Episode 11 of The Tripods was an action-heavy chapter that dealt with the boys resorting to theft to get food while traveling to the White Mountains. The aftermath of said choice was basically the resulting punishment they received. Not only did they have to escape a tribe of murderous “Vagrants” living outside the town, but were apprehended by some Blackguards and put on trial for theft.
They apparently have a semblance of a fair trial, but it seems that the trial itself is more of a ritual than an actual legal proceeding. It seems like it’s a foregone conclusion that they will get capped once a Tripod arrives, and that is even if they are somehow found innocent. Boys of their age simply do not walk around uncapped, it’s uncivilized and terrifying! Our buddy Danielle, the French Blackguard that has been stalking the boys ever since they left the vineyard, shows up and punches holes in their defense. Danielle basically ruins everyone’s day by stating that he knows they are up to no good. he’s no Duc Du Sarlat on the scale of jerkitude, but he’s got to be pretty close.
They are caged, and Danielle volunteers to take him back to his precinct for processing. Suddenly the boys are in a moral dilemma – Henry feels bad that they have to hurt Danielle in order to escape seeing that he is part of the family that took care of them. It comes down to the fact that “it’s either him or us” and the boys attack.
Danielle isn’t killed or anything, but bound, gagged, and stranded in the middle of nowhere locked inside of the cage he trapped the boys in. I liked this scene a lot because Henry had to come to terms with the fact that he probably wasn’t going back to that vineyard, and that Danielle was not their friend and family member.
The rest of this episode is full of some very important information including our very first glimpse at what the true nature of The Tripods is. This kicks off when the boys are traversing an eerie ruined city and stumble onto a Tripod that is guarding it. Somehow they have gone completely undetected, or as beanpole puts it “just like how a fat man cannot see his own feet”.
Pretty soon a plan is concocted to attempt to destroy this Tripod. Henry climbs up a rock face and places a hammer under the foot of the hulking enormity of the machine’s foot. Beanpole then hoists one of the grenades that were plucked from the shopping mall way back in the beginning of the show, and pulls the pin with a rope. The resulting explosion knocks the beast over and a hatch opens on the front face of the Tripod.
Until this very moment we were not exactly sure if the Tripods themselves were sentient robots or if somebody was inside of it piloting. With the hatch opening, the boys get a glimpse of an off-screen face that proves the latter is most likely the case. This is, of course, right before another grenade is hurled into the cockpit rendering the occupant inside nothing more than a thick green slime oozing out of the door.We are not only one step closer to knowing the true nature of the villainous Tripods, but we now know that they can also be killed.
As the episode closes, we see The White Mountains off in the distance, signaling that the first part of the boys’ quest is nearly complete. They aren’t sure what to expect other than the fact that there are probably more like-minded individuals there, and none of them should be capped. Here’s hoping that crazy old coot Ozymandias was right and this whole ordeal wasn’t a wild goose chase.
Last week I discussed how much I loved the location shooting in this show, and this is yet another episode full of great shots. The ruins that the boys walk through were especially eerie, seemingly plucked from a medieval village that was destroyed. I did a bit of research, and it appears that this was actually an old Welsh slate quarry called Diffwys Quarry, that had been abandoned since the 1950’s. I’m not sure how something so recent fell into such disrepair so quickly, but it definitely gave this episode the terrifying post-apocalyptic vibe that it had lost a bit of in all of the pastoral episodes.
Also of note, were the awesome model shots and practical effects especially in the Tripod battle at the end. I’ve seen far more recent films have less realistic scenes of large creatures or machines walking around, and it really goes to show that sometimes models and puppets work better than computer generated effects for some things. My hat goes off to the director, Christopher Barry, and his entire crew.
That’s it for this week, join me again in seven days as discuss the final chapter of season one – Episode 13, The White Mountains! Remember, if you missed any entries for this series and want to read more, go to the front page and click the “Tripods” button.
It’s another week here at An American View of British Science Fiction, and that means another episode of BBC’s 1984 sci-fi fantasy epic The Tripods is going to be talked about! The series was originally a series of young adult novels written by John Christopher, beginning in 1967. The first two were the basis of this science fiction TV series, produced in the United Kingdom in the 1980s.
The story revolves around three boys trying to escape the clutches of a group of huge walking machines referred to as “Tripods” that are keen to mind control every able-bodied person on Earth. Cousins, Will and Henry, are not keen to submit to this and along with a traveling companion called “Beanpole” they are on their way to the mythical “White Mountains” is is said to be free of Tripod control.
It’s been somewhere around one month since Will, Henry, and Beanpole left the safety of a French vineyard for the final push towards their destination – The White Mountains. Starving, and tired from their travels they decide to “hitch a ride” with a merchant to a small French town that appears to be having a festival.
Once there they make a huge mistake by stealing some of the food mostly bread and fruit and dashing for the town’s exit. Unfortunately for them, this place seems to be crawling with Blackguards, the human secret police employed by the Tripods. I’m not sure of our buddy Danielle, who we see has been stalking the boys, led them to our adventurers or if there just happens to be tons of them in the town itself, but one thing is clear – they chose the wrong town to steal from.
The boys make it out of the town and run into the woods, a place that is overrun with Vagrants. These aren’t the sort of people that have been to as “vagrants” that we’ve seen in the show so far. Characters like Ozymandias and Lady Vichot still were what one would call “sane”, they were just overwhelmed with ideas that the rest of the mind-controlled populace were not so keen on.
