The White Mountains (The Tripods #1)

The White Mountains (The Tripods #1)

The Tripods first came to my attention a few years ago when I stumbled upon a picture of one of the titular crafts in some sort of memorabilia magazine; one that was full of garage model kits. As I recall, I had no idea that there was some sort of “sequel” to H.G. Wells’ The War of the Worlds, and wondered why I had never heard of it. I was, of course, mistaken as the concept of these three-legged walking crafts is merely inspired by those similar Martian crafts, and have no relation otherwise.

The Tripods was actually a series of “young adult” novels (way before they were a cultural phenomenon) penned by John Christopher in the late 1960’s to the early 1980’s. The series was a success and was eventually adapted into an awesome television show that I’ve seen the first season of. If this sounds fun, be sure to look for my reviews of that show on here. The production was a joint venture between the BBC and the Australian Seven network, and lasted two seasons. Sadly, a third season died before it went into production.

The White Mountains is immediately unsettling based solely on the realization that something is wrong. The book employs a great juxtaposition of little hints of lost technology and a primitive, medieval-ish, somewhat pastoral, setting. This sets up what I will be calling “The Reverse Shyamalan”- we have already seen the twist, something bad happened and this is a dystopian future – now let’s work backwards and find out why. Maybe it’s more like Memento? I’m sure I can figure out a better early 2000’s film reference to put here, but that’s beside the point.

Anyway…we know that something isn’t right: either these people are some sort of Anabaptist off-shoot that hates technology, or something bad has happened in the past. This is answered almost immediately as we meet the main characters on their way to a village celebration. It seems that Jack, a neighborhood boy, has reached the age at which everyone is considered an adult, and is to have his “capping ceremony”.

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Will (and later his cousin Henry) are disturbed by this practice as everyone that gets “capped” comes back different. Capped individuals seem to lose any sort of creativity, drive, and imagination that made them who they were. “Adults” become bland worker drones that want no other past time than work and sing the praise of their “masters”. These masters are of course gigantic three legged monstrosities called “Tripods” and the Capping Ceremony can be surmised as a way of them controlling humans. At this point we have no idea what these creatures are or what they want with the human race, but one can see that it isn’t good.

Will strikes up a conversation with an eccentric “vagrant” named Ozymandias that talks of a land of free men in the White Mountains, a land outside of the influence of the Tripods. Vagrants are those that are seen as harmless by the Tripods and regular capped townspeople, but are not allowed to mingle with everyone else. Usually it is accepted that these people were “driven mad” by the capping process and are better to be not spoken about. Will is amazed by what Ozymandias has to say, and plans to escape to the European mainland to find this utopia of freedom.

Then a whole lot of shenanigans ensue – a third character named Beanpole joins up, and grenades get hurled at stuff. I will let you read to find out the rest.

I was struck with how different this book is to the television series. First and foremost – Will and Henry almost hate each other. Even coming to blows a few times. The show also has a LOT of “fluff” padding the main part of the story. Honestly, the book flows better and is very tightly paced. This is ostensibly a young adult book or some equivalent thereof and can be read very quickly, if you enjoy science fiction I would greatly recommend it.


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Vampirella Volume 1: Our Lady of Shadows

Vampirella Volume 1: Our Lady of Shadows

I’ve stated in a few other reviews on here that I *usually* don’t like modern vampire fiction. This is largely because writers try too hard to make it hip and trendy to cater to the teenage audience. So, while everyone was obsessed with sparkly shirtless vampires, I basically stopped reading anything in the genre. I have, however, found that I actually do like this stuff, I’m just an old “stick in the mud” traditionalist when it comes to it. Even some of the more of-the-wall vampire stuff I enjoy (like Vampire Hunter D) is firmly based on stuff like Christopher Lee films from Hammer Horror.

When reading Vampirella Volume 1: Our Lady of Shadows, I was having a lot of fun. Despite the covers, the story doesn’t really get too outlandish and exploitative, and everything is fairly well written. This is basically my introduction to the character since I always assumed this book was nothing more than softcore porn – now I know it’s more of a “pulp” series, and I feel bad for ignoring it so long.

