(AKA Season 1, Episode 7)
It’s been a while since I did a write-up for Tripods, hasn’t it? In fact, I feel like it’s been far too long, something I’m fixing right now. My plan for this “Doctor Who drought” that we are about to enter is to try to clear up a few shows I never completely finished up, and Tripods is right at the top!
Before I get into my review of episode seven, I’d like to touch on something that gives me hope for this franchise in modern times. With the success of The Hunger Games and other youth-oriented dystopian films, I’m hoping that film execs will realize the potential they have with this story. Many may not realize it, but Disney has owned the rights for a film adaptation of the series for upwards of a decade and a half, and have been sitting on them. Considering how long it took before we got a second Tron film, I’m not too optimistic in many ways. My hope is that, much like with Harry Potter, The Hunger Games craze will ignite a new slew of movies that are vaguely similar, not copycat films, but in the same vein.
There was a script floating around, said to be helmed by Alex Proyas (Crow, Dark City, and I, Robot), that made huge changes to the plot, such as changing genders and creating love triangles between characters that has seemed to died off thankfully. I mean, take this nugget from a Digital Spy interview in 2009:
“Well, we’ve erm, I’m giving you all my secrets, but we’ve actually changed Beanpole to a girl. That was a pretty significant change, because I really just didn’t get the notion that there’d be these three boys traveling around the countryside and they just really wanted to have a girl in the mix.”
Now for the review!
We’re getting closer to the end of what I like to call “The Chateau Arc” for the most part here, and while I’ve enjoyed it immensely, I’ll be glad for the story to move along a bit. There is only so much wandering around an old castle drinking wine, and being aristocratic I can handle! When we last left “Will and the gang” a plea had been made to Will’s love interest, Eloise, for her to come along with him on his planned escape. When she refused, he was in utter shock and soon realized the worst – she was already capped with the Tripods mind control device, a fate worse than death itself for Will. With only days remaining until a sporting tournament on the grounds of the Chateau, and a wedding looming, Will has some tough decisions coming up.
Beanpole and Henry have left already, and are worried about the implications of their split party. Henry is worried that Will’s capping will mean the Tripods will not only know of their plan, the network by which they have been traveling, and where they are going, but that could intercept them. Thankfully, despite his little whiny displays last episode, Henry is not only thinking about himself. He is worried about Will and wishes him happiness, but feels like he has abandoned him in some way. Will is about to watch a series of games that vaguely resemble the type of competitions one might witness at a “Renaissance faire”. The winner of these games is our old buddy Duc du Sarlat, the eternal “Joffrey” of this universe. Not only did he cheat to win, but “The Duke” basically goes around wounding everyone he comes across, all in the name of sportsmanship.
Throughout the last few episodes It’s been left fairly vague as to what winning this competition actually means in the grand scheme of things, and Will only finds out at the end of the tournament. In order to “get back” at Will and ruin his future with Eloise, Sarlat names Eloise as his “Queen of the Tournament”, an honor that means Eloise is to be taken away from the Chateau and hauled off to the Tripod “City of Gold”. All of the girls in the village run out and lead her to an awaiting Tripod, and it’s all over. Will never has to make the tough decision because his fiance is ripped from his side, and is presumed to never be seen again.
One sad note about this episode is that the girl who portrayed Eloise, Charlotte Long, died shortly after filming the first series of the show. This episode is essentially the last to feature Eloise, minus a dream sequence in series two, but it’s sad to think that she died so young. According to IMDB” She died three days after sustaining injuries in an accident on the M4 motorway, when a truck crashed into her parked car after it had broken down. Her passenger survived with only minor injuries. The resulting inquest heard that the truck driver had sneezed, causing him to lose control of his vehicle and violently rear-end her car while it was parked on the side of the road.”
There really isn’t anything new to be said about this episode, as all of the “Chateau arc” episodes really go together. It can be said that this episode has picked up in tension and drama, something that lacked in the last few “comfortable” episodes. I’m excited to see what Will does now that there is no reason to stay in France, and whether he tries to get even with Sarlat. So here’s to episode eight, where Will goes on the run once again.
- The Tripods: (1984) Chateau Ricordeau, France, July 2089(anamericanviewofbritishsciencefiction.com)
- The Tripods: (1984) France, July 2089 (anamericanviewofbritishsciencefiction.com)
- The Tripods (1984) – The English Channel: July 2089 AD(anamericanviewofbritishsciencefiction.com)
- The Tripods England (1984), July 2089 AD(anamericanviewofbritishsciencefiction.com)
- The Tripods (1984) – A village in England: July, 2089 AD(anamericanviewofbritishsciencefiction.com)
- Lascaux, Sarlat & confit – Lascaux, France (travelpod.com)
- How To Watch British Television in America(anamericanviewofbritishsciencefiction.com)
- People That Whine About Science Fiction Being Too Political Are Media Puppets(anamericanviewofbritishsciencefiction.com)
- Orphan Black (2013) Episode 1 (anamericanviewofbritishsciencefiction.com)