Then we have these “Forest Vagrants” which seem to be similar to the weak-minded tribes seen in The Mad Max movies. They appear to have been driven completely insane by the “capping” process and live in the woods under the watch of a crudely constructed Tripod made of wood. They seem to revere this “statue” as their god and perform a crude version of a “capping” process to any newcomer that comes into the village.
We never exactly find out where these people came from, but it can be assumed that they are former villagers that have resorted to cannibalism or at least mass murder due to their rejection of the capping. They are smeared in paint, carry crude weapons and talk in a completely indecipherable pidgin language made up of animal noises and grunts.
After a while of playing along with these people, the boys know it’s time to escape and gather their belongings, a fact that upsets many of the high-ranking tribesman. Keep in mind, these do not seem to be peaceful people, seeing that they have human skulls strewn about their campsite, and the boys don’t seem to want to take any chances. Upon leaving the woods, it seems like it’s a case of “out of the pan, and into the fire” as an entire regiment of Blackguards is waiting for them outside the forest. They are to be put on trial and capped as soon as possible.
After the relative slow pace of the last few episodes, this was definitely a more action-packed segment. There really wasn’t much standing around, and as a result I was left really wanting more at the end. I was amazed at the beautiful location shooting for most of the outdoor scenes, especially a scene with the boys walking across a tall stone bridge and many of the scenes near rivers and waterfalls.
Looking online, it doesn’t seem at there was one exotic location they filmed the show at, but a handful of carefully chosen areas in and around the UK. The “bridge” I mentioned (shown above) is Pensford Viaduct, for example. If for any reason, you want to see this location list, it can be found on the Tripods Wikipedia Page.
With another sticky situation to escape from, The next episode should be equally exciting as we get closer and closer to the end of series one of The Tripods. Seeing as there are two seasons of this show, I can almost guarantee the boys don’t get capped in this village, so it’s safe to say they somehow escape!
Join me again, next week, for my episode synopsis and review of episode 12.
As I posted last week, the theatrical release of The Day of The Doctor included two featurettes involving Strax and the “three doctors”. I was saddened to learn that these were not on the DVD / Blu-Ray evidently, but someone has “leaked them to Youtube for us!
Hope Strax doesn’t find out!!
Also, if you missed my 50th Anniversary coverage, here you go:
This weekend is very special to me, as a beloved television show from my youth has hit a milestone that very few shows have or will ever reach – Doctor Who has been on for fifty years. I’m by no means a “new fan”, but there was a time when I lost touch with the show. When I found it again, it helped me get through a rough time and also helped me connect with my wife. For this, Doctor Who isn’t just some dumb TV show that I watch – it’s something that has always been there when I need it. Even if it’s just a form of escapist fun, it’s my favorite form of escapist fun.
One of my earliest childhood memories is that of my mother and I staying up late (at least from my viewpoint) and watching Tom Baker episodes on PBS back in the mid-1980’s. I clearly remember the shocks and scares of one episode in particular, The Hand of Fear. For years I had images of an disembodied mummified hand crawling around a space station murdering people permanently etched into the deepest recesses of my mind. Even into my teens, when I assumed I would never watch the show again, I would have nostalgic thoughts about how much I loved that episode.
Cover of Doctor Who and the Hand of Fear
But then Doctor Who did something that many of my other forgotten childhood gems did not do, it came back into my life.
My wife (then girlfriend) reminded me of the show when we started dating in the early-mid 2000’s. She entered one of the episodes into a “bad movie” marathon that some college friends would do, andI thought”I remember that show!” For some reason, it never occurred to me that they had old episodes on VHS and DVD since at the time only big popular shows would get that treatment. I had just signed up for Netflix to keep my Father’s death off my mind, and found a treasure trove of classic Doctor Who on there.
This was 2004, and I ended up “Googling” the show only to find out that the BBC was producing “new episodes of Doctor Who” in an animated form. I thought “well that’s cool” and watched Richard E. Grant‘s (now) non-canon adventure Scream of the Shalka with excitement. I was hooked. I bought some Target books, BBC books, and other stuff on E-bay, and started ploughing through the DVDs. I signed up for a popular message-board and saw news that blew me away: The BBC was bringing it back….like for real….not a cartoon either….legit.
Scream of the Shalka (Photo credit: Wikipedia)
Flash forward to 2005, and I find myself downloading a “leaked” copy of Rose on Bittorrent. As I recall, I excitedly woke my wife up at some alarming time like 8:00 am on a Saturday (I’m a night owl) and basically forced her to watch it with me. I had secretly found out about it the night before, and wanted to surprise her. It was like Christmas morning for a small child, I simply could not wait any longer to dig into my presents. The leak of Rose, The very first Christopher Eccleston episode of the show, was one of those things that I suspect everyone on that forum did secretly, then pretended they did not online. I have no regrets for doing it as I ended up getting even more excited for the show’s return, and downloaded all the rest of the episodes.
This was back when BBC America was essentially a home and gardening channel and had no interest in the show, The Sci-fi channel blatantly said they “would never air it” and a simulcast was practically hysterical to think about. The American Doctor Who fan of 2005 was an internet pirate by necessity. Little by little, the show got more popular. “word of mouth” spread it like wildfire, and I sometimes felt like a drug dealer with it. Word got out that I had the episodes, and ended up burning terrible VCD and CD ROM copies for people. I turned a handful of my own friends into fans, something that I never expected to do. People that had never even heard of the show were getting into it, eventually The Sci-fi channel did pick it up for one season.
