Doctor Who: Mummy on the Orient Express (2014)

Doctor Who Episode 8

Hello. I’m so pleased to finally see you. I’m the Doctor and I will be your victim this evening. Are you my mummy?”

One might get the impression that all I do each and every day is sit around watching British science fiction, but let’s get real here – I waste time with a lot of other stuff too! Pro Wrestling! TV! And Anime! All kidding aside, I wanted to start this review out talking about my love for space trains, you heard me right – trains all flying around in space for some reason or another. I chalk this all up to my love for the visionary Japanese manga creator Leiji Matsumoto and his epic series of space opera works including one called Galaxy Express 999. Originally written in the late 70’s, Three-Nine introduced me to a fantastical world where space travel was made more comfortable by echoing the past and looking back at the golden age of travel. Of course Mr. Matsumoto’s works also contemplated what is really meant to be human, and what it means to be loved in a universe where people seem to be abandoning such concepts. It was a little more than just the concept of the space trains I went for. I’m not going to lie though, I cheered on the inside when I saw the trailer for this episode.

galaxy-express-999

I’m not writing here about Galaxy Express 999 specifically, but I wanted to briefly point out a few thematic similarities between it and a few episodes of Doctor Who, chiefly Voyage of the Damned and Mummy on the Orient Express. If you like these episodes, you might seek the show out on Hulu. My love for the similar material has made me love these episodes quite a bit, despite the fact that I know for sure VotD was pretty unpopular with most fans. That’s how I am though, if I feel inspired by certain things in an episode, I love them no matter what, case and point was my adoration for Rings of Akhaten. I think it all goes back to that feeling of comfort in keeping things simple. Perhaps, that’s a world I’d love to live in: just as modern but somehow not as plastic and disposable….comfortable. Many folks may be scared of the dreaded mechanization and inhumanity of our present technological progress, dressing it up like older more simpler times may be the way to go. That’s at least what Leiji Matsumoto saw, and coincidentally what it seems a few Doctor Who episodes echo.

It has been a few weeks since the complete meltdown by Clara directed towards The Doctor. She has come to realize that she doesn’t actually hate him, and that she wants to travel one last time with him – “The Last Hurrah!” if you will. They arrive sometime in the future aboard a space train that has been modeled after the legendary Orient Express, with many of its passengers in period outfits. The Doctor quips that “There were many trains to take the name Orient Express, but only one in space.” It seems that they have arrived right after a mysterious death, perhaps even murder, in which an older lady claimed she was being attacked by “a mummy”, as in Egyptian dead person style mummy. After The Doctor does some research, he discovers that there seems to be a pattern with these mummy attacks – everyone claims to be chased by a mummy, and they die exactly 66 seconds later after a flash of light. This also seems to correlate to a myth that another passenger, Prof. Moorhouse, reiterates about the legend of a supernatural being called the Foretold.

Doctor Who Episode 8

Suspicious of the ships computer system, Gus (voiced by John Sessions) and the fact that multiple people on the train seem to know a bit too much about the Foretold, The Doctor puts together that the train ride must not be a coincidence and that they have been brought there deliberately to solve the mystery. Suddenly everyone realizes that they have been duped by someone who is allowing Gus to force all of the various scientists, doctors, and engineers aboard to figure it out or die trying. Much to her fury, The Doctor even confesses to Clara that the mysterious figure that brought him to the Orient Express “even phoned the TARDIS once”. Astute fans might recall a line from The Big Bang, in which The Eleventh Doctor, answering the TARDIS phone, replies “an Egyptian goddess loose on the Orient Express, in space? A bunch more people die, and eventually The Doctor figures it all out.

I noticed last week that The Doctor seemed to be outright channeling Tom Baker a few times, and it seems like this has been kept going for this episode. The most blatant use of this is the discovery that The Doctor now keeps Jelly Babies, the candy that The Fourth Doctor always carried around, in a silver cigarette case.

Doctor Who Episode 8

It is later explained that our nefarious mummy is actually an ancient warrior that has somehow been kept alive long past it’s own expiration. This is due to a faulty life support system that basically doomed the poor soul to warp around absorbing life force to keep fighting the long forgotten war that it was still fighting. In some ways, this almost makes The Foretold a creature not unlike a rogue cyberman – desperately trying to do what it can to survive in an almost mindless manner. The Foretold was pretty scary for a mummy considering we’ve all been around various mummy stories for upwards of 80-100 years. Usually these mindless beasts are nothing more than cursed specters that attack anyone in sight but are easy to foil. The Foretold, however, can teleport, change it’s dimensional phase to only appear to certain people, and ruthlessly kill just about anyone in under a minute. A far cry from the one Abbott and Costello fought. On a side note: I am glad that, upon the realization that The Foretold was actually a soldier, The Doctor didn’t slip into another anti-military rant as those are starting to get a bit forced.

Thankfully this episode doesn’t end with a gigantic fight between Clara and The Doctor, as she finally seems to be certain that he is a good man – manipulative perhaps, but good at his core. She did promise her now boyfriend Danny Pink that she was done with her travels, so I can see some more Doctor vs Danny drama coming up. Since we’re past the halfway point, and it’s rumored that Jenna Coleman isn’t going to be on the show much after the Christmas special, I want to see a few episodes where there isn’t tons of tension between the characters. I always hated most of the Peter Davison era because characters like Tegan and Adric were constantly at his throat, and I really do not want a return to that tone.

doctor-who-mummy-on-the-orient-express-4

What can I say? Show me a space train, and I’ll enjoy the hell out of it. Yeah, the mummy was a bit silly in space, and we didn’t find out who the real villain was (hopefully it’s shown later) but it was a solid episode nonetheless. I really enjoyed the atmosphere, the majority of the side-characters, and even that cool version of Queen’s Don’t stop me Now sung by pop singer Foxes. This was another almost legitimately scary episode, and the body count may prove that this was potentially a bit much for some kids. I’m glad the show is getting creepier, as the horror episodes are some of my favorites.

Jenna-Coleman-in-Mummy-on-the-Orient-Express

Advertisements

Doctor Who: Kill The Moon (2014)

Doctor Who (series 8) ep 7

Oh, well you’re just going to have to shoot us, then. Shoot the little girl first. Yes, she doesn’t wanna stand there watch us getting shot, does she? She’d be terrified. Girl first, then her teacher, and then me. You’ll have to spend a lot of time shooting me because I will keep on regenerating. In fact, I’m not entirely sure if I won’t keep on regenerating forever.”

