Whether it be Star Trek or Red Dwarf, I always cringe a little bit when I see that a “theme episode”is coming up. At least Doctor Who has a central time traveling theme to make this less silly, but some shows really stretch to allow for such things. Western episodes are especially goofy in UK-based sci-fi, as they take all of the tired cliches that were mainstays decades ago and exaggerate them to a spectacular degree.
I used to buy a bunch of these “humble bundles” for PC games until I realized I was basically “hoarding” indy games that I was likely to not get around to playing. I had no idea they did this for books and stuff, so it looks like I got some comic reviews on the Horizon!
As you can see from the title, this post is largely unrelated to the main theme of this site, and happens to be a convention report. Thankfully, as you can see from the image above, there was definitely some UK science fiction fun to be had! Yeah, that ugly mug up there happens to be mine, and standing next to me is none other than Sylvester McCoy aka The seventh Doctor aka Radagast The Brown. Said convention was a Kansas City-based convention called Planet Comicon and it was held in downtown Kansas City, Missouri.
The reason I decided to write about this on here, is that personally, I think there is some cross-over appeal from sci-fi fans and those who go to “comic-cons”, because in all honestly they aren’t just about comics anymore. Thankfully I live in the middle of Missouri, and Hollywood has never swooped in on our conventions, so it’s not like it has deviated too far from the main purpose of these types of conventions. There are panels, media guests and comic book writers and artists like anything else, minus all the BS that seems to have been messing up much larger events like San Diego Comic Con.
For years, I have always attended anime conventions because part of me (erroneously) assumed that my local comic conventions were nothing more than small dealer rooms that you paid to get into. When I heard that Planet Comicon was going to be held at Bartle Hall, a huge convention center, I immediately took notice. I think the biggest con I attended was an anime convention in Dallas Texas (Project A-Kon) that had something close to 10.000 people attending, and considering the size of the building plus the sheer amount of people at Planet Comicon that I saw, I’m assuming that this one will be bigger when all the numbers are added up. The paper was suggesting almost 20,000 minimum!
One reason I don’t attend too many of those aforementioned anime conventions is because of my age. I’m 31 now, and most anime convention attendees seem to be somewhere between 12-17. Not to be one of those “get off my lawn” types, but the younger millennial crowd sort of annoys me, and having thousands of them left unsupervised means that I get to witness things like pulled fire alarms, trash all over the place, hormonal kids making out in hallways, and other fun stuff. A Comic Con crowd is skewed much older, and as a result the rude people are heavily outweighed by awesome people that can handle themselves in public.
Aside from that, the MAIN reason I honestly stopped going to many anime conventions was the fact that I really enjoy panels, and at anime convention panels are REALLY hit or miss. Occasionally one stumbles upon something good, like the year I saw the world premiere and Q&A of Robotech: The Shadow Chronicles. Other times were not as good, like that time I had to sit through two awkward twelve year olds attempting to run a panel on Japanese horror films, and my quest to try to sneak out of the room as politely as possible.
I attended some pretty cool stuff this year, most of which was related to Star Trek: The Next Generation. This was because this convention had basically all principle cast members from TNG including Marina Sirtis, Levar Burton, Wil Wheaton, Jonathan Frakes, Michael Dorn, Gates McFadden, and Brent Spiner. Also in attendance was the Star Trek God himself William Shatner and an unannounced John De Lancie! The convention did advertise a special moderated panel featuring all the the Trek guys, but I could not afford tickets to it. Good news is, most of these guys had smaller panels themselves.
The first panel I attended was a Q&A session with the Canadian-American “scream queen” and occasional Lois Lane herself – Margot Kidder. This was a guided Q&A (Moderated by a member of scifi4me.com) with an interview of sorts at the beginning and audience questions afterwards. Some gems were discussions on how Kidder got started in a tiny Canadian mining settlement mere miles from the arctic circle and her occasional flings with the likes of Warren Beatty and Jeff Bridges. Superman was, of course, a main topic towards the end of the panel, and Kidder suggested that she understood the torn fandom on the latest Superman offering suggesting, that the newest movie was perhaps “too dark”. All in all, pretty cool panel.
