100% Nerd Stuff
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 100,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.
Click here to see the complete report.
Doctor Who Christmas specials, like many other special Christmas-themed television episodes, are usually fairly “fluffy” and hold little substance in the grand scheme of things. TV execs usually assume that many will only have the TV on in the background if they have it on at all, and anything complex is unwanted. Thankfully this mindset has been fading away recently, leading to some halfway decent Christmas programming.
I grew tired of narrow Christmas themed episodes a few years ago in Doctor Who when The Doctor, The Widow, and The Wardrobe bored me to tears. I will take my hat off to Steven Moffat for blessing us with two consecutive years of solid holiday specials (Last year’s The Snowmen, and now this), thus wiping the blandness of the 2011 special from my mind. What makes The Time of the Doctor so good is that it’s not just a typical “here’s a huge guest star!” affair like previous Holiday episodes, it’s a fairly subdued regeneration episode with only a dash of Christmas theme in place. That isn’t to say it lacks spectacle, but they got most of that out of their systems with The Day of The Doctor.
The Doctor has found himself amongst thousands of spacecrafts all locked onto a “distress call” of sorts. This “space beacon” is being broadcast across all time and space, and seems to be untranslatable. His curiosity gets the best of him, and he attempts to force his way onto a few of the ships to get some answers as to what the signal is all about. After humorously boarding both a Dalek craft and a Cybership, he ends up picking up Clara and visiting an old friend at “church” to get answers. This church is the Church of the Papal Mainframe, a gigantic space church headed by Mother Superious Tasha Lem, someone The Doctor seems to be fairly intimate with. The church has locked the planet where the signal can be traced from, and horror of all horrors, the planet is coming up as “Gallifrey” on all sensors. The Doctor Volunteers to go to the surface and investigate, not realizing that the longest chapter in his life is about to begin.
Of course, we eventually find out that this mysterious planet is in fact Trenzalore, the place where the Doctor is said to die, and he realizes what has been put in place. Somehow the Time Lords themselves are behind the crack in time we saw back in series 5, and want to use it to escape their existence outside of reality. Apparently The Doctor has to simply utter his name (The distress call was “Doctor Who?!”), and they will be released back into the rest of the universe, but that comes at a price. If they do appear the Daleks will surely re-ignite the “Time War”, and drive all reality into madness. The Church locks down the planet and the siege of all sieges begins, they call themselves “The Silence” and impose a rule that The Doctor can never utter “The oldest question in the universe” or they will blow Trenzalore out of existence. The Doctor stays on Trenzalore in a “Town called Christmas” for over 900 years, that’s right after this episode The Doctor is now over 2000 YEARS OLD!
This battle between multiple races, The Silence/Church of the Papal Mainframe, and the citizens of Christmas is barely shown on screen, and we only see brief glimpses hundreds of years apart. This almost Tolkien-esque choice of not relying on the actual battles of this war, and simply the fallout of such a conflict is a pretty jarring choice and a brave one by Moffat, as many were probably expecting something more along the lines of “a war to end all wars”. I actually commend Mr. Moffat for this because I tire of the ridiculous season ending spectaculars we used to get in the Davies era. After the Earth got towed around the galaxy by the TARDIS, and there was a giant Cyberman in Victorian England, his M.O. Seemed to be “how am I going to top that this year?” Thankfully, it’s mostly left to our imaginations in this episode.
Steven Moffat has been criticized in the past for leaving large plot holes in episodes and generally not fleshing out all of his ideas. I have been of the opinion that he would eventually conclude all the loose plot threads from the previous episodes involving the “crack in time”, the Silence, the exploding TARDIS etc. I’m under absolutely no impression that he expertly planned out the entire plot, or that he knew when Matt Smith would leave, but I feel that he probably grew tired of fans complaining all the time about things he felt were sufficiently wrapped up, and wanted The Time of the Doctor to be the big red bow atop the gift box that was Matt Smith’s reign as our favorite time hobo. And that’s what we get with this episode, a clean slate going into the eighth season. The baggage of missing regenerations has been cleared up, the regeneration limit has been tackled, holdovers from the Russell T. Davies era have been sorted out, and his own plot holes have been vanquished for the most part.