My apologies for being so behind on these reviews! My plan was to watch and review each of these on Sunday, but boy did that get away from me. Nonetheless, let’s get down to business. Season eight of Doctor Who continues to be pretty awesome, and while there have been a few merely average episodes this season, I’d say it has been the most consistent season since Matt Smith’s season five. So far, my favorite story has been Listen, which was a total surprise to me because I didn’t expect to enjoy it much. So, why am I mentioning this during my review of Kill The Moon? It’s because I didn’t think I’d enjoy Kill The Moon prior to the moment I started actually watching it. I thought something like: “Not only does it have a silly title, but what could the premise possibly be?” and “that child actor is in this…uh oh!” I should do this prior to everything I watch, because BOY was a mistaken.

Doctor Who (series 8) ep 7

Our episode begins with Clara speaking on behalf of Courtney Woods, the girl from the previous episode – The Caretaker, attempting to rejoin The Doctor within the Tardis, or to at least clean up the horrible mess she made when she was last there. The Doctor decides to take them up on the offer and go on a “field trip of sorts”. This trip lands them on a one-way suicide mission to The Moon via a re-purposed space shuttle filled to the brim with nuclear warheads. It seems that in 2049 tides got out of hand killing much of the Earth’s population. Not sure what was really going on, the earth somehow decided that it was a great idea to nuke the moon for a chance at survival. It is discovered that the moon is actually a huge egg that is about to hatch, and the moral implications of killing a huge “space baby” for no reason other than fear upsets Clara quite a bit. The Doctor is willing to let this transpire, but he wants no involvement in the decision – leaving it up to Clara, Courtney and The captain of the mission to figure out the fate of the moon – and possibly humanity.

The “monster of the week” for this episode is actually pretty horrifying and should play on anyone with any sort of arachnophobia. There are some truly unsettling things on the moon like the deaths of multiple supporting characters and web-covered corpses strewn about for quick jumps. I’d imagine that this is an episode that would freak little kids out pretty bad, because I recall being horrified by the titular hand in The Hand of Fear, and that was a cheap special effect in comparison to these guys. Not only are the “Spider-germs” pretty menacing in appearance, but their brutality is so inhumane that it’s unsettling. It was sort of silly that they were fought off using Windex and flashlights (it’s revealed that they are evolved bacteria essentially), but I guess other films have done stuff like that to critical success, so I’ll try not to be too cynical.

Doctor Who (series 8) ep 7

Thankfully my fears about Ellis George reprising her role as Courtney Woods were not realized. I’m not going to say that she blew me away with her acting ability, or that she was the highlight of the episode, but she at least kept from annoying me. Sometimes it’s the small things that count! Child actors usually get placed in shows like this as the “moody genius kid” or “sassy street-wise kid” and become almost insufferable ten minutes into their first appearance. Courtney is no Wesley Crusher or Adric thankfully, as she doesn’t simply exist to be sassy and spout one-liners or try to make other characters look dumb.

We once again are faced with the question as to whether The Doctor is a good man or not, and this seems like the ultimate iteration of this ongoing theme. Channeling his inner Seventh Doctor, The Doctor seemingly ends up abandoning everyone in order to force them to choose whether or not to blow up the moon. This is sort of similar to that time Sylvester McCoy‘ Doc treated Ace like garbage to get her to loose faith in him in order to defeat the monster in The Curse of Fenric. Peter Capaldi is once again very awesome, and usually straddles the line between being hilarious and terrifying at the drop of a hat.

Doctor-who-KIll-the-moon-5

Clara once again yells at the Doctor in this story, and while I like the character development I hope this begins to be the end of this theme. The Doctor is a jerk, yes, but we have seen him warming in the last few episodes to a degree that I just want them to be friends now.

I did get sort of irritated when I ventured online to gauge what the general fan consensus to this episode was like. Most seemed to enjoy it, but a loud minority seemed determined to hate it because of the scientific implausibility of the the whole thing. Sure, it’s weird that the moon was revealed to be a giant space egg, but it’s not like Doctor Who is particularly “hard” on the scale of what sort of science fiction it is, it’s always been more of a space opera. But there I was, knee-deep in annoying comments saying “the classic series was ONLY grounded in science!!”. This is laughable, because I can immediately think of TONS of older episodes with laughable science. Hell, my favorite Hartnell episode, The Dalek Invasion of Earth, centers on the premise that the Daleks have somehow made it to Earth because Earth is the only planet with a magnetic core. What followed was a plan that involved hollowing the earth out and flying it around like a spaceship. So any notion that, prior to 2005, Doctor Who was in a similar vein to something like Gravity is, quite frankly, laughable.

Doctor-who-KIll-the-moon-6

This episode is pretty notable for how amazing it looks, considering I’ve seen big budget films that do a worse job of conveying the lunar surface than this. The episode was under the helm of two newcomers to the show, as it was written by Peter Harness and directed by Paul Wilmshurst. They are both formerly BAFTA nominated industry veterans, so it seems like a great choice to bring them both on board. Many lunar shots were filmed around a volcanic area in Lanzarote, Spain, which seems like a great stand-in for the actual lunar surface. It’s at least a far cry from the “rock quarry” planets we get used to in many science fiction TV shows.

The story is also pretty intelligently written, seeing that it seems to be a commentary on our penchant to kill anything we don’t like, issues with funding for space travel, and to a lesser degree – abortion. These are all pretty mature themes for a show like this, and I felt that it was handled in such a way that adults can see these sorts of things, and kids will just enjoy the monsters. In the episode, The Doctor reveals that because of the brief re-interest in what happened with the Moon, humanity would be rekindled to travel to the stars, helping them to spread across the universe, and then assures Lundvik that she will now have a real space program to lead. With constant set-backs to manned space travel as of late, I can see Lundvik’s space travels in a very similar vein to how it is now – we don’t travel out of wonder or discovery, but because of the opposite. It’s a pretty epic ending to a Doctor Who episode, and makes me wish a similar thing would happen in real life – minus the apocalyptic tsunamis of course.

Doctor-who-KIll-the-moon-4

As you can see, I really enjoyed Kill the Moon. I think it’s another one of those episodes, like Listen, that seemed like it was going to be a totally different thing than what it ended up being, and it’s this playfulness with the format of the show that has made me love season 8. In fact, the few times I thought an episode was sort of lame, was when they followed older conventions to a fault. I loved all of the throwbacks to Tom Baker, especially small partial quotes that he was notable for like “Earth isn’t my home” and his use of a Yo-yo as a scientific experiment. The next episode looks amazing,so I’lll end my review here, and hopefully I’ll get caught up before this run of episodes stops!

