Doctor Who: The Eye of the Scorpion (2001)

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Cast: Peter Davison (The Doctor); Nicola Bryant (Peri Brown); Caroline Morris (Erimem); Harry Myers (Yanis); Jack Galagher (Fayum); Jonathan Owen (Antranak); Daniel Brennan (Kishik); Stephen Perring (Horemshep); Mark Wright (Slave); Alistair Lock (Priest); Gary Russell (Ebren)

For some reason or another, this particular audio drama happens to be the one audio drama that I have listened to the most. A lot of it has to do with the time period in which I first started to listen to these, a time when I had long walks to work and back every day, and the fact that I would sometimes miss important things due to walking in traffic – thus repeated plays. Then again, I think I can chalk a lot of it up to my fascination, at an early age even, with the ancient Egyptian civilization, mythology, and everything related to it. For a long time, the movie Stargate was actually a film that I considered to be my favorite movie for much the same reason!

This adventure stars Peter Davison as The Doctor and Nicola Bryant as his voluptuous companion Peri. Neither Davison’s Doctor or Peri are my favorites if I were to lay out a big list of preferences, but I’ll hand it to Big Finish – they take things I dislike about Doctor Who and trick me into liking them! Bryant has definitely matures as an actress, and everything that annoyed me about her portrayal of the character (the terrible accent!) is gone now. She also has gone from being the eye candy of the show, merely there to twist her ankle and scream, to someone that is an actual asset to The Doctor’s travels. Big Finish has also redeemed Paul McGann‘s Doctor, Mel, and even Adric for me somewhat, it’s like they know what fans don’t enjoy about the show or something!

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This story is perhaps Davison’s strongest yet, and considering how critical I’ve been with a few of his adventures so far, that’s strong praise. The Tardis materializes right in time for the Doctor and Peri to witness an attempted drive by assassination of a young girl on a chariot. The Doctor channels his inner-Ben Hur and saves the day without realizing that he has possibly changed the course of history completely. You see, the girl he has saved is the only daughter of the great Pharaoh Amenhotep II, Princess Erimemushinteperem (or Erimem for short), her father has died and she is possibly next in line to be pharaoh. The problem is that The Doctor has no recollection of any pharaoh named Erimem, meaning that something is wrong.

Erimem is happy to give much thanks to her saviors, and the strangers’ arrival in Thebes is the talk of court. This causes problems for a lot of her direct aide’s such as a man named Antranak, who serves as her head of security, as there have been a lot of attempts on Erimem’s life as of late, and her consorting with strange people is not good. What follows from here on is an adventure involving a disputed throne, a warlord trying to become pharaoh and an alien hand in the whole mess.

I really enjoyed Both Erimem and Antranak (who reminds me of Egyptian Brigadier) and love the idea of an unknown historical figure as a companion. We have seen so many times, the travels of a contemporary person in the Tardis, but imagine someone from ancient history doing it. Not only would that person be amazed by the future, aliens, and space, but pretty much anything else they are shown. I think this is why I was initially excited when Clara on the TV show was revealed to be a Victorian character initially, only to have my hopes and dreams dashed just like that!

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Without spoiling too much, Erimem realizes that she has no place in history and chooses to travel with The Tardis crew, I for one, cannot wait to listen to their travels. I have so far loved these “original companions” like Charley, Evelyn, and now Erimem – great characters that keep me coming back time after time. Perhaps the only downside to this drama is that it keeps with a lot of tropes seen in Hollywood films about ancient Egypt, but we really have no idea how the civilization really lived, so it’s fair game. At least it didn’t succumb to the fad of ancient alien theories, that I have no doubt would be in an Egyptian episode made today!