Matt Smith does a fine job in this episode, and really conveys the sadness of a man seemingly “trapped” on a planet that needs his help for nearly 1000 years. As one would imagine, he buys into his own mythology, and yet hides himself away in a similar manner to the way we saw him post Amy and Rory departure. His only real companion for a large portion of this time is a re-purposed Cyberman head named “Handles” that harkens back to the days of K-9 and Tom Baker in the TARDIS. Their banter is pretty hilarious, and it really makes me wish that handles would have been around longer. It’s sort of like the Tom Hanks film Castaway and the relationship between Hanks’s character and “Wilson” only “Handles” is somewhat sentient.
As the Doctor gets older and older (handled with old age makeup) he becomes more unhinged, lonely, and prepared for death. He begins to embody the “old man”mentality that we’ve always seen him covey, albeit with a young body. I will miss Smith in the role, but feel he is leaving at the correct time. I’d rather wonder what another Smith-helmed season could have brought, instead of hoping he leaves ala David Tennant during his final “season” on long-form specials.
My only few gripes involve the actual regeneration scene. What I assumed to be the “final moments” of the Matt Smith Doctor involved a release of regeneration energy so massive that he was able to project it towards Dalek ships, destroying the entire fleet. Suddenly, The Doctor was engulfed in a massive explosion that made the one from The End of Time look weak. Had Clara found a comatose Peter Capaldi Doctor laying in rubble, or something similar, it would have been something different. What we actually got was somewhat similar to the last one, almost down to the dialog in play. For some reason, the writers added in a scene where Smith “got younger” before the actual regeneration took place and met a hallucination Amy in the TARDIS. I get the sentimentality involved, and it was awesome to see Karen Gillan, but an episode that prides itself in “fixing confusing plot holes” sure added some baggage in the mix at the end.
I also feel that the script downplayed the regeneration limit more than I figured it would. I definitely didn’t want to see more “I don’t want to go!” Emo Doctor fan-girl bait, but the actual realization that the end was nigh seemed to neither bother Clara or The Doctor very much. Clara did plead with the crack in the wall for Time Lords to help him somehow, someway, which resulted in a new regeneration set being magically granted to The Doctor, but it was like it never crossed her mind that he could have ceased to exist essentially. Thankfully, the new regenerations either re-wrote time or pushed his final resting place from The Name of The Doctor further in the future, and perhaps it will only become an issue in another 50 years!
I enjoyed The Time of the Doctor quite a bit, especially for it’s refreshing take on the holiday special template. The humor was well-placed like the “nude scenes” and interactions with “Handles”, and the drama was great when it needed to be there. I thought the end was sort of off-kilter, but it didn’t ruin Capaldi’s first scene any more than loud Murray Gold music did (for the record, not much). While I think this special was inferior to 2012’s The Snowmen, it’s still in the upper tier of Christmas specials all around. Here’s to season eight, good Lord it’s going to be yet another LONG wait!
(AKA Season 1, Episode 7)
It’s been a while since I did a write-up for Tripods, hasn’t it? In fact, I feel like it’s been far too long, something I’m fixing right now. My plan for this “Doctor Who drought” that we are about to enter is to try to clear up a few shows I never completely finished up, and Tripods is right at the top!
Before I get into my review of episode seven, I’d like to touch on something that gives me hope for this franchise in modern times. With the success of The Hunger Games and other youth-oriented dystopian films, I’m hoping that film execs will realize the potential they have with this story. Many may not realize it, but Disney has owned the rights for a film adaptation of the series for upwards of a decade and a half, and have been sitting on them. Considering how long it took before we got a second Tron film, I’m not too optimistic in many ways. My hope is that, much like with Harry Potter, The Hunger Games craze will ignite a new slew of movies that are vaguely similar, not copycat films, but in the same vein.
There was a script floating around, said to be helmed by Alex Proyas (Crow, Dark City, and I, Robot), that made huge changes to the plot, such as changing genders and creating love triangles between characters that has seemed to died off thankfully. I mean, take this nugget from a Digital Spy interview in 2009:
“Well, we’ve erm, I’m giving you all my secrets, but we’ve actually changed Beanpole to a girl. That was a pretty significant change, because I really just didn’t get the notion that there’d be these three boys traveling around the countryside and they just really wanted to have a girl in the mix.”
…..Yeesh!
