REVIEW: First World War Trials and Executions (2021)

A book by Simon Webb

NOTE: I received a free preliminary, and likely unedited copy of this book from Netgalley for the purposes of providing an honest, unbiased review of the material. Thank you to all involved.

I haven’t read too many true crime books as of late, although I do listen to a ton of podcasts on it. And I mean a ton, its probably a red flag on Spotify, and I am likely on some list somewhere. Some of my favorite ones are historical accounts vs modern ones simply because the cases seem to always take wild turns that you aren’t expecting. You hear about these insane investigations and primitive forensics efforts that likely led to tons of false imprisonments, but its exciting none-the-less. This book chronicles 51 such historical cases in the UK between 1914-1918 – The era of World War I. Taking a small, specific era in history is interesting as one really gets into the time period when its all laid out like this.

Webb splits each case into its own small chapters which are then split into sub-headings such as cases all committed by straight razor, or all axe-murders etc. I liked this configuration a lot; it made this easy for me to read bit-by-bit before I went to bed this past week. This is an entertaining read insomuch as a book on murders can be simply because of the way it is written. That isn’t to say Simon Webb makes light of the cases, as they are all very tragic, but he keeps you wanting to read more and more, and the information is well-researched. This book also acts, in a way, as a chronicle as to why Britain eventually did away with Capital Punishment – many of these cases have terrible things happen during the execution, it you can tell it scarred the main executioner quite a bit.

Another Solid historical offering from Pen and Sword, I’ll have to see if they have anymore books by this author, as a continuation of this series (if it becomes one) into later or previous years would be interesting. If you want a quick read to keep your true crime interest satiated, I’d recommend this book. It’s definitely to die for.

Lords of Chaos: The Bloody Rise of the Satanic Metal Underground (2003)


Soon to have a major motion picture coming out, figured I ought to read it!

I’ve been a fan of the largely underground strain of heavy metal known as “black metal” for around 17 years or so, but I fell in love with it for how it sounded rather than how it was created. In the late 90’s / early 2000’s black metal had, well there’s no better term, “sold out” and started to become mainstream, so it was largely distanced from the events that happened nearly a decade previous. The wall of sound, misanthropic minimalist themes, and the theatricality were all awesome to me, so I decided to do some research on some of the original black metal bands – whoops. The sort of music I enjoyed turned out to be comprised largely of extreme right-wing murderers and arsonists that had basically formed a nihilist cult and ran around committing crimes in a naïve quest to end Norwegian Christianity.

This book focuses on the culture surrounding the black metal scene in Norway between 1990 and 1993. This is a cautionary tale on how a group of impressionable kids fell into, what can only be described as, a cult and nearly brought Norway to its knees. The first few chapters give an outline of the progression of heavy metal from bands such as Black Sabbath, Coven and Black Widow to proto-black metal bands such as Bathory, Mercyful Fate and Venom, and finally to the early Norwegian black metal band Mayhem. Then about half of the book follows the exploits of Black Metal’s most famous record label Deathlike Silence Records, and the events leading up to the death of its owner, Øystein Aarseth, and the imprisonment of his murderer Varg Vikernes. Finally, the book chronicles the aftermath of the murders and church burnings and the media circus that ensued.

I have known about this book, Lords of Chaos, for years now, but have not read it until now. Luckily (for the most part) the book has been out long enough that a second edition was put together a number of years ago to delve into some newer information about its “protagonists” like Vikernes. Unfortunately, this allows the book to go in weird directions such as Vikernes’s descent into conspiracy theory, as he discusses, at length, about UFOs and how they influenced heathen religion. Some additions are great, but others like Varg’s tales of Atlantean Wars break the flow of the chapters up a bit too much and make me feel as if I’ve accidentally started reading a Zecharia Sitchin book. The authors try to stand back and let the subjects say whatever they please, they do make an effort to not let this book be a soap box for their political belief and are not scared to step in and contradict any falsehoods that may have been spoken in the interview process.


One of my favorite parts of this book is a series of interviews that try to culturally place “satanism” into Norwegian society, and a conclusion seems to come up that paints this Norwegian strain of anti-Christianity as some kind of naive copy of the fictitious Satanic underground that was the boogeyman of America during its “Satanic Panic” of the 1980’s and 90’s. For those unaware, America and parts of Europe, were made into constant media zoos when people started coming out of the woodwork describing things like grave desecration, satanic ritual abuse, and ritualized murder by hooded members of a worldwide cult. This hysteria has been totally debunked at this point, and zero cases of any of this have every turned out to be true, but if you watched TV or read papers during that time – our world was a battlezone between Jesus and Satan 24/7. These kids, wanting to be Anti-Christian, may have taken this cartoonish “religion” and given it life.

I had read a few reviews of this book (on Amazon) prior to purchase and was worried because the general tone of the reviews was that this was some sort of Neo-Nazi book and that the author was somehow promoting the stuff said within. On the contrary, Moynihan’s neutrality towards the ideologies portrayed in the book means that they are not censored, but they are often directly criticized or it is often implied that they have the ideology of angsty children in editorial sections. In fact, this is written a lot like a newspaper article, most comments are left to stand on their own, and the author jumps in to tie everything together. I wonder of these reviewers have largely not read the book to be honest.

As a true crime book, I will admit that this book is not perfect. It meanders a bit, means little to those that are not in some way “into” metal music, and is written in a manner that is by no means top journalism. What this book does have is a treasure-trove of information, newspaper clippings, media reports, and images from a ten year period that has been infamous for many metal fans, and until a better book comes along this is the definitive history of this genre of music and all the baggage that comes with it. This is with Varg’s UFO tales and all.

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