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Doctor Who: Project: Twilight (2001)

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A review of Big Finish audio drama no. 23

  • Written by Cavan Scott and Mark Wright
  • Directed by Gary Russell
  • Sound Design and Post Production by Gareth Jenkins
  • Music by Jane Elphinstone and Jim Mortimore
  • Starring: Colin Baker (The Doctor), Maggie Stables (Evelyn Smythe), Holly De Jong (Amelia Doory), Rob Dixon (Reggie Mead), Rosie Cavaliero (Cassie), Stephen Chance (Nimrod); Rupert Booth (Dr William Abberton/Matthew), Mark Wright (Mr. Deeks),Kate Hadley (Nurse), Daniel Wilson (Eddie), Gary Russell (Newsreader)

Full disclosure here: In all honesty, I’m not much of a fan of vampire fiction. While I would say that Nosferatu is, quite possibly, one of my favorite horror films, anything after the 1950’s is pretty hit or miss for me. Things that “try something different” with the legendary creatures like Hellsing, Vampire Hunter D, I am Legend or even Lost Boys are fairly interesting, but exists as diamonds in the proverbial rough of all of the other vampire stuff. I especially am not a fan of the more “romantic” side of vampire fiction, meaning that anything from Anne Rice novels to True Blood aren’t necessarily bad, but are not my most favorite thing to watch/read/ listen to. So imagine my apprehension when I come face to face with an audio drama that is not only about vampires, but has the word “Twilight” smack dab in the center. If there is anything that I don’t like it’s a story of pre-pubescent love between a vampire werewolf, and a caricature of a high school girl, but I digress.

Doctor Who has tackled vampires before, to varying degrees of success. We have seen things like fairly classical vampires in State of Decay, fish monsters that have fangs in Vampires of Venice, or grotesque mutations with a taste for blood as in Cure of Fenric. I think one of reasons I’m not too enamored with these stories is that they go leagues out of their way to explain common vampire tropes like an aversion to garlic, thirst for blood, and sensitivity to light all with a scientific slant. This has been done so often since 1954’s I am Legend that it almost seems silly at this point; it’s quite similar to how contrived many of the “origin stories” for zombies have become. In the 50’s, Richard Metheson breathed new life into a tired genre by making his vampires somewhat science-based, 60 years later it’s yet another tired cliché. I honestly can handle these mythological creatures, there doesn’t need to be an elaborate background of expositionary dialogue to set everything up.

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In Project: Twilight we find ourselves knee deep in just such a situation, with vampires being explained in a silly way. It appears that the ‘Twilight’ vampires were a form of botched scientific experiment, having been humans (typically prisoners or war wounded) created during the First World War by the Forge, a top secret government initiative to research means by which a superior soldier class might be engineered. So basically, the vampires in this episode are like a messed up version of Captain America.

The reason The Doctor and Evelyn end up coming face to face with this situation is The Doctor’s hunger for what he says is the best Chinese food in all of the galaxy, located in the most unlikely place – a dockside in south-east London. He assures Evelyn that he has sat for dinner with the legendary Kublai Khan, and not had Chinese take-out as good as this restaurant – The Slow Boat. Once they are chowing down on MSG-filled wontons and noodles, they discover the remnants of what can basically be called a “nest” filled with carcasses of brutalized small animals and other refuse. Next thing you know something like a mafia hit appears to happen nearby, and The Doctor and Evelyn are stuck in the middle of another bad situation.

‘Private. Do not enter.’ Oh dear, perhaps I should tell them that’s ancient Gallifreyan for ‘Doctor come on in, have a snoop around.’

We are introduced to the staff of a shady nightclub and casino called Dusk, run by a man named Reggie Mead who is obviously in some sort of organized crime syndicate boss, oh and a vampire. Other characters are varying degrees of likability, but a character name Nimrod stands out the most. he is described as an older man, donning all sort of futuristic vampire hunting technology. He is apparently nearly one-hundred years old, and was a twisted scientist in his past. He was mortally wounded and had to inject himself with the very same serum that created the vampires in the first place, cursing himself to hunt the earth for his own kind. My mind immediately slipped to the Marvel comics character Blade, who was a vampire himself, and yet hunted other vampires.

I liked Project: Twilight for what is was, but it’s not my favorite entry of the Big Finish line. Try as I might, I just have trouble enjoying vampire stories as much as other people and I’m not sure why. I like the inclusion of the shady governmental organization Forge and Nimrod, and hope they show up up again in a later installment. Much like with a few of the New Adventures related Sylvester McCoy dramas, I disliked how gory this episode was. I am not squeamish to this sort of thing, but I don’t see Doctor Who as the prime place for exploding people and vampire torture with added “squishy organ” sound effects. I originally didn’t finish this drama a few years ago because it got silly towards the middle with this stuff, and I was especially burnt out on vampire stuff having worked at a retail store when those Twilight books and films were coming out. On the second listen I’m glad I finished it, and I would say that it’s above average.