Now for the review!
We’re getting closer to the end of what I like to call “The Chateau Arc” for the most part here, and while I’ve enjoyed it immensely, I’ll be glad for the story to move along a bit. There is only so much wandering around an old castle drinking wine, and being aristocratic I can handle! When we last left “Will and the gang” a plea had been made to Will’s love interest, Eloise, for her to come along with him on his planned escape. When she refused, he was in utter shock and soon realized the worst – she was already capped with the Tripods mind control device, a fate worse than death itself for Will. With only days remaining until a sporting tournament on the grounds of the Chateau, and a wedding looming, Will has some tough decisions coming up.
Beanpole and Henry have left already, and are worried about the implications of their split party. Henry is worried that Will’s capping will mean the Tripods will not only know of their plan, the network by which they have been traveling, and where they are going, but that could intercept them. Thankfully, despite his little whiny displays last episode, Henry is not only thinking about himself. He is worried about Will and wishes him happiness, but feels like he has abandoned him in some way. Will is about to watch a series of games that vaguely resemble the type of competitions one might witness at a “Renaissance faire”. The winner of these games is our old buddy Duc du Sarlat, the eternal “Joffrey” of this universe. Not only did he cheat to win, but “The Duke” basically goes around wounding everyone he comes across, all in the name of sportsmanship.
Throughout the last few episodes It’s been left fairly vague as to what winning this competition actually means in the grand scheme of things, and Will only finds out at the end of the tournament. In order to “get back” at Will and ruin his future with Eloise, Sarlat names Eloise as his “Queen of the Tournament”, an honor that means Eloise is to be taken away from the Chateau and hauled off to the Tripod “City of Gold”. All of the girls in the village run out and lead her to an awaiting Tripod, and it’s all over. Will never has to make the tough decision because his fiance is ripped from his side, and is presumed to never be seen again.
One sad note about this episode is that the girl who portrayed Eloise, Charlotte Long, died shortly after filming the first series of the show. This episode is essentially the last to feature Eloise, minus a dream sequence in series two, but it’s sad to think that she died so young. According to IMDB” She died three days after sustaining injuries in an accident on the M4 motorway, when a truck crashed into her parked car after it had broken down. Her passenger survived with only minor injuries. The resulting inquest heard that the truck driver had sneezed, causing him to lose control of his vehicle and violently rear-end her car while it was parked on the side of the road.”
There really isn’t anything new to be said about this episode, as all of the “Chateau arc” episodes really go together. It can be said that this episode has picked up in tension and drama, something that lacked in the last few “comfortable” episodes. I’m excited to see what Will does now that there is no reason to stay in France, and whether he tries to get even with Sarlat. So here’s to episode eight, where Will goes on the run once again.
Every once in a while, one of these nice blog awards rolls through the entire “blogosphere” and gives many of us an excuse to personally thank other bloggers that we enjoy reading and/or inspire us in some way. Earlier this week I was awarded “The Dragon’s Loyalty Award” by a fellow blogger named Gene’O, from the blog Sourcerer. I wish to thank Gene’O, and hope others will check his blog out! These aren’t real “awards” as some people think about them, in that they do not have a panel that chooses a winner and there is no prize. These are more like a recognition meme of sorts – a way for bloggers to look back and thank their online buddies.
The award itself has simple rules:
So here we go, I guess I’ll post seven random things about myself since I rarely talk about myself on here.
1) Ever since I graduated, I’ve become one of those people that, for whatever reason, tries to stay busy all the time. Aside from blogging, I work full time, help on a buddy’s podcast, and take college classes through EDX. This has led to me getting “burnt out” every once in a while. I try to reign it in the best that I can.
2) I used to be really into metal music in High School, and still enjoy it but not exclusively like then. As I’ve aged, my tastes actually broadened and I listen to incredibly heavy stuff like Norwegian Black Metal mixed with poppy sounds of 80’s post punk and new wave. I shudder to think of someone that accidentally stumbles into my iTunes account.
3) For the fist ten years of my “adult life” (I’m 31 now), I never got my driver’s license. In fact I only started driving when I turned 27, and it was because I got a job pretty far from my house. My wife and I try to live frugally, so retail work did not support the idea of owning a car.
