These past few years have truly been a blessing for fans of both “old-school” anime and manga and space opera anime and manga in general. I plan to eventually go more into detail regarding this topic, but the short version is that I would have never imagined owning legit English translations of things like Captain Harlock and Queen Emeraldas in manga form, and novels and anime of the VERY sought after classic Legend of the Galactic Heroes. Granted, the original anime has yet to materialize over here despite being licensed – but I’ll go with the next best thing – an entirely new show streaming on numerous streaming sites. Today we will be looking at Legend of the Galactic Heroes: Die Neue These.

While a general synopsis of this show is very hard, I think I can boil it down to the chronicle of a war between three galactic superpowers that spans hundreds of years and involves billions of people. The first super-power was formed in 2801 and is dubbed The Galactic Federation. After power largely shifts from the Earth, a man named Rudolf von Goldenbaum, an ex-admiral turned dictatorial politician is elected to power, quickly makes himself Emperor Rudolf I, absolute monarch of the renamed Galactic Empire. Rudolf adopts extremist policies including the suppression of any opposition and the extermination of anyone perceived too weak, such as the disabled and those in poverty. So yeah, basically space Nazis.

Later on, the second power springs up – a group of serfs in the Altair star system manage to escape captivity and make “the Long March of 10,000 Light-Years” into the Sagittarius Arm to escape the Galactic Empire, which is located within the Orion Arm. These people set up the Free Planets Alliance, a democratic republic. Seeing these people as nothing more than traitors and rebels, the Empire vows to crush the FPA at all costs. Assuming a quick victory, The Empire suffers large losses and has to settle into a prolonged war.

The third realm is the Dominion of Phezzan, a planet-state with connections to Earth (now dubbed Terra). It technically remains a part of the Empire and pays tribute, but it also maintains a relationship with the Alliance. Providing the only link between the Empire and Alliance whilst simultaneously playing the two sides against one another makes Phezzan act like true war profiteers. so far, these guys have yet to show up in the first few episodes.

The first season of this show is just twelve episodes and seems to roughly cover the contents of the first novel (which I really need to finish reading one of these days). This has been a “second season” announced, but it will be comprised of three theatrical films that I assume will be the second book. Time will tell if this new production will achieve that sort of success that could warrant the sort of long-term commitment that eventually led to over 100 OVA episodes, but I really hope it does.

Perhaps one of the biggest differences between this show and the older OVA series, is that some of the theatricality of the dialogue has been removed for a much more subdued (realistic?) version. The example that sticks out to me the most is a scene in episode one where Commodore Reinhard is sitting on an ornate throne on the bridge of his flagship The Brünhild looking out of the observation window. This scene is basically in both versions, but first we’ll talk about the original. His longtime friend and military confidant, Kircheis, has entered the room to comment on his stargazing, to which Reinhard goes into a long, almost Shakespearean, aside about stars and how vast space is in comparison to man-made wars.

In this new version, however, Kircheis rolls and in and Reinhard comments on how tall he has gotten, to which Kircheis basically replies “cool story bro” – end scene. To me, This dramatically alters the character of Reinhard from a more romantic character to a dark brooding one ala Captain Harlock. It’s too early to tell if this is long-lasting or even a detriment to the narrative. One could argue that such flowery dialogue led the original show to coming off as pretentious at times, I personally like it as space operas of that era all tend to be that way.

There is also a tendency for Legend of the Galactic Heroes: Die Neue These to go into details of specific battle plans and tactics used far more than what was in the original show. In the original show, there were points where you were left to assume everyone was correct in their assertions that characters like Reinhard and Yang were tactical geniuses as most of the actual planning was glossed over. Here we have the exact opposite, in fact some battles are almost laboriously detailed with little maps being discussed and references to as yet to be unseen older battles. Honestly, I think the new show takes the edge, as these battles are far more like the ones in the books by description alone.

Honestly, this and the battle scenes are basically pornography to me – giant space battles set up like old school navel battles have always been a thing I love seeing in science fiction, and you can’t really get any more epic than two armies consisting hundreds of thousands of ships duking it out. These action scenes have immense gravitas due too how dynamic they have been realized and the budget that must have spent to do so.

One notable thing missing is the original score comprised largely of classical music, but this has been replaced with suitable original orchestral music that suits the show and gives it the vibe it needs. Although watching ships blow up to Gustav Mahler or Antonin Dvorak pieces is awesome, this original stuff is pretty good.  I can’t find too much about the new compositions, but they appear to be from famed Japanese composer Shin Hashimoto, aka Sin. He is well-known for his works for Takako Matsu, EXILE, Mika Nakashima, AAA, and LISA.

Perhaps one of my favorite things that these first episodes did was illustrated when Commodore Reinhard, in the first episode, comes up with a seemingly flawless battle plan, only to meet his match with Yang Wen-li in episode two. the way both episodes show the same period of time through the eyes of two opposing men was cool and I hope they do this more.

So far, This is a really solid adaptation of something that I assumed would get ruined in an effort to modernize everything. I know there are still fans that are mad about changed that have been happening, but honestly some would be mad at anything other than a shot-for-shot remake in the same art style which would be a waste of everyone’s time. What we have is a solid introduction to the show and really gets me pumped to finish it up. I plan to continue watching this for the next few weeks and give more thoughts as I go through. Hell, I might get back onto the 100 episode horse that is the original show as I’m pumped that this is getting made!