The Tripods: (1984) Chateau Ricordeau, France, August 2089

AKA Season 1, episode 8

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“What I can’t have, nobody else shall have!”

 

This is the ONE sentence that sums up this particular story-arc‘s mini-villain pretty well. This was, of course, Duc Du Sarlat‘s answer to Will’s simple question of “why Eloise?” pertaining to the previous episode’s climax. For those not following along at home, this general “D-bag” referred to as The Duc Du Sarlat basically cheated in order to win a prestigious athletics tournament, and was given the chance to name his own “Queen of the Tournament”. He, of course, chose the love interest of his rival, his former fiance until Will showed up. This was purely in spite, and generally because he wasn’t getting his way.

You may be thinking “I’ve seen this trope a million times before, if she’s got to marry that slime ball, Will should just…” Wait right there…Eloise wasn’t betrothed to Sarlat, no that would be easy, she won a one-way trip to the Tripod home city never to be seen again. This sort of villainy is great, because a lot of genre fiction villains fall into the problem of being “too cool to be bad”and end up being either anti-heroes or reformed villains turned heroes in the end. Unless my assumptions are completely off here, Sarlat is destined for none of that. He seems to be taking a page out the the playbook of other notable fictitious bastards (non-literal) and doing everything in his power to be vile and unlikable.

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Duc Du Sarlat is your classic literary”resenter” villain, he’s that guy that stands behind the hero and feels bad because the hero of the tale is getting good things, and he’s losing a bit of his prestige. In previous blogs, I’ve generally compared him to a Game of Thrones character named Joffrey, but If I mill over the whole thing, he’s more like Harry Potter’s Draco Malfoy. Not only is he a colossal jerk, but he’s also pretty pathetic and isn’t even cool enough to be a real villain. If he were to get killed, that would almost be too good for him.

Will gets tired of his new social pressures sans-Eloise and slips out under cover of nightfall during a fancy banquet. This is really no shock since he was planning an escape anyway, but the way he leaves is sort of depressing. While riding a horse around the French countryside, in an inky cover of darkness, he stumbles onto a lurking Tripod and is taken prisoner by it’s huge metallic tendrils.

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The next morning, Will wakes up as if nothing had happened. He wasn’t capped, and it definitely wasn’t a dream, so he is puzzled why he is so lucky. After meeting back up with Henry and Beanpole it all becomes clear – the Tripods have planted a tracking beacon into his skin like a wildlife conservationist would do to a fish. Not only are they following the boys, the tripods seem to be using them to gather Intel on other like-minded people.

One quibble I had with this episode was that more than a few of the exterior scenes were nearly pitch black. I sometimes get privately annoyed when movies and TV shows film “night-time scenes” in broad daylight then lay a cheesy “oh look how dark it is!” filter over the whole thing. It usually looks like the movie is being filmed with sunglasses over the camera. Here we see why they do that, as many scenes during Will’s escape are almost entirely pitch black. If it wasn’t for the fact that he’s riding a white horse, I’d think that my TV suddenly stopped working. These scenes do work in that once will almost rides his horse into a Tripod, it’s lights cast an creepy green tinge to everything that gives an other-worldly feel.

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One of the recurring themes of this show is the loss of civilization due to The Tripods, and our heroes coming to terms with a past that is so distant to them that they are completely ignorant to it. We saw a bit of this is a previous episode involving the boys walking through a Parisian shopping mall and nearly getting themselves killed with various weapons like guns and grenades.

This time we see them come face to face with a marauding Tripod trying to corner them in a small shack that the boys are using as a safe house. Henry has a great idea: starting a fire will cause smoke to surround them, and they should be able to escape through said smoke. Next thing you know, the boys have started a huge fire and are chucking all the wood they can find onto it. The camera pans over the back wall to reveal a HUGE stockpile of various petroleum-based fuels such as gasoline and kerosene! This is where they innocently discover an easy way to get a Tripod off their backs – an explosion!

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With that out of the way, this episode is the first that really starts to look into the nature of the Tripods themselves. The boys ponder if it’s a huge creature or if it’s merely a vessel by which something drives around the countryside. It’s still a while before we get the answer, but at least Will and the gang are starting to discover what they can do to defend themselves against this monstrous walkers, even if it takes the might of a while storeroom of gasoline to do the trick.

All in all, this was a solid episode, and a great injection of much needed action piped into the show after the characters were running around a stuffy chateau for the better part of four episodes. Now Will has nothing to distract him from the goal of reaching the White Mountains as fast as they can, and barring more Tripods, nothing can stop them.

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I’m a Voldemort Now…

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Random Doctor Who References in American TV Shows

Rugrats: The 1990’s Nickelodeon classic needed something – genocidal killer mutants!

Family Guy – As far as I know there have been at least three references in Family Guy of something related to Doctor Who, the first was when Brian mentions that since marijuana has been legalized in Quahog, “Doctor Who ratings are through the roof”. Another brief reference involves Peter naming an owl “Doctor Hoo”. The best example of this is in the very first Star Wars special that they did. As the crew jumps into hyperspace, one can see the fourth Doctor theme through the window to which Peter suggests that “Hyperspace is weird!”

Simpsons – Matt Groening is a big fan of Tom Baker Era Doctor Who, so it’s really no surprise that The Doctor Shows up constantly!

Futurama – And the tradition carries over in his other show as well.

South Park – Fairly recently, South Park did an episode featuring a German Comedy Robot named “Funnybot”. Of course Funnybot is in fact a parody of a Dalek!

Star Trek – One could write a book about Doctor Who references in Star Trek and even vice versa. One of the oddest took place in a Star Trek: The Next Generation episode entitled “The Neutral Zone”. In the episode, the crew comes face to face with survivors from an ancient cryoship. One of the thawed folks, Clare Raymond, is scanned so that her lineage can be seen. It seems she is descended from William Hartnell, Tom Baker, Colin Baker, and Even Kermit T. Frog!

Saturday Night Live –The season 30 episode starring Paris Hilton had a treat for all the Doctor Who fans out there. Sadly Paris Hilton, of all people, donned a Tom Baker-esque scarf and contributed to a new phone sex line for nerds including Star Trek, Harry Potter, and World of Warcraft ladies. To be honest, even with a Doctor Who scarf, Ms. Hilton is just about as sexy as a brick to me.