Doctor-who-KIll-the-moon-3

Doctor Who: The Caretaker (2014)

Doctor Who (series 8) Ep6

The Russell T. Davies era of Doctor Who was largely characterized by merging the sci-fi tropes of the classic show with a more modern soap opera veneer that seemingly originated from a handful of Joss Whedon-penned shows i.e. Buffy. What this usually meant is that most episodes veered into the realm of the common soap opera more times than not, and anything other than the tension between the characters played “second fiddle” when it was all over. Gareth Roberts seems to be harkening back to these times with his new episode, The Caretaker, a fact that is no surprise since he worked with Davies for years on both Doctor Who and The Sarah Jane Adventures. So let’s take a trip back in time for a retro episode of “new-Who” if there ever could be such a thing!

The Caretaker is more of a character piece that follows The Doctor’s apparent intrusion into the personal life of his companion, Clara. At first the viewer is almost led to believe that he is doing this simply to spy on her love life, but thankfully it seems that he does actually have business there. It seems that there has been alien activity near the school, and it’s nothing small – our villain is a monster dubbed a Skovox Blitzer and The Doctor states that it’s powerful enough to destroy the entire planet. Using Coal Hill as as staging post, he has taken on the guise of a part-time caretaker (for us US fans, that’s basically a janitor / maintenance man), once again dusting of his alias “John Smith”.

doctor-who-caretaker-4

The first half of this episode really reminded me of the season two episode School Reunion for a few reasons other than simply the setting. This was why I compared this to a Davies-era episode in the grand scheme of things. This changes pretty abruptly, however, as we start to see the real purpose for this episode – The Doctor being a jerk to Danny Pink. With his sudden hatred of soldiers, it was no wonder that The Doctor wasn’t going to get along with Danny, and this almost seems worse than the abrasive Ninth Doc/Mickey relationship.

Not only is The Doctor under the assumption that Danny is in some way unable to think for himself (he can only take orders you know) he seems to see him as a buffoon despite his actual intelligence. Take, for instance, the many times where Danny is referred to as “coach” despite every correction that he is in fact a math teacher. It’s like The Doctor has a multitude of awful prejudices against soldiers and he’s jealously applying them to Danny because he’s jealous of Danny keeping Clara away from himself 24/7. Then again, It’s funny that The Doctor was perfectly happy to have been under the impression that Clara’s new main squeeze was a bow-tied Shakespeare teacher, so it really is just the soldier thing putting him off.

doctor-who-caretaker-2

These interactions between the two were hard to watch, mainly because it’s hard to see the main character of a show come across so abrasive and borderline unlikable. It’s especially off-putting because The Doctor has never been like this – considering he was pretty close to people like Yates, Benton, The Brigadier, and even The Brig’s daughter. Now it’s as if he’s been hanging out with flower children and conspiracy nuts for the past hundred years. Thankfully Danny isn’t “the new Mickey” and dished it right back at his attacker, accusing him of being a typical elitist military officer, something that seems to infuriate The Doctor.

I wasn’t a huge fan of the villain this week since it was basically just a plot device to allow for Danny and The Doctor to engage in verbal fisticuffs. The Skovox Blitzer itself looked cool in the trailers until one realizes that it’s a puppet on crab legs. after the awesomeness of The Teller last episode, I was hoping for more to be honest. This episode did thankfully have the return of everyone’s favorite evil Mary Poppins with Missy, now sporting a companion of sorts named Seb. They have taken the whole Heaven/Promised Land thing to the next level having a waiting room that could be seen as a modern interpretation of “The pearly Gates” of Biblical lore. I seriously cannot wait until we find out what her actual plan is pretty soon.

Doctor Who (series 8) Ep6

There was a surprise in that we got another new companion this week, and no it wasn’t Danny (grr!). It was that “class clown” disruptive girl we keep seeing peppered into each episode being a jerk to Clara. Courtney stumbles on The Doctor messing with his Tardis, and basically ends up conning her way into traveling with him. This of course causes her to puke and whine about the whole ordeal. Now, I’m not a fan at all of child actors in Doctor Who, and Courtney is no different. If she becomes a “main character” of some sort she better grow as a character and not just be there to make wise cracks because that will get OLD very quickly.

In conclusion, this was probably the weakest episode so far in a VERY good season. Gareth Roberts is pretty hit or miss for me – when he’s good, he’s really good like in his books or The Lodger, but when he’s bad he’s pretty atrocious like Planet of the Dead. This is somewhere in the middle of those examples, which is disappointing. I still love Capaldi as The Doctor, Clara is being better than ever, and Courtney was passable so it wasn’t all bad. I say this because I sometimes come across as hating an episode when I only found it average. Now if Danny ever gets to travel in The Tardis, I’ll be a very happy man!

doctor-who-caretaker-3

Doctor Who: Time Heist (2014)

Doctor-Who-Time-Heist-Promo-09

“This is a recorded message. I am the Architect. Your last memory is of receiving a contact from an unknown agency – me. Everything since has been erased from your minds. Now pay close attention to this briefing. This is the Bank of Karabraxos, the most secure bank in the galaxy; a fortress for the super-rich. If you can afford your own star system, this is where you keep it. No one sets foot on the planet without protocols. All movement is monitored, all air consumption regulated. DNA is authenticated at every stage. Intruders will be incinerated.”

Stephen Thompson’s last foray into Doctor Who writing was last year’s somewhat lackluster Journey to the Centre of the Tardis, an episode that I didn’t hate, but characterized as “well done from an atmosphere and effects standpoint, but [a failure] with the writing.” Thompson seems like a decent enough writer, considering his work on Sherlock, but I feel that he gets too trapped in the mindset of finding a theme for each episode he does. So far, his track record with Doctor Who involves a pirate episode with The Curse of the Black Spot, his aforementioned Jules Verne pastiche, and now an Ocean’s Eleven episode. “Theme episodes” work sometimes, but often fall flat as the writer tries to shoehorn all of the characteristic tropes into one episode. It’s fun to have the occasional homage, but constant ones make the show seems like a parody of other shows.