4) I’m a “cat guy” because I’m fairly scared of dogs to a degree. When I was four years old I was mauled by the family dog, and as one would assume – I simply don’t trust them anymore. I have kept cats ever since then, and people joke around that “I’m a crazy cat lady”, even though I’m not a lady of any sort…lol
5) I used to be REALLY into Japanese anime, so much that I was once the president of the local anime club. although I’m not into what many newer fans are into, I almost enjoy anime sci-fi better than British sci-fi.
6) I’m not a sports guy at all. Although, I’m a HUGE fan of professional wrestling. despite me knowing exactly how fake it is, much to the dismay of non-fans that non-politely try to remind me of the fact. I just like the athleticism, stories, and matches more than “real sports”.
7) I have a handlebar mustache that I have gone as far as to purchase mustache wax to maintain.
And now, here are a few blogs to check out (my nominees):
Well that’s it for today! I hope everyone has a great holiday Next week!!
Here is a fitting tribute to the one time every few years that Doctor Who fans both dread and anticipate the most – The regeneration. This video includes ALL of the regenerations minus the fake-out one with David Tennant where he displaced the energy and simply healed himself. That’s right, you see both John Hurt and McGann in here! I am confused by the inclusion of Matt Smith’s Doctor and his “death” at the hands of “The Impossible Astronaut”, but I didn’t make the video. And without further ado…
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I’ve looked at a few Nigel Kneale teleplays from the 1950’s this year, and I thought it would be a nice change of pace to find one of his later works to review for this very blog. I truly believe that Nigel Kneale is one of the often overlooked grandfathers of science fiction, as you can see his fingerprints on tons of modern genre TV (especially Doctor Who). That’s the main reason I’ve been slowly digging through all the Quatermass material I could get my hands on – to hopefully build some awareness if I can.
Today, I ultimately settled on The Stone Tape, mostly because I had never heard of it before this viewing. This was Kneale’s last accepted BBC script before he ultimately got fed up with them and jumped ship to ITV. After years of what he perceived to be meddling and broken promises by the BBC, Kneale took his rejected fourth Quatermass script, among others, and ran. Luckily The Stone Tape doesn’t shed any light on his professional troubles, and seamlessly blends sci-fi, horror, and drama into one cohesive film that was so well received that it helped establish a paranormal theory – the stone tape theory.
As Wikipedia states “The Stone Tape theory is a paranormal hypothesis that was proposed in the 1970s as a possible explanation for ghosts. It speculates that inanimate materials can absorb some form of energy from living beings; the hypothesis speculates that this “recording” happens especially during moments of high tension, such as murder, or during intense moments of someone’s life. This stored energy can be released, resulting in a display of the recorded activity. According to this hypothesis, ghosts are not spirits but simply non-interactive recordings similar to a movie. Paranormal investigators commonly consider such phenomena as residual hauntings.”
In an effort to gain market share on his Japanese competitors, the head of the R&D department of Ryan Electronics, Peter Brock, has been struggling to develop a new recording medium that can revolutionize the industry. His team have set up shop in a new facility within an old Victorian mansion called the Taskerlands, a property that seems to have some unwanted lab assistants. Jane Asher (See my review of A for Andromeda for more of her) stars as the weak-willed computer programmer Jill Greeley. Jill spends the first few minutes of the film paralyzed by fear for a handful of different reasons: first a near miss car accident, then a ghostly sighting within the mansion. To Jill’s horror, a young woman can be seen committing suicide within a room that workers refuse to renovate.
After asking around, the team learns that The Taskerlands is, in fact, notorious for the death of a maid some one hundred years prior. Brock puts two and two together and realizes that this “haunted room” has somehow recorded the death of this poor girl. This phenomena, dubbed “stone tape”, could be the very breakthrough that the team is looking for, just as long as they can somehow harness it. As you can imagine, there are setbacks and all manner of paranormal incidents going on at the Taskerlands, and not everyone makes it out in one piece.
The Stone Tape vaguely reminds me of a handful of serialized TV shows such as The Twilight Zone or The Outer Limits for some reason. It’s not because it has a big moral at the end of the story or anything, unless that moral is science is bad, but the way it ends is one of those abrupt shock endings you get used to with that sort of show. The Stone Tape definitely has a better budget than those sorts of shows, but fans of that genre might be interested.