Seven years have passed, and the show is one of the more popular genre shows on TV here in America. There is a new generation of fans latching onto it, and although some may not know much about the classic show, new fans are a great thing. Fifty years is a long time. Granted, there was a hiatus in there, but even then the property still consists of over 33 seasons, TV and theatrical movies, multiple spin-offs, hundreds of audio dramas, hundreds of books, and much more.
Doctor Who (Photo credit: Doctor Who Spoilers)
My wife and I will be attending a theatrical showing of the anniversary special The Day of The Doctor in wondrous 3D on Monday, meaning that I will try to avoid the fansites and such for a few days. To tide us over, we will be watching multiple other Doctor Who related programming all weekend, most notably An Adventure in Space and Time, the awesome looking docu-drama produced by the BBC starring David Bradley. Expect me to bombard this blog with 50th anniversary posts all week!
An easy guide on how to watch all this stuff I keep yammering on about!
We live in a very interesting time for entertainment consumers. Gone are the days of only having a small selection of television channels to watch on any given day. First, the home video and DVD markets opened the floodgates on older and far more obscure programming to watch. This was followed by internet streaming services such as Netflix, Hulu, and those dreaded Peer to Peer and bittorrent clients. No longer is the consumer shackled to the whims of a TV executive or commercial entity. For the most part, barriers are falling and e can watch what we want, when we want,how we want.
This blog covers one particular type of media – UK science fiction and other “genre” programming. A lot of the stuff I cover is readily available to Americans on pay services or home video releases, but what I want to do is give a general overview on how I watch all this stuff. Don’t fret if you are a reader that doesn’t live in the U.S., most of these tips can help you out as well no matter what country you live in.
As many science fiction fans may have noticed – shows licensed from UK companies such as Doctor Whocost about twice or even three times more than most U.S. television shows. This can be particularly bad if you are on a budget and don’t want to break the bank. Yes, a few of these shows are available on Netflix (e.g.Red Dwarf, Doctor Who, and Day of the Triffids) but some shows that I plan on eventually getting such as the Tripods or Blakes 7 will probably never come out here or be released on a streaming device. You can obviously download things and burn them, or watch programs on your computer, but if you are like me, this choice is never as good as watching a good quality image whilst sitting in a comfy chair. This is where region-free DVD players some in.
this is what happens when you try to play a disk on the wrong player (Photo credit: williac)
So what are DVD regions? They are an archaic policy adopted by home media companies decades ago to promote policies such as price discrimination, disallow reverse importation, and control costs with staggered release dates. For example, in America a company can get away with selling a seven year old season of Doctor Who for around $79.99 due to the niche market and limited exposure. In the United Kingdom this would be ludicrous, and as such, it is much cheaper. Anyone in their right mind, when confronted with such a price difference, would just order these DVDs from England. This is what they are trying to stop. America is called “region 1” and the UK is “region 2” so neither can easily watch each others home media very easily. If you pop a foreign DVD into your personal DVD player it will have an error message, this is the same with personal computers,game systems and just about everything else that would make you happy. Here are maps of the DVD regions and Blu-Ray regions.
DVD RegionsBlu-Ray Regions
My recommendation to anyone that may decide to watch some harder to find UK shows is to do one of the following two things:
Region-Free DVD Players are big business in some countries(Photo credit: Hikosaemon)
1) Cheap Method: It’s a little known secret that most, if not all cheap Chinese-made DVD players are actually region-free, and have their region locks installed via software within the factory. In the past I used to get DVD players from Digix or Coby for around 20-30 dollars. These players were pretty crappy for the most part, and honestly aren’t worth it unless you can’t swing what I will post on option 2. I remember having this one particular model of Coby DVD player that would work fine until around the six month mark, *boom* – broken. The trick to using one of these is to do a little research. Websites like DVD Helphave listings of DVD players and whether they can be region hacked or not. Most of these are simple to hack, as a numerical code on the DVD remote usually does the trick.
2) Best Method – depending on how much one wants to spend, visiting a site like Region Free DVDis the best option. Tired of dealing with cheap players, I plunked down 100 dollars for a Toshiba regionless HDMI up-scaling DVD player, and will never look back. Not only is the picture better in just about every way, but the player itself is tailored for wide screen TVs and widescreen media, like most UK TV.
The reason I recommend getting one of these players is pretty self explanatory with the numbers. Here are the prices and availability of one show Life on Mars, and its spin-off/sequel Ashes to Ashes.
Total $80.00 for 5 seasons, all episodes complete, there are also combo packs of all three Ashes to Ashes seasons, and both Life on Mars seasons that could bring the price down even more.
And now you can see why I do this, and shipping isn’t bad either – maybe 8 bucks for most DVD orders to reach the U.S. If you don’t care to get a new DVD or Blu-Ray player, there are also computer programs that disable region codes on PCs. Technically you can watch foreign DVDs on there as it does allow for a VERY limited amount of region swaps, but be careful. If you keep switching regions, it will eventually permanently lock into one. Most computers can be toggled around six times before this happens.
But lets say you don’t care about actually owning these shows, is there a way to watch these on TV or on your computer? Why yes there is!
Cable TV Alternatives
Image via CrunchBase
There are three major streaming services in the U.S.: Netflix, Hulu, and Amazon Prime. These three companies have become my lifeline lately, as I decided to “cut the cord” a few years back, and drop my cable subscription. Needless extra channels and ever-increasing prices were getting to be a headache,and I’m glad there was an alternative to cable and satellite. While there is a bit of cross-over, all three companies have their strengths and weaknesses in price and availability. In a general sense, Netflix is better for movies, Hulu is better for TV, and Amazon Prime is like a weird cousin of both – having VERY popular TV shows and movies, but less of them.