Doctor-Who-Time-Heist-Promo-01

The episode follows another routine day in the life of The Doctor and Clara until they get a phone call on the Tardis phone. The scene suddenly jumps to an entirely different room with a handful of strangers as they watch videos explaining that they have all willfully erased their memories for some reason. They discover a briefcase left by a mystery person simply named “The Architect”, only hearing his digitally altered voice. The briefcase contains plans to rob the impregnable vaults of the Bank of Karabraxos for some reason. While The Doctor usually doesn’t do things like rob banks, whatever his reasons, this seems important. The group takes items from the case designed to aid them in their caper, and head to the bank. They have no memories of why they are doing it, or who sent them, but it seems like the right thing to do under the circumstances.

The supporting cast was very decent in this episode including those “strangers” I spoke of. It appears that “The Architect” has enlisted two specialists with what could be considered “powers” to aid The Doctor. Psi, played by Jonathan Bailey, has a computer enhanced brain like something out of a 80’s cyberpunk story, and Saibra, played by Pippa Bennett-Warner, can shape shift into another being by simply touching them. They, of course, have their own motivations for the robbery, and it seems that everyone involved is in this to get something VERY important.

doctor-who-8x05-time-heist-promo-photos-4

I really liked seeing Keeley Hawes as Ms. Delphox, the ruthless chief of bank security, since I have enjoyed her in many shows in the past. I was one of those folks, that when comparing the two, actually loved Ashes to Ashes better than its predecessor Life on Mars, the former having starred Hawes in the leading role. She is almost like a “Bond Villain” in Time Heist, down to the silly part where she explains all of her motivations, then leaves the room so that The Doctor and company can escape her clutches. All she needed was a big interrogation laser, well, I guess she had “The Teller”.

This week’s “monster” was pretty awesome and somewhat different to the sort of monsters we’re used to seeing in Doctor Who. “The Teller” is a psychic creature, said to be the last of his kind, that uses psychic abilities to determine motive in anyone it comes across. If anyone has even so much as a thought about a way to defraud the Bank of Karabraxos, the terrifying hammer-headed beast will turn their mind to “soup”, which is every bit as gruesome as it sounds. From the first moments that we see “The Teller” accompanied by handlers, a straight jacket, and crunchy guitar riff, you can tell The Doctor is going to have trouble this week.

Doctor-Who-Time-Heist-Promo-06

Time Heist is sort of jarring in that it uses the literary technique of the “unreliable narrator” in that we don’t get much explanation as to what is happening and are somewhat misled until the end of the episode. The way The Architect’s plan plays itself out reminds me of some of the sillier stuff from those “Bill and Ted” movies where they set things up with time travel to aid in the present. In Bill and Ted’s Bogus Journey, for instance, the titular characters went through and “set up” convenient Deus-Ex-Machina type things to get them out of sticky situations – like hidden guns and the like. In Doctor Who, we see characters seemingly die, then come back later at the “nick of time” as if it’s all according to one big plan.

Time Heist is better than Journey to the Centre of the Tardis and The Curse of the Black Spot in that Stephen Thompson went a bit more abstract than the usual “theme episode”. This episode is by no means a classic, and has silly logic, but it was entertaining none-the-less. Keeley Hawes and “The Teller” were highlights for me, and I honestly hope we get to see both make a return at some point, although I’m not holding my breath.

Doctor-Who-Time-Heist-Promo-10

Doctor Who: Listen (2014)

listen-promo-pics-1

For me, there has never been an episode as deceiving, and surprising, as Listen. At first, I was under the impression that this was going to be a straight-forward horror episode, in a similar vein to last year’s Hide. This was “egged on” by a trailer that reveled in the creepy aspects of the episode, leaving no question to me exactly what we were going to be getting. I like these sorts of episodes a bit, but usually find them to be somewhat worse than other episodes due to the tendency to overdo the explanation for whatever supernatural creature they “seem” to be fighting. That’s not a ghost! It’s merely a time traveler trapped in a parallel dimension! That’s not a vampire! That’s an alien from the deepest outer-reaches of space! You get the idea. Then I watched the episode and everything changed. While the beginning segment of the episode was a straight forward “creep out” exercise by Steven Moffat, what followed was quite possibly some of his most clever writing since Blink.

I’m going to do far more of a recap than usual, because this is not an episode that simply needs a one paragraph blurb to get the point across. In fact, I have no idea how to express the plot of this other than actually analyzing it, and you will soon see why.

Question. Why is there no such thing as perfect hiding? Answer! How would you know? Logically, if evolution were to prefect a creature whose primary skill were to hide from view – how could you know it existed? It could be with us every second and we would never know. How would you detect it, even sense it… except in those moments when, for no clear reason, you choose to speak aloud? What would such a creature want? What would it do? Well? What would you do?

listen-promo-pics-4

Listen opens with the long-awaited date between Danny Pink and Clara Oswald that was hinted at few episodes ago. As one can imagine, this does not go well at all, and both parties end up awkwardly offending each other in probably the worst way possible. Clara once again mentions something that offhandedly seems to be a reference to Danny’s buried past, and he lashes out at her – ruining the date. Disheartened, Clara goes to the Tardis to meet a Doctor that seems to have been left alone to ponder something for far too long.

It seems he has become completely consumed with the idea that every living being has a constant companion, an entity that is with us at all times, watching us, experiencing all we experience. Being a bit into western esotericism, this almost seemed to hint at an old Platonic theory of the eidolon, a “shadow being” that we all have that may or may not be our actual suppressed personality or essence. This isn’t actually referenced in the episode whatsoever, but I was all ready for the possibility that they were going for that and I got excited (LOL). The Doctor’s “theory” is that everyone seems to have the same dream at some point in their lives, a dream in which a hand grabs them from under the bed at night. He asserts that this was no dream, but this entity trying to communicate with us. Clara initially dismisses this wholesale, but agrees to return to her childhood so they can investigate.

listen-rupert-doctor-window

There is a blunder in the Tardis navigation circuits (WHAT!? That never happens!), and instead of visiting Clara’s childhood, they seem to visit a young Rupert Pink, a boy that it is assumed to be none other than Danny. Of course, The Doctor has yet to officially meet Mr. Pink, so he seemingly does not know the significance. Rupert is terrified of a monster under his bed, making him a prime candidate to test The Doctor’s theory. As they discuss the situation, and odd apparition rises from under Rupert’s bed sheets, leading The Doctor to have them turn away from it, ignoring it. While this could be a monster, it also could have merely been another child keen to play a prank on Rupert.