The Monday Meme: I Mustache You a Question

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If you have a funny image that would make a great edition of The Monday Meme, feel free to send it to my Tumblr, Facebook, or email it to me! Links for these options are located in the links at the top of the page! Don’t be surprised to see it on here someday!

 

Doctor Who: Bloodtide (2001)

Bloodtide

A review of Big Finish audio drama no. 22

Written by Jonathan Morris

Directed by Gary Russell

Music, Sound Design and Post Production by Alistair Lock

WOW! It’s been a while since I reviewed a Big Finish audio adventure, or any audio drama for that matter. For a few years, I was listening to these constantly, actually I was re-listening for review purposes, and I sort of let them slip a tad. For a little while, listening to stuff like this was kind of hard due to a promotion at work. I was previously blessed with over nine hours of work time to fill with podcasts, audio dramas, and radio – but this got hard when I became a supervisor. Suddenly I had a radio to listen for, and constant questions to answer. Now I’ve balanced this out, and plan to review an audio drama once a week! That’s right! Check back every week for another new edition.

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This week, I’ll be time-traveling back to 2001 and the infancy of Big Finish. This is a review of the twenty-second audio drama produced by these guys, starring none other than Colin Baker as The Doctor and Maggie Stables as Evelyn Smythe, his audio companion. Bloodtide follows on from a previous audio drama that I reviewed a few years back, The Apocalypse Element, and sees The Doctor and Evelyn coming face to face with a big historical figure – Charles Darwin. Just like any other historical Doctor Who story, the trip isn’t exactly a pleasure trip for our dynamic duo.

In the Ecuadoran settlement of Baquerizo Moreno, there has been some bad stuff going on. The Doctor and Evelyn attempt to have a normal meeting with a young Charles Darwin, circa his Beagle days, only to start learning about all sorts of horrific stuff happening there. Baquerizo Moreno is an Ecuadoran penal colony, so one can imagine that there are tales of barbaric atrocities going on. Something is different here, however, there are rumors that prisoners have been mysteriously disappearing from locked prison cells, A local fisherman has been driven insane by something he saw in the caves, and the Governor seems sort of suspicious.

The Silurians

Of course, everything can be chalked up to appearances by the nefarious Silurians, recently awakened from millions of years of slumber. At the beginning of the episode, we actually saw a flashback to the dying days of the Silurian Empire. The planet was dying, oceans were foul, and many animals were going extinct. The Silurians are preparing to place themselves into suspended animation, but one man is not welcome. A Silurian scientist, S’Rel Tulok, is banished to wander the Earth along with the reason he’s in trouble – genetically modified primates that he altered to be more intelligent. As one can imagine, this is the birth of the human race.

As you can imagine, this isn’t the modern Madame Vastra brand of Silurians we’ve been used to seeing in the current run of the TV series. These are the classic iteration as seen in Pertwee episodes complete with the hissing voice and all. The Silurians are a great audio villain, because they were sort of cheesy until they got revamped a few years back. Without seeing the unmoving mask and other shoddy special effects, the listeners imagination is left to run wild and create quite the formidable foe. This is especially true when the drama re-introduces The Myrka, a monster that never lived up to it’s hype in the actual show. Instead of a rough guy in a rubber suit caliber monster, we are treated to something more like Godzilla – a stature that seems to be the original idea behind the Myrka.

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Once again, I am reminded why I love Evelyn Smythe so much in these audio adventures, she’s not the center of the Doctor’s love-life since she is older and is written as an equal of sorts. I LOVE older companions, I wish there would be more in the actual show! She does do a bit of the annoying stuff that companions tend to do when they meet a historical figure (i.e. trying to lead them into coming up with a future theory while they are there, or helping them along), but she isn’t as bad as Rose trying to get Queen Victoria to say “I am not amused!” Maggie Stables has done the role five other times up to this point, and so far she has yet to do a bad job.