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The story follows Vampirella as she is sent by The Vatican to stop a long dead nemesis, a cult leader and warlock, that may have resurfaced. She ends up on a quest (aided by a Nosferatu no less) to consume energy from various “vampires” from other cultures to make herself able to stop him and his plan to start the apocalypse.

Honestly, my only real quibble here is that it ended in such a way that it really should have had at least one more issue. Everything seems rushed at the end, thus making the whole story-arc unbalanced. There was even a point where the “monster of the issue” feel is thrown out in order to speed things up (what previously took a full issue was resolved in two pages), making Vampi’s quest seem pointless. It was good that a “prequel” issue was included, but I wanted a better ending. I will have to look at more Vampirella titles from Dynamite and possibly read more as I am starting to really enjoy these retro “pulpy” titles they are doing.


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A Regeneration is coming, 2017 is the year of rebirth

Anyone that may still check on this blog may have noticed that some changes have been happening behind the scenes. I have purchased a new web domain, re-tooled the logo, and altered things like the Facebook page – but what does that mean? I plan to alter this blog ever so slightly in 2017, instead of having a handful of small one-topic blogs that I have been neglecting, I plan to merge them together into a new entertainment site -arcadiapod.com. not only will I discuss science fiction, but it will not only be UK-based sci-fi. I will discuss movies, TV, books, wrestling etc. Pretty much whatever I want. This will help with creativity and not lead to burn-out. Once I move, I will also be re-vamping my short-lived podcast so get ready for that as well.

Can’t wait to share some great stuff with you guys!

Mortis Mutilati – Mélopée Funèbre [2015]

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Cover – Credit Bandcamp

 

 

For my first review on Screams of the Forest, I wanted to immediately take myself out of my comfort zone and review a band I had never heard of. When I first decided to do this site, my intention was to help myself appreciate a lot of the digital music I’ve been listening to as of late, and hopefully share bands with other people that may not have heard of them. Granted, this blog is going to mainly be a blog devoted to bands that lie somewhere in the neighborhood of black metal, mostly atmospheric, folk, pagan, or depressive black metal, but I feel that we are in the midst of a new era for this genre, and there is plenty of variation out there to cover such a seemingly narrow topic. Being an unexperienced hack when it comes to music writing, I feel like this is a good way to hopefully allow myself to produce decent articles that are a bit out of the mainstream as well as avoiding the numerous clichés that I see most music writers doing.

With that out of the way, now for the topic at hand.

Aside from Gojira, I will admit that I am fairly oblivious to the French metal scene (feel free to recommend bands). One always hears about numerous European countries in most metal discussions, but rarely have I heard any talk about French musicians that aren’t pop singers. Many years ago, I was somewhat scared away from French music altogether under a somewhat unfortunate circumstance.

You see, I once had a roommate that listened to French Hip Hop 24/7, a genre that was simply not my cup of tea at all. This was made especially odd, considering the fact that I am not, not have I ever lived in France – I’m American and so was he. I actually tolerate rap and hip-hop in small doses, but there was something disingenuous about the French variety that completely killed it for me. Perhaps writing off an entire country due to my dislike for a narrow genre of music was somewhat immature, and I now see my mistake every time I travel to Bandcamp.

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Macabre – Credit – official Facebook Page

I stumbled upon Mortis Mutilati under a somewhat silly circumstance, in that I fell in love with the album art for Mélopée Funèbre, the very album we are going to discuss today. Despite the inherent shallowness of choosing to listen to a band based on either a cool logo or a cool cover, I immediately enjoyed what I heard. This was a band, that had a different sound than what I was used to when thinking about “standard black metal” if such a thing even exists. The man behind this aural funeral procession calls himself Macabre and has released three full length albums so far including 2012’s Sombre Neurasthénie [Dark Neurasthenia], 2013’s Nameless Here for Evermore and a handful of demos and splits.