An interesting thing happens here when both Clara and The Doctor seem to “create” Danny Pink by imprinting values and future information on him. Clara suggests he let a toy soldier stand guard for him, which he enjoys the idea of. He’s always been into soldiers, and names one of his toys “Soldier Dan”. Since he hates his real name, we can see this as when he chooses “Danny” as his new alias. Before wiping his mind of their meeting, The Doctor encourages Rupert to see his fear as a “superpower,” because adrenaline will empower him to overcome obstacles and foes. He seems adamant of this, as if he knows something he isn’t telling anyone else. Rupert slips into a deep sleep with his new life as the heroic “Soldier Dan” firmly implanted into his mind.

bed-monster-listen

This is where the episode veers off into a place where I had no idea it would go. The Doctor and Clara decide to go back to her “date”, mere minutes after she storms off, in order to set things right with Danny. The Doctor isn’t so keen on this, but seems okay as long as he can ponder his theory more. The date still goes poorly, this time with Danny storming out after she accidentally calls him “Rupert”. He assumes that she is making fun of him in some way, and is hurt. A man in an orange spacesuit steps into the diner, and assuming it’s The Doctor, Clara follows him angrily. The man removes his mask to reveal a much older Danny Pink!

The Doctor identifies this man as Orson Pink, one of Earth’s first time travelers, having originally come from over one-hundred years in Clara’s future. The Doctor found him stranded at the end of the universe, where he was on the verge of death and fearing that an entity was trying to kill him. The Doctor theorizes that this is the very same “companion entity” that he was looking for earlier, and that it may be trying to kill Orson since he is the only remaining life in the Universe.

listen-promo-pics-9

 

Orson decided to become a time traveler when he was a child due to things that happened in his upbringing. It is revealed that one of Orson’s great-grandparents told him stories about time travel and that Orson possesses the small toy soldier given to Rupert earlier in the episode. He gives it back saying that she is worthy of his family heirloom. Something happens and our crew attempts to escape the entity and end up in an odd location as the cloister bell rings, a telltale sign of enormous danger.

Clara finds herself in a rickety barn with a crying child in it. She is forced to hide under the bed when two people enter and try and coax the child out of the room. They are concerned that his constant fear of the dark is going to make him a poor soldier, and that he will never become a TIME LORD at his current state. Horrified at what she has heard, Clara accidentally grabs the child’s leg from under the bed.

listen-promo-pics-clara-b

It is at this time that she realizes that she has met none other than The Doctor himself as a young boy, and she is the “companion entity” that he is fearful of. She tells him that he is dreaming, and that he needs to channel his fear into something good, a similar idea that The Doctor told a young Rupert Pink. This barn is none other than the rickety old barn seen in “Day of the Doctor”, so it can be assumed that they are somehow on Gallifrey. Clara tells the Doctor that they need to leave without question, and that he isn’t to know where they just were.

Listen is the perfect set-up for a Moffat-style monster that ends up being a GIANT red herring. He excels at creating conceptual monsters that embody some sort of primal fear that we all share, and in this case it was taken to the ultimate conclusion. For half of the episode, I was on the edge of my seat waiting for the reveal on the constant companion and why it seems to be terrorizing The Doctor so much. Realizing that this monster is none other than a misunderstanding from The Doctor, and that he is secretly “scared of the dark” is pretty awesome. In fact, knowing what is going on makes a second viewing that much better.

listen-promo-pics-6

To be honest,  When I thought this was a straightforward monster episode I felt that the beginning was weird and oddly paced. The episode seemed to be almost nonsensically put together on a narrative standpoint and concentrated on Clara’s date way too much. It’s only half-way through when I realized that the monster isn’t the main point of the episode, and the date is a study of what makes Danny Pink tick, and why the Doctor acts the way he does. We basically end up searching the negative space of the episode, looking for clues that help us know about the monster (much like The Doctor) and are left speechless when we find out that there is no monster.

We are left assuming that The Doctor has basically made an immense leap of logic that seems somewhat uncharacteristic for himself, and has veered somewhat into the realm of the conspiracy theorist. I’m not going to say that this fact makes The Twelfth Doctor crazy, but his motivation here seems to be that of someone that is utterly horrified by something, but can’t get past the most likely reason for feeling the way he does. He literally cannot come out and say that he’s scared and show any weakness; being so used to carrying the universe on his shoulders, he has somehow internalized it into this “superpower” he tells Danny about.

listen2

As a complete package, it all comes together in such a gratifying way that I haven’t felt since the 50th anniversary special. In a way, this is the current show’s Edge of Destruction, an episode from “classic Who” that seemed weird, oddly paced, and yet immensely gratifying once you realized what was happening.

If anything, this season has proven to be much more about character building than the previous few, and I for one am very happy about that. While I hope that we don’t see too much more of The Doctor’s past, it was cool seeing him as a child. Writers always run the risk of spoiling the mystery of characters like The Doctor by showing their “origin stories” (see X-Men’s Wolverine) but seeing him before he became who he is was awesome. Clara has really imprinted herself on The Doctor much more than anyone else has, she really is “The Constant Companion.”

The-War-Doctor-barn

Doctor Who: Robot of Sherwood (2014)

robot-of-sherwood-promo

“No castles, no damsels in distress, no such thing as Robin Hood!”
Here we are at that very moment in just about every season of Doctor Who, post-2005, where The Doctor asks his companion what they would like to see in order to “show off” his time traveling capabilities. Clara, knowing that The Doctor would write the whole thing off as nonsense, decides that she would love to meet the fabled outlaw hero, Robin Hood. Robin Hood is one of those “historical figures” that always makes things hard in shows dealing with time travel because nobody actually knows if he existed or not.

Much in the same way that folks have been searching for the “real King Arthur” for centuries, Robin Hood has been assumed to be probable, but most-likely a myth. This ordeal is played up as a main plot point for this episode from the get-go as The Doctor does not believe that they will actually meet anyone, and when faced with someone that meets the Robin Hood description, basically assumes he’s a charlatan, robot, hologram, shapeshifter etc.

robot-of-sherwood-doctor-arrow

Mark Gatiss decided to pen this script in a farcical way that I know most hard-line fans hate. Just go to any review site and look up episodes like Love and Monsters, The Crimson Horror, or even The Gunfighters – the episodes that are less than serious are very dividing, some will love them, and others will absolutely hate them. Take a character such as Strax, for instance, I love the guy, but the general “fandom” of Doctor Who, if podcasts can be believed, HATE him.

