Here’s Your Saturday Links: 10-04-14



BEVERLY HILLS, CA - JULY 15:  ABC's 'Selfie' a...

‘Doctor Who’ star plays social media addict in ‘Selfie’

“ABC’s new comedy “Selfie,” premiering Tuesday at 8 p.m., stars Karen Gillan as the social-media-obsessed Eliza Dooley, who has 263,000 online followers — but no real friends. Though Gillan is popular on Twitter (564,000 followers, a popularity built from her two seasons on “Doctor Who”), it’s the only social media site the 26-year-old Scottish actress is on — unlike her “instafamous” character.”

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Can Science Fiction Drive Social Change?

“A lot has been said in the past regarding the benefits of science fiction for society. Various reports and research suggest that sci-fi has the power to inspire both scientists, technologists and a general readership to innovate, change their behavior and drive a keener interest in the future.”

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NEW YORK, NY - SEPTEMBER 18:  Olivia Thirlby a...

OLIVIA THIRLBY THANKS FANS CAMPAIGNING FOR DREDD SEQUEL

“It means everything,” said Thirlby, who played Judge Anderson in the movie. “Thank you so much for the petition that you made to try to get us a sequel. To everyone who’s signed it, thank you so much. If you haven’t signed it yet, please go do it, because we really want to bring you a Dredd 2.”

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Don’t Diss Dystopias

“Sci-fi writer Neal Stephenson is worried about America. “We have lost our ability to get things done,” he wrote in 2011, in a piece for the World Policy Institute. “We’re suffering from a kind of ‘innovation starvation.’ ” And part of the problem, he wrote, is science fiction. Where science fiction authors once dreamt of epic steps forward for humanity, now, “the techno-optimism of the Golden Age of SF has given way to fiction written in a generally darker, more skeptical and ambiguous tone.””

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Using Science Fiction to Create a Better Tomorrow: A Future Tense Event Recap

“The event was delightfully nerdy, optimistic and creative yet pragmatic, featuring speakers from universities, NASA, DARPA, the SyFy Channel, the Washington Post, the White House Office of Science and Technology Policy, and even Futurama, plus sci-fi writers Cramer, Stephenson, Ted Chiang, Elizabeth Bear, Karl Schroeder, Kathleen Ann Goonan, Madeline Ashby, Lee Konstantinou, and Vandana Singh. The discussion ranged from the ethics of robot babysitters and space travel to the difference between “democratic science via grassroots” and “government-directed global cooperation.” The ideas debated largely fell into four categories: the role money plays in innovation, the policy challenges of new technologies, the ways people are affected by and can affect advances, and the challenges and triumphs of imagination.”

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Doctor Who: Where in the Whoniverse are the Doctor’s pals now?

Wales Online has an interesting “where are they now” type article for a few recent Doctor Who alumni. All of the listed people seem to be working fairly consistently still, so the often mentoined “curse” that supposedly befalls former Doctor Who cast members seems to be dead as a dodo, or at least on vacation.  

Link: Doctor Who: Where in the Whoniverse are the Doctor’s pals now? – Wales Online.

Bonus Link: The Curse of being a Doctor Who Companion

 

Who is Karen Gillan Playing in The Guardians of the Galaxy?

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Fans that saw the recently released trailer for Marvel’s new sci-fi/superhero epic, The Guardians of the Galaxy, may or may not have noticed a familiar face. Yup, Doctor Who fans may have noticed an appearance by Amy Pond herself in tons of blue makeup! People unfamiliar with somewhat obscure Marvel Comics characters may have no clue as to who Karen Gillan is actually playing, the significance of said character, and whether she is good or bad. My goal today is to be a little help! Well, she’s definitely a bad guy, perhaps really bad depending on how the script lays her character out!

Before we get rolling, here’s that trailer, just in case anybody has been under a rock all week:

This character is named Nebula, and she is a feared space pirate that has destroyed entire planets in her various battles throughout many of the more  “space-themed” comics Marvel has churned out over the years. At various points, she has claimed to be none other than the very granddaughter of Thanos. Wait, Thanos? Who’s that?

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Remember that guy at the end of the Avengers that smiled at the camera? That’s Thanos. One thing many non-comic fans may be missing is that all of these Marvel Cinematic Universe films are leading up to what I can only assume is a film depicting the famous comic story The Infinity Gauntlet, where big ol’ Mr. T. up there manages to collect a series of gems that give him unlimited power. As of the end of Thor: The Dark World, Thanos has access, through his various minions, to TWO of these six gems. One can only assume that Nebula has been sent to secure the third.

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I have no idea if they plan on hyping up the possible granddaughter-grandfather relationship between the two, but it would be an interesting way to sneak more info to casual fans about “who that purple dude was”.  Seeing as Benicio Del Toro (The Collector) also appears in TGotG, she may just be a random assassin type character working for him.

I tried to find a video of some sort to show what Nebula has been like in other media, and sadly all I could find was an episode of this mid-90’s Silver Surfer cartoon that coincidentally also stars Drax The Destroyer, a character that also features in TGotG. You can skip to around 3 minutes in to see her.

So there we have it! Nebula could be a VERY big role for Karen Gillan, as playing someone that could feature in more movies might make her a big Hollywood action star. Then again they could kill her off in mere seconds for all I know. That’s what makes speculation fun!

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Doctor Who: The Adventure Games Episode 2 – Review

Note: The following is a mirror of a video game review that I did a few years ago when I worked for VGchartz. Just in case something happens on that site, I don’t want to lose it.

 My typical TV viewing routine during many a summertime Sunday night involves watching my favorite show, Doctor Who. Sadly as of last week I noticed that a void was now slammed into my life. The truth was that I had no new Doctor Whoepisodes to watch until around Christmas time because the season finale had just aired. Gladly, the BBC was there for me once again with the second of four interactive Doctor Who episodes. Doctor Who – The Adventure games. Episode 2.  Blood of the Cybermen is the second adventure and begins with a man working in an arctic base fleeing from an unseen menace on a snowmobile. The man, mumbling to himself about unspeakable horrors, flashes back to what caused the problems: an excavated Cyberman arm.

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The Cybermen are quite possibly the TV show’s most recognizable villains after the Daleks, who we saw in the last game about a month ago. For those who do not know, the Cybermen are a race of androids that have began to travel the stars in search of bodies that they can assimilate into their race. What began as a measure to stop the death of their kind became a true horror. Blood of the Cybermen captures the villains in all their terrifying glory, complete with all of their signature voices, sound effects, and catchphrases such as “you will be like us…”. Before any Star Trek aficionado points out the similarity to ‘the Borg’, a similar villain from the Star Trek TV show and films, the Cybermen came first – 1966 to be precise.

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I’m not too sure when the game takes place in relation to the TV show, but it’s pretty safe to say that it’s an unaired adventure set sometimes before the show’s finale. It stars Matt Smith as the Doctor and Karen Gillan as Amy, his companion. Both perform all of the voices and such for their characters. The Doctor is up to all the quirky hijinx that fans of the show are used to, including a section of dialog where the Doctor claims that he taught Elvis Presley how to play the guitar, albeit very badly. The rest of the story involves the Doctor, Amy, and a few new friends as they try to stop the Cybermen from taking over the aforementioned arctic research facility.

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The core gameplay is typical adventure game fare, with the player controlling the Doctor and Amy as they investigate their surroundings. You use the mouse or the direction keys to walk around, a left mouse click to investigate glowing objects, and “I” to bring up your inventory. This game has a bit more variety than the first from the get-go as some puzzles force you to work in tandem with your assistant. For instance, right at the beginning of the game you are given a rope that you must throw to Amy to tie to a snowmobile wench. When doing this the game switches viewpoints from the Doctor to Amy then back. While the first game did a bit of this, it was never to solve one puzzle together, and was more of a “tag-team” affair, as one character would go off and fetch random stuff whilst the other was busy. The system is implemented better here.

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As with the first game, the Doctor doesn’t actually carry a gun or any other weapon, so fending off enemies is pretty tricky. The developers handle this well by making use of a Metal Gear-esque sneaking style that comes up any time you get near an enemy. The Doctor automatically crouches down, and you are given an indicator in the shape of a caution symbol. If the symbol is green, you are mostly fine, but the closer to red the indicator goes the closer you are to getting killed. The sneaking sections in the second game are much better than many of those found in the first; the enemy A.I. seems to both be better and harder to stump. When sneaking past the Daleks in the first game, many were planted around like un-moving sentries that you could simply run behind. The Cyberslaves, which are Cybermen that have been only partially “Cyberized”, move around like zombies, and as such move their line of site around. This, and their way of walking around corridors, makes them a much more formidable enemy.

