The Tripods: (1984) France, September 2089

tripods-episode-10-vineyard

AKA season 1, episode 10

I believe that John F. Kennedy said it best when he once wrote: “There are risks and costs to action. But they are far less than the long range risks of comfortable inaction.” I chose this quote in particular because it best illustrates the central dilemma of this episode of BBC’s Tripods.

In case you’re following along at home, the previous episode of Tripods showed our intrepid trio “laying low” for a while in a French vineyard. They were seeking shelter so that Will could recover from a Tripod abduction and the resulting amateur surgery required to remove a tracking device crudely clamped onto his torso. Much like the time spent at the Chateau earlier in the year, the gang is finding it hard to leave the relative comfort of the vineyard, even though Tripods seem to be everywhere. We see the gratuitous long tacking shot of Tripods walking around in the distance, and considering the way the boys evaded them in the last episode, they are probably close by because they are looking for them.

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One thing became clear in this episode, and it is that teenagers are really stupid when they get hormones pumping through their systems like a rush of Nitrous through the engine of a sports car. It’s hard to not want to punch both Henry and Beanpole at the beginning of this episode. They are having fun and chatting up cute girls and constantly telling Will to “lighten up!”. This is a complete 180 degree reversal from the chateau where Will was “livin’ it up” and the boys wanted a one way ticket out of Dodge. Winter is soon to be there, and Will understands that they need to make it to the mountains ASAP.

Luckily we don’t see too much bickering between the boys, but the animosity is there. Will is jealous about what happened last episode regarding the “love of his life” Eloise. He took part in a village Olympics sort of festival, and lost to a cheating ball of jealousy that chose his love interest as the town tribute to the Tripods. She now gets to live in the Tripod city far away from Will, because if the Duke couldn’t have her nobody could. Will now sees everyone else having googlie-eyes at girls and feels like crap about it.

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The mother of the house, Madame Vichot, pulls the boys aside to show them a collection of art and other wonders from the past that they may have never seen. This sort of stuff is mostly lost to time and frowned upon by the Tripods and those that support them. We find out that she is showing them this a trade of sorts, she is suspicious why a french boy (Jean Paul aka Bean Pole) is traveling with two boys that are obviously from somewhere in England. They let it spill that they are on their way to the White Mountains, a place we discover is somewhere in the French or Swiss Alps. If this wasn’t red flag number one that they are too comfortable, our buddy the Blackguard-in-law Danielle starts nosing around to figure out who these “travelers” are, and it’s just a matter of time before his superiors want answers as well.

The reason that Madame Vichot is so worldly and interesting is that she is some sort of “Vagrant”, whose capping was not fully completed or failed. If you recall a “capping” is the process by which the Tripods place a mind-control device on every person of a certain age, and vagrants are those that cannot be capped or are rendered insane by the process. While she isn’t crazy, the Vineyard mistress is very distraught by the fact that she has ambition, hopes, and can still dream – all things that other capped adults simply cannot do.

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She talks to Will about his guilt about what happened to Eloise, and the fact that he seems to be redirecting all of his angst towards Henry an Beanpole. This seems to level Will’s head a bit, and by the end of the episode he seems mostly angst-free for the most part.

The boys get a new set of traveling clothes, maps, and travel documents to aid them on their journey, and eventually set off. Unfortunately, it seems that Danielle was basically trying to trap them with the documents, as he is seen stalking the boys at the end of the episode.

If you’ve missed any reviews in this series, please feel free to click the “Tripods” banner on the main page – It’s all there! Tune in next week for my review of episode 11!

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The Tripods: (1984) Chateau Ricordeau, France, July 2089

Will and Eloise from 1984's Tripods
Will and Eloise – destined for marriage?

(AKA Season 1, Episode 6)

We pretty much established how much of a jerk a new character referred to as “Duc De Sarlat” was in the last review, and that only gets worse here. In the previous episode, Will ended up rescuing Eloise from certain death while they took a romantic boat ride in a nearby pond. We previously learned that Eloise was betrothed to the aforementioned Duke, despite the fact that he was not getting on well with her parents. At the end of the last episode, Eloise’s father basically offers his daughter’s hand in marriage to Will, something that can’t make are old buddy from Sarlat very happy. With a fine greeting of “I should have left you in the woods” directed at Will, this assumption proves to be very true.

Aside from the occasional run-in with ridiculous man-babies, Will is acclimating to life in the chateau. He is studying French, watching fencing tournaments, and learning of the arts. Not a day goes by where he isn’t sinking deeper and deeper into the life of a nobleman, something that concerns his friends greatly. Beanpole and Henry plan to leave the chateau as quickly as they can, and feel that Will is now anchored down and unable to leave with them. Will assumes that Eloise will possibly leave with them if he can only persuade her enough. This mindset enrages Henry, who not only appears to be a bit jealous, but concerned for their mission and Will’s well-being as a whole.

Duc De Sarlat and Will from BBC's The Tripods from 1984
The Duc De Sarlat in all his annoying glory.

 It is at this point that things start to unravel in a big way. Will suffers veiled death threats from Sarlat, accusations and distrust from his own friends, and the appearance of Tripods in and around the festival grounds. The only real reason that the crew was hanging around after Will got better is a tournament that The Chateau is hosting, but they had no idea Tripods would be there. Henry and Beanpole decide that all of the bad things are not worth it and leave early with a few maps Will has copied for them. Left alone and depressed he finally confides in Eloise and tells her the real truth as to why the boys were traveling, and where they plan on going. She seems very concerned, almost mortified by what she hears from Will. This is the very first time we see her without her trademarked head-wrap and Will notices something is wrong. Eloise has a shiny metal triangle under her hairline – she is already capped.

Will and his friends drinking champange in 1984's tripods
Will and Co. Living The good life at the Chateau

Another strong episode of this “Chateau arc” leaves the viewer feeling really bad for Will. As the credits roll, one can see that Will has hit rock-bottom. He gambled the mission at hand on the love of a girl he just met, and realizes that he must leave her as well. Henry comes across childish and bitter,in this episode, a fact that is only offset by the very level-headed Beanpole – always there to cool things down. While I liked this episode, it will be good to see the end of this arc, as the show could really lose momentum if they stick around much longer. Seeing the lone sentinel-like Tripod at the festival grounds reassures us that this is in fact a science fiction show and not a period romance drama. So here’s to the festival, and to Will hopefully finding a way out of this mess – next time on Tripods.

Eloise is capped from BBC Tripods 1984
Eloise is already Capped!