Hulu (Photo credit: Evan Hamilton)
Netflix gets big props for having licenses for some of the bigger shows like Doctor Who and Top gear. With the latter, they even have all of the 20+ seasons (minus the first) all ready to marathon. Hulu has been bringing quite a few UK comedies and dramas over as “Hulu Exclusives” such as Rev. and Whites as of late. Other shows like Moone Boy, Misfits, and Pramface have been getting quite a bit of traction on there as well, bringing what could be considered “more obscure” shows to a new audience. Amazon Prime is the oddity here. They have some huge shows like Downton Abbey and things like Sarah Jane Adventures as well as next day purchase options for the NEW episodes of big shows. This year, I spent 2 bucks a pop for Doctor Who series 7, something that I could have pirated, but chose not to.
Considering that my monthly cable bill used to run some $120, these companies are awesome. Hulu is $7.99 per month, as is Netflix, and Amazon Prime is $79.99 yearly. There are other perks for the Amazon subscription including free two day shipping on everything, so if you are a heavy Amazon user, I don’t know why you wouldn’t use this service.
Public Broadcasting Service (Photo credit: Wikipedia)
Kickin’ it Oldschool
For our penultimate section I decided to bring up regular old TV, whether it be network, cable, or satellite. This is not my preferred method of watching UK TV, but it will definitely do in a pinch. For years, the Public Broadcasting Service has helped many an Anglophile get their fix. I grew up watching comedies like Keeping Up Appearances, Mr. Bean, and Monty Python just to name a few. My local PBS station still runs a Saturday block of UK TV all sponsored by some very passionate fans. Some of the videotapes they use look pretty bad now, but if you haven’t seen the show digitally remastered you will be none-the-wiser. Some PBS stations even run shows like Doctor Who and Red Dwarf, so keep an eye on the schedule. Outside of that, cable providers have a decent amount of UK TV, especially if you have BBC America on your cable plan. The problem with “regular TV” is that most US TV execs love to remake everything that is popular rather than airing the original.
“By other means”
I won’t lie, I sometimes obtain TV episodes from the internet. Whether it be a bit-torrent client or YouTube,if one is internet savvy enough pretty much anything is obtainable online. For older shows that are out of print on DVD and impossible to legally obtain over here, I have ventured onto torrent sites quite often. be warned, this is NOT legal at worst and kind of a gray area at best, and could land you in trouble. I would never download a Hollywood film or adult film using these sorts of programs, as shady litigation “honey pots” are out there to tempt people into breaking the law. Another option is using proxy servers or streaming sites to access UK-only TV providers. I haven’t really dabbled with this, and have no real opinion on the use of these programs or the results.
So there you go fellow anglophiles, I hope this helps you navigate the wondrous world of British television much easier, and gives you some new stuff to watch. If you have any questions on show availability, or tips on how to watch something, please feel free to ask, as I may be able to help.
(a.k.a Season 1 Episode 2, this show has bland episode names doesn’t it?)
When we last left Will and Henry, the boys were disgusted by a “capping ceremony” for a former friend named Jack. At a certain age, all boys are expected to give up frivolous things like creativity and adventure and submit to the life that the ominous Tripods have set out for them. This usually includes working in a hard labor camp, mine, factory or even helping the Tripods directly. The boys leave a goodbye note to their family and rush out to meet with Ozymandias, a supposed Vagrant they just met. He tells them of a path to a port city and a way to the European mainland. A man named Captain Curtis is known to freely transport runaways on their quest to the White Mountains, and is said to be just like Ozymandias in that he also has a false cap and can think for himself. Needless to say, things don’t go as planned and Captain Curtis isn’t the nice guy that they thought he’d be. He’s not evil or anything, he just doesn’t like the fact that two snot-nosed kids are on his ship expecting him to give them money and such.
I mentioned the nature of the Vagrants a bit in my last review, but did not elaborate on what makes Ozymandias stand out in comparison. In the books by John Christopher, it is revealed that “cappings” don’t always go well. This can be expected, seeing as they are placing a brain washing device directly on a person’s skull. Roughly five percent of people that get capped are driven insane, becoming Vagrants. The Tripods can even make someone into a Vagrant on purpose if it fits their needs in dealing with a potential “problem person.” Vagrants range in intellect and self-sustainability, but usually lie somewhere between a really disturbed person unable to care for themselves and on lesser cases, a medieval village idiot. Ozymandias is nothing like this; the man is well spoken, seems to have all his mental faculties in place, and knows how to think for himself. He claims to have a false cap on his scalp, a precaution to fool everyone into thinking he’s just as idiotic as the other Vagrants. Running off with the man, seems like a terribly stupid idea to the boys, but they know it could be their last chance to avoid being capped, and to live free.
I really love the theme of this show, as it is basically in a similar vein to other works that espouse a need to think for one’s self and reject norms that society puts in place. On an innocent level, The Tripods can be compared to Peter Pan, as bot Will and Henry are definitely resisting “growing up” in order to live free and have adventure in their lives. One can see that this whole set up is a reaction to what happens to most people when they move into adulthood. We all give up dreams of being astronauts and princesses, and submit to 9 to 5 jobs that many of us don’t enjoy. While I don’t think many have a fifty foot tall monster as a supervisor, the allusion still stands.