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This sneak mode has been coupled with a lot more climbing and exploring, thanks to the arctic cave setting which takes up a portion of the game, and so gives it a Tomb Raider vibe. There is even a portion fairly early on where you have to make it across a melting ice flow; one wrong step and it’s an icy grave for the Doctor. This makes portions of the game much more interactive and plays like a platformer game. 

The puzzles have also been overhauled. More specifically, there’s increased variety to the ones you’re given. This game only recycles one puzzle from the first game, that being one where you re-wire something that is broken. Other than that, the game contains a handful of new puzzles. They aren’t hard, but they’re challenging enough to break up the gameplay and still keep it interesting. One problem I had with the first game was a puzzle where you had to drag an icon through an electrified maze. The first time, this puzzle was fun, but after three times I was done with electrified maze puzzles. In this game, not only do you have to match the radio waves of a signal to stun an enemy, but you have to create an antivirus. Pretty cool stuff if you ask me, and far more varied.

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On the graphical side of things, we are once again faced with the following dilemma: the game is free (in the U.K.), so compared to other free games such as flash based puzzles games, Blood of the Cybermen blows most of them away. On the flipside, the game is no graphical wonder – even on the highest settings the game is fairly reminiscent of an original Xbox game or possibly a low-end Wii game. On the plus side, many of the environments in the game are much larger than the first game, such as the crashed Cyber-ship, and really show off the scope of this game. The graphics are a mixed bag – some places, like the crash, look amazing, while others look on the sub-par side.

Musically the game is awesome and has the sound production values of a larger, much more expensive game. This was brought to my attention, not because the music is overpowering, but because it keeps the player energized as the game progresses. There are some intense moments in the later parts of the game when you are being pursued by an army of Cybermen, and the music escalates to show you how close to being killed you are; not bad for a free game.

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As with the first game, Doctor Who – The Adventure games. Episode 2: Blood of the Cybermen is a great game for the price. The game is only a few hours long, but that helps pace the game out so that it’s like an interactive episode of the show. As of right this moment the game has still yet to be announced for the U.S., despite the official website proclaiming that they would be available in “early July”. Time will tell if that ever gets fixed, but one can assume that they will pop up later this month, after the initial run of Season five ends. All in all, you really can’t find a better Doctor Who game out there. While the graphics are a bit hit or miss, they are average at least for a game of this scope, and there are plenty of things for completionists to find.

Doctor Who- The Adventure Games Episode 1 -City of the Daleks – Review

Note: The following is a re-publish of a video game review that I did in 2010 ago when I worked for VGchartz. Just in case something happens on that site, I don’t want to lose it, and figured my blog would be an awesome place to share it.Since this time, all of the games were released in the U.S. for a small fee, if you run a Google search, you should find them pretty easily.

For those that do not know, a little sci-fi show from the UK called Doctor Who has become a media phenomenon and a popular television program in many countries. Doctor Who even holds a handful of Guinness world records including one for most successful science-fiction series, one for the longest running magazine based on a TV show, and longest running science fiction show. You would think that with a pedigree of that ilk, the show would have entered the realm of videogames more often, but aside from a recent Top Trumps game and a few PC games released in the 1980’s not much has been done with the franchise.

Recently BBC revealed that it was in talks with a few major publishers to bring a few top BBC properties to our consoles, and Doctor Who would be one of the first. The Production staff for the new show got in contact with Broken Sword creator Charles Cecil and Sheffield-based studio Sumo Digital to make Doctor Who: The Adventure Games. The series is a four part episodic adventure game, released for free in the UK, with a US release forthcoming.

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The first of this four part adventure has all of the content you would expect from a doctor who episode, and in fact even has the iconic title sequence and theme song there to remind us that this is essentially a standalone episode of the show. The story revolves around the Doctor as played by Matt Smith, and his assistant Amy, as played by Karen Gillan, landing in 1963. The Doctor suggests that they go see the Beatles or another activity of the time, but finds that something is not right. It appears that the ever-so-popular adversaries for the Doctor, the Daleks, have landed there at some point and re-written time. It’s up to the Doctor and Amy to unravel the catastrophe and hopefully prevent the ramafications of human enslavement under the regime of the metallic marauders.

The core gameplay is typical adventure game fare with the player controlling the Doctor and Amy as they investigate their surroundings. You use either the mouse or the direction keys to walk around, left mouse click to investigate glowing objects, and “I” to bring up your inventory. A lot of the puzzles are pretty simple, leading me to believe that this game was mostly meant for the younger fans of the show, but any inherent “easiness” is not indicative of the game being childish or condescending as some children’s games are.

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The children’s aspect of the game is re-enforced by the inclusion of “fun facts” where you click on a point of interest such as a fallen bus stop sign, and there suddenly pops up a history of red double decker busses. This is done in a way much similar to the lore found in the Metroid Prime games. While this does make the game somewhat educational, it doesn’t hammer you over the head, and these segments can be skipped if you are adverse to the idea of learning anything while you play a game.

Since the Doctor doesn’t actually carry a gun or any other weapon, fending off of enemies is pretty tricky: Doctor isn’t exactly Rambo. The developers handle this well by making use of a Metal Gear-esque sneaking style that comes up any time you get near an enemy. The Doctor automatically crouches down, and you are given an indicator in the shape of a caution symbol. If the symbol is green, you are mostly fine, but the closer to red the indicator goes, the closer you are to getting killed. Luckily if you do die, the game resumes at the last checkpoint that you made it to. The last real gameplay type you’ll have to deal with are occasional puzzles including a “drag the item through a maze without touching the walls” segment. These aren’t too challenging, and they keep you busy throughout the game.

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On the graphical front I wasn’t expecting a whole lot to be honest considering the price tag, but was pleasantly surprised that the game looked somewhat like an original Xbox game, or possibly even a Wii game. The animation is sometimes inconsistent with a few places looking far better than others, giving a somewhat rushed appearance. Some of the motions are a bit jerky, but I’ve seen worse mishaps on console games with a much larger budget. The game has an almost cell shaded appearance which really helps any sort of graphical inadequacy as it gives a more cartoony look. The mannerisms and facial features of the actors involved is flawless, a feat that was achieved by the use of a new type of rotoscoping to map the real life actors’ movements onto their 3d models.

The sound direction in the game is done fairly well, and contains a lot of spoken dialog. This really helps the pacing of the game, and again reiterates the belief that this game was intended to be as much like an episode of the show as possible. In the background there is also have music that I assume was composed for the show, which adds both tension and wonder.

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For the most part, Doctor Who: The Adventure Games Episode 1: City of the Daleks is a great game for the price, which for UK players is nothing (well technically you guys paid for it with the license fee). As long as the US price is reasonable upon release, let’s say maybe 5 dollars, it’ll be good as well. While not a technical achievement, it stands head and shoulders above any other free game based on a TV show that I’ve played, and is probably the best Doctor Who game ever made. The developers did a great job using what I imagine was a miniscule budget, and made something that was reasonably enjoyable. The game lasts a few hours, and will keep you busy if you decide to collect everything, and mess around. Sadly, we don’t get much of a “next time” trailer (if you will), but rumor has it that the second game will contain the iconic villians: The Cybermen.

Doctor Who Season 7 Postmortem

Note: Much like my review of the season 7b finale, this contains spoilers, but why would you be reading this anyway if you haven’t seen it!

So there we have it folks, another season of Doctor Who has finally reached its resting place in The Fields of Trenzalore, and all we have left is the horrible fact that we have to wait months for the 50th anniversary special. This season has had its ups and downs, but it all came together in the end to pave the way for the biggest celebration for science fiction fans all year. I have decided to count both halves of season seven as one for the purposes of this write up as I generally dislike the whole “7a and 7b” stuff. Not being a fan of split seasons is rough when every show seems to be either doing it these days. I will touch on this sort of thing later, for now let’s get on with my analysis of the season. Was it successful? Was it good? What can we look forward to in the 50th anniversary? All of these questions should be answered.

