Doctor Who Season 7 Postmortem

Note: Much like my review of the season 7b finale, this contains spoilers, but why would you be reading this anyway if you haven’t seen it!

So there we have it folks, another season of Doctor Who has finally reached its resting place in The Fields of Trenzalore, and all we have left is the horrible fact that we have to wait months for the 50th anniversary special. This season has had its ups and downs, but it all came together in the end to pave the way for the biggest celebration for science fiction fans all year. I have decided to count both halves of season seven as one for the purposes of this write up as I generally dislike the whole “7a and 7b” stuff. Not being a fan of split seasons is rough when every show seems to be either doing it these days. I will touch on this sort of thing later, for now let’s get on with my analysis of the season. Was it successful? Was it good? What can we look forward to in the 50th anniversary? All of these questions should be answered.

Before we talk about season seven, let’s peer back into the long off time of 2011 and what happened in season six. When we left The Doctor in season six, he had just foiled the plans of a religious order hell-bent on his own destruction. It seems that “The Silence”, the name given to this group, are some of the most comically inept villains in the history of Doctor Who. I say this because they not only botched their own plan no less than three times, but have unintentionally caused the demise of existence a few times as well; all in the name of saving everything from The Doctor! When we first saw them, they had orchestrated a convoluted plot to destroy the Tardis and kill The Doctor resulting in the fragmentation of time itself and the collapse of the universe.

Plan B seemed to involve the creation of River Song, a being designed to kill The Doctor; shame that The Doctor faked his own death. So why were they after him? It seems that they wanted him to never venture to a time traveler graveyard called the Fields of Trenzalore, as his name could destroy the Universe –  the very plot of the finale for series seven. If we have really grasped the intentions of “The Silence”, it seems that they were not the villains at all, but went about saving the universe in utterly horrible ways. That is assuming we won’t have a big change-up next year, something Moffat could easily do to mess with us. My hope is that this will be addressed to show their fear of the “John Hurt Doctor” a mysterious possible incarnation of The Doctor, we briefly saw at the end of The Name of The Doctor. Perhaps, he is why all the aliens tried to trap The Doctor in the Pandorica? Maybe he is the nemesis of the Silence? I hope this isn’t left hanging in the end.

28r2j5j

From my thrown together synopsis up there, one can gather that series six was very complex and existed as one long storyline from episode to episode. I liked season six, but was not a fan of the slow burn, almost Lost-like nature of the season. I still think it created far more questions than it answered and left the fans with a truckload of presumed plot holes that have been speculated on for years now. I was excited to see the focus shift to a more “one-shot” styled season, a decision that was really hyped up prior to the transmission of Asylum of the Daleks. In a long interview for BBC America, Karen Gillan laid out the nature of the series pretty well:

“This season has been done in a really interesting way with five standalone epic episodes, like a movie a week, all building to the departure of the Ponds! We actually kick-off the season with Amy and Rory’s relationship in a sticky situation; it is less than marital bliss. Those scenes were really interesting to do, she explains, because they created such a different on-screen atmosphere between Amy and Rory, something that the viewers wouldn’t have seen before. That is the good thing about Doctor Who, it gives you the chance to shift the character, and you never know what is going to happen from episode to episode.”

Granted, that synopsis is for the first half of season seven, but the general tone was kept the entire time. Some of the stories would have benefited from either a longer timeslot or a second part, but I don’t think any of them were truly harmed by not being like that.

snowmen-lady-vastra-strax-jenny

I mentioned earlier that I hate the new television fad of splitting seasons in half in order to create a ratings boost in the middle of a show’s run. Fans hate it, but networks have to do it nowadays to cling to their old ratings models and get advertising revenue. I could rant about how times are changing, but that’s a topic for another day. There are many good reasons to split seasons. Not only can companies sell half DVD sets and make a tiny bit more money (ex: two 50 dollar sets as opposed to one 75 dollar one), but they can also save money on production, and I feel this is what hurt Doctor Who this year. With huge BBC budget cuts hacking apart their usual expenditures, big shows like Doctor Who had to find some way to avoid a long hiatus or lackluster special effects due to a low budget, and it seemed a split was the best idea. Granted, everyone involved is highly in demand and wanted to work on other projects, so the split season idea seemed to benefit everyone. I’d rather deal with it than to loose Matt Smith of Steven Moffat to other commitments.