Like the first episode, the second is mostly more dialog and set-up, but has a tad more action as a whole. As the boys leave the village, they are embarking on a Tolkien-esque quest in no-mans-land; and just like a group of weary Hobbits, our boys have no experience dealing with the outside world. With search parties looking for them and Ozymandias getting severely injured, things start to unravel. Ozymandias laid out a “easy” quest for them, one that almost immediately goes wrong as they are seemingly “shanghaied” onto the wrong boat. This of course is just the first in many problems that plague these guys.
Once again The Tripods Delivers awesome sci-fi action that keeps you on the edge of your seat, and makes you wanting more due to the cliffhanger endings, a similar trope used in Doctor Who to great effect.
How to watch this at your house:
For whatever reason, The Tripods was never released in the United States or Canada on home media. I assume that this boils down to Disney “squatting” on the rights to making a feature film based on the license. Disney has a habit of blocking DVD releases of things until it suits them monetarily (see Tron on DVD prior to the release of the second film). If they had been released, I could have recommended you guys just ordering this on Amazon, but a tad more creativity is needed if you want to watch this show over here. If you have a region-free DVD player, you could always import the show from the UK; make sure you read my guide to region-free DVD players for more info on importing home media to the U.S. If you’d rather not deal with things like international shipping, I did find a seller with the import in America, but one still needs the special player to run the disks”
The Tripods first came to my attention a few years ago when I stumbled upon a picture of one of the titular crafts in some sort of memorabilia magazine full of garage model kits. As I recall, I had no idea that there was some sort of “sequel” to H.G. Wells’ The War of the Worlds, and wondered why I had never heard of it. I was, of course, mistaken as the concept of these three-legged walking crafts is merely inspired by those similar Martian crafts, and have no relation otherwise. The Tripods was actually a series of “young reader” novels penned by John Christopher in the late 1960’s to the early 1980’s. The series was a success and was eventually adapted into the very television show that we’re talking about today. The production was a joint venture between the BBC and the Australian Seven network, and lasted two seasons. Sadly a third season died before it went into production.
The Tripods is immediately unsettling based solely on the setting alone. The juxtaposition of the words “A village in England: July, 2089 AD” and the primitive, somewhat pastoral, village setting we see right from the get-go sets up what I will be calling “The Reverse Shyamalan”- we have already seen the twist, let’s find out why it happened. We know that something isn’t right: either these people are some sort of Anabaptist off-shoot that hates technology, or something bad has happened in the past. This is answered almost immediately as we meet the main characters on their way to a village celebration. It seems that a neighborhood boy has reached the age at which everyone is considered an adult, and is to have his “capping ceremony”.
Will and his cousin Henry are disturbed by this practice as everyone that gets “capped” comes back different. Capped individuals seem to lose any sort of creativity, drive, and imagination that made them who they were . “Adults” become bland worker drones that want no other past time than work and singing the praise of their “masters”. These masters are of course gigantic three legged monstrosities called “Tripods” and the Capping Ceremony can be surmised as a way of them controlling humans. At this point we have no idea what these creatures are or what they want with the human race, but one can see that it isn’t good.
Will strikes up a conversation with an eccentric “vagrant” named Ozymandias that talks of a land of free men in the White Mountains, a land outside of the influence of the tripods. Vagrants are those that are seen as harmless by the Tripods and regular capped townspeople, but are not allowed to mingle with everyone else. Usually it is accepted that these people were “driven mad” by the capping process and are better to be not spoken about. Will is amazed by what Ozymandias has to say, and plans to escape to the European mainland to find this utopia of freedom.
As with many BBC science fiction productions of the time, the special effects are dated to the eighties. The hairstyles, clothes, and even set designs are very much reminiscent of other TV productions I have seen from the time. This show does appear to have a better budget than something like classic Doctor Who, in that there are location shots, outdoor scenes, and other evidence that the whole thing wasn’t just locked into a dark studio in an industrial park somewhere. The tripods themselves are done with miniatures and puppets; these look great to me and would have been poorly done had contemporary computer generated effects come into play. I sometimes look at late eighties Doctor Who and cringe at some of the special effects. For me this eighties vibe adds to the charm, and there really isn’t anything that makes it so dated that it’s hard to watch – something that is hard to say about a handful of older U.S. productions that haven’t held up. I recall renting the TV series to the landmark miniseries V, and barely making it through the season. I think a lot of it has to do with the fact that the boys are walking around in a post-apocalyptic world that had a vaguely referenced bad thing happen in the past. If you see them find some blatantly eighties clothes in an abandoned storefront, as we see in a later episode it makes sense because humanity has regressed to something like pre-industrialized England or a reasonable facsimile thereof.
One thing that immediately caught me was the musical score as done by Ken Freeman. He is notable for being behind the synthesizer parts of the legendary rock opera version of The War of the Worlds by Jeff Wayne.Freeman did a great job of creating a solid synthesizer-based soundtrack for the series; one that is neither overpowering nor too minimalist. I always had problems with eighties shows being accompanied by either disco music (which immediately dates it) or music that sounds like a cat running across a piano to emphasize action. Here is a video of the opening theme to give you an idea of the kind of music I’m talking about. While the show hasn’t had as much exposure, I liken this to equally catchy and iconic theme songs such as The A-Team, Airworlf, and Doctor Who.
The Tripods is a solid show, and has captivated both my wife and I all this week. Perhaps it is my love for these sort of post-apocalyptic stories that has led me to such enjoyment, but I feel any science fiction fan should enjoy it unless they are adverse to seeing the eighties. The Tripods is one of those shows that keeps you on the edge of your seat; whether it be the unraveling mystery of what happened before 2089, or the constant cliffhanger endings,I was always entertained.