Up next for us was a Star Trek related panel featuring Michael Dorn and Marina Sirtis in the hot-seats. As Trek fans will know, they played Deanna Troi and Worf on TNG. This was more of a full-on Q&A and started with some lighthearted banter between the two at the beginning. Sirtis cracked me up because I’m VERY used to her calm demeanor as Deanna Troi in TNG, so hearing her coarse, no-nonsense verbal attacks on various topics was pretty fun. On the flip-side, Mr. Dorn was “the straight man” of the affair, and tried to keep everything on topic. The running joke of this panel was that Marina kept bringing up how somebody had told her to be “sensitive to the mid-west view on political issues” which was like a splash of blood in shark infested water for her. She comically veered the discussions into a commentary on health care reform, gay marriage, and marijuana legalization no matter what Dorn tried to do to stop it.
On Saturday, we attended a Wil Wheaton Panel where the former Wesley Crusher himself lead a fun discussion about tabletop gaming, craft beer, and the perils of being a step-father. We ended up WAAAY in the back of the room for this and another panel so the picture that I am about to post will be tiny and awful. The best part of this panel was a “cameo” by Gates McFadden, introduced as “Space Mom”. As Trek fans will know, McFadden played Beverly Crusher in Star Trek: TNG, and was the on-screen mother for Wheaton during his time on the USS Enterprise. Since she didn’t have a panel of her own at this convention, it was cool seeing her appear in some capacity.
Next up was the Brent Spiner and Levar Burton panel, which had an ENORMOUS line waiting for it. We were actually scared that we wouldn’t be able to get in, but thankfully were able to get a few seats towards the back of the room. The panel started with Spiner having to deal with a rowdy “heckler” with a deep southern drawl yelling about how awful he was. Eventually security came in and revealed the “heckler” to be non other than Jonathan Frakes playing an obviously pre-determined joke of Brent. This was pretty great and really got the crowd going. Gates McFadden also made yet another guest appearance, and after that it was all questions!
The hot topic seemed to be LeVar’s other popular role as the host of the popular PBS educational program Reading Rainbow. o many questions were asked about this that Burton had the audience sing the theme song, and announced a Kickstarter campaign was about to materialize to help fund internet video versions of the show for a new audience and a smartphone app. Brent pretended to be irritated by the attention, referring to Burton as “Roots guy” and discussed popular roles on Independence Day and a fictitious sequel to Star Trek Nemesis where Commander Data didn’t die after all.
Perhaps the highlight of this con for me was getting to meet Sylvester McCoy and attending his Panel. The panel itself was simply amazing because he decided to forgo the stuffy rule of “guest sits in chair” and proceeded to walk around talking to the audience, hugging people and other things. I’m pretty sure that the guys from the Traveling The Vortex Podcastwere probably annoyed slightly, because McCoy sort of moderated his own panel, but they were good sports. The panel itself appears to have been recorded as a podcast on their site, so be sure to check that out if you want to listen to the fun we had.
Highlights of McCoy’s panel was an impromptu session of spoon playing on Darth Vader’s head and a kazoo heavy rendition of the Doctor Who theme to close everything out. My wife gets really nervous around celebrities, so she was freaking out a little bit about how close to everyone McCoy was. stories like his near foray into the priesthood as a teenager were delightful, and really made this the best panel I have EVER attended. If you ever get a change to see Sylvester McCoy at a con or something you will have a ball.
Another fun Doctor Who related event was a performance of the “Timey-Wimey Puppet Show” – a one man “Punch and Judy styled puppet show for kids and adults alike. I later got to meet the man behind the show, Mike Horner, and snap a picture with him. do yourself a favor and watch a few of his videos on YouTube up there, it’s pretty funny.
The highlight of the puppet show for me was a segment where cosplayers we asked to come up on stage for a rendition of “Twelve Days of Christmas” featuring regenerations of The Doctor, and there was a little boy, no older than five, dressed as William Hartnell. He was even a master at holding his lapels and looking surly.