I have said many times, that I really enjoy the “softer” version of The Sixth Doctor in these audio dramas. It really shows that Colin Baker is a great actor and was “screwed” during the production of the actual show. While I do enjoy the moral ambiguity his Doctor had, sometimes it was a bit much, often resorting to murders followed by witty one-liners ala James Bond. Audio Colin Baker could be my favorite Doctor if future episodes keep this quality.

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The supporting cast was very good, with the only blemish being the shrill voice of Greta in the first episode (she improves vastly afterward). The Ecuadoran characters have suspect accents, like any other Big Finish audio with exotic characters, but since I am not from South America, I’m not going to pretend I am the authority on this. This adventure stars Miles Richardson as Charles Darwin, George Telfer as Captain Fitzroy, Daniel Hogarth as Tulok, Julian Harries as Governor Lawson, Helen Goldwyn as Shvak, Jane Goddard as Greta, Jez Fielder as both Emilio and Lokan, and finally Rob Shearman and William Johnson as The Myrka.

The Historical accuracy of this episode comes into question a bit for me, mainly because this adventure goes to great lengths to paint the picture that Charles Darwin became a devout atheist due to revelations attained on the island. With the premise of the episode being based on evolution and such, I can sense an agenda here to a degree, and unfortunately words are placed in Darwin’s mouth that he would have never said at the age he was here. Darwin is one of those figures that has become so “fetishized” that I’m not surprised this was in there, but a bit disappointed. Darwin was fairly religious into his middle age, but slowly edged towards agnosticism in his golden years. If anything, the revelation of the creation of mankind would have simplified his life, because he often struggled to reconcile his views with that of his upbringing, looking for ways to prove his theories tied in with God. Finding out that man was created by lizard people millions of years ago would have just lead to one conclusion: the Silurians are God(s).

In conclusion, I really enjoyed this episode despite the political tightrope walking in the plot. Being somewhat religious myself, and a history buff, I just get annoyed when science fiction tries to hammer an atheist subplot into stuff unnecessarily. The highpoint for me really was the Myrka attack, and how Big Finish was able to take a questionable monster and re-inject it with a bit of monstrosity and power. Maybe one of these days Big Finish will make a drama about The Supreme Dalek’s pet from The Dalek Invasion of Earth, and make it cooler than a guy wrapped in paper and vines.

Video: All Regenerations From Hartnell to Smith (Including Hurt and McGann)

Here is a fitting tribute to the one time every few years that Doctor Who fans both dread and anticipate the most – The regeneration. This video includes ALL of the regenerations minus the fake-out one with David Tennant where he displaced the energy and simply healed himself. That’s right, you see both John Hurt and McGann in here! I am confused by the inclusion of Matt Smith’s Doctor and his “death” at the hands of “The Impossible Astronaut”, but I didn’t make the video. And without further ado…

 

Doctor Who Video Roundup

Rather than clogging up your blog “reader”, I figured I’d post some videos that I’ve been meaning to mess with all week. I’ll try to post something else this weekend, and move away from 50th anniversary stuff for a while. I still need to watch the much derided “BBC after party” that is so spectacularly bad it’s hilarious and a few more specials (like the one from Big Finish), so they’ll be on here eventually, but maybe not in the next few days.

Strax videos:

Continue reading “Doctor Who Video Roundup”

The Five(ish) Doctors Reboot (2013)

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Fans have been speculating for quite awhile about the mysterious “project” that Peter Davison was working on for the 50th anniversary. There were tweets that went out hinting at involvement with the Day of the Doctor, there were odd pictures, and even clandestine meetings between the classic actors making media rounds. That speculation has been silenced today, as fans were treated to a hilarious romp through the lives of four guys that don’t take themselves too seriously.