How to watch this at your house:
For whatever reason, The Tripods was never released in the United States or Canada on home media. I assume that this boils down to Disney “squatting” on the rights to making a feature film based on the license. Disney has a habit of blocking DVD releases of things until it suits them monetarily (see Tron on DVD prior to the release of the second film). If they had been released, I could have recommended you guys just ordering this on Amazon, but a tad more creativity is needed if you want to watch this show over here. If you have a region-free DVD player, you could always import the show from the UK; make sure you read my guide to region-free DVD players for more info on importing home media to the U.S. If you’d rather not deal with things like international shipping, I did find a seller with the import in America, but one still needs the special player to run the disks”
Having enjoyed the 1981 BBC miniseries for The Day of the Triffids (review of that here),I jumped at the prospect of watching a newer take on the story. At some point I really need to get the books and dig into the original stories; but with my limited time as of late I have to settle for movies. The 1981 TV miniseries was fairly iconic, in that parts of it were used an inspiration for the film 28 days Later, especially the opening hospital scene. The one thing that really drew me to this show was the inclusion of a handful of actors that I really like – Eddie Izzard, Dougray Scott, and Brian Cox. These guys are usually in larger productions, and it was cool to see them here. Izzard and Scott are especially awesome actors in this film, basically carrying the production. With a bigger budget, a great cast, and modern special effects, one would hope that a new take on the story would be truly exciting and a feast for the eyes; luckily it is for about half the time.
Despite a few changes for the sake of modernity, and adding a more “cinematic” feel, a lot of the story in part one stays largely the same. Bill Masen (Dougray Scott) is a scientist that studies Triffids on a Triffid farm – an area where an odd species of plant is harvested to make a type of fuel that has made fossil fuels obsolete. This comes at a cost, however, as Triffids are very dangerous to work with. Bill knows this all too well, as we see the death of his mother at the leafy hands of these creatures in the opening moments of the film. Bill is stung early on by one of these guys, and spends a while in the hospital with his eyes taped up. Luckily for him (as his eyes are covered), a crazy solar storm happens that knocks out power and makes much of the populace blind (those who were watching the storm), and helps cause a post-apocalyptic Triffid-running-amok scenario. He is joined by a BBC television reporter named Jo (Joely Richarson), a con-man (Eddie Izzard), and a few others as they try to survive the ordeal.
In the original, the bright lights that blinded everyone were the result of a meteor shower, so changing it wasn’t too much of a change at all and somehow seems more realistic. This inclusion also helps tap into the zany 2012 theorist wet-dream that we are going to be hit with a large EMP/solar wave that will destroy the Earth this year.
While I feel that our films and other media are largely getting over-saturated with zombie apocalypse stuff, Day of the Triffids puts a new spin on this trope. Instead of the horror of mindless masses of flesh eating monsters running around, we have a situation where most of the world has been rendered blind resulting in a writhing mass of humanity trying to stay alive when the more predatory folks out there try to take advantage of the situation. These people aren’t zombies, but are fueled by pure hysteria and helplessness. In many instances, when someone finds out that someone else can still see, they try to harm them or force them into a situation where they are now these people’s eyes. The hysteria causes many a massacre with policemen firing on civilians trying to get to safety, people getting trampled, and the weak (children and elderly) getting lost in the shuffle.
With everyone on Earth subdued, suddenly we are at the bottom of the totem pole with Triffids suddenly at the top. There are ten million of them out there on various farms, and they are hungry for human flesh. This is especially made more shocking when we find out that these monsters are most-likely intelligent and seem to communicate to each other.
My main concern going into this film was that the production staff would somehow mess up the design of the Triffids themselves. Granted, the 1981 series depicted them as slow bell-shaped pitcher plants made out of fiberglass. Since these guys could “walk” the 80’s take would scoot around on the ground ever so slowly. It seemed that as long as people could take them out within about three feet or so, and keep from being over-run, everything might be cool. This time around, the Triffids have long tentacle-like appendages that can go great distances and sting anyone capable of doing them harm. Rather than a three foot radius, these new stingers are truly terrifying and could come out of nowhere. In the first part we gradually see the Triffids, but in very small doses. They stay in the shadows for the majority of the film, making them a bit scarier despite the silly premise of the creature (sentient walking plants). When we do finally see them, they are pretty well done special effects-wise.
After all the praise for story and acting, there has got to be a few bad apples in the bushel. Some of the CGI effects in this movie are questionable at best. Towards the beginning of part one, we see a multitude of news reports rolling in, talking about an impending solar storm hitting the Earth. For some reason we see these news reporters standing in front of obvious green screen backdrops of swirly sun energy in the sky, the effect it so bad that I cringed a bit. In an era where one can see even the cheapest of TV shows implement some sort of competent computer effects, it makes this stand out even more. This isn’t to say that it all looks bad; some of the cinematography and effect shots are quite impressive for a TV miniseries –bordering on Hollywood caliber. Scenes like one in which an airplane crashes into a busy city-scape after the EMP hits are quite scary and very well-done. One can definitely see where the money went, I just wish there was more consistency.
In the first of two parts, we also see the ugliness of heavy-handed preachy dialog starting to roll in. Bill talks about global warming, fuel consumption, and other ills that we are currently dealing with at this time. I’m really worried that the production will suddenly turn into a PSA for the environment or something that wasn’t intended in the original story. This sort of thing makes sense in a film like The Lorax, which was based on a book about the ailing environment. Subtlety can be great with messages in movies, but when overdone you can end up with something like October Baby, which was more message than film.