This was a crazy weekend here is Kansas City because this convention, Big 12 Basketball, some sort of marathon, and a symphony performance were all scheduled at the same time within a few blocks of each other. Not only did that mean crazy traffic, but it also meant that parking was awful, and way too many people from Kansas and Iowa (due to basketball) were all over the place. If I have only one complaint it was that the city could have staggered these events a bit. Thankfully another convention, Naka-Con (an anime convention) was over the state-line in Kansas or it would have been too much to deal with.
I do have a funny story about the parking situation this weekend. On Saturday, we had TONS of trouble finding a parking space. Many of the bigger garages were at capacity, and many were resorting to shady stuff like parking at Denny’s to avoid high fees. we eventually found a nearly empty garage a few blocks away in “the art district” and jumped at the opportunity to get a place to stop at a cheaper price.
Not only did we discover that a nearly-vacant parking garage is sort of creepy, but the whole thing had “artsy-fartsy” minimalist music piped into it that sounded like a combination of a didgeridoo and someone scraping metal on the ground. To me, this was the soundtrack of hell itself, and I imagined that we’d soon witness Pyramid Head from the Silent Hill franchise walking around a corner at any moment. Had I thought this out, I would have attempted to record this for the site, but I wasn’t sure I’d even discuss this in any way.
I haven’t had this much fun at a convention for a LONG time. For a while I always had something spoil the whole thing for me: whether be someone we came with getting cranky, annoying kids, or poor management. There is basically nothing bad I can say about the con itself, and I’d recommend this experience to ANYONE into comics or other nerdy “pop-culture” things. Planet Comicon has won me over, and they better expect me there for years to come!
If any of the footage from the panels surfaces online (I think it was recorded by the con staff) I will try to post it on here at some point, but otherwise listen to that podcast up there for a taste of what Sylvester McCoy had to offer.
Up to this point in my sporadic viewings of Out of the Unknown, I’ve been blessed with science fiction stories adapted from existing popular science fiction short stories and novels. First there was “No Place Like Earth” by John Wyndham and later “The Counterfeit Man” by Alan Nourse. What makes “Stranger in the Family” (our topic for today) really stand out against these popular adaptations is that is was actually commissioned specifically for the show. In series one, there only two such stories: This one by David Campton and “Come Buttercup, Come Daisy, Come…?” by Mike Watts. Thankfully both exist in a viewable form today, as many of these episodes sadly are lost to the sands of time.
David Campton was a popular UK-based playwright and dramatist that regularly worked on various British “anthology” shows such as this in the 1960’s. He did a few other episodes of Out of the Unknown, but this was the only one he wrote himself rather than doing an adaptation. He is definitely most known for his work as a playwright, which he was steadily involved in until his death in 2006.
Charles Jr., or ‘Boy’ as he is simply referred to, is an odd child. Not only is he born with a strange deformity of having no fingernails, but he is “blessed” with powerful mental abilities that enable him to control others. This troublesome ability has caused nothing but grief for his family, who have had to constantly move from home to home to avoid trouble pertaining to Boy’s abilities. Most worrisome is the fact that he is being hunted by a mysterious surveillance team who have moved into the next-door flat in the tower block. Boy falls for a young actress whose agent / boyfriend encourages the relationship once he discovers his “gift” because he thinks Boy’s powers can be used to make a lot of money via TV commercials.
When I first saw this, I immediately started to be reminded of an episode of Star Trek: The Original Series entitled “Charlie X“. Without going into specifics, let’s just say that there are enough similarities to assume that somebody ripped somebody else off. After doing a bit of research I discovered that this came first, but neither David Campton or Gene Roddenberry copied each other, and that both were most likely inspired by an even earlier short story from 1953 called “It’s a Good Life” by Jerome Bixby. To add further confusion, Bixby’s story was adapted into a Twilight Zone episode! All three have the same basic story of a boy that “becomes God” and uses their powers to manipulate others.