The album starts with a somber acoustic piece entitled Mélopée Funèbre, the title track, which paints a melancholic tone with faded out guitars and haunting angelic voices. This sets the stage for an album that conveys a disturbing correlation between love and death – and a hint that perhaps they are not mutually exclusive. Other songs Such as Ophelia, and Eros and Thanatos continue this theme without a single musical note straying from the overall tone of the concept.

Rather than employing the often-muddy “wall of sound” artistic style found in a lot of black metal, Macabre paints a “dirgy” soundscape full of melodic guitar riffs peppered with aggressive drum beats. While I bet there are many other bands that sound far more similar, my mind immediately drew a connection to the way a Ukrainian band called Drudkh sounds most of the time, and their use of guitar and solos vs the harshness of other black metal bands. This harmony of sound styles somehow works in a way that conveys the theme of death and funerals without succumbing to the clichés of most depressive black metal – being angry for no reason, or too heavy to elicit the feelings that the genre is supposed to bring out. It also helps that Macabre, himself, pierces his music with a sorrowful set of vocals that really help convey the tone.

I mentioned the acoustic piece earlier, but there are a few more notable stylistic choices found on the album including piano pieces, and even a section found on the final track of the album (Fingers of Death) starting with a section that would most normally be heard in a drone metal album. This shows me that Macabre is not a slave to the tried and true “paint by numbers” approach to black metal, but this isn’t some sort of pretentious “experimentation for the sake of it” affair either.

All-in-all this was a solid listen and one of my favorite albums of 2015 – I highly recommend it.

Doctor Who: Listen (2014)

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For me, there has never been an episode as deceiving, and surprising, as Listen. At first, I was under the impression that this was going to be a straight-forward horror episode, in a similar vein to last year’s Hide. This was “egged on” by a trailer that reveled in the creepy aspects of the episode, leaving no question to me exactly what we were going to be getting. I like these sorts of episodes a bit, but usually find them to be somewhat worse than other episodes due to the tendency to overdo the explanation for whatever supernatural creature they “seem” to be fighting. That’s not a ghost! It’s merely a time traveler trapped in a parallel dimension! That’s not a vampire! That’s an alien from the deepest outer-reaches of space! You get the idea. Then I watched the episode and everything changed. While the beginning segment of the episode was a straight forward “creep out” exercise by Steven Moffat, what followed was quite possibly some of his most clever writing since Blink.

I’m going to do far more of a recap than usual, because this is not an episode that simply needs a one paragraph blurb to get the point across. In fact, I have no idea how to express the plot of this other than actually analyzing it, and you will soon see why.

Question. Why is there no such thing as perfect hiding? Answer! How would you know? Logically, if evolution were to prefect a creature whose primary skill were to hide from view – how could you know it existed? It could be with us every second and we would never know. How would you detect it, even sense it… except in those moments when, for no clear reason, you choose to speak aloud? What would such a creature want? What would it do? Well? What would you do?

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Listen opens with the long-awaited date between Danny Pink and Clara Oswald that was hinted at few episodes ago. As one can imagine, this does not go well at all, and both parties end up awkwardly offending each other in probably the worst way possible. Clara once again mentions something that offhandedly seems to be a reference to Danny’s buried past, and he lashes out at her – ruining the date. Disheartened, Clara goes to the Tardis to meet a Doctor that seems to have been left alone to ponder something for far too long.

It seems he has become completely consumed with the idea that every living being has a constant companion, an entity that is with us at all times, watching us, experiencing all we experience. Being a bit into western esotericism, this almost seemed to hint at an old Platonic theory of the eidolon, a “shadow being” that we all have that may or may not be our actual suppressed personality or essence. This isn’t actually referenced in the episode whatsoever, but I was all ready for the possibility that they were going for that and I got excited (LOL). The Doctor’s “theory” is that everyone seems to have the same dream at some point in their lives, a dream in which a hand grabs them from under the bed at night. He asserts that this was no dream, but this entity trying to communicate with us. Clara initially dismisses this wholesale, but agrees to return to her childhood so they can investigate.