Before we talk about season seven, let’s peer back into the long off time of 2011 and what happened in season six. When we left The Doctor in season six, he had just foiled the plans of a religious order hell-bent on his own destruction. It seems that “The Silence”, the name given to this group, are some of the most comically inept villains in the history of Doctor Who. I say this because they not only botched their own plan no less than three times, but have unintentionally caused the demise of existence a few times as well; all in the name of saving everything from The Doctor! When we first saw them, they had orchestrated a convoluted plot to destroy the Tardis and kill The Doctor resulting in the fragmentation of time itself and the collapse of the universe.

Plan B seemed to involve the creation of River Song, a being designed to kill The Doctor; shame that The Doctor faked his own death. So why were they after him? It seems that they wanted him to never venture to a time traveler graveyard called the Fields of Trenzalore, as his name could destroy the Universe –  the very plot of the finale for series seven. If we have really grasped the intentions of “The Silence”, it seems that they were not the villains at all, but went about saving the universe in utterly horrible ways. That is assuming we won’t have a big change-up next year, something Moffat could easily do to mess with us. My hope is that this will be addressed to show their fear of the “John Hurt Doctor” a mysterious possible incarnation of The Doctor, we briefly saw at the end of The Name of The Doctor. Perhaps, he is why all the aliens tried to trap The Doctor in the Pandorica? Maybe he is the nemesis of the Silence? I hope this isn’t left hanging in the end.

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From my thrown together synopsis up there, one can gather that series six was very complex and existed as one long storyline from episode to episode. I liked season six, but was not a fan of the slow burn, almost Lost-like nature of the season. I still think it created far more questions than it answered and left the fans with a truckload of presumed plot holes that have been speculated on for years now. I was excited to see the focus shift to a more “one-shot” styled season, a decision that was really hyped up prior to the transmission of Asylum of the Daleks. In a long interview for BBC America, Karen Gillan laid out the nature of the series pretty well:

“This season has been done in a really interesting way with five standalone epic episodes, like a movie a week, all building to the departure of the Ponds! We actually kick-off the season with Amy and Rory’s relationship in a sticky situation; it is less than marital bliss. Those scenes were really interesting to do, she explains, because they created such a different on-screen atmosphere between Amy and Rory, something that the viewers wouldn’t have seen before. That is the good thing about Doctor Who, it gives you the chance to shift the character, and you never know what is going to happen from episode to episode.”

Granted, that synopsis is for the first half of season seven, but the general tone was kept the entire time. Some of the stories would have benefited from either a longer timeslot or a second part, but I don’t think any of them were truly harmed by not being like that.

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I mentioned earlier that I hate the new television fad of splitting seasons in half in order to create a ratings boost in the middle of a show’s run. Fans hate it, but networks have to do it nowadays to cling to their old ratings models and get advertising revenue. I could rant about how times are changing, but that’s a topic for another day. There are many good reasons to split seasons. Not only can companies sell half DVD sets and make a tiny bit more money (ex: two 50 dollar sets as opposed to one 75 dollar one), but they can also save money on production, and I feel this is what hurt Doctor Who this year. With huge BBC budget cuts hacking apart their usual expenditures, big shows like Doctor Who had to find some way to avoid a long hiatus or lackluster special effects due to a low budget, and it seemed a split was the best idea. Granted, everyone involved is highly in demand and wanted to work on other projects, so the split season idea seemed to benefit everyone. I’d rather deal with it than to loose Matt Smith of Steven Moffat to other commitments.

That wasn’t the only problem that occurred during season seven behind the scenes. There for a while it seemed like a revolving door of new executive producers was constantly spinning. There has been no reason to believe that anything bad is going on in the shadows, but having people like Piers Wenger and Beth Willis leave after such a short time had to be hard to deal with. Next Caroline skinner left amidst rumors of some sort of backstage fallout between herself and Moffat. She had this to say upon departure:

“I will miss them all enormously, but I’m leaving Doctor Who in fine form, with the new series starting at Easter and the fantastic plans for the 50th Anniversary already underway. I am delighted to be now returning to BBC Drama Production in London as an executive producer, and the new opportunities and projects that will bring.”

Russell T. Davies and his crew of executive producers seemed in there for the long haul, so one has to wonder what the problem is backstage. On a good note, season seven saw some great change-ups and new blood on the writing and directorial front. On the writer’s side, Luther’s Neil Cross was brought in to pen two episodes. I actually enjoyed both immensely,but some fans disliked Rings of Akhaten for it’s different tone. The most notable new director is probably Saul Metzstein,who seemingly directed more than half the new episodes. The new guys aren’t getting all the fun, as I honestly see this season as a real return to form for some long-time contributors. Chris Chibnall has been really hit or miss for me, but he was the star of the first half of the season for me. It seems that he is perfect in doing these short self-contained episodes. Both Dinosaurs on a Spaceship, and The Power of Three reveled in the new format and excelled more than anything else he has done for other seasons. Mark Gatiss was another person that really brought out his big guns, somewhat redeeming himself for the Victory of The Daleks. I didn’t hate that episode by any means,but felt Cold War and The Crimson Horror were leagues better and easily his best since season one!

The first half of the season concentrated on the impending departure of Amy Pond and Rory Williams, and consisted of five episodes as well as the 2011 Christmas special. The following is a list of these episodes as well as links to reviews I did during the run. Note: I did not get around to doing three of the episodes at their time of broadcast due to personal time issues, so those will be added later on.

The Doctor, the Widow and the Wardrobe (2011)

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It’s Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home.

Asylum of the Daleks (2012)

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Kidnapped by his oldest foe, the Doctor is forced on an impossible mission – to a place even the Daleks are too terrified to enter… the Asylum.

Dinosaurs on a Spaceship (2012)

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An unmanned spaceship hurtles towards certain destruction – unless the Doctor can save it, and its impossible cargo… of dinosaurs!

A Town Called Mercy (2012)

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The Doctor gets a Stetson (and a gun!), and finds himself the reluctant Sheriff of a Western town under siege by a relentless cyborg.

The Power of Three (2012)

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The Doctor and the Ponds puzzle an unlikely invasion of Earth, as millions of sinister black cubes arrive overnight, almost like presents falling from the sky.

The Angels Take Manhattan (2012)

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The Doctor’s heartbreaking farewell to Amy and Rory – a race against time through the streets of Manhattan, as New York’s statues come to life around them.

Next up we have season “7B” concentrating on the adventures of “the impossible girl” Clara Oswin Oswald. This half consists of a further eight episodes as well as the 2012 Christmas special

The Snowmen (2012)

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London, 1892. Snow is trying to evolve, feeding off of the nightmares of a little girl. But the Doctor has given up on saving the world. It is up to a young governess named Clara to convince him, with just one word, to save the day.

The Bells of Saint John (2013)

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The search for Clara brings the Doctor to London, 2013, where something deadly is waiting in the wifi.

The Rings of Akhaten (2013)

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The Doctor takes Clara to the Festival of Offerings, but the Old God is waking and demands sacrifice!

Cold War (2013)

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On a Russian submarine in 1983, a frozen alien warrior is waking up, just as the TARDIS materialises.

Hide (2013)

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Something terrifying is hiding in Caliburn House, and the Doctor finds himself part of the ghost hunt.

Journey to the Centre of the TARDIS (2013)

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The TARDIS has crashed, Clara is lost inside, and the Doctor has 30 minutes before his ship explodes!

The Crimson Horror (2013)

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Something ghastly is afoot in Victorian Yorkshire, as bodies are found with their skin a waxy, glowing red…

Nightmare in Silver (2013)

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Hedgewick’s World of Wonders: The perfect theme park day out. And ground zero for a deadly silver resurrection…

The Name of the Doctor (2013)

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The Doctor has a secret he will take to his grave. And it is discovered…

After the mystery of Amy Pond got wrapped up at the end of season six, it was simply a matter of time before she and her husband Rory were on their ways out of the show. Fans were teased that they were most likely going to die in the episode, however that was usual Steven Moffat teasing. Everyone knows that he speaks in riddles and lies to make the fans believe the total opposite of what is really happening. By the end of The Angels Take Manhattan, we saw the bittersweet ending of the pair. Yes they did die, but they lived a long happy life before that, only without The Doctor. I’m glad the episode was bittersweet as I do not want an honest to God death to occur (like Adric), but an ending that permanently separates the companion from The Doctor is usually the best idea. Returning companions could get old pretty fast if they still make cameos constantly (I’m looking at you Rose Tyler) so having an ending like this complicates things for the better.