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The Five(ish) Doctors Reboot follows Peter Davison as he spearheads a campaign for his, and any other classic Doctor Who actors, inclusions into the 50th anniversary special. This is of course Davison, Sylvester McCoy, and Colin Baker playing self absorbed versions of themselves that borderline on being quite pitiful. Peter is jealous of how his younger children don’t seem to respect the fact that he was in the show, and feels that he should be in it to win their affections. Other classic Doctors are just as bad as Davison. McCoy, for instance, constantly drops the fact that he was in the huge budget film The Hobbit, and is even wearing a shirt with “The Hobbit” emblazoned on it. Colin Baker sits around forcing his family to watch old episodes of Doctor Who, not realizing that everyone has grown pretty tired of it. If you are wondering where the other two actors are that the title mentions, they are definitely in there. Doctor number four is a cameo from Paul McGann, who the other three humorously resent for having tons of work all the time, and then there is Tom Baker

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The “Tom Baker” scene was so ridiculous that both my wife and I laughed so hard that we scared our cats. The three actors start arguing who should call Tom for quite a while, only to get his voice message, a quote taken directly from Dimensions in Time from 1994. He, of course, was not able to answer them because they cut to the infamous “recycled from Shada” footage of the boat scene used in the original The Five Doctors. Both things were poking fun at the way Tom used to brush off Doctor Who anniversary stuff in the past, forcing the production teams to be “creative”. There are a lot of good gags in here, but this literally left us in tears.

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The plan that the “three amigos” concoct involves storming the production studio where the special is being filmed in sneaking into camera view. Keep, in mind that this is “Plan C” after bugging Steven Moffat over the phone failed, and picketing the BBC also failed. They eventually hitch a ride with John Barrowman to Cardiff, Wales and try their best to steal the real Tardis from a Doctor Who exhibition, as Peter seems to have forgotten that it was a prop in a fictional show. They eventually settle on merely “borrowing” their old costumes and convince David Tennant to prop the door open for them. Problem is, security is after them, and time is running out. I won’t spoil how they supposedly appear in the special, but it’s pretty great.

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As you can tell, The Five(ish) Doctors Reboot has tons of cameos from Doctor Who alumni both classic and new. There are literally too many to mention, but eagle eyed viewers will notice every era of the show represented, from Carole Ann Ford (Susan) to Mathew Watterhouse (Adric). These cameos aren’t too “in your face”, and many were too esoteric for me to pick out immediately, only a trip to Wikipedia shed light on who some of the people were.

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As you can tell, this was made for the fans of the classic show primarily, and it’s a great spoof of how many fans perceive various Doctor Who actors to be in real life. Unlike some parody material, this was very well made, and most importantly pretty funny. I’d rank it right up with The Curse of Fatal Death, and may even have enjoyed it more. If you’re a classic fan, do yourself a favor and check this out. New fans may scratch their heads with some of the jokes, but there is even stuff in there for them!

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EDIT: I’ve been getting a decent amount of traffic from folks that want to watch this, so here is a link to an official source:

Watch The Five(ish) Doctors Reboot Here

(let me know if the link crashes)

Doctor Who – The Apocalypse Element

A few weeks ago I mentioned that for whatever reason, I had failed to finish two of the Big Finish audio plays that I listened to way back when I originally ran through the first thirty or so. In the case of the Apocalypse Element, it had to do with the fact that I initially listened to these before I went to bed, and found this one really boring as I fell asleep during it. On a second listen, I realized that I didn’t recall much of the story (thus assuming that I did in fact doze off a bit) but I don’t believe I ever listened to the whole thing! While there were a few problems, I’m glad I gave this a second shot, as it is a solid drama, and another great example of why the sixth Doctor really works if the writing is really good.

“When the planet Archetryx is threatened by a Dalek assault squad, the Doctor and Evelyn become embroiled in an ever-deepening mystery. What has become of President Romana, missing for twenty years? What lurks in the vast gravity wells of Archetryx? What is the secret of the ancient element the Daleks are synthesising – and how does Gallifrey feature in the plans?

The Doctor finds that if his oldest enemies cannot conquer the universe they will watch it go up in flames…”

It’s easy to dismiss this drama as nothing more than pure act of fanwank, as it basically exists to fill in plotholes ravaging the Doctor Who canon for years. I honestly think that this view isn’t very fair at all.