Out of the Unknown: Stranger in the Family Stars Peter Copley and Daphne Slater as Boy’s parents. While Daphne Slater more-or-less stopped working in the 1970’s, Copley went on to be in some pretty big films like Empire of the Sun, and Kingdom of Heaven. The main character, Boy, is played by Rochard O’Callaghan, a man that went on to be in tons of stuff including an episode of Red Dwarf where he played “Hogey the Roguey”. He’s mostly known for roles in TONS of procedural police shows, and is still working to this day. Paula Wild is portrayed by Justine Lord and her agent Sonny is played by Eric Lander. Lander is perhaps best known for various soap opera roles including General Hospital.
I really enjoyed both the script and direction for this episode. The last two episodes have “dragged” a bit in the second act, but this episode kept me on the edge of my seat for the entirety of the show. As Boy gets continuously “messed with” and used by people that he mistakenly thinks are working in his best interest, he begins to go down the path of revenge that is all to familiar with these types of stories. Luckily somebody didn’t dump pigs blood on him at the prom, because the body count would have been crazy. One has to thank both Campton and the director Alan Bridges for keeping the whole thing tightly paced and interesting throughout.
Since this is more of a science fiction-tinged psychological thriller, there aren’t too many dodgy “special effects” shots to worry about. More than anything else, this keeps the drama from being so dated that everyone can tell exactly when this was filmed. Also, there are no zany “space costumes” or “bug-eyed monsters” there ramping up the cheese factor. Granted, Out of the Unknown usually resists such tropes, but with classic science fiction, one has to be prepared.
This is a great episode of Out of the Unknown, and is probably my favorite of the three so far. If I were to show this program to anyone, I think that “Stranger in the Family” is a strong contender for the episode I’d use to introduce it. The version I was able to watch had tons of audio and video defaults as well as BBC time numbers all over it, so it’s not the best looking thing out there. I wish a professional restoration was in the cards, but I’ll take it any way I can get it.
Sadly, obtaining a copy of Stranger in the Family or any episode of Out of the Unknown is basically impossible by legitimate means, but that’s where YouTube comes into play. I have included a link to the episode below,if you would like to watch this as well.
I’ve been trying not to hype the so-called “omni-rumor” so much, but it looks like we have more recovered Doctor Who on the way. For those not in “the know”, there has been a rumor going around for months years hinting towards a MASSIVE haul of recovered BBC material that was believed to be lost. After the reveal of two such releases late last year, anything seems possible now! After the recent Gallifrey One convention, it seems that people high up in Doctor Who have all but confirmed that more is on the way, click the above link for details!
As I posted last week, the theatrical release of The Day of The Doctor included two featurettes involving Strax and the “three doctors”. I was saddened to learn that these were not on the DVD / Blu-Ray evidently, but someone has “leaked them to Youtube for us!
Hope Strax doesn’t find out!!
Also, if you missed my 50th Anniversary coverage, here you go:
I have a lot of diverse hobbies that do not fit into the topic of UKscience fiction, and as such I have dabbled with a sister blog to this one. I recently started up “Classic Anime Blog” for your old school anime needs. If you like anime, and especially the more obscure stuff, feel free to drop a like!
(Click Image Below)
I also have RSS feeds from this, the podcast I do, and my work for WWE’sJBL on the sidebar, check those out as well!
Thanks for letting me get my commercial out of the way, and stay tuned for more sci-fi goodness!
One genre of anime that was definitely done better in the past was the romance genre. Today, a lot of productions that could be considered “romance” often have little drive or story to move the plot along. Often times “harem anime” and ”moe anime” dominate the market, and pander to a very select crowd of fans. While there are definitely “diamonds in the rough” many of these shows are soulless commercial money grabs, created to fill time on a TV schedule. We will be discussing a romance show of a different color in today’s review, considering this genre is nearly extinct from anime today – The shounen romance. That’s right folks, today we will be looking at a romantic comedy / drama from the perspective of an eligible bachelor looking for love.
And sticking to the major trope that all teen dramas and comedies are based, everyone is concerned that he is still a virgin at age 19. Women are basically throwing themselves at him due to the way his friends tell everyone at every turn about his plight, and he will have none of it. That is until he meets the love of his life, an old junior high school friend named Masana that moved to Tokyo and became a successful model. It seems she has recently become available, and Kobuta sees this as his chance to make the move that he never had the guts for before.
