“In an urban society everything connects, each person’s needs are feed by the skills for many others, our lives are woven together in a fabric, but the connections that make society strong also make it vulnerable”
A while back, I reviewed a 1965 faux documentary called The War Game that really creeped me out. I’m usually immune to the most brutal of all horror films as I seem unable to take the subject matter seriously, but the way The War Game was done got to me. The visceral bleakness of the subject matter and the realistic portrayals of human suffering put me in a similar mood as to when I originally watched Schindler’s List years ago. When I checked my comment box later on, I noticed a common thread (no pun intended) in most comments – I had to see a later film called Threads, because it also hits you like a ton of bricks. I’m no masochist when it comes to movies, so watching something just to make myself feel bad was out of the question, but I did want to see this. With all the North Korean sabre rattling as of late, I think I’ve been getting a taste of the uneasiness and fear felt during the worst parts of the cold war. In a weird way, I feel that watching stuff like this can “educate me” on what not to do, how bad people will act, and who you can trust.
While The War Game was essentially a strict documentary styled production, Threads actually has some semblance of a dramatic narrative in place. The plot focuses on ordinary people living in the city of Sheffield, and more specifically on a couple of young lovers that find themselves at the gateway of real adulthood. With an unplanned pregnancy looming, Ruth Beckett (Karen Meagher) and her boyfriend Jimmy Kemp (Reece Dinsdale) decide to get married, get a house, and all of the other things responsible people do in that situation. Their happiness is cut short as a crisis looms in the Middle East.
In a fairly realistic manner, the news leading up to the impending disaster is shown slowly in the background with nobody really paying too much attention until it’s honestly too late. The signs are all there that the world is on the brink of utter collapse, but it’s just sort of washed over. People go about daily activities with the news on, glance at newspapers, and listen to the radio albeit only passively. Let’s face it; Jimmy and Ruth have bigger things to deal with in their immediate lives than world events. They have to deal with family pressures such as questions on whether they should get an abortion and if they can support a child. The news is the last thing they care about.
This peppering in of plot progression is done with fake archival news footage and other reports shown to set the scene. If one pays attention, the crisis escalates as Iran falls to a military coup, only to have Russia capitalize on the situation. Due to the complex web of alliances with other countries, places like America get dragged in early on. American bombers try to help fend off the Russian threat, inadvertently causing nuclear war to erupt. Russia first attacks the aforementioned bombers, and then gets hit with a retaliatory attack on an occupied air base. Russia launches an EMP attack over the North Sea, and follows it up with a barrage of strikes on key tactical points in all NATO countries with Sheffield being one of the targets.
So that’s how the mess really starts, but that isn’t the real point of the film – now we get to see how messed up everything gets on a human level. Before the bombs go off protests ravage the streets of Sheffield as people from government positions try to calm the tension with claims of prosperity due to industrial growth – but this is Sheffield, one of the places hit worst by Margaret Thatcher’s mining industry clamp-down. Full-on riots erupt in East Germany and a mass exodus of large population centers commences. People go crazy to stock up on food, water and other basic necessities until the bombs hit. And boy do they hit. They hit hard, and not even Jimmy comes out alive.
I won’t spoil anymore of the plot here, but all I will say is simply that things get bad – really bad. And when you think you have seen the gloomiest, most depressing thing in Threads, they throw another fast ball at you. Scenes such as a Husband-less Ruth having to cut the umbilical cord of her own child with her teeth are the worst. One really gets a sense of despair and pain in this movie that you usually don’t end up with in other films. That’s why I compared this to a horror film earlier, as guys like Freddy Krueger don’t scare me. There is not a real-life demon killing random people in their dreams, but the stuff in this movie – it could happen. Threads is the ultimate disaster movie, and possibly one of the most depressing movies I’ve seen.
Would I recommend Threads? Possibly, but only if you can handle this kind of movie. While it doesn’t exist as some kind of gore-filled exploitation movie, the plot is so bleak that I doubt my own wife could watch it without exploding into a fountain of tears. It reminded me of things such as the whipping scene in The Passion of the Christ, not really that bad in comparison to other movies, but so emotionally intense that it’s hard to sit through. While The War Game was shocking in the sixties, Threads has escalated the shock value to a level that I don’t think has been matched by another disaster film. Most films in this genre of speculative fiction turn into heroic action tales of a hero kicking a volcano’s ass or a scientist that saves everyone from a storm, Threads is watching the human race shrivel up and die.
- Threads: Your Mutant Future Prelude (warlockshomebrew.blogspot.com)
- War Game (1965) (anamericanviewofbritishsciencefiction.com)