This silly tone of near-comedy in Robot of Sherwood is directly at odds with the previous two episodes and how dark they actually were. This may be my biggest complaint with this episode as it almost doesn’t feel like it “fits” with the previous two. It’s almost like a leftover Tennant or Smith script slightly changed for Capaldi. That isn’t to say it’s bad or anything, but I’ll explain what I liked and didn’t like.

robot-of-sherwood-merry-men

The highlight of this episode, for me at least, was the banter between Robin Hood (as played by Tom Riley) and The Doctor. Since he’s convinced that Robin is in some way false, The Doctor is not willing to give him any slack on anything he does. Every quip, bit of banter, or boisterous laugh that he exhales is met with derision and anger. Here is an example of one such exchange:

Robin Hood: Whatever it is, you bony rascal, I’m afraid I’m must relieve you of it.

The Doctor: It’s my property. That’s what it is.

Robin Hood: Don’t you know all property is theft to Robin Hood?

The Doctor: You can’t be serious.

Robin Hood: I am many things, sir, but I am never that. Robin Hood laughs in the face of all! Ah ha ha ha haaaa!

The Doctor: Do people ever punch you in the face when you do that?

Robin Hood: Not as yet!

The Doctor: Lucky I’m here then, isn’t it?”

robot-of-sherwood-robin-hood

This becomes the most humorous in the often re-created archery contest scene where Robin Hood sneaks in with a disguise calling himself “Tom the Tinker”. The worn out scene where Robin splits an arrow with another arrow plays out like it has in just about every adaptation of the story, then it gets sillier. The Doctor, irritated by the smug arrogance of Mr. Hood, uses his archery skills to split these two arrows a third time, Robin counters with another, and so on, until The Doctor just blows up the entire target with his Sonic Screwdriver.

Tom Riley basically uses every contemporary Robin Hood trope used since Errol Flynn donned the green tights to create one of the most irritating heroes of all time. He’s so boisterous and arrogant that he’s essentially Lord Flashheart from the Blackadder series. He’s one of those characters that the hero of our story despises, but everyone else thinks he awesome at everything he does.

robot-of-sherwood-clara

It will come as no surprise that the villain in this episode is none other than the Sheriff of Nottingham himself, as played by Ben Miller channeling his best Roger Delgado impression. I actually liked him in the role, even though he really didn’t challenge anything at all. He’s just as much of a bastard as one would expect, and has an army of alien robots at his side to do his dirty work. Alien robots? Did I forget to mention that Sherwood Castle is discovered to be some sort of crashed spaceship, and in classic Doctor Who fashion, these aliens have tricked the Sheriff into helping them hoard gold to fix said spaceship? It’s pretty silly, but it works.

robot-of-sherwood-robot-guard

It’s in the actual plot of this episode that I have some problems. Much in the same way that Gatiss wrote a plotline into Victory of the Daleks wherein our heroes convinced a robot that he wasn’t a robot to stop a bomb from exploding, this episode involves the “bad-guy” space ship not having enough gold to escape The Earth’s atmosphere (it’s engine uses gold somehow), and Robin Hood shooting gold into the ship to make it fly away then explode. It’s cool when you see it, but as one thinks about what they just saw, it falls apart. If it wasn’t for the fact that this episode doesn’t take itself seriously I’d be concerned that Mark Gatiss rarely knows how to finish most of the scripts he has written. I really like Mark Gatiss episodes, but he needs to smooth some rough corners if he is ever going to take the reins from Steven Moffat like everyone assumes.

robot-of-sherwood-robin-and-clara

No Missy appearance this week, but the thread binding it all together was that the robots crashed on Earth while searching for “The Promised Land”, which viewers might remember was the reason the clockwork droids ended up on Earth in Deep Breath….curiouser and curiouser…

All in all, this was a fun episode. Most of it made no sense under scrutiny, but as a farce it did it’s job. It does a good job of poking fun at the Robin Hood mythos and showing that most of our myths we hold as a society are probably based in some truth from the past. The Doctor starts the episode out, set in his ways, very closed-minded, then realizes that he doesn’t always have all of the answers. Join me again next week as we take a look at an episode sure to make me scared of my bed in addition to the dark, angel statues, and kids wearing gas masks.

robot-of-sherwood-sheriff-of-notingham

Doctor Who: Into The Dalek (2014)

doctor-who-into-the-dalek-rusty

“This is Clara. Not my assistant, she’s ah, some other word. […] Yeah. My carer. She cares so I don’t have to.”

At first glance, Into The Dalek could be seen as an homage to 2005’s Dalek in many ways. The episode centers around a military confiscation of a wounded Dalek, The Doctor being brought in to examine it, and it’s eventual rampage through a base. Luckily, this similarity isn’t the case for the most part as Into The Dalek goes off into it’s own direction almost immediately, and is a whole different affair than the Rob Shearman classic.

Rather than existing as a tired “base under siege” story, we get something that harkens back to 1966’s Fantastic Voyage, a film where a crew of scientists shrink themselves down and enter a human body; except this time it ain’t no human! Inventive things like this are my favorite sort of Dalek stories, as we’ve seen all of the Dalek tropes hundreds of times each to a point where nothing is new. I’ll hand it to Steven Moffat, after this and Asylum of the Daleks, he can sure write a solid Dalek epiosde.

doctor-who-into-the-dalek-shrinking

After accidentally ditching Clara in Glasgow during a “coffee run” The Doctor finds himself in the middle of a war between one of his oldest foes, The Daleks, and a human outpost. He ends up on the bridge of a haggard military ship with a new secret weapon – a captured Dalek. Bound in chains, this Dalek (or “Rusty” as The Doctor dubs him) seems different. Sure it’s a genocidal killing machine hell-bent on universal domination, but this one seems to hate one thing more than any other – his own race. If only the crew of the Aristotle, a former hospital ship locked into battle with the Dalek Empire, can figure out what makes the heretical “Rusty” tick, perhaps they can end the war for good. With this in mind, they do what any reasonable military squad would do – shrink themselves down and adventure into the beast itself!

doctor-who-into-the-dalek-explosions

So far, Peter Capaldi is doing an awesome job portraying everyone’s favorite space hobo, and the main selling point for me is a return to his more emotionally distant state. He gets chastised many times for being a bit too callous when faced with the deaths of seemingly unimportant characters, showing that to him the needs of the many outweigh the needs of the few – a direct callback to the Hartnell era. At one point, a soldier causes a flood of Dalek “antibodies” to swarm the party, the Doctor tosses a device to him and urges him to swallow it as fast as he can. When he does the Dalek spheres immediately kill him. When everyone gets mad, the Doctor has to acknowledge that the man was already dead, and The Doctor bought everyone else time. This is a far cry from the Tennant-era teary-eyed doctor apologizing every time something went wrong.

doctor-who-into-the-dalek-peter-capaldi

The “carer” quote that I placed above is a good nod at this newly re-discovered saltiness, and Clara seems to be there to keep The Doctor from being a self-absorbed jerk to everyone. When he says that Clara “is his carer” I don’t see it as simply wanting to do whatever he wants with no regard to others, Clara is there to ground him. Instead of existing as a convenient Deus Ex Machina as with her previous season, she has evolved into something more.