The main thing I like about Nineteen19 is that it’s told from the point of view of Kobuta, but doesn’t devolve into the over-the-top machismo and borderline misogyny that one could expect from a modern male centered romance story. He’s a stoic dude and somewhat emotional – thus more realistic than what one sees in Hollywood films. While his fling with Masana is somewhat ephemeral, one feels really happy for the guy when everything starts clicking into place. Although I will warn that this anime has a bittersweet ending, I don’t want to give the impression that it’s all lollipops and unicorns for 45 minutes.
Aside from Kobuta and Masana, the cast is not very fleshed out. We get to see both of their respective groups of friends, Masana’s ex-boyfriend, and Kobuta’s boss, but only briefly. Kobuta’s boss is especially strange for his penchant for groping everyone’s hindquarters in a creepy, and yet somehow innocent way. A little bit of explanation for that would have been nice! That’s the problem with older anime OVAs, the short duration (this clocks in at around 45 mins) means that only the most important things get fleshed out. We get to see the romance between the two main characters and that’s all that matters.
One thing that makes this anime significant is the use of music, and more specifically the interesting music video cutaways inter-spliced into the film. This was made in 1990, so you can expect early 90’s club music and contemporary pop of the era. The music was created by Toshiki Kadomatsu, a popular R&B singer and songwriter that has released quite a few albums, and is still releasing music today. Here is a sample of one of the videos:
Nineteen19 is pretty hard to come by. It’s an old, unlicensed, OVA from over twenty years ago, so a domestic DVD release is laughably implausible. The film gained prominence in the early 90’s through anime clubs and tape traders, and is essentially kept alive by them today. I found a fan-sub on YouTube that I have posted below so you can also enjoy the film. It has a few spelling mistakes here and there,but it gets the job done. YouTube has really become the place to find obscure anime such as this, finding this even five years ago would have resulted in hours on torrent sites and other irritations.
Nineteen19 is a slice of life anime that brings a strange sense of nostalgia over me. I was too young to be able to identify with Kobuta at the time, but I think it really brings out what a real relationship can be like. Our culture has left tons of would-be romantics assuming that they should be attempting to re-create scenes from popular Hollywood films to win affections from the other half, a feat that usually will get the person into trouble in real life. This aspirational brainwashing has made people forget what a real romance can be like: false starts, awkwardness, and misunderstandings. If you want to see something different, and enjoy slice of life anime, watch Nineteen19, I think you’ll dig it.
Anthology TV shows used to be fairly common, my personal favorite being a show called Tales from the Darkside (mostly due to its amazing theme song). While there aren’t many today, one can definitely see that the 1960’s were the golden age for these sorts of programs. In America, there were shows like The Outer Limits and The Twilight Zone, and in the UK shows like Journey to The Unknown and the lesser known Out of the Unknown were big business during the UK science fiction golden age. Out of the Unknown is relatively unheard of outside of hardcore science fiction fandom due to the poor archival status of the show. It’s one of those shows that fell victim to the BBC’s “junking” policy for old footage. Of the original four seasons and nearly fifty episodes of the show produced, only around twenty exist today. What remains is pretty solid TV and consists of short stories adapted from existing work with a few exceptions made for the show. I actually heard about this show doing a Wikipedia search for John Wyndham (of Day of the Triffids fame) and found out that he had a story made into an episode. Which story? Well this one right here!
No Place like Earth is a new take on the old Thomas Wolfe coined phrase “you can’t go home again”. Set fifteen years in an indeterminate future, a man named Bert Foster (Terence Morgan) wanders the canals of Mars thinking of simpler times he had on Earth. It seems Earth collapsed in a nuclear holocaust leaving all the survivors to find refuge on nearby planets. Bert is essentially homeless and travels around doing the work of a handyman to make ends meet. While trying to be the best hermit he can be, Bert draws attention from a Martian woman named Annike that is eyeing him for her daughter Zeyla. Before the story veers into sappy love story territory, a rocket from Venus shows up. The crew tells of a “New Earth” on Venus, and Bert jumps at the chance to regain his former glory. Bert’s heart breaks when he realizes Venus is nothing more than a slave colony with wealthy overlords preying on gullible fools like him. Looks like Mars wasn’t so bad was it Bert?