That wasn’t the only problem that occurred during season seven behind the scenes. There for a while it seemed like a revolving door of new executive producers was constantly spinning. There has been no reason to believe that anything bad is going on in the shadows, but having people like Piers Wenger and Beth Willis leave after such a short time had to be hard to deal with. Next Caroline skinner left amidst rumors of some sort of backstage fallout between herself and Moffat. She had this to say upon departure:

“I will miss them all enormously, but I’m leaving Doctor Who in fine form, with the new series starting at Easter and the fantastic plans for the 50th Anniversary already underway. I am delighted to be now returning to BBC Drama Production in London as an executive producer, and the new opportunities and projects that will bring.”

Russell T. Davies and his crew of executive producers seemed in there for the long haul, so one has to wonder what the problem is backstage. On a good note, season seven saw some great change-ups and new blood on the writing and directorial front. On the writer’s side, Luther’s Neil Cross was brought in to pen two episodes. I actually enjoyed both immensely,but some fans disliked Rings of Akhaten for it’s different tone. The most notable new director is probably Saul Metzstein,who seemingly directed more than half the new episodes. The new guys aren’t getting all the fun, as I honestly see this season as a real return to form for some long-time contributors. Chris Chibnall has been really hit or miss for me, but he was the star of the first half of the season for me. It seems that he is perfect in doing these short self-contained episodes. Both Dinosaurs on a Spaceship, and The Power of Three reveled in the new format and excelled more than anything else he has done for other seasons. Mark Gatiss was another person that really brought out his big guns, somewhat redeeming himself for the Victory of The Daleks. I didn’t hate that episode by any means,but felt Cold War and The Crimson Horror were leagues better and easily his best since season one!

The first half of the season concentrated on the impending departure of Amy Pond and Rory Williams, and consisted of five episodes as well as the 2011 Christmas special. The following is a list of these episodes as well as links to reviews I did during the run. Note: I did not get around to doing three of the episodes at their time of broadcast due to personal time issues, so those will be added later on.

The Doctor, the Widow and the Wardrobe (2011)

Holly-Earl-Claire-Skinner-Matt-Smith-and-Maurice-Cole-in-DOCTOR-WHO-The-Doctor-the-Widow-and-the-Wardrobe-Christmas-Special-600x425

It’s Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home.

Asylum of the Daleks (2012)

asylum-of-the-daleks-promo-pic

Kidnapped by his oldest foe, the Doctor is forced on an impossible mission – to a place even the Daleks are too terrified to enter… the Asylum.

Dinosaurs on a Spaceship (2012)

doctor_who_dinosaurs_spaceship_poster

An unmanned spaceship hurtles towards certain destruction – unless the Doctor can save it, and its impossible cargo… of dinosaurs!

A Town Called Mercy (2012)

doctor_who_town_called_mercy_poster

The Doctor gets a Stetson (and a gun!), and finds himself the reluctant Sheriff of a Western town under siege by a relentless cyborg.

The Power of Three (2012)

doctor-who-power-of-three

The Doctor and the Ponds puzzle an unlikely invasion of Earth, as millions of sinister black cubes arrive overnight, almost like presents falling from the sky.

The Angels Take Manhattan (2012)

DOCTOR-WHO-THE-ANGELS-TAKE-MANHATTAN

The Doctor’s heartbreaking farewell to Amy and Rory – a race against time through the streets of Manhattan, as New York’s statues come to life around them.

Next up we have season “7B” concentrating on the adventures of “the impossible girl” Clara Oswin Oswald. This half consists of a further eight episodes as well as the 2012 Christmas special

The Snowmen (2012)

doctor-who-snowmen-preview_Jenna_louise-Coleman

London, 1892. Snow is trying to evolve, feeding off of the nightmares of a little girl. But the Doctor has given up on saving the world. It is up to a young governess named Clara to convince him, with just one word, to save the day.