Her character development has accelerated in these last two episodes, and she’s finally shaping up to be something special. While Capaldi definitely has a “fatherly” vibe to himself, I wouldn’t say that he acts as her father figure. In many ways, I’d even suggest that he’s almost more childlike that he was in previous incarnations.

doctor-who-into-the-dalek-clara-and-twelve

The Doctor once again brings us to one of the themes this year, his questioning whether he’s a “good man” or not. While Deep Breath reveled in his moral ambiguity and questions of unscrupulous things he may or may not have done, this episode is a bit more weary. In many ways it reminds me of season one’s Ninth Doctor trying to recover from all of the bad things he thought he did in the time war, but instead of survivor guilt he seems to be saddled with the feeling that he’s always doing bad things and hurting people.

Since he recently undid the thing that ultimately made him feel the worst (the destruction of his people) and lived 900 years in a wonderland where he was beloved by many (The Town of Christmas) one would wonder why he isn’t a bit happier. Could he be worried that’s he’s going down the same path that so many of his former Timelord acquaintances went down? Could we see a return to the sheer arrogance of The Doctor we saw in Waters of Mars?

doctor-who-into-the-dalek-michael-smiley

On a slight side-note: Capaldi also gets all of the best lines in the episode, my personal favorite being a quip regarding the “shrinking machine”: “Fantastic idea for a movie. Terrible idea for a proctologist.”

This episode sees the inclusion of a character that I hope becomes the second companion this year – Danny Pink as played by Samuel Anderson. It’s immediately apparent that Pink is going to be Clara’s love interest this season, seeing as The Doctor is now off the table. A former soldier with a dark past, Pink could be the sort of action man that I’ve been wanting since John Barrowman left the show years ago. Danny Pink’s secret obviously involves his accidental killing of a civilian or something similar, as we see hints that he didn’t come back in one piece after his fighting.

doctor-who-into-the-dalek-danny-pink

With the Doctor’s assertion that “he hates soldiers”, I can see there will be some sort of sparks flying this year. While I liked Rory during the Eleventh Doctor era, he was usually emasculated for comic relief ala Mickey Smith a lot of the time. Since The Doctor shouldn’t have that whole jealous love-triangle thing going on, I hope they can get on as friends. Strong male companions are about as rare as strong female characters in about every other show, and I hope this season puts an end to that!

I refrained from discussing another supporting cast member in my last review aside from a tiny sentence, but here we go – Who is Missy!? Michelle Gomez plays this new character that, while not specifically shown to be evil, comes across like a dark Mary Poppins. So far, she has plucked two characters from certain doom (at the hands or suggestion of The Doctor) and taken them to a place called “Heaven”. I have no idea what her motive is at this point, but it’s fun speculating on who she is. Everything is pointing to her being a fellow renegade Timelordess, but the real question is – who? Could she be the Rani? The Master (Mistress)?, or a totally new character? For right now all I can say is that she’s creepy, and I hope we see more of her this season.

doctor-who-into-the-dalek-missy

Before we close out today’s review, I’d like to touch on the direction of this episode. Ben Wheatley seems like one of the many Doctor Who directors that can really make an episode look far more polished than other similar shows. His use of blue-lighting, slow motion for action sequences, and pyrotechnics really made this feel like a movie in certain places. Hopefully Mr. Wheatley does more work for the show, as both episodes so far have looked great.

My only real quibble is that the sound mixer has once again allowed the soundtrack to overcome some of the dialog in certain scenes, a problem that has been plaguing the show for years. I blame the fact that everyone is expected to have huge home theater systems in 2014, and those of this that do not are simply out of luck.

doctor-who-into-the-dalek-daleks

All in all, this was another solid episode – nothing classic by any means, but another fine example of what the show can offer. I was happy to see some familiar faces in there, like Michael Smiley from Spaced and The World’s End, showing that this show has some of the best supporting casts out there. I can’t wait to see Danny Pink in action, and hope The Doctor treats him better than other male companions as of late, we don’t need another Mickey! Here’s to the next episode Robot of Sherwood, and to more of this solid season!

Doctor Who: Deep Breath (2014)

Doctor-who-series-8-episode-1-deep-breath-doctor

“Look at the eyebrows! These are attack eyebrows! You could take bottle tops off with these! They’re cross, crosser than the rest of my face. They’re independently cross. They probably want to cede from my face and set up their own independent state of eyebrows!”

 

It’s been a long eight months since the newly-born Twelfth Doctor mused about his new kidneys. Eight months where I had to recover from what was most likely a Doctor Who overload during the 50th anniversary celebrations. So here we are, summer 2014, and I don’t know about you guys – but I’m glad my favorite TV show is back! I’m especially glad that the recent trend of having short seasons, split seasons, and other things that generally make me (and a lot of other fans) feel like we’re getting ripped off has ended. We’re in for a full, uninterrupted , 13 episode season this time around, and I couldn’t be happier.

The story of Deep Breath takes us back to Victorian England where everyone is amazed, and somewhat terrified, by the presence of a real-life Tyrannosaurus Rex in the middle of London. The Paternoster Gang (Strax, Jenny, and Vastra) are about to get to their crime fighting on, when a familiar blue police box is expelled from the maw of the mighty beast. Faced with a giant monster on the loose, a possible serial killer, spontaneous human combustions, and a version of The Doctor who isn’t really feeling like himself, it looks pretty bleak for our heroes.