The actual characters of Amy and Rory were moved pretty decently as characters. At the beginning of Asylum of the Daleks, we see their relationship has crumbled over the years. Seeing that they have been together for something close to a decade by the time this episode airs, I’d say they had a good run, but were on the verge of divorce. It seems that Amy felt bad due to her experimentation by the Silence to create River Song. Having been made sterile and never able to care for their child, Amy wanted Rory to move on and have a “real family” with someone else.

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Fans noticed early on that Amy seemed to love Rory less than he loved her at times, most noticeably when she was throwing herself at The Doctor in season five. This led to a lot of fans disliking her character from the very get-go. I never liked the criticisms that some gave the character as being very selfish, but I have to agree here that she was in season seven. Their reconciliation (and her redemption) comes at their very last episode as Rory is captured by a Weeping Angel and flung into the past. If you recall, the way the Angels feed is to ruin the potential lives of someone by taking them into the past and feeding on what could have been. Amy could have stayed there with The Doctor, but ultimately chose to stay with Rory by sacrificing herself to the Angels.

So how were Amy and Rory as companions? I felt that they were too tied into the plotlines to really breathe as companions at times. In season seven we really got to see them at their best, especially Amy in Dinosaurs on a Spaceship. Perhaps the multiple season mystery of the couple was a great idea on a drama standpoint, but it was dragged out far too long to have a real spark of chemistry ignite between themselves and The Doctor. They were more successful than Martha, perhaps one of the most tragic companions ever, but pale in comparison to Donna Noble.

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Things are looking up with the newest companion Clara. It seems that The Doctor and she already have a spark, and she can stand toe-to-toe with him when it comes to witticisms and one-liners. For reasons of plot, she is a stronger character in Asylum of the Daleks and The Snowmen, but seems to regain what we saw before in The Name of the Doctor. This can be directly attributed to the interactions between The Doctor and Clara being hampered due to her status as “The Impossible Girl”. When one has witnessed someone dying and yet coming back, it’s really hard to trust them; and with The Doctor’s ability to attract trouble, I can understand his reluctance to trusting her. Once that barrier is lifted later on in the season it was smooth sailing, and season eight should be amazing if they can keep it up.

Aside from Amy, Rory, and Clara there were a handful of secondary companions that hung around this season. First off, we had Rory’s dad Brian Williams as played by Arthur Weasley himself-Mark Williams. I loved Brian because he was initially the most cynical, lazy person ever. He was content just staying around inside and paying attention to things that don’t matter. Thinking in terms of season four, he was the anti-Wilf! Due to his exposure to the Doctor and traveling around he does change his ways a bit, as Brian began traveling around the world and sending homemade postcards back to Amy and Rory. Most notably, he went to the planet Siluria with the Doctor and the dinosaurs aboard the Silurian Ark. Part of me wishes that Brian stayed around for more than the couple of episodes he was in, but I enjoy older companions for some reason. Season seven also contained a few appearances by The Paternoster Gang, the Victorian sleuth team that I love. I’d never go as far to say that they need a spinoff, but Jenny, Vastra and Strax always entertain me when they grace my TV with their hijinks. I’m especially a big fan of Strax for reasons that I brought up in reviews above.

The theme of the second-half of season seven seemed to be kicking off the run-up to the 50th anniversary. First and foremost, we saw the return of a lot of old foes. The Great Intelligence from the Troughton era was brought back in a very big way; he was the main villain essentially. Granted, he was in a different form than the old classic fans might be used to, but casting both Ian Mckellen and Richard E. Grant for different aspects of the role was a great feat. Grant, as longtime fans will remember, was originally going to be the ninth incarnation of The Doctor via a series of animated “webisodes”. Other retuning foes included The Ice Warriors, last seen in the Pertwee era. This nostalgia and homage was set to a fever pace in the finale, and episode that essentially featured small cameos by ALL of the previous Doctors, something that made me very excited. then we have the reveal of John Hurt as some sort of unseen Doctor, in the most WTF-worthy moment the show has ever seen.

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I kid, I kid, I loved the reveal of a possible “missing Doctor” and who can go wrong with such an amazing actor as John Hurt. Ever since I was able to see him in George Orwell’s 1984, I’ve known that he was a great actor. Even in smaller roles like the president in V for Vendetta, he was amazing and chewed the scenery like a master.

I was immensely satisfied with season seven, but I know a lot of fans were not. While long-time fans were mostly thrilled with the majority of the episodes,I noticed a lot of casual fans complaining about various things. These fans should be satisfied with the brief return of Rose Tyler and the Tenth Doctor this autumn- a pairing that I know most of them enjoyed. If anything, this season was very atypical for Doctor Who, episodes like Akhaten took big chances with the writing and direction, and that put off some people. I know that some UK based newspapers were all “doom and gloom” about ratings, but they seem to not realize that time-shifted ratings, those including non-live viewing via DVR boxes and BBC iPlayer, have been as good as previous seasons. Fans using this as fodder for obnoxious “flame wars” need to get with the times, people don’t watch TV in the same way that they did even a decade ago. In the US rating were up from series six and usually got somewhere around two million viewers – an amazing number considering the small number of folks that have BBC America!

I hope the rotating producers, odd timeslots, and other issues lead to an end to split seasons, or we at least get a FULL 13-14 episode season next year followed by another one after. for a drama to hold it’s audience, ratings, and get new viewers every year is no small feat, it’s time for the BBC to notice this. If that means the end to the Moffat Era, and an exit by Matt Smith in season nine so be it, change is always fresh in a show such as this. We all know that Jenna-Louise Coleman is returning for a newly commissioned eighth season, and that Matt Smith will probably be in it, but that’s just about all we know. I think we have the potential for a real amazing season next year, especially if those Peter Jackson & Doctor Who rumors are true, so here’s to the future,and more importantly the two specials yet to air this year!

doctor-who-john-hurt-as-the-doctor

Doctor Who / Star Trek: Assimilation Squared Issue 2

Since there is a new Star Trek film just on the horizon and a new season of Doctor Who hitting the airwaves, I figured that now would be a great time to read some more of the recent comic crossover Assimilation Squared. For those that didn’t catch my last review, this story centers on an alliance between The Borg and The Cybermen – two similar alien races from both franchises. Their first action as a unified front was the sacking of Delta IV, an attack that was very surprising considering the way The Borg usually make themselves known prior to any offensive actions. In the final panel in the previous issue the crew of the U.S.S. Enterprise and the crew of the Tradis were just about to meet in what The Doctor assumes is prohibition era San Francisco.

While the first issue dealt mostly with setting up the shocking alliance between both armies of zombie androids and their attack on Delta IV, issue two is a little deeper, a bit more “talky”. Tipton does a great job writing convincing Star Trek: The Next Generation dialog. For example, I really enjoyed the conversations between Commander Geordi LaForge and Commander Data since their “bromance” was often times my favorite part of the show itself. Usually Data would misunderstand a human trait of some sort whether it be laughter or anger, and Geordi would have to set him straight. Take this snippet for example:

Data shows that he is often very human
Data shows that he is often very human

Geordi has pointed out that Data was created more than thirty years ago, and that he could benefit a lot from some of the more “modern” android technology being worked on currently. Data, in the most supreme example of foreshadowing ever, ponders on whether that could get out of hand, and if he’d lose himself in the process.

I was surprised that the beginning of the issue shifted back, in a non-linear manner, to before the meeting between The Enterprise crew and The Doctor. This makes sense because we only saw Picard and Co. for like half a panel at the end of the last issue, so it’s good to see what they were doing during the Delta IV attack. Starfleet has set up a mining operation on a remote aquatic planet populated by “fish people” a fact that Commander Worf humorously undercuts with “they sound delicious!” In order to make quotas and keep the flow of the minerals steady, the folks in charge of the operation have had to cut corners leading to accidents and losses of life. Geordi asks why they are mining so frantically, a question Picard replies to with “The Borg”. It seems that Starfleet was nearly decimated at the battle of Wolf 359, a Star Trek battle depicted in the fan favorite episodes The Best of Both Worlds: parts 1 and 2.