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There is a blunder in the Tardis navigation circuits (WHAT!? That never happens!), and instead of visiting Clara’s childhood, they seem to visit a young Rupert Pink, a boy that it is assumed to be none other than Danny. Of course, The Doctor has yet to officially meet Mr. Pink, so he seemingly does not know the significance. Rupert is terrified of a monster under his bed, making him a prime candidate to test The Doctor’s theory. As they discuss the situation, and odd apparition rises from under Rupert’s bed sheets, leading The Doctor to have them turn away from it, ignoring it. While this could be a monster, it also could have merely been another child keen to play a prank on Rupert.

An interesting thing happens here when both Clara and The Doctor seem to “create” Danny Pink by imprinting values and future information on him. Clara suggests he let a toy soldier stand guard for him, which he enjoys the idea of. He’s always been into soldiers, and names one of his toys “Soldier Dan”. Since he hates his real name, we can see this as when he chooses “Danny” as his new alias. Before wiping his mind of their meeting, The Doctor encourages Rupert to see his fear as a “superpower,” because adrenaline will empower him to overcome obstacles and foes. He seems adamant of this, as if he knows something he isn’t telling anyone else. Rupert slips into a deep sleep with his new life as the heroic “Soldier Dan” firmly implanted into his mind.

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This is where the episode veers off into a place where I had no idea it would go. The Doctor and Clara decide to go back to her “date”, mere minutes after she storms off, in order to set things right with Danny. The Doctor isn’t so keen on this, but seems okay as long as he can ponder his theory more. The date still goes poorly, this time with Danny storming out after she accidentally calls him “Rupert”. He assumes that she is making fun of him in some way, and is hurt. A man in an orange spacesuit steps into the diner, and assuming it’s The Doctor, Clara follows him angrily. The man removes his mask to reveal a much older Danny Pink!

The Doctor identifies this man as Orson Pink, one of Earth’s first time travelers, having originally come from over one-hundred years in Clara’s future. The Doctor found him stranded at the end of the universe, where he was on the verge of death and fearing that an entity was trying to kill him. The Doctor theorizes that this is the very same “companion entity” that he was looking for earlier, and that it may be trying to kill Orson since he is the only remaining life in the Universe.

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Orson decided to become a time traveler when he was a child due to things that happened in his upbringing. It is revealed that one of Orson’s great-grandparents told him stories about time travel and that Orson possesses the small toy soldier given to Rupert earlier in the episode. He gives it back saying that she is worthy of his family heirloom. Something happens and our crew attempts to escape the entity and end up in an odd location as the cloister bell rings, a telltale sign of enormous danger.

Clara finds herself in a rickety barn with a crying child in it. She is forced to hide under the bed when two people enter and try and coax the child out of the room. They are concerned that his constant fear of the dark is going to make him a poor soldier, and that he will never become a TIME LORD at his current state. Horrified at what she has heard, Clara accidentally grabs the child’s leg from under the bed.

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It is at this time that she realizes that she has met none other than The Doctor himself as a young boy, and she is the “companion entity” that he is fearful of. She tells him that he is dreaming, and that he needs to channel his fear into something good, a similar idea that The Doctor told a young Rupert Pink. This barn is none other than the rickety old barn seen in “Day of the Doctor”, so it can be assumed that they are somehow on Gallifrey. Clara tells the Doctor that they need to leave without question, and that he isn’t to know where they just were.

Listen is the perfect set-up for a Moffat-style monster that ends up being a GIANT red herring. He excels at creating conceptual monsters that embody some sort of primal fear that we all share, and in this case it was taken to the ultimate conclusion. For half of the episode, I was on the edge of my seat waiting for the reveal on the constant companion and why it seems to be terrorizing The Doctor so much. Realizing that this monster is none other than a misunderstanding from The Doctor, and that he is secretly “scared of the dark” is pretty awesome. In fact, knowing what is going on makes a second viewing that much better.