As with anything from the 1970’s, there is quite a bit of “culture shock” to get through when watching something almost 40 years after the fact. The entire plot hinges on the fact that everyone at Ryan Electronics fears that Japan will soon be taking over their entire country in just about every way, and finding a way to edge them out is the only way to stop it. This reeks of the general xenophobic mindset of the time, something that manifests itself with casual racism and “yellow peril” / Fu Manchu impressions from a few characters. These scenes made me cringe a bit, but luckily they weren’t glamorized, one man thankfully gets told to shut up. Seeing this, one has to wonder how poorly anything modern, full of the casual anti-Islamic sentiment we see in TV, will look forty years from now? I bet my grandchildren will be just as embarrassed as I am today.
My main quibble with this drama is something I brought up earlier, and another cultural relic from a long time ago. Jill is a laughably weak character, seemingly breaking down into fits of madness whenever anything bad happens. She’s like one of those stock “old-timey” female characters that has to be slapped whenever they go into fits for some reason. Granted, I’ve been in a few car accidents, so I know they can mess up your mental state. I can’t imagine someone being so indisposed afterwords that everyone around has to baby the person in question for weeks on end. Jill reminds me of the old stereotype that Doctor Who used to suffer in regards to it’s female companions, as she is seemingly only there to scream, fall down, and look weak. This does a great service of making most of the male cast look dashing and heroic in comparison, at the cost of making Jill unlikable.
As with many productions of the time, this movie has little in the way of special effects. In fact, the only sequences that really have these sorts of shots involve camera tricks to achieve ghostly images, pretty much on par with any other 1970’s BBC sci-fi or horror shows. The horror that builds in many scenes is usually achieved with lighting and sound in place of flashy visuals. These effects include, but are not limited to: Perhaps a blood-curdling scream, flickering lights, or a horrible noise. In many ways, this helps the production, as a cheesy guy in a suit could have ruined any tension that is achieved without it.
Personally I’m more of a fan of this sort of horror film than what most people like, that’s why I usually tell people “I don’t like horror movies”. I have grown tired of “gore porn” films that over-saturate the market today, as they are not scary to me whatsoever. What things such as The Stone Tape have over them is that they can build real tension without resorting to jump scares and blood to make the viewer squirm. I’m not saying it’s the best thing ever, or that I’m now super into horror, but it’s a step in the right direction for me.
The Stone Tape is pretty good despite the flaws it has. It’s by no means the best thing Nigel Kneale ever wrote, but it’s pretty good as a horror /sci-fi program. I will say that some cultural relics from the early 70’s including casual racism and borderline misogyny made me a bit uncomfortable, but neither ruined anything for me. If anything, they made me think of how we act today, and how that will look in the future. If you have a few hours to kill, and want to see an old-school horror movie with a sci-fi splash, you might like watching this, but finding it might not be easy. It was on DVD over a decade ago,but is out of print pretty much everywhere. I was able to find it in its entirety on YouTube, so that should be the place for you to look as well!
(Via Reddit)
My Buddy Byron posted this today and I knew I had to post it on here. Granted, it’s not exactly pertaining to the topic of this blog, but it has larger ramifications for “nerd culture” as a whole. A few fellow bloggers and I have been concerned with the elitest “boys club” misogyny that most nerds seem to possess, but it seems it goes deeper than that…
Paul Dini: Superhero cartoon execs don’t want largely female audiences.
cool vid!
Rather than clogging up your blog “reader”, I figured I’d post some videos that I’ve been meaning to mess with all week. I’ll try to post something else this weekend, and move away from 50th anniversary stuff for a while. I still need to watch the much derided “BBC after party” that is so spectacularly bad it’s hilarious and a few more specials (like the one from Big Finish), so they’ll be on here eventually, but maybe not in the next few days.
Strax videos:
After the incredibly awesome mini-episode The Night of the Doctor, I was pretty stoked to see yet another mini-episode a few days later. Sadly, this four minutes of material lacks almost all of the impact that TNOTD had and barely comes across as well as those one-minute cellphone prequels they did for series 2. I’m only writing about it because I feel like I should be a “completionist” since I’ve been tackling all of the other 50th anniversary material. This was intended as a prequel to the actual special, but it almost seems more like a DVD special feature.
