Blazers (Yamato) or Captain Harlock – it’s all the same guy.
Matsumoto has woven a fine tapestry of interconnected stories with stoic characters that anyone can love; unfortunately, most younger anime fans ignore classics and he has somewhat fallen out of the mainstream as of late. I was assuming that some of his older comics would never come out here, until I read a recent news article from Publisher’s Weekly, touting VERY strong sales of older comic titles at Anime Expo such as pre-orders for this very book!
“At the Kodansha Comics panel on Saturday, Ben Applegate, director of publishing for Kodansha Comics, cheered the ongoing rebound in manga print sales. “You’re probably seeing all the industry people here smiling, so you know that the manga industry is doing really well,” he said. “This resurgence of manga is allowing us to take chances on different series we wouldn’t usually in the past.” […] An example of a title that, in the past, Kodansha might have thought was too risky to publish in English is Leiji Matsumoto’s Queen Emeraldas, which the publisher is releasing in August. An older, classic SF adventure, the advance hardcovers of the book were sold out by weekend’s end.”
As for the book itself, the story surrounds a boy named Hiroshi Umino, who strives to be a powerful star captain so that he can live by his own rules and sail the “sea of stars” like his heroes. His run in with Emeraldas changes his life forever, as she slowly becomes his mentor (of sorts). Emeraldas is basically like Xena in this book, a total badass that kicks booty and takes names. You often see supposedly feminist comic characters that end up being some sort of fetishistic dominatrix-style sexual wish-fulfilment trope, but that’s not how Emeraldas rolls. I wouldn’t name my very own cat after a character with skeevy undertones like that! We see Hiroshi and Emeraldas sharing eerily parallel origin stories until they meet again later on.
If you are also a huge fan of Matsumoto’s works, or are familiar with stories like the aforementioned Captain Harlock, Galaxy Express 999, Galaxy Railways, Arcadia of my youth or Maetel legend, you will absolutely love this. This story adds more substance to a somewhat overlooked character that constantly shows up in various shows as a background character. Otherwise, this book stands on it’s own well, and acts as an introduction to a character that thankfully appears in a ton of material. If you become a fan you will want to branch out and see more. And hopefully, if this book ends up selling well Kodansha will release more Matsumoto manga!
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This is a book I’ve had for a while lost in my “to-read” shelf from a period of time when I was subscribed to a service called Comic Bento. I was somewhat familiar with the concept of Captain Midnight since I’ve read of various radio serials of the 1940’s, but was not actually familiar with the character itself. Captain Midnight was a U.S. adventure franchise first broadcast as a radio serial from 1938 to 1949 then later turned into all sorts of other media such as comics. This current book is from Dark Horse and is part of a line of books called “Project Black Sky” that feature superheroes. To me, this is an area Dark Horse hasn’t really dabbled in too much, but it’s cool to see the market not just dominated by “the big 2”.
As for the book itself, Captain Midnight: On the Run, is basically a copy of Captain Americas’s origin, albeit slightly tweaked, applied to another old character. The Captain was busy fighting Nazis in World War II and is suddenly lost in the Bermuda Triangle. flash forward to the present day and he shows up to continue his fight against some very familiar villains. Honestly the plot is very generic and the characterization of the Captain is sort of silly at times.
I hate to make this comparison again, but one of the main good things about Captain America is how he comes to terms with his time displacement and how America has changed in his absence. Captain Midnight, however shows up in 2014 and is basically like “cool, I can fly modern planes because I’m a genius”. This unfortunately makes the character REALLY one-dimensional since he can seemingly do anything and is never fazed. His assistant Charlotte is the voice of the audience, and we see her react to the reappearance of a man that shaped her grandmothers life, and one that she grew up hearing endless stories about.
Honestly, this book isn’t great, but the art is nice and it’s good to see Darkhorse at least try to enter the Superhero market so I’m giving it three stars since I can’t do 2 1/2. Had this been presented in a “pulp” manner or pure camp nostalgia I think it would have worked better, but what we have is what we have.
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I’m torn between thinking this was good, and thinking this was somewhat pretentious. I like Grant Morrison, but he has a tendency to let his ideas get away from himself and we end up with something like Multiversity. This is a fine collection of one-shots that show obscure versions of DC characters in a lot of different circumstances all vaguely related to a possible apocalyptic event in all 52 universes of the DC “Multiverse”. The problem lies in that the “cement” that holds this book together, the story of a cursed comic book created by an evil organization to destroy reality, is easily the weakest part of the series.
This book comes across as far too ambitious for Morrison, who perhaps was trying to create a Watchmen-esque satire of DC’s obsession with these large cross-over events, and ended up making something that barely makes any sense. There is also an attempt to make the reader part of the story – ala The Neverending Story, that feels forced and unneeded.
Some of the one shots were good – really good. I’m a sucker for Captain Marvel, so anything starring that character is always right up my alley, as was S.O.S, and The Uncle Sam vs Nazi Superman story. A few others were sort of bland. There was one in particular about a world of entitled DC teen superhero reality TV stars that overstayed it’s welcome to me pretty quick.