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To be honest,  When I thought this was a straightforward monster episode I felt that the beginning was weird and oddly paced. The episode seemed to be almost nonsensically put together on a narrative standpoint and concentrated on Clara’s date way too much. It’s only half-way through when I realized that the monster isn’t the main point of the episode, and the date is a study of what makes Danny Pink tick, and why the Doctor acts the way he does. We basically end up searching the negative space of the episode, looking for clues that help us know about the monster (much like The Doctor) and are left speechless when we find out that there is no monster.

We are left assuming that The Doctor has basically made an immense leap of logic that seems somewhat uncharacteristic for himself, and has veered somewhat into the realm of the conspiracy theorist. I’m not going to say that this fact makes The Twelfth Doctor crazy, but his motivation here seems to be that of someone that is utterly horrified by something, but can’t get past the most likely reason for feeling the way he does. He literally cannot come out and say that he’s scared and show any weakness; being so used to carrying the universe on his shoulders, he has somehow internalized it into this “superpower” he tells Danny about.

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As a complete package, it all comes together in such a gratifying way that I haven’t felt since the 50th anniversary special. In a way, this is the current show’s Edge of Destruction, an episode from “classic Who” that seemed weird, oddly paced, and yet immensely gratifying once you realized what was happening.

If anything, this season has proven to be much more about character building than the previous few, and I for one am very happy about that. While I hope that we don’t see too much more of The Doctor’s past, it was cool seeing him as a child. Writers always run the risk of spoiling the mystery of characters like The Doctor by showing their “origin stories” (see X-Men’s Wolverine) but seeing him before he became who he is was awesome. Clara has really imprinted herself on The Doctor much more than anyone else has, she really is “The Constant Companion.”

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Here’s Your Saturday Links: 9-13-14

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Fun fact of the day:

“According to a report in Variety, published on 6 November 1956, a nine-year old boy died of a ruptured artery at a cinema in Oak Park, Illinois during a showing of this double bill. The Guinness Book of Records subsequently recorded the incident as the only known case of an audience member dying of fright while watching a horror film.”

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Deep Breath Hits No 1 At US Box Office!

 “Soumya Sriraman, BBC Worldwide North America’s EVP Home Entertainment and Licensing, says “Doctor Who continues to grow in the U.S. and it is thrilling to see the fans come out for the theatrical screening experience as we’ve embarked on new adventures with Peter Capaldi as the Doctor. We’ve enjoyed partnering with Fathom Events and our accomplishment in the box office is a testament to the successful collaboration between our two companies.””

READ MORE>

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Project Hieroglyph: Fighting society’s dystopian future

“Just glancing at this week’s movie listings, those in the US can see humans battling super apes for world domination, a gang of Marvel misfits fighting against the universe’s certain doom, or a young boy tasked with keeping all memories of a society that has done away with individuality.”

READ MORE>

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Revealed! The covers of our GQ Men Of The Year issue (Peter Capaldi gets a cover)

“On 2 September it was the hottest ticket in town, but if you couldn’t make it to the ceremony itself you can now catch up on all the winners in this year’s issue celebrating the GQ Men Of The Year Awards 2014, in association with Hugo Boss. From the Beatle who’s been promoting peace and love for five decades, as well as the rogue British hotshoe shaking up Formula 1 to a sci-fi double-hitter of in the form of Doctor Who’s Peter Capaldi and Sherlock’s Benedict Cumberbatch, you’ll find interviews and shoots with 22 incredibly influential men – and one perpetually intriguing woman – on the bleeding edge of now.”

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American Doctor Who fans befuddled by Capaldi’s accent: ‘He should be called Doctor What!?’

“While the 12th Doctor may have been thrilled about his development, it turns out that some of the show’s fans are not. As Capaldi made his debut, the internet’s complaint registry (aka Twitter) was quickly filled with the grumbles of fans struggling to understand the new Doctor’s new accent.”