Speaking of those episodes, and derailing any sort of flow here: that two-parter is soon to be re-released with HD special effects next week on Blu-Ray, you should all pre-order it below if you like the series:

The-Best-of-Both-TNG-Blu-ray-covers

Star Trek: The Next Generation – The Best of Both Worlds (Blu-ray +UltraViolet)

You may be asking yourself: “Where is this Doctor fellow that is supposed to be in the book, I think there is an image of him on the cover?” Well, much like the previous issue, the interactions between the two sets of characters is kept to a minimum until the very end where we finally see them interact. This scene is pretty funny as The Doctor basically ignores everyone and bee-line’s it directly to Commander Data. There is a misunderstanding where the Enterprise crew thinks that the holodeck has gained sentience and that the Doctor is merely a “bug” in the system, and The Doctor simultaneously thinks that Data is some sort of anachronistic robot that shouldn’t be in the past. And just when everyone is having fun, the Borg and Cybermen arrive…..bummer

Poor Data
Poor Data

I really enjoyed issue one of this series, but issue two tops it in every way. The first issue almost seemed like two unrelated stories jammed together, and this one flows so much better overall. I definitely love the art style by J.K. Woodward, he uses life-like painted interiors that one seldom sees in comics these days. It really adds to the realism that makes one think this could have been a real episode of either show. Now that the cast is all together, and the villains have appeared, I think we are in for a real treat in the next issue. Maybe Commander Worf will smack the Doctor for talking too much or maybe we’ll find out what’s going on!

 

Doctor Who: Dinosaurs on a Spaceship

While the novelty of having a title such as X on a(n) X (ex: Snakes on a Plane) would have been more topical in 2006, it does show exactly what we are getting here: a fun “romp” episode that doesn’t take itself seriously at all. With how serious and well-layered the previous episode was, this stands as a stark counter-balance to Asylum of the Daleks with all the “in your face” zaniness that is usually reserved for comedy episodes. I know a lot of fans dislike episodes like this, but I generally like them. As you will see, there is a dark edge here as well, not just fluff.

The plot centers on an unidentified spacecraft that is found to be hurling towards earth, this of course freaks out many Earth-based agencies including the Indian Space Agency. The Doctor is enlisted by the ISA to “take care of it” so that they can stop any sort of crisis with it crashing. The Doctor needs a “Gang” to check it out, so who better to enlist than the legendary Queen Nefertiti, a big game hunter named Riddell, and “the Ponds”. They find out that the ship is an ancient Silurian “ark” full of dinosaurs, and fun ensues.

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This episode is notable for introducing a new character – Rory’s father, as played by Mark Williams of Harry potter fame. Brian (Rory’s dad) is sucked into the whole situation completely accidentally, and the first truly humorous scene involves The Doctor’s reaction to his presence. When the Doctor picks up “The Ponds” Brian is helping Rory fix a light bulb just as the Tardis shows up and materialized around all three of them. The Doctor does not in fact notice Brian until way later when they are leaving the Tardis. He assumes some random person walked into the Tardis. It’s never explained how the two don’t seem to have ever met despite the zany antics The Doctor was up to at Amy and Rory’s wedding, but I guess he could have been absent. In The Big Bang, we clearly meet Amy’s parents, but Rory’s family appears to be his siblings or something. I guess it’s a mystery we will never know the answer to!

Another Harry Potter Alumni takes the stage as the villain of the piece – David Bradley as Solomon. As with many Doctor Who villains, Solomon is initially not the antagonist of the piece, but reveals himself in the third act. His initial story is that the problems are all related to the fact that his legs have been mauled by raptors and his “Tweedle Dee and Tweedle Dum” of the robot world (as played by the double act –Mitchell & Webb) have been insufficient in helping him out. Once we realize that he wants to capture “Neffy” for his collection we learn the real truth. Solomon is basically a space pirate and has killed all the Silurians on board and a lot of the dinosaurs. He was trying to figure out a way to monetize the dinos before the accident happened, just as the “Gang” shows up.

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What happens next has divided fans of the show, but is not without precedent. The Doctor, realizing how truly evil Solomon is, sets it up so that Solomon is killed by a slew of missiles launched by the ISA. He doesn’t give him a second chance or anything; he basically says “your dead!” and leaves him to his fate. Many internet fans flipped out because of this, partially because many were lead to see the Doctor as a pacifist “space Jesus” up through the first few seasons, but having this view is a mistake. I could list a number of times where the Doctor essentially murders people, but there is no more telling instance than the very first serial of the show. At one point The Doctor, as played by William Hartnell, has to be stopped from smashing a caveman’s skull in with a huge rock simply because he “was slowing them down”. The doctor has a dark side, and being away from companions makes him like this. Hopefully this is a theme further explored!

All in all, I really liked this episode. It isn’t the most intellectual stimulating episode out there, but it’s a fun episode none-the-less. It was great to see some of Rory’s family in a little bit of detail, and Brian was a great character. He was not as cool as Wilf when it comes to family members of companions, but not many are as awesome as that guy! Chris Chibnall has done some mediocre work on Doctor Who in the past, but this episode was pretty good. Maybe fans can look forward to his second episode this season after all!

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Asylum of the Daleks

If there is one thing that the Daleks have been for the past 50 years, it’s inconsistent. Sometimes Daleks are intelligent, other times they are simply idiotic. Sometimes they are evil, other times they are comical. And the most important: sometimes they are scary, other times they are lame.

Despite my fondness for them firmly placing them above any other Doctor Who villain, it really depends on who the writer is on how these guys are used. Episodes like 2005’s Dalek are instant classics in the minds of many fans, while others such as Daleks In Manhattan come off as camp as a sequined cape. I was surprised to realize that this was showrunner Steven Moffat’s first real foray into these armored squid guys, and for the most part he really nailed it. If anything, he has found that a way to make a monster scary again is to wound it, or drive it crazy. The headless Cyberman armor in The Pandorica Opens is a fine example of this, and in this episode we have an asylum full of the Dalek equivalents.

First thing first, I had no idea that Jenna Louise Coleman was going to be in this episode. For the first time in a VERY long time we had an actual surprise that wasn’t ruined by a big UK newspaper or a questionable write-up in a magazine. Her appearance is a two edged sword though, as I really enjoyed her character, but this is probably not the same character that later shows up later on. Without outright spoiling my reasons for those that have not seen the episode, let’s just say that if it is her – Moffat will have to unleash the “timey wimey” on the show to achieve this.

This episode had it all for fans of older Dalek episodes. Returning, is a human slave class lead by the Daleks, minus the stupid speech pattern that the robomen had, or those dumb helmets from the Davison era. We had a glimmer of the many factions within the Dalek Empire including a new “parliament of the Daleks”. While this was a bit Star Wars-esque (galactic senate anyone?) it achieved a reasonable way to have thousands of Daleks in a room at once. Those thousands of Daleks were very impressive, but failed on one regard. The promise of “Every Dalek Ever Made” wasn’t an outright lie, but one had to play “Where’s Waldo” to see most of them. There was a special weapons model, and a 1960’s model in there from what I could see, but they weren’t features quite as prominently as I had hoped. I bet somebody with far too much free time has spotted them all, but I’m too lazy for that.

All in all, I really liked this episode; it had everything I like about Moffat scripts: mystery, surprises, horror, and a dash of humor. This season, despite how short it this half is, seems to be more up my alley than the previous Christmas episode, and holds the “blockbuster” status teased in the lead-up.

Doctor Who / Star Trek: Assimilation Squared Issue 1 Review

Outside the realm of fan fiction and other such non-official works of fandom, there really hasn’t been any sort of official crossover between Doctor Who and Star Trek. While fans would no doubt go crazy for an actual televised adventure pairing the two properties, something like a novel or a comic book is such a better fit. When I opened my mailbox earlier this week, this is exactly what I got with Doctor Who / Star Trek: Assimilation Squared Issue 1. The book is written by Scott and David Tipton along with Tony Lee.

This first issue starts with a bang, as a federation aligned planet called Delta IV is invaded by the Borg in a manner not fitting their usual attack patterns. We find out that it is typical of these monstrous zombies to warn people before they set out for assimilation, but this time they just swoop in with guns blazing. Could this be caused by their mysterious alliance with a new race that the federation has never seen?! (yeah we all know it’s the Cybermen :P) The Prime minister of Delta IV and a few Starfleet officers are left to find help on a tiny escape shuttle. One can only assume that they will stumble across the enterprise pretty soon. We jump ahead to Ancient Egypt in which the Doctor, Amy, and Rory are setting out to stop an ancient alien invasion. It seems that the pharaoh at this particular time might just be not what he seems. With that plan foiled the Tardis crew set out for 1940’s San Francisco, a locale very popular for fans of Star Trek: The Next Generation!