First of all, this play contains the first Big Finish, and more specific, Doctor Who appearance of Lalla Ward since her departure in the TV serial Warriors Gate. This Romana is different from the Romana that we are used to; she’s been imprisoned for the last twenty years, and it’s not evident if she’ totally trustworthy after her ordeal. Ward does a great job showing a more emotional and even fractured side to Romana, a far cry from her chipper know-it-all personality from the show. I may be in the minority, but I never did like Romana in some of her appearances with Tom Baker. This is because I dislike companions that constantly try to outsmart the Doctor. Much like Adric, Romana always knew everything and came across like a jerk sometimes. Don’t forget that she was there when the show was slowly turning into the “Tom Baker comedy hour” so we had The Doctor being a goof, followed by Romana rolling her eyes in each episode.

So yeah, about those plothole fillers – we have many occurrences where this drama attempts to “fix things” that may not have made sense in the show. To be honest, this can be a bit too much at times, and almost seems like the writer had an agenda with the story (I’ll fix all the problems!). These problems that are “fixed” in the play include the use of a human retinal pattern being used specifically without explanation to open the “Eye of Harmony” from the 1996 TV movie. This agenda clutters the story of the play, and makes it obvious that too much is going on. We have the return of Romana, the Daleks Invading Gallifrey, the Daleks eradicating another planet, a zany Dalek scheme etc. It would have worked better if it was longer.

Doctor Who – The Apocalypse Element is a good drama albeit one that tries to do far too much. While the story is exciting, it seems a bit cluttered with returning characters, subplots, and various other problems. With its problems, I honestly enjoyed the play, and continue on my Colin Baker reconciliation tour!

Review – Doctor Who: The Holy Terror

Big Finish Audio “quick review”

Summary: The TARDIS lands in a forbidding castle in a time of religious upheaval. The old god has been overthrown, and all heretics are to be slaughtered. Obviously it isn’t the sort of thing which would happen there every day — just every few years or so. Soon after the Doctor and Frobisher are hailed as messengers from heaven, they become vital to opposing factions in their struggle for power. But will they be merely the acolytes of the new order — or will they be made gods themselves? Evil is growing deep within the crypt. And the pair soon find out that they will be lucky to escape their new immortality with their lives.

Before I listened to this audio adventure I had not really came across anything with the non-human companion Frobisher in it. This is a shame because he is such a fun character that I definitely want to hear more with him; I may even try to get a trade paperback of the comic strips that he originally came from. For those not familiar with the character, Frobisher is a shape shifting alien that insists on making himself look like a huge penguin and speak like he’s from a seedy New York back-alley. I’m all for more non-human companions, they definitely make the concept that much more interesting.

The Holy Terror is, for all purposes, a satire on how silly religious zealotry can get sometimes. As a spiritual person, this doesn’t appeal to me on the “ha ha look at religious people LOL” wavelength that many will most likely take the episode as, but more a glimpse into how fundamentalism is bad. The episode starts with the untimely death of a man named Pepin VI. In this land, Pepin VI is seen as a living God, and the simple act of his death means that he was not only a liar, but anyone that supported him should be imprisoned or killed. Pepin VII has no interest in being king at all, much less some sort of God-king. In fact he questions this very fact as he literally feels no different than he did before. Since he should feel like a god, this concerns him greatly. When the time comes for him to conjure up a miracle to satisfy the masses at his coronation a certain blue box appears…

What follows is an odd mixture of horror and humor, the likes I haven’t really come across in any Doctor Who media. On one hand we have grotesque situations like the appearances of characters like Amulf, a depressing take on the evil man-servant archetype, this one having had his tongue brutally removed to show servitude. On the other we have zany comical scenes such as Frobisher getting a statue dedicated to himself, a fact that sort of goes to his head. These two seemingly opposing story types meld somewhat well and lead this story to be one of my favorites of the whole line. Considering I’m not a huge fan of 1980’s Doctor Who, I really like Colin Baker’s work on Big Finish and feel that the direction those guys put forth really brings out characters that were once reviled by most. I mean, look at what they did to Mel!