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Steven Moffat Talks Peter Capaldi’s Doctor Who Costume

“Showrunner Steven Moffat has spoken exclusively to SFX about the new series of Doctor Who, launching next month on BBC One. And he tells us that new star Peter Capaldi had a major input into just what the well-dressed Time Lord is wearing this aeon…”

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Here’s Your Saturday Links for 8/16

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Fleet Street goes sci-fi: Daily Express’s starring role in The Day The Earth Caught Fire

“An apocalyptic science fiction film showing the world overheating and society thrown into turmoil is about to be released. But this is no modern commentary on global warming and war – the film was originally shown in 1961. The Day The Earth Caught Fire, a pioneering production and scathing indictment on Cold War posturing, has been rescued from the archives and digitally restored for public release….”

Read More>

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Best sci-fi books round-up: Where imaginations run wild

According to The Independent “Science fiction and fantasy is a broad church, and many who preach its tenets might not be wholly aware that they are doing so.”

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‘Tractor Beams’ Are No Longer Science Fiction

“Tractor beams – invisible tethers which pull space ships into cargo bays through no definable mechanism or physical law – are the latter. Or they were. Researchers at the Australian National University say they have developed what amounts to a tractor beam which is capable of pulling objects using 3D wave currents. “

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Peter Capaldi Discusses Matt Smith’s Final Day on Set

Peter Capaldi describes his first visit to the TARDIS set and what it was like to take over the role from Matt Smith.

Watch Video>

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Red Dwarf XI Confirmed at Convention

“A big update came during the Sci-Fi Scarborough convention on Saturday a Red Dwarf panel comprised of Chris Barrie, Danny John-Jules and Robert Llewellyn confirmed the news. John-Jules said that shooting is scheduled to get under-way in October 2014 with a view to being aired on Dave in Autumn 2015.”

Read More>

 

Doctor Who: Where in the Whoniverse are the Doctor’s pals now?

Wales Online has an interesting “where are they now” type article for a few recent Doctor Who alumni. All of the listed people seem to be working fairly consistently still, so the often mentoined “curse” that supposedly befalls former Doctor Who cast members seems to be dead as a dodo, or at least on vacation.  

Link: Doctor Who: Where in the Whoniverse are the Doctor’s pals now? – Wales Online.

Bonus Link: The Curse of being a Doctor Who Companion

 

Deal of the Week: Humble Doctor Who Comics Bundle presented by IDW (pay what you want and help charity)

Humble Doctor Who Comics Bundle presented by IDW (pay what you want and help charity).

I used to buy a bunch of these “humble bundles” for PC games until I realized I was basically “hoarding” indy games that I was likely to not get around to playing. I had no idea they did this for books and stuff, so it looks like I got some comic reviews on the Horizon!

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Mark Gatiss Questions Moffat Gallifrey Return On Doctor Who | The Mary Sue

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“Every time you go back to Gallifrey, it starts to make the Time Lords a bit too domesticated,” said Gatiss. “I know that’s why Russell T. Davies came up with the whole idea of the Doctor being the last one because eventually if you see them so often they become a bit like a bunch of MPs, whereas if you talk about them as this amazing, powerful force, they’re much more exciting.”

via Mark Gatiss Questions Moffat Gallifrey Return On Doctor Who | The Mary Sue.

 

BBC News – Skin-Tight Spacesuits to Help Astronauts’ Spines in Space – Perhaps Another thing Star Trek Got Right

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I’ve seen many criticize skin tight uniforms in many science fiction shows as being pure titillation and not much else, but it seems there may be some sound science to back it up. It seems that once again Star Trek has predicted the future!

LINK: BBC News – Skin-tight spacesuits to help astronauts’ spines in space.

“Space scientists at King’s College London have fashioned a skin-tight spacesuit that they hope will help prevent astronauts’ spines from expanding while on missions away from Earth. As astronauts float in space, without the force of gravity pushing down on their bodies, their spines begin to lengthen. Some astronauts have been known to grow as much as 7cm (2.76 inches) during spaceflights.”

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BBC America preps “Real History of Science Fiction” » Realscreen

“Airing at 10 p.m. EST, the series features filmmakers, writers, actors and graphic artists known for their sci-fi work “looking back on their experiences and on how their obsession and imagination has taken them into the unknown,” according to the network.