This book does a great job of capturing the two styles of the seemingly unrelated universes. While we don’t actually get to see the crew of the U.S.S. Enterprise until the very last page of this issue, all of the other Starfleet related stuff is very much in line with what we have seen for many years in all of the various Star Trek materials out there. It will be nice to see how the writers handle Picard and his crew in the upcoming issue, especially with the Doctor in tow. Speaking of the Doctor Who front, the dialog is very much spot on, with how the Doctor tries to handle a bumbled infiltration into a pyramid to confront the pharaoh. His hijinks are the comic relief of this issue, and definitely show the tone of the show very well i.e. fun but dark. Some of the dialog is a bit sparse, but with the nature of the comic being VERY action oriented, it really doesn’t warrant a ton of heavy dialog. I will be looking out for that in coming issues.

The highlight of this book has to be the art style. J.K. Woodward, an artist I’m not familiar with, does these cool painted interiors that make the book look like a million bucks. I’m not sure if this is hand painted or digital, but it’s really nice. Some of the images of The Doctor and Amy look especially great as I’m assuming the artist is using references from the show itself. Here is an example page:

All-in-all, this was a great kickoff to a fun romp, but it was all over way too soon. The next issue should be awesome with the Doctor ending up on board the Enterprise and meeting the crew that we all want to see. For me this is a definite buy for fans of both franchises.

College Humor Hits One Out of the Park With This Doctor Who RPG Parody

Ever wonder what season 5-6 of Doctor Who would look like as a 16 bit role playing game? Look no further!

(Click link below)

Doctor Who RPG

Top Ten Things I’d like to see (Or Not) With the Doctor Who 50th Anniversary

As with any list of this type, I know that choosing what I want to be in the 50th anniversary spectacular is both “fanwank” and unlikely to actually materialize in any capacity. Keep in mind that I do not want all ten of these to happen in one episode, that would result in the most horrendous non-sensical mess ever! This fact doesn’t keep me from coming up with a list of ten things that I would love to see happen.

10. Multi Doctor Story with at Least McGann and Tennant – I know that some fans bemoan such an episode, but I think it goes without saying – the best way to celebrate the long run of Doctor Who is to run a “multiple Doctor story” like past episodes such as “The Three Doctors”, “The Five Doctors”, “Dimensions in Time” etc. The old saying goes “if it ain’t broke, don’t fix it!” so why not – why break a tradition that has been around for decades. This coupled with the fact that David Tennant has basically said that he is going to have something to do with the anniversary, I think It’s a shoe-in that we will see something like this, even for a short cameo.
What I would really LOVE to see is Paul McGann reprise his role as the eighth Doctor. Many fans see him as an overlooked part of the saga, and he is still technically a “current Doctor” as his regeneration has been only seen off-camera. We don’t know how old he was before the time war, I mean heck, he could have had white hair before it was all said and done. Unlike other older titular actors, McGann isn’t much older, so they do not have to come up with a terrible explanation about why the Doctor has aged forty years. This brings me to:

9. Cameos from older actors – The above problem is one that I hope they don’t have to discuss as one only has to watch something like Dimensions in Time to see how weird it is to see a former “doctor” that has aged so much. Of course I’m speaking of Tom Baker, and the silly half-explanation about why he was old, overweight and had grey hair. Yes, age happens, and I’m sure Moffat is a more than capable writer to pull something like this off, but why waste tape? Why not have as many actors as one can get, that want to take part, and have them be there in cameos? Maybe we can have a scene of some sort of government body like the Parliament composed of actors from the older show. This would be good to showcase the older actors, and not get too over the top. If they were to bring back an old companion, like they have done with Sarah Jane, Jo Grant, and the Brigadier, why don’t they bring back:

8. The Return of Susan – what better way to look back at fifty years of this amazing show than to have the first companion come back? I have no idea how this would be pulled off, but having Carol Ann Ford reprise her role as the Doctor’s granddaughter Susan Foreman would be awesome, even if it was a brief appearance.

7.  No “every villain teams up” story – Since we’ve already had this kind of thing happen in “The “Pandorica Opens” and “The Big Bang” it would be boring to have the same thing crop up in the special. I know it would be an easy idea to go along with, but this needs to be special, and to copy something from two seasons prior would not be so great.

6. The Return of the Master – I’d love to see the master come back, especially if they decide to do a regeneration scene. While I think John Simm did well in the role, albeit being in two serials that I did not particularly love, I’d love to see new blood. Maybe Bennedict Cumberbatch will have free time?

5. No metafiction drenched “breaking the fourth wall” stuff – Red Dwarf: Back to Earth was a solid few episodes of Red Dwarf, although fans were torn on it just a tad. A lot of that came from the plot, which seemed to make the distinction that the guys onboard the titular mining ship, were in fact on a TV show. While this made for an interesting story, it was almost on the verge of “jumping the shark” plot-wise, I mean where would they have gone from there had they kept that revelation part of the show? It would be too easy to write an episode where someone makes a TV show out of the Doctor’s exploits, but I hope we don’t see that. If they are going to think of something similar though….

4. Load us up with “special features” – I know Doctor Who Confidential is gone, but we need some documentaries produced, sort of like the one they made right before the 2005 re-launch just re-tooled to hype up the anniversary and rebirth of the show. This stuff would make some fans appreciate a show’s heritage that they may have never known about before 2005-6 and make any DVD set that much better.

3. “Making of” Movie – A real kicker would be a drama production of the story of the production of the show. Many fans do not know the uphill battle the show had before it became an icon of British scifi. Lorded over by a female producer (Verity Lambert) and an Indian Director (Waris Hussein) in a world of old white guys, the show definitely had an uphill battle at the beginning, not to mention its terrible ratings the day it first aired, the day JFK died.  As Picard would say: “Make it so..”

2. More than one episode – I know we have half of the seventh season to look forward to in 2013, but I hope they do something like David Tennant’s final “season” where we get multiple long form episodes, just as long as they aren’t as unspectacular as what we got then. I’m not saying they were terrible or anything, but they definitely were at the bottom of Davies’ caliber as a writer.

1. No Regeneration – while I bet this would get the papers really rolling, add to viewership, and keep everyone buzzing, this would overshadow the actual anniversary if it would happen. If Matt were to leave soon, I hope he stays on until the eighth season. Not only would that make him have the traditional “four or so years” but keep that season exciting as well.

So there we have it, hopefully some of this stuff happens, but what do I know? I bet what we actually see will be so much better!

Doctor Who / Star Trek The Next Generation Crossover!

I saw an article on the Huffington Post, of all places, that signified a collective wave of nerd ecstasy this week. It seems that IDW, the guys that do the monthly U.S. Doctor Who comics, have teamed up with some folks that do Star Trek comics to produce this:

from the article: “The 32-page “Star Trek: The Next Generation/Doctor Who: Assimilation2” will be written by Scott and David Tipton, authors of “Star Trek: Infestation.” The authors will have “a helping hand from longtime ‘Doctor Who’ writer Tony Lee,” the comic “will feature fully painted artwork from J.K. Woodward,” there will be a “rare” wrap-around photo cover and artist Joe Corroney will create a variant cover “featuring the Doctor and friends aboard the U.S.S. Enterprise,” according to IDW.”

Comic: “The Little Guy”

No, I haven’t turned my blog into a webcomic, I just haven’t had too much to write about lately and felt these comics would be fun! with luck I should review something soon 😛

Reaction – Doctor Who: The Wedding of River Song

Tick tock goes the clock
And what now shall we play?
Tick tock goes the clock
Now summer’s gone away?

Tick tock goes the clock
And what then shall we see?
Tick tock until the day
That thou shalt marry me

Tick tock goes the clock
And all the years they fly
Tick tock and all too soon
You and I must die

Tick tock goes the clock
He cradled her and he rocked her
Tick tock goes the clock
Even for the Doctor..

Tick tock goes the clock
He cradled her and he rocked her
Tick tock goes the clock
Till River kills the Doctor..