The Last Day tells the story of a Gallifreyan soldier that has been enlisted into the Arcadian branch of their military. As viewers, we see the unfolding story through the eyes of this soldier, a fact that almost immediately makes this seem like a “cut-scene” from a modern “first person shooter” videogame. We are told that Arcadia is the “safest place on Gallifrey” and that nothing has ever gone through both of the oddly-named “sky trenches” we saw in The Day of the Doctor.
Our soldier goes through the agony of having a psychic head-cam bolted into his skull: first the actual pain, then multiple hallucinations of the instructor talking to the newbie seemingly dying. The instructor goes through great pains to explain away these “hallucinations” as an after effect of the camera itself, and not any sort of premonitions. Our soldier is taken to a large gun battery and briefly participates in some target practice. He is told to be on the look out for a Dalek, because “only one would destroy the city”. Seconds later millions of our old armored squid-guys fill the sky, and massacre all of the soldiers.
It’s good to see a bit more of the Gallifreyan military, since anything about their society outside of their high-ranking elite is fairly vague in the TV and books. This was essentially an introduction to the ground soldiers we saw in The Day of The Doctor, and it did well in that regard. Sadly the script isn’t great, the acting is bland, and it feels rather cheap to be quite honest. I didn’t hate it by any means, but it The Last Day seems fairly unnecessary. I would have rather enjoyed four more minutes of Paul McGann, and that’s all there is to it.
(Via Doc_in_the_box on instagram)
Rory even scares Chuck Norris…
As I posted last week, the theatrical release of The Day of The Doctor included two featurettes involving Strax and the “three doctors”. I was saddened to learn that these were not on the DVD / Blu-Ray evidently, but someone has “leaked them to Youtube for us!
Hope Strax doesn’t find out!!
Also, if you missed my 50th Anniversary coverage, here you go:
I was pretty happy when the BBC announced this “docudrama” of the creation of Doctor Who. I mean, I was blown away by all the 50th anniversary programs we got this year, but this was just the icing on the cake for me. Mark Gatiss had his work cut out for him in organizing a film that not only told this “origin story” of the long-lived television show, but did it in such a way that it wasn’t geared solely to the most hardcore of hardcore fans. As the opening card states “you can’t rewrite history, not one line…”, so things had to be altered somewhat for dramatic effect, but it seems like everything in this was within the realm of reality. It’s for this reason, the BBC couldn’t have got a better Doctor Who ambassador than Gatiss to make the program
Mark Gatiss first proposed something similar to An Adventure in Space and Time ten years ago, it was to commemorate the 40th anniversary, or so he thought. BBC higher ups flat out rejected the idea, implying that there was zero interest in reviving the show, and such a drama would be a niche program that the masses would not enjoy. This was still “the wilderness years”, a time when fans had basically settled in the fact that their beloved show would never be back. And so, time passed. In 2005 Doctor Who did come back, and ended up being one of the biggest things BBC could ever dream of. Personally, I’m glad this got made now, and not in 2002. Everything would have ended on the bitter notion that the show was over and we were looking back into one of TV’s most beloved ghosts of the past. By waiting, they were able to really treat everything like how it should be treated – a celebration.
The story of An Adventure in Space and Time is essentially split into two halves that blend together. The first is the story of Verity Lambert, a hard working woman in a “boys club” trying to progress her career in the 1960’s. Lambert was hired by the BBC Head of Drama, Sydney Newman, to create a show based around an idea for a time traveling history program. She was partnered with Waris Hussein, an Indian “art film” director, and thrown out to get things right. They were both inexperienced, and handicapped from the start in the eyes of many at the BBC due to race and gender, but they made it work. After a few false starts, they were able to persuade veteran character actor William Hartnell to take the title role. Then it happened, the show’s second serial, The Daleks, exploded and catapulted Doctor Who into popularity.
The other half is the story of William Hartnell’s role as The Doctor, how it changed his life, and how he didn’t want to give it up. Hartnell was type-cast as “crusty” soldiers in war movies almost exclusively, and this was making him feel unappreciated. He is portrayed as lacking self-esteem, and harboring anger issues due to his career taking a wrong turn. We see his home life being a tad “rough around the edges” as he treats his own family, wife and granddaughter, pretty poorly. Little by little, the role warms his heart, and changes his life. Then just as quickly as it happened, his poor health rips the job away from him.