Doctor-who-series-8-episode-1-deep-breath-dinosaur

Being the first episode of a new series, and the introductory episode for a new Doctor, I was actually surprised at the way Deep Breath unfolded on our screens. The episode opens with the aforementioned T-Rex attack, something that is typical “premiere episode” fare. A lot of times, we have had season openers that go crazy with special effects and spectacle to gear us up for the rest of the season, much in the same way US television pilot episodes are a bit more “flashy” than the rest of the show. This episode starts that way, but slowly evolves into somewhat of a character piece that we usually do not see until around mid-season. I bet this slower pace put off some fans, but I personally found it a bit refreshing. My main concern with a lot of current Doctor Who is that the episodes sometimes feel constrained by the timeslot, running time, and a general lack of “breathing room”. With an episode title like “Deep Breath”, this breathing room seems built into the DNA of the episode itself.

Clara is given room to really show her personality, which is amazing because her story-arc in season seven had the potential to doom her as some sort of a gimmick-companion if she never matured past it. It’s almost like Steven Moffat listened to some of the criticism he has been given of late, regarding his writing of female characters, and gave them most of an episode to shine. The Paternoster Gang is given quite a bit of screen time, with Vastra and Jenny’s relationship dynamic getting aired out a little more than usual.

Doctor-who-series-8-episode-1-deep-breath-clara

This did come across sort of silly at times because a lot of it seems to be both of them constantly re-affirming to the audience that they were in fact married, just in case the subtlety of a lesbian inter-species marriage was too ambiguous for the audience to comprehend. I can just imagine some guy sitting in front of his TV completely baffled and exclaiming “wait, so these two women are MARRIED!!! what what WHAT!” That aside, I really enjoyed seeing this interaction between the two of them. Strax is basically there as comic relief like usual, and although he does the same jokes in every episode he is in, I love them each time.

Most importantly, this episode showed us the usual overly-manic side to The Doctor that always makes these introductions a bit unpredictable. His “regeneration sickness” played out much in the same way that the Sixth Doctor’s did in his first outing. Well, minus that whole “trying to kill the companion” business. There are moments where one really wonders if The Doctor is about to turn evil or something, but I think that’s because we’re so used to the more touchy-feely, less-alien versions of the doctor since 2005. Capaldi’s Doctor, once he mellows out, is definitely a throwback to a previous time with the moral ambiguity of Hartnell’s First Doctor and a dash of Fourth Doctor showing through the most.

Doctor-who-series-8-episode-1-deep-breath-clockwork-droid

Hartnell had those moments where he was hardly what anyone would call a “good guy” a stark contrast to the recent “Space jesus” archetype that David Tennant’s Doctor especially had. One can recall the often referenced incident from the first serial where he was about to crush a caveman’s skull with a boulder simply because he was slowing the party down. This anti-hero tendency is revisited here in spades. Capaldi’s Doctor has a moment where is is left with a conundrum: in order to defeat his foes he has to either A) commit an act of murder or B) convince the villain that he has nothing to live for an “off” himself. Both are horrible choices, and The Doctor lays out the fact that he’s “hardwired” not to preform option A, but will do anything to protect Earth if he needs to.

When the deed actually happens, it happens off camera, with us only seeing the aftermath. The question ends up being: “did he do it?!” This hammers home the “theme” from the trailers, that went out earlier this summer, where The Doctor was asking the audience whether he was a good man or not, somehow I think this will pop up more this season. All-in-all Capaldi has already hit it out of the park for me, because a combination of Hartnell and Baker just happens to be a combination of my long-time favorite versions of the character.

Doctor-who-series-8-episode-1-deep-breath-doctor-chalk

The Doctor had some great interaction with Clara this time around, and to me it almost seems like Clara and Twelve will “work” the best together, better than Clara and Eleven. One scene in particular involved the dynamic duo meeting in an Italian restaurant that hides a horrible secret. Clara is angry at The Doctor because he left her “high and dry” and seemingly went into great lengths to come up with a contrived puzzle for her to solve to find him. The Doctor says that the person that did the puzzle was an egotistical power hungry lunatic, which Clara takes as an apology, but it soon becomes clear that he is under the impression that she placed the ad, and is actually talking about her! There is also a joke in the scene where he tries to lie about where he got his new coat, one that reeks of all manner of horrible gutter smells that a typical Victorian homeless man would have. He almost makes it seem like he stole it from someone as he sheepishly answers her questions.

The all-important villain to this episode is somewhat surprising to me, because it marks the return of a “monster” that I felt was surely just a one-off, in the clockwork service droids last seen in The Girl in the Fireplace. That previous episode showed the droids actively looking for parts to repair their ship after the S.S. Madame du Pompadour was damaged. In desperation, they eventually killed the entire crew and used human flesh for the repairs, then went even more “crazy”. Somehow they got it in their clockwork noggins that the actual brain of their ship’s namesake would repair their ship. Deep Breath shows an even more dangerous version of these droids that seemingly survived “crashing” on mesozoic Earth after yet another failed voyage of a 51st century time ship, this time the S.S. Marie Antoinette.

Doctor-who-series-8-episode-1-deep-breath-paternoster

The droids have spent millions of years repairing themselves to the point that they have created their own religion and have lost all sight of their original purpose. The “leader” of this group speaks of “The Promised Land”, but seems confused as to what that actually means and how he is to attain his goal to go there, seemingly his plan is to simply survive by killing innocent people until it just shows up. Basically they have become “reverse-Cybermen” in that they are trying to keep themselves alive by grafting human parts onto their original machine bodies. The Doctor makes an apt remark about a hypothetical broom where one might replace the handle, then later replace the broom’s head. He questions whether this is in fact the original broom at all, in reference the the constant replaced parts used by these droids.

I really enjoyed Deep Breath, and although it had an odd pacing and seemed a bit “talky” it was one of the better opening episodes since the show came back. I honestly wish they would just make the episodes an hour long even though the U.S. Market would flip out due to our stupid 42 minute run-time rules. My only real complaint with the episode is that the initial set-up involving the Paternoster Gang investigating cases of spontaneous human combustion was overshadowed by the T-Rex attack so much that it made the whole thing seem tacked on. I’m not sure if it’s because the subject matter is fairly disturbing for a family audience, or that the episode was already pretty long, but it simply felt like a loose end. Next week, we have a new Dalek episode to look forward to, so check back soon to see what I though of Into the Dalek.

Doctor-who-series-8-episode-1-deep-breath-jenny-vastra

P.S. “Missy” better be The Rani, I know she probably isn’t but having another renegade Timelord would be AWESOME!!

Doctor-who-series-8-episode-1-deep-breath-missy

Doctor Who Finally Gets That FULL Series 8 Trailer We’ve Been Waiting For