Now that’s more like it! After a few episodes that honestly felt like filler episodes in the grand scheme of things, we have a really well done Moffat episode. I know the fanbase will be largely split with Moffat fans rejoicing to the hills and his detractors slamming it, as this was a VERY Moffat episode. Structured in a similar vein to The Impossible Astronaut and even The Pandorica Opens, we see more of the old “timey wimey” going on. We know how the Doctor escapes death, why River is in prison, and whether or not River is married to the Doctor (sort of…lol).

Not every question was answered, but we got through a good chunk of it. I guess we can chalk most of my previous ramblings about who broke into Amy’s house, and the destruction of the Tardis to be the master plan of the Silence to kill the Doctor at any means necessary. This largely points to these first two seasons being merely a stepping stone in a much larger ongoing storyline. This is both good and bad, as I hoped we would finally know everything that has happened at this point, but I’m glad all the answers weren’t rushed in one solitary episode. I was truly worried that we were going to have seen sixty minutes of random flashbacks and such.

The Wedding of River Song was a very important episode, not as much for the actual content, but as a casual reboot of the series. What many may not notice is that with the perceived “death” of the Doctor as seen by many, we have seen the end of the “super Jesus, Earth savior” Doctor, and the birth of a hopefully more reclusive Doctor that spends less time on Earth. What I hope we see is more “monster of the week” episodes where we might see a sense of the Silence “being onto him” or some such, but just in the background. We all know this will lead to the eventual reveal of the final battle between the Doctor and the Silence, most likely for the 50th Anniversary. I still cling to the possibility that we haven’t seen the person in charge of the Silence as of yet, and it would be amazing to find out who it is in a few years. All I know is that once he starts going to a place called “The Fields of Trensalore” we’re in for it.

Another fun tidbit is that the emphasis on the mystery behind the Doctor’s name adds new relevance to the title of the show. Many casual fans, or folks that may skim an episode here and there may wonder why the show is even called Doctor Who, some might even think that it’s his name. It’s a nice capstone for nearly 50 years of continuity and makes us wonder why he’s so secretive of his name. Does his name link him to something terrible?

My ongoing theory is that there is some big bad guy out there that needs to know the Doctor’s name for some reason. I’m wondering if the Doctor didn’t use it as the password for the “time lock” he used to trap the Time Lords and Daleks within Gallifrey, once it is uttered, this lock will be broken and cause havoc. Suddenly you’d have The Master set free, and all sorts of other pissed off Timelords. This would fit in with the alien coalition trying to stop the Doctor at all costs with the Pandorica, and even explain the Silence claiming that they have witnessed a dark future caused by the Doctor. Of course we won’t hear the name as viewers, as finding out that the Doctor’s name is “Barry” would probably ruin the show.

On a side note, I loved the little “fan-wanky” bits in this episode. For starters, when we find that all of time has been compressed to a solitary moment, we see anomalies such as Charles Dickens talking about his upcoming BBC Christmas special. Once he gets rolling you realize that he is talking about A Christmas Carol. Dickens was once again played by the returning Simon Callow, a man that many will remember from An Unquiet Dead way back in season 1. Other nice nods included the reappearance of Winston Churchill, who has apparently started riding a mammoth to work. With a less “in your face” cameo, we find that fan favorite companion “The Brigadier” has finally been laid to rest within the show. This follows the real life death of Nicholas Courtney. I would have liked a similar send-off to the one Elisabeth Sladen received, but the nod was nice to see.

So yeah, good episode, and a good savior for a somewhat mellow second half of a season. I can’t wait to see where this goes.

Fragmentary Thoughts on Questions Still Left to Unanswered In Doctor Who

Since the end of Doctor Who’s fifth season I have been milling around a bag full of questions that were seemingly left unanswered. I assume that some of this will be touched on in the final episode of season six, but if it doesn’t can it all be explained away by saying “the silence did it?” Most of these appeared in the penultimate and final episodes last season, The Pandorica Opens and The Big Bang. Most of these seem to point towards somebody or something “messing with” Amy at various points in time, and all stem from one big question:

Why was the TARDIS taken back to June 26, 2010? –

“Space and time isn’t safe yet. The Tardis exploded for a reason. Something drew the Tardis to this particular date and blew it up. Why, and why now?”

– The Doctor at the end of The Big Bang

It has been speculated upon that this is a dangling plot thread left unanswered. At this point I wonder if we’ll actually see the real reason for this unveiled this season, but one thing does come to mind. Assuming that Amy and Rory “got it on” right after their wedding date, could the significance be that this was River Song’s conception date? This brings two possible options:

Was somebody trying to stop her existence? Going back to the conception date thing, we can assume that River does not fulfill her goals set aside by the silence, so maybe they are trying to kill her before she even is born…Maybe she is the one that actually stops their evil plans. Here are examples of how River was supposed to get over-written Terminator style, only to have the Doctor goof it up:

Somebody tried to kill Amy by somehow turning Rory into an Auton – this failed because of the Doctor.

Somebody broke into Amy’s house before her wedding day, but she wasn’t there…

Since this approach was bungled up, maybe the “big bad” went to plan B.

What if she was actually brought there to actually cause the explosion… With what we know about River in the latter half of this season, she was set up to be a weapon to kill the Doctor by the Silence. What if she has been brainwashed to destroy the TARDIS, most likely by the post-hypnotic suggestion from the silence? What if she actually did her job by destroying the universe only to have the Doctor undo it completely?

This also could explain why The TARDIS materialized in rock, maybe the TARDIS itself was trying to protect everything from River, and put her in a time-loop.

This does sort of paint the Silence and the “villain alliance” in series 5 as heroes of some sort, but what if that is true. What if they know of something The Doctor doesn’t know about – something that is truly evil, and the REAL villain in this whole thing? Something the Doctor unwittingly causes. I honestly think that there is an evil renegade Timelord out there causing this whole mess, Omega, Rassilon, The Rani, The Master etc…

What if “Silence falling” is a bad thing

Reaction: Doctor Who – The God Complex

That's my fear door

“Praise Him!” “Praise Him!” “Praise Him!” “Praise Him!” “Praise Him!” errr *cough*

“The God Complex” is an odd episode, not in a bad way, but it definitely is different than anything else we’ve seen this season. First and foremost the direction was spot on for an episode that was supposed to make us feel uncomfortable and anxious. With a heavy use of surreal cinematography techniques including dutch angles, quick cuts, overlays of text and more, this almost felt a bit more like something Edgar Wright would have directed than a Doctor Who episode. Not that the story resembled anything like that. The actual plot was strange as well; it seemed to take the best elements from the “Hell scene” in Bill and Ted’s Bogus Journey and crossed them with a bit of The Curse of Fenric, a seventh Doctor Story, chiefly with its use of fear and faith as a motif.

I was really worried that this would devolve into nothing more than a Scooby Doo corridor chase scene in the first act of the episode; but as we got further in, everything got a bit more mature than I was expecting. By “mature” I don’t mean gore and nudity, but complex themes not usually reserved for a family show.

While a lot of sci-fi has a tendency to take digs at religion and faith systems, this episode does it in a far more classy way than shows such as Stargate. Instead of coming across in a patronizing atheistic manner that some sci-fi embodies, we get an episode where the villain literally feeds on faith. Whether that faith be in a person, an idea, or a deity, we learn that most people fall back on faith when faced with our greatest fears in order to get us through. What if this faith is tampered with and everyone is brainwashed to have faith in the very thing that is about to kill them? The creature, a large minotaur-like monster, then finds this rapturous wave of faith for itself and feeds. Body after body falls until the Doctor can figure it out. Confusingly, Rory was shown to be a fatalist in some manner, and was said to have no faith. Since he only lives for himself, we are led to believe that the monster would leave him alone. Wouldn’t he have faith in Amy?

This idea is best played out when we find out that Amy hold all of her faith in the Doctor. He greatest fear is the Doctor abandoning her in some way, and she clings to him for help. Realizing that Amy regards him as some sort of God-like figure he has to make her lose faith in him or she’ll die. This was seen at one other point in Doctor Who history, an eighties episode called the Curse of Fenric. Then it was Ace that the Doctor was forced to mess with, although that instance was far more cruel than what we got tonight. The Doctor could have said something like “I could have saved your baby, but I chose not to”, instead we get the Doctor humbling himself.