Perhaps the Most ambitious story here was Pax Americana, Morrison’s send-off of Alan Moore’s The Watchmen. The Watchmen was based on old Charlton Comics characters that ultimately were modernized to better work with the material. Here Morrison goes back to the original characters and weaves a story that is more of an art piece than an actual comic. The story is told backwards, that is each page turn reveals more about what happened before, and the reader is made to read in a bizarre figure-8 pattern that is a meme in the story. I kind of wish it would be it’s own book, but it was a bit over-the-top and considering Morrison’s hatred of Moore (and vice versa), could have been a jab at his nemesis in some way.
All in all, this is worth reading, but as a whole “Graphic novel”, it fails to seem like anything other than a stack of one-shots. It’s a shame because something like this could have been huge.
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I’ve stated in a few other reviews on here that I *usually* don’t like modern vampire fiction. This is largely because writers try too hard to make it hip and trendy to cater to the teenage audience. So, while everyone was obsessed with sparkly shirtless vampires, I basically stopped reading anything in the genre. I have, however, found that I actually do like this stuff, I’m just an old “stick in the mud” traditionalist when it comes to it. Even some of the more of-the-wall vampire stuff I enjoy (like Vampire Hunter D) is firmly based on stuff like Christopher Lee films from Hammer Horror.
When reading Vampirella Volume 1: Our Lady of Shadows, I was having a lot of fun. Despite the covers, the story doesn’t really get too outlandish and exploitative, and everything is fairly well written. This is basically my introduction to the character since I always assumed this book was nothing more than softcore porn – now I know it’s more of a “pulp” series, and I feel bad for ignoring it so long.
The story follows Vampirella as she is sent by The Vatican to stop a long dead nemesis, a cult leader and warlock, that may have resurfaced. She ends up on a quest (aided by a Nosferatu no less) to consume energy from various “vampires” from other cultures to make herself able to stop him and his plan to start the apocalypse.
Honestly, my only real quibble here is that it ended in such a way that it really should have had at least one more issue. Everything seems rushed at the end, thus making the whole story-arc unbalanced. There was even a point where the “monster of the issue” feel is thrown out in order to speed things up (what previously took a full issue was resolved in two pages), making Vampi’s quest seem pointless. It was good that a “prequel” issue was included, but I wanted a better ending. I will have to look at more Vampirella titles from Dynamite and possibly read more as I am starting to really enjoy these retro “pulpy” titles they are doing.
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Cast your time machines to about a decade ago, during the US anime/manga explosion (sadly followed by an implosion a bit later). It was during this time that I was in an anime club at college and started buying tons of manga since I got a huge discount at the retail chain I worked at. I got hooked on the anime Great Teacher Onizuka and started buying the books and other merch from the now defunct company Tokyopop. After a while Tokyopop tried to release like 40 releases a month, so I had to stop my crazy buying habits quite a bit.
I haven’t really bought or followed that much manga since this time due to space limitations and the general taste in this product shifting away from what I actually enjoy (not a fan of the Moe genre), but every once in a while I get a wild hair to try a new series, and here we are. I got this book from a sale that Akadot Retail was having, and figured that a book for $2.00 was too good to pass up. I may get more if this experiment goes well, and truthfully I never purchased much from Digital Manga Publishing.
Apparently Ikebukuro West Gate Park is based on a popular 2000 TV series in Japan, I have not seen this series so I cannot comment, but I see that according to Wikipedia the book and show are somewhat different to eachother. It’s funny that I mentioned GTO up there, because this book reminds me a lot of the general tone of GTO. Yeah Fujisawa’s Onizuka stuff is generally written much better, but this book has a balance between gags and drama that I enjoy quite a bit, although the balance is a bit off at the beginning. I would say the first quarter of the book is a bit too light-hearted considering that this is a mystery novel about a potential serial killer and a street gang trying to stop him.
The story follows a guy named Makoto that seems to have all sorts of connections to street gangs and other illicit activities despite seemingly not being a part of said activity. He runs a shop with his mother and has some sort of oddly close Batman/Commisioner Gordon relationship with the local police that has yet to be fully explained. He and a few friends meet a couple of girls at a New Year’s Eve party (the over-hyped 1999-2000 millennium celebration in particular) and hits it off with a girl named Rika. Ikebukuro is plagued with reports of a serial “strangler” that seems to be attacking girls that go on dates with older guys for money, and this has everyone scared. Some bad stuff happens and it’s all up to Makoto to stop it (to not go into spoiler-land too much).
Not much else to say about volume one, other than I will be seeking out the second book and that this is definitely a mature book so make sure you are okay with that if you give this a shot.
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Here’s an interesting read I found this week, from the BBC News website, that talks about a comic strip called Charley’s War. “Charley’s War was a comic strip set in World War One that ran for many years in Battle, a British comic published in the 1970s until the late 80s.” One of the more interesting things in this article was reading Mills talking about some of his more controversial story-lines including one where Charley is forced to fight a man clad in thick armor, and how this was based squarely in fact.
“”To me, the First World War was the world’s first science-fiction war. It saw the first use of tanks, which terrified some of the Germans in their trenches when they first saw these machines.” Mills and Colquhoun also featured Zeppelin airship bombing raids on London, aerial dogfights above the trenches and later heavily armed, armoured trains in the stories.”
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