Aside from a few wonky solar flares, I really enjoyed part one of Day of The Triffids, and am confused by all the bad press this movie got. Looking at Amazon.com’s listing for this DVD, one comes away with the impression that Ed Wood had directed it. Maybe I’m easy to please, or maybe the whole thing goes awry in part two; all I know is that this first episode is well worth a watch for fans of the original 1981 miniseries and sci-fi fans as a whole.
I recently had the pleasure of picking up a ton of Pertwee era Doctor Who episodes via a sale Columbia House was running. Well I guess it wasn’t really my choice, as I nearly let my subscription lapse, but I was going to go for these anyway. Last week I did a write-up for Invasion of the Dinosaurs, and this week I’ll be taking a look at the two parts of the “Dalek War” boxed set. First up we have Frontier in Space, starring he Doctor as played by Jon Pertwee, Jo Grant played by Katy Manning, and The Master portrayed by Roger Delgado.
The Master has been a Doctor Who character that I both love and hate at different times. Sometimes he can be pretty lousy, relying on unrealistic plans reminiscent of your typical Saturday morning cartoon villain. Just like any incompetent James Bond villain, he tells the Doctor his plan, leaves him in a deadly situation, then leaves just enough time to be foiled ten minutes later. Occasionally, we do get the other side of the master, the one that’s actually good.
Frontier in Space doesn’t have the bombastic silliness of the 1980’s Master, but a character that seems to be actually evil, even realistically evil. In the real world, there are very few crazed dictators bent on world domination, but there are a lot of bad people out there. Take war profiteers for instance; any listen to world news lately shows that there is a growing industry for people to go down to Africa and help cause civil unrest. The worse the situation, the more these people can make in bribes, weapon sales, and any other illicit activity. These are the true evil folks in the world – and this is the exact archetype the Master fills in this Doctor Who story.
Rather than being the “main villain” in Frontier in space The Master exists as an agent egging on the two warring sides – The Humans and the Draconians. He uses a hypnosis device to cause confusion as to whether both sides are disregarding a peace pact and starting acts of war. Reports have come in that various ships are being ransacked in a de-militarized zone. In fact, neither the Draconians nor Humans are doing any of this, as it is really a third race, the Orgons doing all the bad deeds. As one can immediately tell, this plot has more to do with a political thriller than your typical epic war episode of today. The plot relies very much on diplomatic dialog between the leaders of all groups, and how they mistrust each other.
Remember that scene where the Doctor got captured? Which one?
Sadly, this isn’t a great episode for the Doctor and Jo, as they spend basically the whole time being locked up in some way. First they materialize on an Earth based spaceship, and are immediately thought to be Draconian spies. They break out and are put back into holding countless times from then on, thus making this episode slightly boring for the most part. While I enjoy having The Master have some intelligent maneuvering in the foreground, I would have liked the Doctor in a less vulnerable position for these six episodes. That’s another problem – six episodes is a bit too much, and seems to have padded out the episode. Had it been a “four-parter”, I think I would have been more engaged in all the arrests and imprisonments.
Any quibbles I might have with the actual serial are definitely outweighed by the great special features held within. This DVD contains the third Doctor iteration of a recurring DVD feature called “Stripped for Action” where they look at the Doctor Who related comic books of the time. Also included is a solid “making of” feature, and one almost unwatchable piece called “Perfect Scenario: Lost Frontier”. This “mockumentary” is designed to resemble a futuristic TV magazine program talking about the episode. Why people, hundreds of years in the future, would be concerned with an ancient TV program to better understand their time is beyond me and really pushes this to absurd levels. This unnecessary bookending makes this feature VERY campy, and ruins any credibility it could have had without all the fluff. I hated when it started talking about 70’s fashion pretending to be from the future, the irony being that this very documentary was doing the same thing that was being ridiculed. I’m not sure if this has been on any other DVDs, or is planned for future ones, but I’ll be skipping it for now on if I run across it!
I can't wait until we dress like this in the future!
Finally, This DVD has some material on Roger Delgado that makes the package. In my opinion, there has been no match whatsoever for Roger Delgado as The Master in the entire run of Doctor Who ever since his untimely death in 1973. Ainley was decent in the role, but relied too much on over the top “mustache twirling”, John Simm had a similar problem with his portrayal, and Eric Roberts….let’s just forget about Eric Roberts, as he definitely doesn’t hold a candle to Delgado! This DVD stands as a sort of memorial to him, as this was sadly his final episode as he died in a car crash whilst filming a feature film in Turkey. Before I even started the DVD, I made sure I switched on “The Master”, one of the special features included on the disk.
The documentary includes a sit-down interview with his wife and other people close to Roger and really paints him as the exact opposite of his on-screen persona. I know this is a cliché whilst doing documentaries for deceased actors that played villains, but it’s nice to see how Delgado acted out in public, and adds to the sadness that he passed on the top of his game.
While the story was a bit padded for my tastes, this is still a solid DVD to own, and I’m really excited to see the second part of the set, Planet of the Daleks.
“Where is everyone? The third Doctor (Jon Pertwee) and Sarah Jane (Elisabeth Sladen) find London nearly deserted after dinosaurs return to terrorize the earth. Racing against time, the Doctor unmasks top-level conspirators, just before they kidnap Sarah Jane.”