LINK:BBC America preps “Real History of Science Fiction” » Realscreen.

 

Syfy’s Plan: More Space Operas, Less ‘Sharknado’ – The Hollywood Reporter

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LINK: Syfy’s Plan: More Space Operas, Less ‘Sharknado’ – The Hollywood Reporter.

“Almost five years after a rebrand that abandoned the Sci-Fi moniker and enraged fans, NBCUniversal brass is aware that its attempt to lure a broader audience might have lost it some clout in the increasingly lucrative genre that shares its former name. Now Syfy president Dave Howe is trying to rectify the perception problem with changes in the executive ranks that will translate to new programming more familiar to its core audience.”

I’m all for this personally! I know Syfy got huge press for Sharknado and similar intentionally bad films, but the channel should be going after viewers that have largely flocked to Network channels to get their science fiction fix. When The CW and BBC America have more science fiction than a dedicated “syfy channel” (that spelling still drives me up the wall) something is wrong. And even as much of a pro wrestling fan that I am, I am always baffled by Syfy’s airings of WWE Smackdown! Let’s just hope the rumored Blakes 7 remake is part of this initiative!

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Check out this Trailer for the new Indie Flick – Machine

“In new British indie movie The Machine, a scientist in the near future (played by Die Another Day‘s Toby Stephens) creates a humanoid robot (Arrow‘s Caity Lotz), and gives her the form of an American scientist who’s killed on the military base where he works. The machine is soon coveted by the military, but opens up all sorts of intriguing moral questions about what it means to be alive.”

(Source: SFX)

(Official Website: HERE)

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Time Waster of the Day: Doctor Who: 50 years of time travel in the TARDIS Interactive Timeline

Ever wanted to see a visual representation of over 50 years of Doctor Who episodes and how they fit together? Now you can!

Link: BBC – Future – Doctor Who: 50 years of time travel in the TARDIS.

 

Who is Karen Gillan Playing in The Guardians of the Galaxy?

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Fans that saw the recently released trailer for Marvel’s new sci-fi/superhero epic, The Guardians of the Galaxy, may or may not have noticed a familiar face. Yup, Doctor Who fans may have noticed an appearance by Amy Pond herself in tons of blue makeup! People unfamiliar with somewhat obscure Marvel Comics characters may have no clue as to who Karen Gillan is actually playing, the significance of said character, and whether she is good or bad. My goal today is to be a little help! Well, she’s definitely a bad guy, perhaps really bad depending on how the script lays her character out!

Before we get rolling, here’s that trailer, just in case anybody has been under a rock all week:

This character is named Nebula, and she is a feared space pirate that has destroyed entire planets in her various battles throughout many of the more  “space-themed” comics Marvel has churned out over the years. At various points, she has claimed to be none other than the very granddaughter of Thanos. Wait, Thanos? Who’s that?

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Remember that guy at the end of the Avengers that smiled at the camera? That’s Thanos. One thing many non-comic fans may be missing is that all of these Marvel Cinematic Universe films are leading up to what I can only assume is a film depicting the famous comic story The Infinity Gauntlet, where big ol’ Mr. T. up there manages to collect a series of gems that give him unlimited power. As of the end of Thor: The Dark World, Thanos has access, through his various minions, to TWO of these six gems. One can only assume that Nebula has been sent to secure the third.

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I have no idea if they plan on hyping up the possible granddaughter-grandfather relationship between the two, but it would be an interesting way to sneak more info to casual fans about “who that purple dude was”.  Seeing as Benicio Del Toro (The Collector) also appears in TGotG, she may just be a random assassin type character working for him.

I tried to find a video of some sort to show what Nebula has been like in other media, and sadly all I could find was an episode of this mid-90’s Silver Surfer cartoon that coincidentally also stars Drax The Destroyer, a character that also features in TGotG. You can skip to around 3 minutes in to see her.