Some might look at No Place like Earth and think how silly the setting is. Wyndham painted a picture of a Mars that exists in pure fantasy; a planet full of crazy mountains and canals full of fresh water. I had to watch this on a popular video sharing website (since the episodes are nearly impossible to find otherwise) and noticed a bunch of unimaginative people mocking the “old notions of what Mars was like”. Those folks are missing the point, and are most likely the same people that crapped on John Carter, despite it being a really good summer movie. The original story for No Place like Earth was written in the spring of 1951, and by that time we definitely knew that there were no canals of rushing water on Mars. We knew there were not livable cities all over the place. Outside of the occasional ancient alien theorist espousing new theories on how Mars has a face on it, we had about the same level of Martian knowledge then that had when we started sending robots up there. To really enjoy this episode one has suspend disbelief just enough to see what story is trying to be conveyed rather than harping on how unscientific the whole thing is. And that’s the end of my rant for the day.
No Place like Earth is definitely a low budget affair, and is only really saved on an artistic standpoint by being filmed in black and white. The costuming looks decent, if not a bit on the camp side; although I can imagine that everything was painted in garish colors. In this way, I feel a lack of said color is a blessing in disguise. Effect shots are very few and far between, and aside from a slew of decent matte paintings and other background special effects, the whole affair is essentially done as a stage play rather than something filmed especially for Television. One thing that could have been done a bit better was the acting in certain places. Since I can assume that most of the actors involved were stage actors, they seem to be massively overacting when in front of the camera. The way they wistfully look around, their body posture and the way they move all scream THEATRE! I can let this pass in older TV shows and films, because the medium was in its infancy, but I’ve seen much older shows with way more subdued acting.
Aside from those few quibbles, I enjoyedNo Place like Earth quite a bit. I think it’s my love for older science fiction short stories from the era, but stories like this have a weird sense of wonder and adventure that is mostly absent from a lot of modern science fiction. If you like these sorts of shows and want to see stories from some fairly prominent science fiction writers of the time, I’d say check this show out.
Aside from working and being a hack writer on this very blog I sometimes have time to work on a Podcast for my buddy Thomas! This week we discussed the book 1984, and I mentioned the review that I just did on here. So if any of my reader’s have ever wanted to hear the sound of my voice, here is your chance!
I’ve also been toying with doing a podcast for this site, I’ll keep you posted on this front.
As is the norm with this show for a while, we have the episode split into a few separate story strands to keep everything rolling nicely and to give each character something to do. There are actually three main segments to follow: one with Abby, one with just about everyone else, and one with Greg and Anya. Mysteriously, we don’t really hear from the scientists that have been popping up in the last few episodes. You’d think that their search for the cure to the virus would get some mention here.
Abby found out about a group of kids occupying a large mansion from the eco-commune last episode, and has gone out to find out if her son is there. These kids have gone into full-on Lord of the Flies mode without any parental supervision, and are causing havoc around the grounds of the mansion, much to the dismay of the original owner of the mansion, a man that is hiding in the woods while his belongings get ransacked. She’s caught between these kids that “couldn’t make it outside” and said owner. She realizes that she could maybe get them to form an alliance of some sort, an option that seems easier said than done.
The second segment involves a familiar setting from last week. Here I thought the previous episode was the last time we’d see Samantha Willis and her creepy eco-commune, a place that gets worse by the second. How wrong I was, as we only had to wait one mere episode! The previous episode saw the former Health Minister becoming more and more of a ruthless despot as she clings to power. Abby was completely unnerved by the way the members of this commune handled “law” in their new community, and opted to leave despite all the good things such a community could offer.