The Bells of Saint John (2013)

doctor-who-bells-of-st-john-poster

The search for Clara brings the Doctor to London, 2013, where something deadly is waiting in the wifi.

The Rings of Akhaten (2013)

doctor-who-rings-of-akhaten-poster

The Doctor takes Clara to the Festival of Offerings, but the Old God is waking and demands sacrifice!

Cold War (2013)

doctor-who-cold-war-promo-pics-1

On a Russian submarine in 1983, a frozen alien warrior is waking up, just as the TARDIS materialises.

Hide (2013)

doctor-who-hide-poster

Something terrifying is hiding in Caliburn House, and the Doctor finds himself part of the ghost hunt.

Journey to the Centre of the TARDIS (2013)

journey-to-the-centre-of-the-tardis-doctor-who

The TARDIS has crashed, Clara is lost inside, and the Doctor has 30 minutes before his ship explodes!

The Crimson Horror (2013)

doctor-who-crimson-horror

Something ghastly is afoot in Victorian Yorkshire, as bodies are found with their skin a waxy, glowing red…

Nightmare in Silver (2013)

doctor-who-nightmare-in-silver-promo-new-cyberman-2

Hedgewick’s World of Wonders: The perfect theme park day out. And ground zero for a deadly silver resurrection…

The Name of the Doctor (2013)

doctor-who-the-name-of-the-doctor-poster

The Doctor has a secret he will take to his grave. And it is discovered…

After the mystery of Amy Pond got wrapped up at the end of season six, it was simply a matter of time before she and her husband Rory were on their ways out of the show. Fans were teased that they were most likely going to die in the episode, however that was usual Steven Moffat teasing. Everyone knows that he speaks in riddles and lies to make the fans believe the total opposite of what is really happening. By the end of The Angels Take Manhattan, we saw the bittersweet ending of the pair. Yes they did die, but they lived a long happy life before that, only without The Doctor. I’m glad the episode was bittersweet as I do not want an honest to God death to occur (like Adric), but an ending that permanently separates the companion from The Doctor is usually the best idea. Returning companions could get old pretty fast if they still make cameos constantly (I’m looking at you Rose Tyler) so having an ending like this complicates things for the better.

The actual characters of Amy and Rory were moved pretty decently as characters. At the beginning of Asylum of the Daleks, we see their relationship has crumbled over the years. Seeing that they have been together for something close to a decade by the time this episode airs, I’d say they had a good run, but were on the verge of divorce. It seems that Amy felt bad due to her experimentation by the Silence to create River Song. Having been made sterile and never able to care for their child, Amy wanted Rory to move on and have a “real family” with someone else.

doctor-who-the-curse-of-the-black-spot-amy

Fans noticed early on that Amy seemed to love Rory less than he loved her at times, most noticeably when she was throwing herself at The Doctor in season five. This led to a lot of fans disliking her character from the very get-go. I never liked the criticisms that some gave the character as being very selfish, but I have to agree here that she was in season seven. Their reconciliation (and her redemption) comes at their very last episode as Rory is captured by a Weeping Angel and flung into the past. If you recall, the way the Angels feed is to ruin the potential lives of someone by taking them into the past and feeding on what could have been. Amy could have stayed there with The Doctor, but ultimately chose to stay with Rory by sacrificing herself to the Angels.