So there we have it! Nebula could be a VERY big role for Karen Gillan, as playing someone that could feature in more movies might make her a big Hollywood action star. Then again they could kill her off in mere seconds for all I know. That’s what makes speculation fun!

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Fancy buying a posh house with a Red Dwarf cockpit in it?

Original Link – Fancy buying a posh house with a Red Dwarf cockpit in it? | Den of Geek

I recall seeing a widely publicized steam-punk house, and a Star Trek apartment, but it looks like everyone’s favorite smeg-heads are getting in on the game:

“Have you got a spare £3,250,000, and happen to be on the lookout for an 11-bedroom (zoiks) home in the midst of London? We figure we’ve lost pretty much every single one of you by now, but on the off-chance we haven’t, then the home in question has one feature that made our eyebrows go north – the small matter of a Red Dwarf cockpit!”

From Den of Geek

 

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Horrific Historical Photo of the Day

Image

doctor-who-empty-children-historicalBackground of the photo:

“The age old adage home is where the heart is finds its true meaning in Miyakejima, a small island located in southeast Japan. Despite the high level of volcanic activity that causes poisonous gas to leak from the earth that forced the 3,600 island residents to evacuate in 2000, the citizens just won’t stay away. Thus, the self-appointed gas mask town rose from the, very literal, ashes.”

Read more here, there are some more creepy pics

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Amazon.com Hilarity – Doctor Who Edition

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Some of my favorite internet memes are the ones that involve sarcastic or overdone reviews for ridiculous products on Amazon.com. I think this “Amazon bomb” trend more-or-less started with the classic “three wolf moon” T-shirt, then drifted into just about every ridiculous product on the site. This recently found it’s way into Doctor Who fandom through a “placeholder” listing for as of yet not finished filming eighth series of Doctor Who. Here are some gems, and a link to the listing below:

“Series 8 was utterly Marvellous with Capaldi’s Doctor constantly dropping the F Bomb. Episode 2 was so sad with the death of Clara but it soon picked up with his new American assistant Zoe Torres. Peter Capaldi’s doctor was amazing so sad when he regenerated halfway through season 12 into Lady Gaga. My Personal favourite episode of this season was episode 4 when Capaldi audition on an episode of the X-Factor so that he could disable the android that had been hiding on earth in the body of Louis Walsh. And who can forget the classic 9th episode Cybermats on a SpaceLiner. Overall Brilliant Series!!!! Highly recommended. And available through Time Capsule if like me your from the 25th Century. To anyone reading this in the 21st Century though I’ll give you a brief Spoiler alert. Yes there is life outside of your Solar System, No you won’t be invaded and the future of the human race will be full of Peace and Equality.”

“I ordered this on Tuesday morning with Next Day delivery. Not arriving on Wednesday I was perplexed, and then informed that it was a pre-order and that I would only receive this set upon release date. Not content with this I contacted a lawyer friend and due to an obscure piece of EU legislature Amazon were strongarmed into using their new delivery service that they haven’t even invented yet, AmazonTime. By using what they refer to as a ‘Type 40 Time Capsule’ you can now get your items BEFORE you’ve even ordered them! Where will they go next?! Anyway, I now have this set in my hands!”

Here’s the rest!

Peter Capaldi begins filming on Doctor Who

Whoogle NEWS

The new Doctor, Peter Capaldi, stepped on set today for his first full day of filming as production begins on series eight of the hit BBC show.

10.2 million tuned in on Christmas Day to get their first glimpse of Capaldi in one of TV’s most iconic roles in the festive special The Time Of The Doctor, which saw Matt Smith hang up his bow tie after four years in the role.

Capaldi was revealed as the Doctor in a live BBC One show in August, after months of speculation about the next Doctor’s identity.

Arriving on set in Cardiff to begin filming, Peter Capaldi, said: “New job, first day, slightly nervous. Just like the Doctor, I\’m emerging from the TARDIS into a whole other world.”

Steven Moffat, Lead Writer and Executive Producer, added: “First the eyebrows! Then, at Christmas, the face! Coming soon, the whole Doctor. In the Cardiff…

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