The problem is that Willis is definitely making the hard choices that any leader should make, and as the sole authority from the government left, she’s bound to start making a few bad choices sooner than later. We saw her do things like punishing would-be supply thieves by public execution to send a message, thus continuing her fall. In episode 4 we have the arrival of Tom, Sarah, Najid, and Al in this community – possibly to stay for the long haul. It seems that despite the bad stuff going on, Abby let everyone else know about the place, and wants to move on to find her son. As one would imagine this lasts about three seconds before bad stuff goes down.
The weakest story in this episode has to be one involving Greg and Anya at the house. This segment seems to be a situation of trying to find something for these left-out characters to do, and serves little purpose otherwise. Basically, the pair find themselves under siege by a pair of rapists, and spend a few moments fighting them off. Unlike the chicken coop minor-segment in episode three, this piece was not very good.
I’d say this episode was a step down from the last one, but that isn’t a bad thing. This show usually stays pretty interesting, and the weaker episodes are still better than most other shows in the same vein. I am worried that the show will keep having segments for characters left out of the main plot such as tonight’s foray into rape-busting, as these sort of scenarios have seemed sort of half-assed so far. Hopefully we get to see what our bunker-bound lab coat guys are up to, I miss those guys 😉
It’s been a while since I did a write-up for this Survivors; I guess I had a lot going on and got a bit sidetracked. Recently, I got hooked on a U.S. based reality show called The Colony, in which people are made to live in a situation resembling a post-apocalyptic virus outbreak; I immediately thought of Survivors. A lot has happened in the first few episodes of Survivors, and now that the main cast is all together, it’s time to break everyone up into little groups to look into the inner-workings of their characters. In the last episode, we had things like Al finally opening up – moments like this are really the best thing the show can offer. We get two such occurrences in this episode: Abby in one case, and Greg and Tom in another.
In the first half of the story, Greg and Tom come across a family that has somehow managed to stay isolated during the viral outbreak. The father of this family goes to insane lengths to protect his family, such as forcing his kids to stay inside at all times. If he sees any living creature, whether it is an animal or human, it needs to be killed to preserve their unaffected status. He bathes in harsh chemicals if he steps outside, and burns his clothes afterwards. This is all done because he loves his kids, but this extreme nature does nothing but bite him, when he attacks Greg and Tom. They are forced to hide in this man’s barn for a bit after their car is destroyed, and accidentally expose the daughter to the virus. This brings up a very bad situation where the father must choose for the daughter to leave with two unknown strangers, or to stay there and possibly kill the rest of the family.
After seeing some terrible new 2012 inspired American TV shows such as Doomsday Preppers, the attitude of the father makes me a bit sad. His paranoia for the unknown nature of the virus makes his entire family miserable, and resent him. In the aforementioned program, people hoard food, make ridiculous precautions, make their kids run paramilitary drills and other stuff that seems to be a great idea, but as Survivors illustrates, would just end up failing anyway.
The other half of the episode sees Abby coming across a haven for other survivors while she is out looking for her son. This camp is run by Samantha Willis, possibly one of the few government heads left alive after the virus hit. While the place initially looks like a utopia as it has food, electricity, and multiple survivors of all ages, it has a dark secret. These people don’t like outsiders, and have a warlike relationship with a group of marauders that are trying to share the wealth. Problems like the viral epidemic seem to bring out the worst in people, a running theme in this show, and a place like this colony go from being awesome to just as bad as the gang that our characters met with in episode two.
I liked this episode a lot because of the above situations the characters are forced into. The story of the little girl is heartbreaking, and was the highlight of the show drama-wise for me. I’ve seen other shows recently like Outcasts that try to be an interesting drama with a bit of science fiction flavor, but end up being a glorified snuff film to make the audience feel bad. These gruesome acts take the place of good writing, but fail to do anything for me. Survivors doesn’t rely on shock tactics and we see a bit of the other side of drama – warmth. The scenes were the remaining Survivors help build a chicken coop while Abby, Tom, And Greg are out gives this slow a glimmer of hope, and that’s why I can always come back to it.