All in all this was a good episode, but I will have to watch it again to fully take it in. the unorthodox direction, the weird plot and a few things to ponder make this hard to fully register. I do have some things to ponder for next week:

What exactly did the Doctor see behind his fear door? I assumed it was himself, but could it be someone truly evil?

What does the doctor worship? Amy asks this and the Doctor basically brushes it aside. Was this a random bit of dialogue, or is there importance to it? I feel this may tie in to point one, possibly showing the “big bad” of this season. It may be false hope, but I really want there to be a crazy evil time lord to be the ringleader at the end, and I wonder if this was the seed planted in our heads.

If the Minotaur is related to the Nimons and was seen as a God to some group, did that imply that he was the God of them? It wasn’t really made clear.

Reaction: Doctor Who – The Girl Who Waited

I’ve tried to keep this largely spoiler free, any story points are purposely left vague.

Every year a Doctor Who episode comes around that makes me think to myself “this is the one that will get the Hugo awards nod.” Last year I felt exactly the same way about Vincent and the Doctor, and it was at least nominated. I’m not going to go out and say that it was a perfect episode, but in my honest opinion The Girl Who Waited is the best episode of this season so far. It has been a while since we’ve had an episode so emotionally gutting that it seemingly left many fans sobbing at the end. I did not thankfully cry, but was struck with the immense sense of emotional uneasiness usually left for when I finish watching something like Children of Men or District 9, not a show deemed a “kid’s show” by many. Keep in mind that I by no means want the entire series to play out like the last episode, but these emotional “adult” episodes keep fans buzzing and keep the show pretty exciting.

What a comeback for Tom McCrae as well. When he last let his pen touch paper in the Doctor Who realm we ended up with Rise of the Cybermen/The Age of Steel; neither was a really bad episode, but neither pushed the show the same way they could have. I remember hearing that that two-parter was somehow related, even adapted, from the Big Finish audio drama Spare Parts, I don’t see how as that particular audio episode was AMAZING, and the TV variant was average. Perhaps the only bad thing I can say about the whole thing is that McCrae himself was obviously very pleased with himself after the episode aired, and managed to make himself look like a total arrogant jackass on the Confidential episode this week. For my money, one has to write a series of great episodes before one can act that smug (LOL). A lot can be credited for both the acting and the direction from all involved, as with the faltering of either would have resulted in a very different animal.

So anyway, back to the episode…We finally saw the return of the Doctor’s moral ambiguity and alien POV to the show this week. Many times lately, we have been witnessing a Doctor that somehow sees himself as a superhero or “space Jesus”-like character, flying around saving kittens in trees and helping old ladies cross the road. While this Doctor isn’t as edgy as say, Captain Jack Harkness, he has no qualms manipulating folks for the better good, a quality not really seen in large part since Sylvester McCoy’s run on the show many years ago. The scenario in question involved the Doctor lying to his most trusted companions only to place them with a horrendous decision to overcome at the end. Without spoiling the actual plotline, a memorable moment had Rory yelling “you’re turning me into you!” and Amy screaming “I trusted you!” both pretty intense for said “children’s show”. This should come as no surprise for long time and even recent fans, as we have learned many times that rule number one is “the Doctor lies”.

Here’s hoping the next few episodes are up to the quality of this one, and with a Cyberman episode, the return of Craig, and the answers we need sooo badly I don’t see how it won’t.

Doctor Who Random Thoughts (catch-up edition)

Yeah …. it has been literally months since I last posted on here. Truth is I have been trying my best to get a new job, a driver’s license, and keep up with the shenanigans at my current workplace, all this amongst other things. The last episode I looked at was “the Curse of the Black Spot” many ages ago, so instead of going back and forcing myself to write a bunch of blog posts about things that aired months ago, I figured I’d get myself all caught up in one fell-swoop.

First and foremost, I want to commend BBCA for finally pushing Doctor Who into (as close as one could imagine) the mainstream. Their advertising, toy sales, store tie-ins, and other promotions have taken my favorite show from some obscure basement dweller-esque obsession a more recognized nerdy past-time. It makes me crack up how popular the show has become today, and how easily the younger folks out there have latched onto it.

I remember ordering a nearly 20 foot long Tom Baker era scarf for the costume on my “about page” for a Halloween party a number of years ago. When I got to the party, literally one person, my wife (then girlfriend) knew what I was dressed as. There was a random dude we saw at Target that seemed pretty stoked I had the scarf and hat on but others dismissed the costume entirely as if I had made it up. Now one can see a multitude of Doctor Who costumes at conventions, even ones that have nothing to do with science fiction. We recently attended an Anime Convention in Kansas City where there was something like 3-4 Tenth Doctors running around, this fact made me very happy.

I think my own personal smugness with the fandom truly came into effect when my former boss gave me crap about my love for the show. This was not in a malicious way, but the product of a two party fun-poking competition where I pointed out how big Doctor Who was getting and made fun of Lost (his favorite show) and vice versa. My crowning achievement was setting up a display at the store with a generic sign that said “local favorites” comprised of Doctor Who books and DVDs we had been getting. This display was met with snickers from him until season 5 was released on DVD. Pretty soon I did take down my display, only to replace it with a huge professionally done display sent by corporate full of Matt Smith toys, daleks, books and more. Needless to say I didn’t hear any snide comments for a bit. I know, small victories and all….(LOL) You see I’m not one that wants “my show” to stay “underground” aka nobody has seen it. I’d like to share my fandom, and now I can.

So anyway, this week marks the middle of the second half of season six, and we are FINALLY getting some answers. Being a Moffat fan, the structure of this season does not bother me, but I can see a few folks chomping at the bit for resolutions for things a few seasons in the making. I do hope that this series arc concept isn’t repeated to such a degree in the future, as I actually enjoy episodes that stand on their own a bit more than ones that are a mere puzzle piece in the grand scheme of things. It’s hard to really rate such an episode because it could be utterly brilliant once you see what comes later. A return to a more “anthology” style suits the show better (in my opinion, of course). This season hasn’t been bad at all, in fact it has been great….it’s just been different as well. I will say that I preferred last season a bit compared to this one as a whole, but that could change if the next few episodes blow me away.

Now that we basically know who River Song is, and how she is related to The Doctor, Amy, and Rory, these last few episodes really need to flesh out the craziness in the Doctor’s apparent death. I still feel that the “death” we saw was staged for some reason, but knowing the way Moffat likes to mess with us it may not be that simple at all. I just hope that the whole thing gets wrapped up with a bow at the end, maybe introducing a huge foe for a while at the same time.

Doctor Who Random Thoughts – Curse of the Black Spot (S6 E3)

With a new Pirates of the Caribbean movie on the horizon it was just a matter of time before we got a new take on the old pirate motif in Doctor Who.  The episode begins with the Doctor and his crew landing on board a pirate ship full of terrified seamen.  It seems that whenever one of these gentlemen gets even the slightest bruise, cut, or sickness a green skinned mermaid / siren type creature pops up and presumably kills them.  This death is of course predicted by a ominous black spot appearing on the victim’s hand just before the attack.

The Curse of the Black Spot reminds me of some of the season openers we used to have during the Russell T. Davies era and more specifically those in which David Tennant was the Doctor.  Not to say that’s a bad thing, but this episode seemed more “fluff” than the previous two which is both good and bad. On one hand I was relieved to see a bit of a reprieve of all of the Lost-esque stuff from the first two episodes and the disjointedness was gone.  On the other we basically got the same kind of feel good romp that we always get with the whole “base under siege” episode archetype.  This time the base being a pirate ship and the monster that of a siren / mermaid.

I think the main reason that this episode was only “average” to me was that one scene was inexplicably cut from the show, and messed up my train of thought while watching it.  When all the pirates started to resort to infighting, the first mate was cut by the captain’s son as he tried to screw them all over.  We see a scene of him barricading the door, only to have the character not appear in the rest of the episode until the very end.  All of the sudden the Doctor runs into the room and he’s just gone with no explanation. I hope that there was a deleted scene that saw his removal from the ship because if not…..yeesh.

The episode did redeem itself a bit when we get the ending and the creation of a troupe of space pirates.  I’ve always been a fan of space pirates due to my love of Leiji Matsumoto space operas, and am glad to see some pop up in modern Doctor Who.  All in all, good episode could have been better.