So how were Amy and Rory as companions? I felt that they were too tied into the plotlines to really breathe as companions at times. In season seven we really got to see them at their best, especially Amy in Dinosaurs on a Spaceship. Perhaps the multiple season mystery of the couple was a great idea on a drama standpoint, but it was dragged out far too long to have a real spark of chemistry ignite between themselves and The Doctor. They were more successful than Martha, perhaps one of the most tragic companions ever, but pale in comparison to Donna Noble.

doctor-who-the-name-of-the-doctor-colin-baker

Things are looking up with the newest companion Clara. It seems that The Doctor and she already have a spark, and she can stand toe-to-toe with him when it comes to witticisms and one-liners. For reasons of plot, she is a stronger character in Asylum of the Daleks and The Snowmen, but seems to regain what we saw before in The Name of the Doctor. This can be directly attributed to the interactions between The Doctor and Clara being hampered due to her status as “The Impossible Girl”. When one has witnessed someone dying and yet coming back, it’s really hard to trust them; and with The Doctor’s ability to attract trouble, I can understand his reluctance to trusting her. Once that barrier is lifted later on in the season it was smooth sailing, and season eight should be amazing if they can keep it up.

Aside from Amy, Rory, and Clara there were a handful of secondary companions that hung around this season. First off, we had Rory’s dad Brian Williams as played by Arthur Weasley himself-Mark Williams. I loved Brian because he was initially the most cynical, lazy person ever. He was content just staying around inside and paying attention to things that don’t matter. Thinking in terms of season four, he was the anti-Wilf! Due to his exposure to the Doctor and traveling around he does change his ways a bit, as Brian began traveling around the world and sending homemade postcards back to Amy and Rory. Most notably, he went to the planet Siluria with the Doctor and the dinosaurs aboard the Silurian Ark. Part of me wishes that Brian stayed around for more than the couple of episodes he was in, but I enjoy older companions for some reason. Season seven also contained a few appearances by The Paternoster Gang, the Victorian sleuth team that I love. I’d never go as far to say that they need a spinoff, but Jenny, Vastra and Strax always entertain me when they grace my TV with their hijinks. I’m especially a big fan of Strax for reasons that I brought up in reviews above.

The theme of the second-half of season seven seemed to be kicking off the run-up to the 50th anniversary. First and foremost, we saw the return of a lot of old foes. The Great Intelligence from the Troughton era was brought back in a very big way; he was the main villain essentially. Granted, he was in a different form than the old classic fans might be used to, but casting both Ian Mckellen and Richard E. Grant for different aspects of the role was a great feat. Grant, as longtime fans will remember, was originally going to be the ninth incarnation of The Doctor via a series of animated “webisodes”. Other retuning foes included The Ice Warriors, last seen in the Pertwee era. This nostalgia and homage was set to a fever pace in the finale, and episode that essentially featured small cameos by ALL of the previous Doctors, something that made me very excited. then we have the reveal of John Hurt as some sort of unseen Doctor, in the most WTF-worthy moment the show has ever seen.

moffat-khan-star-trek-doctor-who

I kid, I kid, I loved the reveal of a possible “missing Doctor” and who can go wrong with such an amazing actor as John Hurt. Ever since I was able to see him in George Orwell’s 1984, I’ve known that he was a great actor. Even in smaller roles like the president in V for Vendetta, he was amazing and chewed the scenery like a master.

I was immensely satisfied with season seven, but I know a lot of fans were not. While long-time fans were mostly thrilled with the majority of the episodes,I noticed a lot of casual fans complaining about various things. These fans should be satisfied with the brief return of Rose Tyler and the Tenth Doctor this autumn- a pairing that I know most of them enjoyed. If anything, this season was very atypical for Doctor Who, episodes like Akhaten took big chances with the writing and direction, and that put off some people. I know that some UK based newspapers were all “doom and gloom” about ratings, but they seem to not realize that time-shifted ratings, those including non-live viewing via DVR boxes and BBC iPlayer, have been as good as previous seasons. Fans using this as fodder for obnoxious “flame wars” need to get with the times, people don’t watch TV in the same way that they did even a decade ago. In the US rating were up from series six and usually got somewhere around two million viewers – an amazing number considering the small number of folks that have BBC America!

I hope the rotating producers, odd timeslots, and other issues lead to an end to split seasons, or we at least get a FULL 13-14 episode season next year followed by another one after. for a drama to hold it’s audience, ratings, and get new viewers every year is no small feat, it’s time for the BBC to notice this. If that means the end to the Moffat Era, and an exit by Matt Smith in season nine so be it, change is always fresh in a show such as this. We all know that Jenna-Louise Coleman is returning for a newly commissioned eighth season, and that Matt Smith will probably be in it, but that’s just about all we know. I think we have the potential for a real amazing season next year, especially if those Peter Jackson & Doctor Who rumors are true, so here’s to the future,and more importantly the two specials yet to air this year!

doctor-who-john-hurt-as-the-doctor

Advertisements

Survivors (2008) Episode 4

As is the norm with this show for a while, we have the episode split into a few separate story strands to keep everything rolling nicely and to give each character something to do. There are actually three main segments to follow: one with Abby, one with just about everyone else, and one with Greg and Anya. Mysteriously, we don’t really hear from the scientists that have been popping up in the last few episodes. You’d think that their search for the cure to the virus would get some mention here.

Abby found out about a group of kids occupying a large mansion from the eco-commune last episode, and has gone out to find out if her son is there. These kids have gone into full-on Lord of the Flies mode without any parental supervision, and are causing havoc around the grounds of the mansion, much to the dismay of the original owner of the mansion, a man that is hiding in the woods while his belongings get ransacked. She’s caught between these kids that “couldn’t make it outside” and said owner. She realizes that she could maybe get them to form an alliance of some sort, an option that seems easier said than done.

The second segment involves a familiar setting from last week. Here I thought the previous episode was the last time we’d see Samantha Willis and her creepy eco-commune, a place that gets worse by the second. How wrong I was, as we only had to wait one mere episode! The previous episode saw the former Health Minister becoming more and more of a ruthless despot as she clings to power. Abby was completely unnerved by the way the members of this commune handled “law” in their new community, and opted to leave despite all the good things such a community could offer.

The problem is that Willis is definitely making the hard choices that any leader should make, and as the sole authority from the government left, she’s bound to start making a few bad choices sooner than later. We saw her do things like punishing would-be supply thieves by public execution to send a message, thus continuing her fall. In episode 4 we have the arrival of Tom, Sarah, Najid, and Al in this community – possibly to stay for the long haul. It seems that despite the bad stuff going on, Abby let everyone else know about the place, and wants to move on to find her son. As one would imagine this lasts about three seconds before bad stuff goes down.

The weakest story in this episode has to be one involving Greg and Anya at the house. This segment seems to be a situation of trying to find something for these left-out characters to do, and serves little purpose otherwise. Basically, the pair find themselves under siege by a pair of rapists, and spend a few moments fighting them off. Unlike the chicken coop minor-segment in episode three, this piece was not very good.

I’d say this episode was a step down from the last one, but that isn’t a bad thing. This show usually stays pretty interesting, and the weaker episodes are still better than most other shows in the same vein. I am worried that the show will keep having segments for characters left out of the main plot such as tonight’s foray into rape-busting, as these sort of scenarios have seemed sort of half-assed so far. Hopefully we get to see what our bunker-bound lab coat guys are up to, I miss those guys 😉

Doctor Who: Last of the Titans

While not an official Big Finish release, I decided to go ahead and listen to this short mini-drama starring Sylvester McCoy as the Doctor. This drama was originally released for free bundled with issue 300 of Doctor Who Magazine. I managed to check it out due to the fact that it was split up and released via Big Finish’s weekly podcast back in 2009. According to Wikipedia this was originally a story called Vilgreth, released by a small company called Audio Visuals a long time ago. These guys were amateur audio drama / Video producers that eventually moved on to be part of Big Finish and BBV Productions.

Synopsis: Once again, the TARDIS displays its preference for the grimy, the odious and the dangerous – and, finding himself lost and alone in the dark heart of a gigantic spacecraft, the Doctor has no way of knowing that a cosmic catastrophe is waiting to happen…

Due to the limited run-time of the piece, and the fact that it was intended to be a free pack-in, I tried not to listen to this audio drama too harshly, but it still sticks out as one of my least favorite things that Big Finish has done. It’s not that the drama is written poorly, or that the production is bad, it’s just that I don’t like the main narrative device that is used – It’s from The Doctor’s perspective. I don’t mind hearing the Doctor talk to himself, or rationalize out loud, but having the whole thing in first person is not my cup of tea. If the character is to be mysterious, sometimes irrational, and full of questionable alien morality, hearing his inner thoughts sort of kills the whole thing. This structure also lends itself to a situation where the whole production reminds me of a children’s book. I’m not sure why exactly, but despite the dark nature of the story, the whole thing seemed immature.

Last of the Titans does what it was set out to do very well, although it is leagues below the quality of its “big brothers” in the main Doctor Who line. If anything, all this drama made me want to do is check out the stuff that Audio Visuals did “way back in the day” as I was unaware of their existence until I read up on it.

Doctor Who: The Mutant Phase


After weeks, even months, of listening to the void of soundless boredom, I started taking my iPod to work this week in order to keep occupied for my long ten hour shifts. Since I do not want to listen to the same songs every day, I decided to load up on podcasts of varying topics, and a few Doctor Who audio dramas. As you may have noticed by a few earlier posts, I am attempting to listen to all of these Doctor Who Audio plays by Big Finish in order, and one would assume that I would review them as such.

I realized that I had gone far too long without keeping notes, writing things down, and generally getting ready to write any reviews. So guess what? I’m going to re-listen to a lot of these in order to keep these up rather than going off of memories of these plays that could date back to over one year ago. You never know, I may end up liking dramas I previously hated (there are actually two I never finished of the forty or so I have heard, I need to fix that). Luckily this drama did not make my “poop list” the first time I listened to it according to my iTunes star rating, and stayed just as enjoyable the second time around.

 

Synopsis

In the 22nd century, the Daleks have occupied planet Earth. By the 43rd century, only a handful of humans survive. Still further into the distant future, a Thal scientist must choose whether to betray his heritage, or see the universe destroyed.

When the Doctor and Nyssa find themselves trapped in this deadly chain of events, they must decide who their real enemies are. What is certain, however, is that no matter where the Doctor turns… his arch enemies, the Daleks, will be waiting for him.

What could possibly be worse than that? The Mutant Phase…
The Mutant Phase has an immediate bonus for me in that it is a re-visitation of my favorite Doctor Who serial The Dalek Invasion of Earth. For those unfamiliar with that title, said episode was an important episode for many reasons: it was Susan’s last appearance as a regular companion, it was the first serial shot on location, it was the second Dalek appearance, and it was so popular that it was one of two stories to be remade into a feature film starring peter Cushing. Going back to such a classic episode is a cool idea, and thankfully we get the setting as more of a “bookend” to the meat of the story rather than a “fanwanky” total revisit.

In that episode, the Tardis crew including Susan, Ian, Barbara, and the first incarnation of the Doctor, arrive in a bleak post-apocalyptic and Dalek infested England in 2167. What really made The Dalek Invasion of Earth stand out for me was the chilling use of vacated landmarks during location shooting, and the utter bleakness of the overall story. For a “kid’s show”, this episode had a lot of dark things like signs saying not to dump dead bodies in the river and humans turned into a slave work force.  What we have here with The Mutant Phase can be seen as a “prequel” of sorts to this classic episode as we see The Doctor As played by Peter Davison and his companion Nyssa arrive a few years earlier, to a time where Daleks have never met the Doctor and don’t meddle in time travel.

My only real quibble with the episode rears its ugly head in this introductory portion of the episode. The Doctor realizes pretty quickly that they are somewhere in the state of Kansas, which for foreign readers, is located in the United States. While looking through a field of genetically altered crops infested with wasps, The Doctor and Nyssa stumble upon a “Roboman” guardsman, a zombie-like policeman for the Daleks. By zombies I don’t mean the Romero-esque eating brains and rotting away living dead variety, but the classical use of the term as in brainwashed servant. Not to be confused with Cybermen, Robomen are just regular people with some sort of mind control device implanted onto their heads.

So anyway, this roboman gets America back for the dreadful British accent Dick Van Dyke used in Mary Poppins, by delivering his dialog in the worst, most overdone, American accent out there. This can partly be chalked up to the dronish manner in which the robomen characters talk, but behind all the reverb and monotone was a glimmer of a vocal style not heard since The Apple Dumpling Gang. I seriously hope that many in the U.K. do not think all Americans talk like 1890’s old prospectors, but I get the inclination that it may be the case. I think Mark Gatiss was responsible for the voice, as he is credited as such! All joking aside, this small slip-up was very minor, can be overlooked easily, and does no harm to the play itself.

This play has quite a few interesting characters, and chiefly among those are two Thal scientists, Ptolem and Ganatus, both forced to work for the Daleks to stop the mutant phase. We hear a lot of mentions of these guys before we see them interact with the Doctor, so their motives stay hidden for the majority of the play. Another nice addition is Karl Hendrick, a man that lives in the dark and studies old relics from our current history. He gets quite a few great one-liners and funny moments making him one of the better side characters.

Aside from a couple of minor things like over-done foreshadowing that Nyssa’s wasp sting may be important in some way, the plot of the Mutant Phase was well done, and revolved around some good ol’ fashioned “timey-wimey” stuff involving a temporal paradox. With any paradox based episode the resolution didn’t exactly wrap the whole thing up in a bow – a fact that is actually made fun of in the dialog. When the Doctor explains what has happened to Nyssa at the end, she tells him that it simply made no sense, to which he replied “paradoxes don’t make sense” or something vaguely similar. Admitting this, the play somehow jumped over any plotholes it may have obtained whilst jumping between a multitude of timelines. For me this was nice, humorous touch.

While not the classic of its older brother, The Mutant Phase is a competent audio drama that keeps one entertained throughout. Keeping in mind that the Daleks are the only race that the doctor has ever really considered committing mass genocide on, listening to him being forced to work alongside the horrible creatures is compelling and makes this a must listen. I’ve been lukewarm on the Dalek Empire Releases so far, but this one has really redeemed the series, can’t wait to hear what’s next.

Review – Doctor Who: Winter for the Adept

Big Finish Audio “Quick Review”

Summary: “When a teleportation accident goes badly wrong, Nyssa finds herself stranded on the freezing slopes of the Swiss Alps in 1963. But is it mere coincidence that she finds shelter in a snowbound school haunted by a malevolent poltergeist?  When the Doctor arrives, Nyssa and the other inhabitants of the school soon discover that the ghost is merely part of a darker, deeper and more deadly game involving rogue psi talents and something else… Something not of this Earth.”

When we last left the Doctor (as played by Peter Davison) and Nyssa, they were leaving frigid Alaska bound for some place hopefully warmer.  Not only does that not happen, but they end up in a house with a religious zealot that believes that cold air is the path to salvation and warmth is a sin.  Nyssa gets stranded in this place long before the Doctor arrives, and is taken in by a group of Swiss School girls living on the mountainside.  This story contains a few weird motifs that are out of the ordinary for Doctor Who, but serve well in this story….for the most part.  The first of which is that the story itself is bookended by a narration from one of the Swiss school girls.  The cheesy overly flowery diary entry harkens back to such writers as Jane Austen, but only in a superficial way.  The girl basically says very little with as many adjectives as possible to make it sound classy.  This sloppy writing should have been the first red flag for what I was getting into.

From: Doctor Who Magazine

Winter for the Adept is one of those audio dramas that I really wanted to like, but sadly did not whatsoever.  The story begins as a ghost story intertwined in a Stanley Kubrick’s Shining-esque wrapper, but completely falls apart 3/4ths of the way in and becomes a Michael Bay film.  It’s like Andrew Cartmel (the writer) was so set on adding aliens into the mix that he forgot he was writing a ghost story.

The choppy writing doesn’t end there, as there is a lot of dialogue talking about “Spillagers” at the beginning, a term that is never explained until towards the end of the play.  When it is revealed what a “Spillager” is, I was rolling my eyes due to how convenient it was within the plot.  The Doctor constantly talks about “spillages” and his “spillage detector” in such a way that it leads you to believe that he is talking about some sort of energy release or some such.  Not the alien that magically happens to be there in the Alps at the very same time.  I also found myself having a lot of trouble imagining what was going on especially in episode four.  There are many instances where random yelling, noises, and explosions can be heard with little explanation as to what is actually going on.  Sadly this play is a frightful miss for me.

 

My rating 1 out of 5

Review – Doctor Who: The Genocide Machine

Big Finish Audio “Quick Review”

 

Synopsis: “The library on Kar-Charrat is one of the wonders of the Universe. It is also hidden from all but a few select species. The Doctor and Ace discover that the librarians have found a new way of storing data – a wetworks facility – but the machine has attracted unwanted attention, and the Doctor soon finds himself pitted against his oldest and deadliest enemies – the Daleks!”

 

Ah yes, the first Dalek-related audio drama Big Finish has produced.  Being a huge fan of the little squid-like hooligans, I was excited to see – errr – hear what the audio format had for these guys.  This begins a story-arc of sorts that Big Finish has labeled Dalek Empire; it will contain four separate stories with different Doctors held together by the common theme.  This segment follows The Doctor and Ace as they are humorously brought to a planet called Kar-Charrat in order to return a library book, lifted from a library where such things are frowned upon.  At the same time we cut to another group led by a person that is almost like a “semi-companion” in Bev Tarrant.  Bev is a female Han Solo of sorts, and plans to steal a large ziggurat in order to make it rich.  Too bad the Ziggurat is full of evil squid monsters surrounded by armor – the Daleks.

After the last McCoy and Aldred play, I was worried that the overly dark nature would spill into all of their plays.  Thankfully that isn’t the case, as this play seems more in-line with the show than one of the books.  That is the great thing about Big Finish, if you don’t like a certain play, the next one will be completely different, and may strike your fancy.  I enjoyed the plotline and dialog; yet felt that it was bit too preachy in some regards, especially when you find out the atrocity the librarians on Kar-Charrat have committed.  Without giving away the plot completely, let’s just say that the overtly hippie-like nature of Avatar is pretty close to the mood the audio sets.

The audio only really fails on the insanely contrived plan that the Daleks have hatched.  While they are known to have ridiculous over-thought plans in the past, this one is pretty over the top.  They basically plan to use the libraries knowledge to create a super Dalek with the power of the Universe, so they plant cryogenic sleeper cells on every planet of this one particular system that also contains the aforementioned “secret” library.  I say “secret” because everyone seems to know of it.  Plot aside, this was a fun audio adventure, and a blessing of what to come for Sylvester McCoy stories.

 

My rating: 3 out of 5

 

Here is a trailer I found on Youtube:

 

BBC Commissions New Scifi Drama

This sounds like it may be good.  Great to see the hole left by the end of Ashes to Ashes being filled.  From a Press release:

————————————————————-

Following on from the innovative and era-defining hits Spooks, Hustle and Life On Mars, Kudos Film & TV is moving into another new world. BBC One has commissioned a new eight-part drama series, Outcasts.

Created by Ben Richards (Spooks, The Fixer, Party Animals), Outcasts is set on a recently-discovered planet and tells of the dilemmas, loves and lives of a group of people setting up a new world.

This life-sustaining planet is now home to the surviving population from Earth. Here there is a chance to start again, to bring the lessons learnt from Earth and to put them into action on a new planet.

Set in 2040, Outcasts begins on the day the last known transporter from Earth arrives, prompting great excitement on the new planet: Who is on board? Friends and loved ones? Important supplies and news from Earth? But also many questions: Will the new people bring the problems of Earth with them? Will the mistakes that destroyed Earth be repeated? Will the arrival of a new, would-be leader, rock the fragile and precarious equilibrium of our fresh, unified and courageous new world?

————————————————————-

Sounds a bit like Survivors, but I’ll definitely try to check it out.