David Bradley is one of those character actors that always stood in the background of many films that I enjoyed. I always noticed him, but he was never on my “top actor” list. He’s show up in something, like Hot Fuzz for instance, and I’d think “oh hey, that’s Argus Filch!”. Recently, I’ve been really noticing how great this guy is. I think it was when my wife and I started watching The World Without End, and his role of Brother Joseph stood out. He was a villain of sorts, actually quite a horrendous character, but he did such a good job at it. I was excited to see him get this gig playing William Hartnell, and was pretty confident that he’d do okay, but boy was I surprised when he did GREAT. Whenever an actor provides a performance that makes me have teary eyes, like Bradley does towards the end of the film, he’s doing something right. If he doesn’t at least get some sort of nomination at the BAFTA awards something is wrong.
Aside from David Bradley, the casting in An Adventure in Space and Time is amazing. Brian Cox (The actor, not the scientist) does a fine job with his interpretation of Sydney Newman. The loud, boisterous, and almost eccentric Newman is complete with goofy catchphrases and a dark side that show this man saw himself as “the life of the party” and cool, just as long as you didn’t make him mad. Jessica Raine, who fans might remember in the Doctor Who episode Hide, was another outstanding choice, this time for Verity Lambert. While she understates the “piss and vinegar” that Lambert was known for, I feel Raine did an amazing performance. Sacha Dhawan portrays Waris Hussein, and did such a fine job being subtle with much of the man’s life. Hussein was Indian and homosexual in a land where neither was tolerated. Some actors may have played up either trait into the land of stereotypes, but Dhawan did not.
Eagle-eyed viewers will notice that there were quite a few nods the the past within the show. Classic Doctor Who actors like William Russell, Carole Ann Ford, Jean Marsh, and Anneke Wills all appeared in short cameos throughout the film. Other people like Toby Hadoke and Nick Briggs also appear, and will be recognizable by longtime fans. These “Easter eggs” are combined with shot for shot remakes of a handful of scenes from various 60’s episodes, and I loved playing “spot the episode”. My favorites were the recreation of the ill-fated “pilot episode”, The Dalek Invasion of Earth scenes and the Cybermen, shown eating and smoking cigarettes in a menacing way.
I was only disappointed with one thing in An Adventure in Space and Time, and sadly it was one thing I was pretty excited about. Reece Shearsmith was cast as Patrick Troughton (The second Doctor), and although he only appears for a few moments, his portrayal as Troughton was disappointing to me. Being an impressionist, Shearsmith mimicked Troughton’s voice and mannerisms pretty well, but it fell flat. I’d rather he played his own version of Troughton, like Bradley with Hartnell, because his impression seemed hollow for some reason.
Earlier I talked about a moment that made my emotions get away with me, well more like two moments. One was a scene involving William Hartnell at home after he was “fired” from the show due to his ailing health. Bradley pumped so much emotion into a relatively simple scene involving Hartnell “breaking down” in front of his bathroom mirror that it was almost hard to watch. With Bradley bawling and saying “I don’t want to go!” one could easily get lost in his performance. The other moment, one that fans were are on, involves Hartnell filming his final scene. At one point he looks up to the empty TARDIS and sees a “future vision” of Matt Smith in the role leaning on the TARDIS console. With a knowing smile, the audience gets the symbolism that this “regeneration” has created a way for the show to go on, and it will live on without Hartnell. I think some people took the scene too literally, and a glance at the internet showed more than a few people asking “Did the Doctor visit William Hartnell?” and other indications of a point well missed.
An Adventure in Space and Time was amazing, and I may have even liked it more than The Day of the Doctor. I’m one of the weird cases in that I grew up a fan of Tom Baker Doctor Who from PBS, but grew attached to William Hartnell episodes in particular. I wasn’t even alive in the sixties, so it’s not like I have nostalgia for the time period, so I can’t put my finger on why I loved this so much. I think I just feel like many overlook the First Doctor, and William Hartnell in particular. He may have had his personal demons, but this respect he has been getting lately is amazing. In closing, I will state it once again, this needs BAFTA nominations – Gattis for screenplay, and Bradley for Acting.
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