The only real downside to this story is that it does contain a random M. Night Shyamalan-esque twist towards the end of the story once we know the true nature of the actual villain of the story. This revelation (that I will try not to spoil) flips the story upside down and makes characters switch around in importance. This is a bit jarring, but evidence of something like this happeneing was planet fairly early on in the story.

My Rating 5 out of 5

Top Gear Finds Out Who is the Best “Master of the Universe”

Netflix recently added all of Top Gear (minus the James May-free first season) so I am now just discovering little gems like this:

Review – Doctor Who: The Spectre of Lanyon Moor

Big Finish Audio “Quick Review”

Synopsis: In a desolate Cornish landscape littered with relics of prehistoric man, the doctor and Evelyn uncover a catalogue of mysteries.  What is the secret of the fogou? Can the moor be haunted by a demonic host of imps? And what is Brigadier Lethbridge-Stewart doing in Pengriffen?  Teaming up with his old friend, the Doctor realises that an ancient conflict is nearing its conclusion – and Lanyon Moor is set to be teh final battleground.

One thing that I always love in science fiction is when the writer takes a prominent supernatural occurrence (e.g. ghosts, elves etc…) and explains it away as either completely commonplace or something more.  For instance the way that Gods in Stargate are actually powerful aliens that prayed on human faith.  This particular Doctor Who audio play does this exact thing with the mythical creature – the imp.  The story consists of the Doctor and his newest companion Dr. Evelyn Smythe investigating old Celtic ruins alongside an archaeological team and even the Brigadier!  This play is in fact the first appearance of Nicholas Courtney as Alistair Gordon Lethbridge-Stewart in any Big Finish Audio release.

An Image from Doctor Who magazine

It was always sad to me that the sixth incarnation of the Doctor as played by Colin Baker was never allowed a proper adventure in which he interacts with the Brigadier.  Almost all other Doctors ended up with such an episode, but the closest thing we ended up with was the dreadful charity “special” Dimensions in Time in which I need to dissect one of these days.

This episode has its ups and downs but was generally very entertaining to me, and sits as one of the better episodes of Big Finish Audio out there.  The duo of Colin Baker’s Doctor and Eveleyn Smythe as played by Maggie Stables is a great pairing, and I really hope they do a few more stories together.  Having the brigadier in this episode really helps iron home that this is, in fact, a Doctor Who story.  It really seems the most like an old episode of the TV show that I’ve listened to.

My rating: 4 out of 5

Review – Doctor Who: The Marian Conspiracy

Big Finish Audio “Quick Review”

Synopsis: Tracking a nexus point in time, the Doctor meets Dr Evelyn Smythe, a history lecturer whose own history seems to be rapidly vanishing.  The Doctor must travel back to Tudor times to stabilize the nexus and save Evelyn’s life. But there he meets the Queen of England and must use all his skills of diplomacy to avoid ending up on the headman’s block…

It’s no secret that the exploits of the sixth Doctor in the form of the original TV series were met with mixed reviews.  Many felt that the show was on its last legs at the time, and a few higher ups over at the BBC seemed keen on axing the show forever.  When I got into watching a lot of the classic stories, I really liked how Colin Baker played the Doctor despite his costume and the somewhat rough scripts he was sometimes handed.  As I’ve stated before these Big Finish audio dramas are where Colin seems to be at his best as the Doctor.  I would even say that his episodes are usually among my favorite.

This episode at hand, The Marion Conspiracy, is one of the better ones of this line up to this point, as it contains a few things that really set it apart: the introduction of a NEW companion, a historical timeframe, and time travel consequences.  The plot follows The Doctor and a history teacher named Evelyn Smythe as they try to figure out why Evelyn is seemingly being written out of time.  This dynamic is usually one of my favorites as I love when The Doctor takes in a companion that is a bit older and has wide-eyed enthusiasm AND wisdom; I think that’s why I liked Wilf so much in the last few David Tennant seasons.

The story follows The Doctor and Evelyn as they travel back to Tudor times to figure out exactly what Evelyn is disappearing from existence.  There are a few misunderstandings where they both assume that they are in Elizabethan England when in fact they are at the court of Queen Mary.  They both get embroiled in a plot to kill Mary and ultimately try to stop it.  All in all, this was a very good audio drama, and is one of the better ones that I’ve listened to so far.  The acting, plot, and pure historical awesomeness, all click in such a way to make me the most happy.

click here to listen to a trailer

My rating 4 out of 5

 

Review – Doctor Who: Whispers of Terror

Big Finish Audio “Quick Review”

With the medium of audio plays, it was a matter of time before Big Finish explored some kind of sound based monster for their Doctor Who audio dramas; I’m just surprised that they did it so soon.  Whispers of Terror marks the third monthly Big Finish Audio, and the first to star Colin Baker (by himself) as the Doctor and Peri as his companion.

The story follows the Doctor and Peri as they end up snooping around a museum called the Museum of Aural Antiquities, where every sound is tucked away in large storage devices.  Almost immediately we find out that a murderer is afoot, and someone is changing old political speeches for someone’s gain.  If all that sounded bad, there also seems to be some kind of monster made of pure sound running around.

Colin Baker and Nicola Bryant almost immediately recapture their on-screen chemistry, and work well to make this seem like a “missing” Doctor Who episode.  Peri has always been a double edged sword for me, as Nicola Bryant was always nice to look at, but lacked a convincing American accent.  I know this may not be a real problem for those in the UK, that don’t have the ear for American speech patterns, but Peri was usually very far off.  In Whispers of Terror, Peri is in top form, as Nicola has obviously matured as an actress, and the role is acted shockingly well for me.  I feel that this revelation has really helped me gain a new found appreciation for this Doctor/companion pairing, that I really didn’t have before.

All in all, Whispers of Terror is a solid Doctor Who audio, if not a little on the average side.  So far I have noticed these dramas getting progressively better, and this is not exception.

My Rating 3.5 out of 5

 

Review: Doctor Who – The Sirens of Time

While the acting and sound effects are really good, the plot in The Sirens of Time is unnecessarily complex at times and seems to be full of stuff that does not move the storyline along very well.

220px-Sirens_of_Time.jpg picture by spdk1

Big Finish Audio drama

Earlier this year, I decided to take the plunge and start listening to a line of audio dramas from a UK based company called Big Finish.  Living in the U.S., we really don’t have audio dramas at all whatsoever, so I was not too sure if I would like them at all.  Gladly this was put to rest, as my experience with these is largely positive.  The first one I listened to was also the first Big Finish audio drama made that was officially licensed by the BBC.  Starring Colin Baker, Peter Davison, and Sylvester McCoy all at once The Sirens of Time promised to be a crazy ride.

Multi Doctor stories are generally not nearly as good as one would think they would be, as they generally come across as ‘fanwanky” and nonsensical.  Take for instance the 80’s TV episode The Five Doctors in which everyone looks to the Doctor’s first incarnation for some sort of wizened advice from time to time, despite the fact that the Doctor was younger and less experienced than the others.  Luckily The Sirens of Time escapes this fate a bit, but still comes across as a little thin storyline-wise nonetheless.

The story involves an invasion of Gallifrey, the Doctor’s home planet,by a warmongering race called The Knights of Velyshaa.  The Timelords release that someone or something is meddling with time and forcing three different incarnations of the Doctor to mess time up in some way in order to create this militant army.  Terrified by this prospect, the Timelords try to take measures to kill the Doctor so he can’t do the deed he is being tricked into doing.

The fifth Doctor is revealed to be stuck on a German U-boat in WWI, unable to re-enter his Tardis to go home.  The Sixth Doctor is on some kind of conference ship where a group of dignitaries and scientists are investigating a spatial anomaly known as the Kurgon Wonder. And the Seventh Doctor is in a jungle of some sort, where he saves a young girl from dying only to end up meeting a reformed war criminal on the run from android assassins.

While the acting and sound effects are really good, the plot in The Sirens of Time is unnecessarily complex at times and seems to be full of stuff that does not move the storyline along very well.  As a one shot story I feel that the episode is very “middle of the road”, but as a “sampler” of sorts for the next few dramas that were planned, I can see why this was made in this way.  All in all I liked The Sirens of Time, but better audios were to come.

My Rating: 3 out of 5