(A.K.A. Season 1 episode 4)
Remember those last three episodes of Tripods where Will and Henry didn’t do a whole lot? They can almost be seen as an introduction to this episode – the one where the show really kicks into overdrive. When we last left the boys, they had escaped a Blackguard prison and were set to be capped as punishment for their crimes against the Tripod overlords. Having met a young Frenchman named Jean-Paul (now referred top as Bean Pole) they are now free to explore France on their quest to find the mysterious White Mountains where men are said to live free.
This is the part where I’m going to gush about the post-apocalyptic nature of this episode. For those that have followed my blog for a while, you know that I am utterly fascinated by that particular facet of science fiction and usually enjoy anything in the genre. All I need to see is a few deserted streets or a destroyed national monument,and I’m sold on whatever is going on nine times out of ten. For this particular episode, Paris is standing in as the ruined city in question and I feel that it is realized fairly well. Since most of this show is filmed outside, all one really needs are a few ratty buildings and some garbage on a deserted street to get a pretty solid effect, but the production team went the extra mile to CGI some torn up monuments in the mix.
The special effects team did a great job of realizing the destroyed buildings and other scenes of urban decay. They obviously used some sort of Matte paintings for the effects, but the results are pretty awesome. In fact, they look far better than a lot of the special effects I’ve seen in other science fiction shows of the time, leading me to believe that this show had a decent enough budget or a really talented director.
The climax of the episode finds the boys exploring a deserted shopping center where they gather up supplies such as cooking equipment and weapons such as grenades. The boys are ignorant to the world that existed before the Tripods, so things like cars, guns and other weapons of war are a mystery to them. This nearly results in tragedy as they fire off an old machine gun and a grenade that they find, barely escaping the damage. Finding these “goose eggs” does prove to be fairly useful later in the show, but for now the boys question holding onto them as they seem far too dangerous to possess.
We get to see one of our first glimpses of Vagrants driven mad by the capping process, and how they live as insane barbarians out for blood. The group that Ozymandias, the man that taught them of the White Mountains, was part of seemed like a sad group of beggars, while this group is more like something out of a Mad Max movie. They also sort of look like extras from a post-punk music video of the time, I wouldn’t be surprised if A Flock of Seagulls were to make a cameo based on the make-up and hair used on the actors.
One awesome scene in this episode is one where we learn a bit about they back-stories of the boys, namely that Bean Pole has been an orphan since he was an infant, something that he shares with Henry. Bean Pole grew up being taken care of by an Inn Keeper since his only remaining family, an aunt and uncle, could not care for him. He was fascinated at a young age by science, discovering via balloon that warm air rises and cold air sinks as a small boy. He then went on to become something of an inventor, creating his own homemade eyeglasses and other items as a result. He is most fascinated by steam, and since little technology exists in this world, machines made of steam would be amazing feats of engineering.
One of the more humorous things to happen in the episode occurs when they are gathering equipment up for their journey. When faced with a seemingly infinite stream of things that would be awesome to have on a long journey, the boys create new outfits from discarded clothing found all over the mall. This was filmed in the eighties, so this scene may not have been as preposterous then, but the outfits they create are a sight to behold. I’m not sure if Will’s amazing head wear or Henry’s shirt with garish letting that spells out “Oui” is better, but I know that I’m sad they don’t wear this stuff for the rest of the show.
This was easily the best episode of The Tripods presented so far, mainly due to the action and real danger involved in the journey they boys took through Paris. As I stated before, this episode has great special effects considering the fact that it is from the 1980’s and has a BBC TV budget. Usually shows at this time had spaceships made of hair dryers and other cheap props all filmed in a tiny non-air conditioned set. This is almost in a similar scope to something on an American network at the time, just with grainier cameras.
Obligatory purchase links:
The Tripods: Series 1 & 2 [Regions 2 & 4]
- The Tripods England (1984), July 2089 AD (anamericanviewofbritishsciencefiction.com)
- The Tripods (1984) – The English Channel: July 2089 AD (anamericanviewofbritishsciencefiction.com)
- The Tripods (1984) – A village in England: July, 2089 AD (anamericanviewofbritishsciencefiction.com)