The main point of my previous review was that episode one of Outcasts was utterly depressing, so depressing that it seemed like a worthy companion to all those shows about compulsive hoarding. In one episode, the producers and writers played multiple games of bait and switch on us, leading me to have no idea who the main character was. “oh look, I better pay attention to these guys” DEAD! “wait, maybe that person will be important later in the sh..” DEAD! “What about…” DEAD! I know some shows start killing off hoards of characters for dramatic effect throughout a story to build drama, but leaving half of the initial introduced cast in the first episode either dead or mortally wounded? Onward to episode two, I guess.
Episode two thankfully does what episode one should have done- it introduces us to things like backstory, character development, and gives the viewer a firmer grasp on the setting. In the previous episode, I really had no idea what the planet of Carpathia was like. At first I was lead to believe it was a desert planet based on a random sandstorm that happened, and the presence of dunes, only to find out it had vegetation and rocky hillsides. Confusing things like this made the first episode seem weird and disjointed, and not in a mysterious Lost sort of way.
This episode also introduces us to another group of people on the planet, a group of “Outcasts” who I assume are going to be the main antagonists of the citizens of Forthaven. We find out that Forthaven once had far more people than it currently does, and a virus outbreak drove them away. More specifically, they were slated to be executed, but were let go. These people resent the settlers, and want revenge.
Sadly, while there is character development present, nobody really breaks the archetypical mold they are set into, and as a result we have a cast of one-dimensional characters doing utterly predictable things. Present are characters like the wise captain, the motherly older woman, the hot-headed military man, the snake in the grass, the punk teenager, and many more. It is because of this that most of the characters feel like chess pieces created to achieve the goal of a story rather than fleshed out humans in a real world. For me, the character of Cass was the only character that I cared about in episode one. I thought he was going to be the comic relief character at first, only to find out that he’s much more valuable to the story. With the introduction of a super-creepy guy like Julius to throw disarray into the camp, I can see a glimmer of hope for later episodes.
While I didn’t hate episode two of Outcasts, It isn’t out of my doghouse quite yet. It seems that it has finally found its footing on the teetering platform of watchability, and is pretty close to being entertaining. As long as they don’t kill of these good characters I like, and people start doing things outside of their archetype I think this show could be salvageable.
I was perusing Netflix’s streaming tab one day, and noticed a few new shows added to my “you might like this” tab. One show in question was one that I had heard of, but had never seen called “The Day of the Triffids”. Since then I have researched it a bit more, and discovered that a 2009 remake was made, and a few theatrical movies exist of the story, all of which was originally a book by John Wyndham. I hope Netflix keeps this up, as I’d love to see some more stuff that I can review for this site.
As the episode opens, we see a man named Bill Mason, who is laying in a hospital bed with bandages covering the majority of his face. We learn, through various flashbacks, that Triffids were some sort of plant, whose oil could be used as a new source of energy. It appears that some sort of energy crisis is afoot, and the new Triffid oil is the best around. The problem is that apparently Triffids seem to be either sentient, or at least move around to feed, as Bill knows the best of all. He was the first to officially be “attacked” by a Triffid as a child, as one was able to sting him pretty badly. He gained expertise in the subject, and later went to work on a Triffid farm of all places. His injury, that as of yet was a mystery, seems to come from another Triffid sting, that left him temporarily blind. As Bill lay in bed, the world bears witness to a beautiful meteor shower, one that will change mankind forever.
A Triffid on the attack
The story in itself is a breath of fresh air for a person like me, who has seen just about any science fiction plotline used umpteen times. To be honest, I really can’t say that I’ve seen a show about walking killer plants. The budget for The Day of the Triffids is obviously pretty small, but doesn’t seem to suffer from the budget shortcomings of shows like Doctor Who and Blakes 7, probably having to do with the short duration of the miniseries. The special effects are pretty good, but sparse, and the only real heavy amount of them you see are the Triffids themselves, which look like a huge Amazonian carnivorous pitcher plant, mixed with some kind of houseplant.
I will definitely keep watching this show, and now plan to check out the other versions of this story, as I love post-apocalyptic stories, which I assume is where this goes, and weird stuff in general.