For years I’d heard that Invasion of the Dinosaurs was nearly unwatchable by quite a few people; usually because of the special effects. The CSO (green screen) effects are often cited as being atrocious, the dinosaurs are said to be bad sock puppets, and the whole thing is always shrugged off as a total mess. I only recently got to watch this story on DVD and I have to say – it’s not that bad. In fact, I think it may be one of my favorite Pertwee era stories! I think this serial may be the victim of the often misguided fan smear effect. If enough fans figuratively crap on something, enough to where it gets said to be “the worst..” of anything, many folks go into it with all kinds of baggage that keeps them from liking it.
I know that I may be in the minority of fans, in that I hadn’t seen this episode prior to it entering my DVD tray, but the special effects didn’t bother me at all. In fact I’ve seen much worse in later 1980’s episodes; ones that are lauded in a total opposite way that Invasion of the Dinosaurs is shot down. I’ll agree that the puppets of the dinosaurs aren’t anything special, but the creatures themselves aren’t even the focus of the show. In fact, they are barely in it for their name to be so prominently placed in the title!
The reasons in which I like this serial are many, and it all begins with the general mood within. When the Doctor and Sarah Jane arrive in London, presumably to drop Sarah Jane off, they soon realize that something is amiss. The streets are vacant, debris is strewn about, and there seems to be a great military presence. They soon find out that martial law has been declared, and they end up on the wrong side of it. Being a huge fan of post-apocalyptic stories, I loved the scenes involving the deserted London. The fact that the director woke up at 4AM to film these scenes (illegally!) was a great thing to find out about in the special features, and this detail really sets the scene for the story. In my reviews for Survivors, I talked about the disturbing sense one gets when they see such a sight, especially if there is a noticeable landmark in it. This worked in Survivors, Day of the Triffids, I am Legend, and many other bits on film and TV to the same effect – isolation, desperation, and terror.
We also have U.N.I.T. playing a prominent role; including a furthering of the “fall from Grace” that we have been slowly witnessing Yates succumb to. It was cool to see The Brigadier in a role as a “politician” of sorts instead of the “Doctor’s yes man” that he appears to be in some other stories. The way he deals with General Finch is nothing sort of great. At first he goes along with his superior, assuming that he knows what is right, only to discover that the Doctor was right all along. We get to see the rare “badass brig” in this situation, and it is truly awesome. U.N.I.T. combined with Sarah Jane is basically one of my favorite “companion teams” and I truly enjoy them all when they appear.
Since this is really Sarah Jane’s real episode as a “companion”, it was good to see her get a good portion of the episode to do her own thing. Her side-story involves the second half of a zany conspiracy the bad guys are hatching that involves opening holes in time (where the dinosaurs are coming from) and bringing back a “golden age” to which a group of “astronauts” are involved. Since Sarah Jane does her job of snooping around a bit too well, she finds herself kidnapped and placed with these “astronauts” onboard a spaceship that will help start this new “golden age”. These two stories seem not to fit together, but are the two complimentary halves to the overall bad-guy plan going on, and it’s nice to see a story with enough room to flesh it completely out.
Overall, I loved this story, and felt the DVD is a nice package. It comes packed with a nice offering of special features including one about Sarah Jane, one about the special effects, one showing deleted scenes, and your typical “then and now” stuff. Aside from this, the DVD also has commentary track, but I’m not really into listening to those to be honest. Despite a bit of mediocre color restoration on episode one, This DVD is a solid package, and a great addition to any collection. That is unless one is too immature for bad CSO and sloppy Dino-puppets.
As many science fiction fans may have noticed – shows licensed from the BBC such as Doctor Who cost about twice or even three times more than most U.S. television shows. This can be particularly bad if you are on a budget and don’t want to break the bank. Yes, a few of these shows are available on Netflix (e.g. Red Dwarf, Doctor Who, and Day of the Triffids) but some shows that I plan on eventually getting such as the Tripods or Blakes 7 will probably never come out here or be released on a streaming device. You can obviously download things and burn them or watch programs on your computer, but if you are like me, this choice is never as good as watching a good quality image whilst sitting in a comfy chair. This is where region-free DVD players some in.
My recommendation to anyone that may decide to watch some harder to find UK shows is to do one of the following two things:
1) Cheap Method: It’s a little known secret that most, if not all cheap Chinese DVD players are actually region-free, and have their region locked installed via software within the factory. In the past I used to get DVD players from Digix or Coby for around 20-30 dollars. These players were pretty crappy for the most part, and honestly aren’t worth it unless you can’t swing what I will post on option 2. I remember having this one particular model of Coby DVD player that would work fine until around the six month mark, *boom* – broken. The trick to using one of these is to do a little research. Websites like DVD Help have listings of DVD players and whether they can be region hacked or not. Most of these are simple to hack, as a numerical code on the DVD remote usually does the trick.
2) Best Method – depending on how much one wants to spend, visiting a site like Region Free DVD is the best option. Tired of dealing with cheap players, I plunked down 100 dollars for a Toshiba regionless HDMI up-scaling DVD player, and will never look back. Not only is the picture better in just about every way, but the player itself is tailored for wide screen TVs and widescreen media, like most UK TV.
The reason I recommend getting one of these players is pretty self explanatory with the numbers. Here are the prices and availability of one show Life on Mars, and its spin-off/sequel Ashes to Ashes.
Your home base for engaging literary exploration through pop culture. If you have a literary device you're having trouble with, you've come to the right place!
Of course there are also “other means”, but I’ll leave that up to you guys! If books are more your speed, there are four in the Tripods series:
