Concert Review: Tom Bailey / B-52’s / Culture Club 9-7-18

life tour 2018


I have Been meaning to post this for over 3 weeks now, better late than never i suppose! I rarely take off work to go to concerts, not because I’m a huge work-a-holic or anything – it’s simply because I have a position in which taking a lot of tome off can result in me getting severely behind in work. This results in me missing out on most of the shows I want to really see in any given year. This is especially true with metal shows as they ALWAYS seem to be at random times on Wednesday nights for some ungodly reason around here. I work a weird late shift, and when most people are out doing cool stuff, I’m usually sitting behind a desk doing endless reports and slinging papers.

There are a few exceptions to this, like that time I saw The German electronic legends themselves,  Kraftwerk, on their first foray into Kansas City in nearly forty years, or another time when I played hooky to see Dave Wakeling’s force of nature that is The English Beat.  For today’s topic, I will be discussing another concert like this – one of my “bucket list shows”. These are bands and artists I want to see before I die or they break up or stop performing altogether. Both The B-52’s and The Thompson Twins are in my top ten of favorite 80’s new wave bands of all time, and I like culture club quite a bit so going in I knew I was in for a treat..  


The Venue:

From Wikipedia:

Starlight Theatre’s history began in the 1920s when the Kansas City Federation of Music Clubs advocated the construction of a theatre “under the stars.” Fundraising began with the 1926 visit of Queen Marie of Romania, who had helped secure her country’s support for the Allied forces during World War I. Romania had recently opened its oil fields to America’s Standard Oil Company, so the queen’s tour of the U.S. carried considerable diplomatic significance.

In her six-hour visit to Kansas City, Queen Marie joined President Calvin Coolidge as an honored guest at the opening ceremonies for Liberty Memorial, which was dedicated to the remembrance of World War I. Later that evening, she enjoyed a music concert held at the American Royal Building where thousands of visitors paid admission fees for the chance to see her as well as the organized festivities. The proceeds of $7,000 were earmarked for the construction of an outdoor theatre in Kansas City.

https://en.wikipedia.org/wiki/Starlight_Theatre_(Kansas_City,_Missouri)

Starlight+Theater kansas city

I haven’t been to Starlight Theater in like 20 years or something – I know I attended a production of “The Music Man” there with my parents when I was a teenager (96-97 I believe), but haven’t been back since for reasons of me not paying close attention to most venues, and the fact that I did not drive until I was well into my twenties. That was until recently since I started using a site called Jambase to see all the shows going on around me. That sounds like an advertisement, but it’s really just me hyping a solid website.

Not visiting Starlight more is a shame since I want to say that this venue was one of the more pleasurable concert experiences I’ve ever had. That is saying a lot since the day of this show was a rainy one, and we all had to bust out ponchos in order to avoid being completely drenched for the duration of the show. It was bad enough that Boy George even remarked during his set that they weren’t sure the show was actually going to happen until right before the gig started. Most venues would be insanely opportunistic and charge and arm and a leg for ponchos, but thankfully the vendors were selling some for a buck each. Yeah, they were basically glorified trash bags, but they kept me mostly dry. Had I wanted, I actually could have stood under covered roof area in the back, but I was lucky enough to get fourth row seats, so that simply was not an option.

Here’s a bad picture of my vantage point made hazy due to the rain and my phone not working well together.

FB_IMG_1537773443912

When entering, the staff of the venue were exceptionally nice, greeting every attendee and wiping their seats dry as we filed in. Had I decided to get up, I know there was food and beverages available, but I didn’t want to do the climbing over people and coming back thing that I absolutely hate others doing. If anything the staff and general vibe of this venue are a 180 degree departure from the vomit and booze soaked venues I’m generally used to, where a “good show” is one where you leave with your hearing intact and have successfully avoided being groped by drunk women, or punched by their Pantera-shirt clad boyfriend. Metal venues can be nice sometimes, but not like this, this is a different experience altogether.


Tom Bailey

Opening the show was Tom Bailey, the former lead singer of the popular 80’s band Thompson Twins. While this was not a Thompson Twins show per se, most of the songs performed were in fact by that band with the title track from his newest album, Science Fiction, tossed in to help show that he has some new material out there and to help promote it. I have, in fact, purchased and listened to his new album, and plan to review it on here very soon – maybe even this week!

While a few new songs wouldn’t have made me sad, I was beyond happy to hear all of the hits that made the Thompson Twins one of my go-to 80’s bands for all these years. Getting to hear songs like Lies, Lay Your Hands on Me, Doctor Doctor!, and Hold me Now live as something I would have never expected to do considering the break-up of the band and it looking like they will never get back together.Mr. Bailey hasn’t lost anything in his energy or singing ability – had I not known he was in his 60’s one could assume he was much younger. It was a short set, but I am very glad to have seen the show.

Here is the set-list of the show:

  • We Are Detective (Thompson Twins song)
  • Love on Your Side (Thompson Twins song)
  • Science Fiction
  • You Take Me Up (Thompson Twins song)
  • Lies (Thompson Twins song)
  • Lay Your Hands on Me (Thompson Twins song)
  • If You Were Here (Thompson Twins song)
  • Doctor! Doctor! (Thompson Twins song)
  • Hold Me Now (Thompson Twins song)


The B-52s

I was unable to ignore seeing the B-52s as I’ve been a fan of their odd punk/new wave sound for a LOOOONG time. I fell in love with their music in that resurgence they had in the late 80’s / eary 90’s when songs like Love Shack got big with help from MTV back when it was watchable. I had to miss a previous concert up here a few years before for personal reasons, and with the age of the band getting higher and higher I always see these opportunities as possible “last chance” affairs. I believe half of the band members are over 70 years old at this point, but you would never know that based on this concert – all of the zany stage presence and amazing songs sounded exactly like what everyone wanted to hear and nobody has missed a step.

I’m always a sucker for the song Rock Lobster, so hearing that live was truly awesome – I was also happy to hear some deeper cuts get thrown in there – Roam and Love Shack were both welcome to my ears as well. Fred Schneider had some pretty funny banter during the show, but a lot of it was based on the overall political climate going on at the moment – urging everyone to vote and to try to end the GOPs stranglehold on the government. The crowd was receptive to this aside from minimal boos when Fred mentioned Claire McCaskill which is a divisive figure in local politics right now. Other-wise one would imagine a concert for these bands would lean somewhat blue, so my general fear of a Red State backlash was unfounded.

And just like that it was all over, and amazing. Here is the set-list:

  • Planet Claire
  • Dance This Mess Around
  • Mesopotamia
  • Private Idaho
  • Funplex
  • 52 Girls
  • Roam
  • Party Out of Bounds (Party Mix.)
  • Give Me Back My Man
  • Love Shack (with Low Rider snippet.)
  • Rock Lobster

Culture Club

Seeing Culture Club was the big surprise for me at this show – I would say that I enjoy their music, but they aren’t really my favorites. To me, the fact that they have reunited was my biggest surprise, even though they do that from time to time, since they seem to be staying together this time, and even have an album lined up to be released soon (maybe I’ll review that as well – we’ll see).

One cannot downplay the might that is Boy George as a front man, he simply holds the audience in the palm of his hand and despite his age and previous issues with drugs and other issues has not lost anything that made him a worldwide megastar all those years ago. I’m no fashion guy, but the entire band was decked out in awesome suits, and it really gave the vibe that I was seeing something truly special. The band mostly played their hits with a handful of pretty solid cover songs mixed in including a quite solid version of David Bowie’s classic Let’s Dance.

The band’s musical spectrum ranges from vaguely ska-based songs, R&B music, and straight up pop rock songs so there was something there for everyone. If anything, I left this show knowing that I was able to see a musical legend back in his prime after a few stumbles and a solid cap to a great night.

As with the other two, here’s the set-list.

  • Let’s Dance (David Bowie cover)
  • It’s a Miracle
  • I’ll Tumble 4 Ya
  • Let Somebody Love You
  • Time (Clock of the Heart)
  • Runaway Train
  • Everything I Own (Bread cover)
  • Do You Really Want to Hurt Me? Different Man (with gospel coda)
  • Miss Me Blind
  • Church of the Poison MindEncore:
  • Life
  • Addicted to Love (Robert Palmer cover)
  • Karma Chameleon (followed by mash up of Aretha’ s Chain of Fools sung over Led Zep’s Heartbreaker (Band Intros))

  • If any of these bands come to your area, I would definitely recommend checking them out, and for those that live in the Kansas City area – do yourself a favor and see a show at Starlight – very solid venue and amazing staff.

    Advertisements

    Concert Review: Uniform, Drab Majesty, Deafheaven 8-4-18

    I’ve done a bad job of keeping up with concert reviews as of late, but I wanted to definitely post a bit about the one I attended this past weekend in order to get everything back on track. I wanted to first mention that I saw this in Lawrence, Kansas at a theater called The Granada, and for small shows around this area there is literally no better venue. I’ve been to my fair share of shows at tiny bars where it’s 300 degrees and you leave the show completely deaf because you are basically laying on the monitors and there are 5 sets of back-filled gear resulting on each band having a postage stamp sized spot to stand on.

    The Granada has none of this, the sound is solid, there’s plenty of room for the bands, and I’ve never left with serious issues do to my ears wanting to die nor do I usually have to wear earplugs and I’ve seen some LOUUUUD stuff there. I jumped at the chance to see this show since I am a big fan of Deafheaven, but the rest of the show was a mystery to me. This was largely due to the fact that I was unfamiliar with the supporting acts, I knew they are from three very different genres, and I wasn’t sure what sort of crowd would be in attendance. What I will say in short is that weird shows like this are awesome, and I hope to see more like this.


    Uniform

    Uniform, a New York Based band that mixes trappings from industrial and hardcore into a relentless sonic attack, were first up. The band recently gained a bit of notoriety for having two tracks included into an episode of the re-launched Twin Peaks show on Showtime, hot off of this, they have a new album coming out and I will likely be getting it after this show. While I’m not usually a big fan of 80’s hardcore, somehow mixing the vocal trappings of that with industrial somehow helps make that style of music, which can sometimes be very harsh, even harsher, bleaker, and more relentless. Michael Berdan’s vocals hit like some sort of angry slam poetry, ranting about the ills of society, touching on inequality, the media and even religion. If any of that seems up your alley, I’d recommend checking them out (posting a video below) and if you get to see them, Berdan is a really nice dude and took time out to talk to fans at the merch table.


    Drab Majesty

    Next up was a Goth / Darkwave band called Drab Majesty – I absolutely love this type of music but have never really had a chance to see any of it live since it’s relatively underground, and cool concerts always happen on days of the week where I have to work. Donned in all white with make-up and large sunglasses on, this California-based two piece is a deliberate throwback to the 80’s both in sound and look. The band seemed to have a huge following at the show which is easily to understand considering that they ooze a mysterious vibe that I can only assume gets them legions of female fans that enjoy dark mysterious alien dudes.

    The highlight of their set is a song where the lead singer, Deb Demure, strapped a bright light to his chest and performed basically blinding whomever he was directly facing. While this sounds annoying, it was actually a cool effect with the fog machines going, and made them seem even more mysterious than they already are. Perhaps the one way that I knew this band had something special was that one of my good friends, that normally only likes metal, actually enjoyed the set quite a bit due to it’s quirky nature and being something different.

    Once again, here is an example of the band’s music.


    Deafheaven

    When I got “back into music” a handful of years ago, I mostly got really into going over to Bandcamp’s “atmospheric Black Metal” subgenre section and simply scouring over endless pages of crazy bands that I haven’t heard of. Many bands from this period have become some of my favorite current bands – groups like Ghost Bath, Panopticon, Drudkh, Wolves in the Throne Room, and Deafheaven are always on my rotation. I’m drawn to many of these bands because they are usually a lot more melodic than standard black metal (which I also like) and are more willing to experiment much to the derision of gatekeepers of the metal scene.

    Deafheaven, in particular, seem to always get jabbed at by metal elitests since “they aren’t metal enough”. After this concert I will say that those guys are all buffoons. I have seen a lot of shows, and I have literally never seen a crowd mosh as hard as what happened during Deafheaven. It was a weird thing since the band is known for long-form songs with trippy interludes that absolutely glow with optimism and possibly weariness. Suddenly this would break and all hell would break lose – people were doing windmills, ninja kicks, the whole gamut.

    I was also VERY impressed with the stage presence of George Clarke, the band’s lead singer. In the music videos, even the one I will post below, you don’t see much of the band performing – some of the newer ones show the guys recording an album and driving classic cars around. But, good lord does this guy have it. Jumping around like some sort of black metal Mick Jagger, Clarke was absolutely crazy to watch. Much like when I was able to see Wolves in the Throne Room earlier this year, I was blown away by these guys.

    Here’s a video

    Concert Review: Voodoo Glow Skulls w/ The Uncouth 3-5-17

    Any Concert that lets me where a ridiculous Lucha Libre mask during the show (see above picture), is an A+ in my book! Thankfully, the Voodoo Glow Skulls happened to have some at their merch table, so I was all set. In fact, Lucha masks should really become the new hot fashion tend, I think it’s well past time for it to fall into popularity. All Joking aside, I was able to attend a outdoor night show at a local music venue called The Riot Room this past weekend, one of my first punk shows (I usually do metal shows). I don’t normally attend punk shows, mostly because the type of punk I like is largely not super popular anymore. I’ve never been a huge fan of hardcore, despite liking a few bands, and that pop-punk explosion in the nineties was something I think most old-school punks would have utterly hated as it was basically Hot-Topic in audio form. Thankfully, this show happened to be both types I actually like listening to conveniently in one small package.

    This was a very short show for two bands (two hours and some change) so I don’t have a ton to talk about, so think of this as a punk version of one of my reviews on here – short and sweet. As usual, get ready for bad cellphone pictures galore.


    13640986_1080022322033983_7473618023028949171_o

    Opener: The Uncouth

     

    Here is the band’s Facebook Page

    Bandcamp page

    Oi! is the old-school UK punk music scene that popped up in the working class areas back in the late 1970’s and 1980’s with the direct goal of uniting all working class punks. The prevalent ideology of the original Oi! movement was a rough brand of working-class rebellion. Lyrical topics included unemployment, workers’ rights, harassment by police and other authorities, and oppression by the government. This is exactly the sort of music the Uncouth specializes in. Being a big fan of eighties music, I was amazed that a modern band could capture that sound so well as this concert.

    IMG_20170305_221909.jpg

    Hailing from Kansas City, Missouri, The Uncouth take the banner of all of their predecessors, and add a mid-western American flair to it – while the accent is different the sentiment is the same. One reason I don’t enjoy a lot of modern punk music is that it’s a bunch of songs about being a tough guy or losing a girlfriend, and thankfully this sort of band takes everything back to it’s roots. For instance, a song like Jonesy’s War is about a veteran of the Afghanistan war coming home to find that he can’t readjust to his old life. Resorting to drinking and other self-destructive tendencies, Jonesy is still basically at war, and as the chorus shouts, “Jonesy’s a prisoner of war!” It’s a far cry from bands like Sum 41 and Blink 182.


    voodoo-glow-skulls-e1402169808518.png

    Headliner: The Voodoo Glow Skulls

    Their website

    The other kind of punk music I like is ska-punk because I’m a huge fan of old-school ska music (and I’ll be getting to see The English beat in a few weeks). When most folks think of this type of music, they tehy of the sort of stuff that always plays at the Van’s Warped Tour every year, bands like Reel Big Fish. Not being a fan of those guys, I wwas pumped to see The Voodoo Glow Skulls coming to Kansas City after a buddy of mine showed me some of their stuff a while back. And honestly, any band where the lead singer sings a few songs wearing a lucha mask is great.

    IMG_20170305_232505.jpg

    Outside of California, this Mexican-American ska punk band is perhaps best known for having some of their songs pop up in movie soundtracks.The song “Shoot the Moon” from the band’s Firme album was used in the Pauly Shore movie Bio-Dome and the band’s version of “Used to Love Her” (originally written and recorded by Guns N’ Roses) is featured in the Mr. & Mrs. Smith soundtrack. They mix a lot of old school ska styling (they sort of remind me a bit of Bad Manners) with their Latino heritage into something  awesome. I feel like the United States is due to another ska revival after the one in the mid 90’s fizzled out – here’s hoping they sound like these guys!

    IMG_20170305_232348.jpg

    This show had a small, but great crowd, and I saw my first ska version of a mosh pit. Since I’m too old to jump in there (I usually mess my back up moshing) I admired it from afar, doing my standard head-banging that I usually bust out at shows. I will have to keep tabs on the local punk scene more, because if bands like this are starting to get big in Kansas City, I may have to attend more shows.


    Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

    Concert Review: Overkill w/ Nile and Whoracle 2/19/17

     

    These past few weeks have been super busy for me, so I have been unable to get this typed up until now – I sat there with a page open on here and saved a draft with the title and that was about it. Before my memories slip away, I figure it might be a good idea to finish this. A few weeks ago, a friend and I made the trek over the state line to see a packed show at the Granada theater in Lawrence, Kansas. The headliner was Overkill – legendary New York / New Jersey thrash band, followed up by Nile – prominent death metal pioneers, and Whoracle, a local band. So far, I’ve really enjoyed seeing acts at The Granada in the past, Behemoth was easily one of my favorite shows I’ve ever attended, and that was there last year. Overkill was easily the act I was most excited to see, while I haven’t heard their entire discography, I always enjoy what I’ve heard by them, and I’m always confused that they don’t get the same props that other contemporary thrash bands, such as Anthrax, seem to get.

    NOTE: As always, get ready for terrible pictures I took with my camera, I actually just got a new one, so lets hope future posts like this will be better!


    whoracle

    Opener: Whoracle

    Here is the band’s Facebook page

    Named after an In Flames song of the same name, Whoracle is a thrashy Melodic death metal band from Topeka, Kansas. The line-up is Matt Gibbs-Lead Vocals and Guitars, Alex Measmer-Drums, Toby Sanders-Bass, and Tyler Shuford-Guitars. The thing that really stood to me in regards to this band was the lead singer doing double duty as lead guitarist and singer, you really don’t see this a lot because both things are super challenging alone, much less at the same time. There are weirdos like Geddy Lee that tries to somehow sing, play the guitar, and keyboards at the same time, but that’s just showing off. Despite a few distortion pedal related incidents (neither of which were that bad), the band played a very solid set, and impressed the crowd.

    20170219_200745

     

    The highlight for pretty much every song was Gibbs ripping out some crazy shred guitar riffs. While the band lacks stage presence that most bands end up getting after years of years of touring, they make for it with their playing. I have seen a LOT of opening acts at various concerts that were either so bad that I have blocked them out, or so bland that I don’t even remember seeing them at a show, Whoracle was not like this. This is one of those bands that I plan to keep an eye on just in case they come rolling in again as an opener for another band.

    20170219_200804


    nile-logo2

    Supporting act – Nile

    I will confess here that prior to this concert I wasn’t really the biggest fan of South Carolina based, Technical Death metal band, Nile. I recall buying one of their first albums back when I was in high school, and while loving the music, I was not a fan of the vocals. This may seem hypocritical of me, considering my love for black metal’s shrieking vocals, but I am not a huge fan of the style of vocals that most death metal bands employ. Another worrying fact going into this show was that the longtime lead singer of Nile, Dallas Toler-Wade, quit the band literally one week prior to the show!  Replacing Toler-Wade was Brian Kingsland who was the vocalist and guitarist in a band called Enthean. How did he stack up?

    20170219_2042330

    Well, the vocals were pretty good – and it was interesting that it wasn’t just Kingsland singing. Karl Sanders and Brad Parris also did parts of various songs, so the new guy didn’t stand out a ton on his own. One song in particular, Sarcophogus, got an extended live version that had a crazy guitar solo and other enhancements that I wish was in the recorded song on the actual album. This was easily the highlight of the set, and I was glad they saved it for near the end. While I won’t say that I’m a Nile fan now, I will check out their next album, and at the very least I know that they are a GREAT live band – no matter how the albums sound to me.

    20170219_204255


    ccda720d7ed9270046e833111e574ab4

    Headliner: Overkill

    Highlight of the night for me was getting to see Overkill, especially since Bobby “Blitz” Ellsworth, lead singer, has not lost a step whatsoever in the past thirty some years. His age even became a joke at one point when two rowdy fans started a fight in the pit, and he exclaimed “come up here and let me kick your ass! who wants to get their ass kicked by grandpa!” best banter of the year so far. I have yet to listen to Overkill’s new album in full, but if his concert was any indication, it’s a solid release. Songs like “Mean, Green, Killing Machine” and “Goddamn Trouble” had the crowd really going. People were moshing just as hard, and if not harder, than a lot of heavier shows I’ve attended that made it a point to get folks to mosh.

    20170219_220744

    This concert didn’t have any gimmicks or theatrics to get everyone excited, it was pure simple, face obliterating thrash goodness. Everyone in the band was awesome, but Derek “The Skull” Tailer and D.D. Blaze really impressed me considering, in Blaze’s case, that a lot of metal drowns the bass guitar out so much you honestly can’t tell it’s there sometimes. Instead everyone had time to really shine and you could tell the band was having a blast.

    Honestly, the only quibble I had with the entire show was the merch stand. For some unknown reason, like 85% of their stuff was out of stock, leaving shirts in sizing ranging from small to small in many cases. Since about the only use a small shirt would have on my body would be a headband, I was annoyed that I couldn’t get a tour shirt. Hopefully they end up putting this on their website,  or nuclear blasts website soon, so I can attempt to get one again. Instead I went for my standard patches that I have been collecting, so aat least there was that.

    20170219_220731.jpg

    All in all, solid show – if you are in any town that these guys will be appearing in, Overkill is well worth ticket price alone. And while I’m not a huge Nile fan, they really impressed me live, and I’ll have to give them another chance at some point. Stay tuned for more terrible cellphone pictures and other fun oddities, as I plan to do another concert review very soon.


    Like what you’re seeing? If you want to help support this site, why not consider becoming a patron! 

    download