Vampirella Volume 1: Our Lady of Shadows

Vampirella Volume 1: Our Lady of Shadows

I’ve stated in a few other reviews on here that I *usually* don’t like modern vampire fiction. This is largely because writers try too hard to make it hip and trendy to cater to the teenage audience. So, while everyone was obsessed with sparkly shirtless vampires, I basically stopped reading anything in the genre. I have, however, found that I actually do like this stuff, I’m just an old “stick in the mud” traditionalist when it comes to it. Even some of the more of-the-wall vampire stuff I enjoy (like Vampire Hunter D) is firmly based on stuff like Christopher Lee films from Hammer Horror.

When reading Vampirella Volume 1: Our Lady of Shadows, I was having a lot of fun. Despite the covers, the story doesn’t really get too outlandish and exploitative, and everything is fairly well written. This is basically my introduction to the character since I always assumed this book was nothing more than softcore porn – now I know it’s more of a “pulp” series, and I feel bad for ignoring it so long.

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The story follows Vampirella as she is sent by The Vatican to stop a long dead nemesis, a cult leader and warlock, that may have resurfaced. She ends up on a quest (aided by a Nosferatu no less) to consume energy from various “vampires” from other cultures to make herself able to stop him and his plan to start the apocalypse.

Honestly, my only real quibble here is that it ended in such a way that it really should have had at least one more issue. Everything seems rushed at the end, thus making the whole story-arc unbalanced. There was even a point where the “monster of the issue” feel is thrown out in order to speed things up (what previously took a full issue was resolved in two pages), making Vampi’s quest seem pointless. It was good that a “prequel” issue was included, but I wanted a better ending. I will have to look at more Vampirella titles from Dynamite and possibly read more as I am starting to really enjoy these retro “pulpy” titles they are doing.


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Doctor Who: Project: Twilight (2001)

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A review of Big Finish audio drama no. 23

  • Written by Cavan Scott and Mark Wright
  • Directed by Gary Russell
  • Sound Design and Post Production by Gareth Jenkins
  • Music by Jane Elphinstone and Jim Mortimore
  • Starring: Colin Baker (The Doctor), Maggie Stables (Evelyn Smythe), Holly De Jong (Amelia Doory), Rob Dixon (Reggie Mead), Rosie Cavaliero (Cassie), Stephen Chance (Nimrod); Rupert Booth (Dr William Abberton/Matthew), Mark Wright (Mr. Deeks),Kate Hadley (Nurse), Daniel Wilson (Eddie), Gary Russell (Newsreader)

Full disclosure here: In all honesty, I’m not much of a fan of vampire fiction. While I would say that Nosferatu is, quite possibly, one of my favorite horror films, anything after the 1950’s is pretty hit or miss for me. Things that “try something different” with the legendary creatures like Hellsing, Vampire Hunter D, I am Legend or even Lost Boys are fairly interesting, but exists as diamonds in the proverbial rough of all of the other vampire stuff. I especially am not a fan of the more “romantic” side of vampire fiction, meaning that anything from Anne Rice novels to True Blood aren’t necessarily bad, but are not my most favorite thing to watch/read/ listen to. So imagine my apprehension when I come face to face with an audio drama that is not only about vampires, but has the word “Twilight” smack dab in the center. If there is anything that I don’t like it’s a story of pre-pubescent love between a vampire werewolf, and a caricature of a high school girl, but I digress.

Doctor Who has tackled vampires before, to varying degrees of success. We have seen things like fairly classical vampires in State of Decay, fish monsters that have fangs in Vampires of Venice, or grotesque mutations with a taste for blood as in Cure of Fenric. I think one of reasons I’m not too enamored with these stories is that they go leagues out of their way to explain common vampire tropes like an aversion to garlic, thirst for blood, and sensitivity to light all with a scientific slant. This has been done so often since 1954’s I am Legend that it almost seems silly at this point; it’s quite similar to how contrived many of the “origin stories” for zombies have become. In the 50’s, Richard Metheson breathed new life into a tired genre by making his vampires somewhat science-based, 60 years later it’s yet another tired cliché. I honestly can handle these mythological creatures, there doesn’t need to be an elaborate background of expositionary dialogue to set everything up.

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In Project: Twilight we find ourselves knee deep in just such a situation, with vampires being explained in a silly way. It appears that the ‘Twilight’ vampires were a form of botched scientific experiment, having been humans (typically prisoners or war wounded) created during the First World War by the Forge, a top secret government initiative to research means by which a superior soldier class might be engineered. So basically, the vampires in this episode are like a messed up version of Captain America.

The reason The Doctor and Evelyn end up coming face to face with this situation is The Doctor’s hunger for what he says is the best Chinese food in all of the galaxy, located in the most unlikely place – a dockside in south-east London. He assures Evelyn that he has sat for dinner with the legendary Kublai Khan, and not had Chinese take-out as good as this restaurant – The Slow Boat. Once they are chowing down on MSG-filled wontons and noodles, they discover the remnants of what can basically be called a “nest” filled with carcasses of brutalized small animals and other refuse. Next thing you know something like a mafia hit appears to happen nearby, and The Doctor and Evelyn are stuck in the middle of another bad situation.

‘Private. Do not enter.’ Oh dear, perhaps I should tell them that’s ancient Gallifreyan for ‘Doctor come on in, have a snoop around.’

We are introduced to the staff of a shady nightclub and casino called Dusk, run by a man named Reggie Mead who is obviously in some sort of organized crime syndicate boss, oh and a vampire. Other characters are varying degrees of likability, but a character name Nimrod stands out the most. he is described as an older man, donning all sort of futuristic vampire hunting technology. He is apparently nearly one-hundred years old, and was a twisted scientist in his past. He was mortally wounded and had to inject himself with the very same serum that created the vampires in the first place, cursing himself to hunt the earth for his own kind. My mind immediately slipped to the Marvel comics character Blade, who was a vampire himself, and yet hunted other vampires.

I liked Project: Twilight for what is was, but it’s not my favorite entry of the Big Finish line. Try as I might, I just have trouble enjoying vampire stories as much as other people and I’m not sure why. I like the inclusion of the shady governmental organization Forge and Nimrod, and hope they show up up again in a later installment. Much like with a few of the New Adventures related Sylvester McCoy dramas, I disliked how gory this episode was. I am not squeamish to this sort of thing, but I don’t see Doctor Who as the prime place for exploding people and vampire torture with added “squishy organ” sound effects. I originally didn’t finish this drama a few years ago because it got silly towards the middle with this stuff, and I was especially burnt out on vampire stuff having worked at a retail store when those Twilight books and films were coming out. On the second listen I’m glad I finished it, and I would say that it’s above average.